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    honoring harvey's heroes

    Houston real estate and civic powerhouse shares lessons from Hurricane Harvey in telling new book

    Steven Devadanam
    Jun 9, 2022 | 3:55 pm
    Bill Baldwin headshot
    Baldwin, a civic powerhouse, shares his lessons from the storm that ravaged the Bayou City on Friday, June 10.
    Photo by Julie Soefer

    As one of Houston’s most recognizable figures in real estate and social circles, Bill Baldwin, the dashing owner of Boulevard Realty, has garnered a reputation as an passionate voice for quality of life initiatives, urban renewal, and crucial city issues.

    While he mixes with the city’s A-listers and elite with his partner Fady Armanious (the celebrated Tootsies creative director), Baldwin exudes a consummately everyman Houston mentality, as evidenced by his ardent support for equitability for all, smart city planning, preservation (especially in The Heights and Inner Loop), walkability, and even a run for city council.

    Houston Mayor Sylvester Turner named Baldwin to the City of Houston planning commissioner post and as co-chair of the Quality of Life Transition Committee. Both appointments were a perfect marriage of his broad-minded civic interest and real estate/development planning acumen.

    Baldwin’s latest endeavor is a new book about a subject dear to him: Hurricane Harvey, its aftermath, and those who rose above — literally and figuratively — to help their fellow citizens. The new tome, Heroes, Hope, and High Water (find it here), is his account of the 2017 storm that ravaged the city, how he was inspired to take action, and was in turn inspired by those around him.

    Speaking about the storm, Baldwin has noted that Harvey equally affected Republicans and Democrats, the rich and the poor, and the young and the old. In 2018, Baldwin gave the commencement address at his alma mater Sam Houston State; the speech was the catalyst for his new memoir.

    Locals can meet Baldwin when he discusses the book at 6:30 pm Friday, June 10 at Brazos Bookstore in-store event. CultureMap caught up with the real estate powerhouse/civic mind/author ahead of his appearance.

    CultureMap: Harvey impacted everyone in the city differently, as you’re well aware How were you and Fady personally affected?

    Bill Baldwin: I start the book out discussing how Fady and I had no damage. That first Sunday after Harvey made landfall in Houston, we went out and assessed our neighborhood.

    It was after that when I decided to venture to the George R. Brown Convention Center and my 112-day experience working in Harvey Recovery began. We felt very lucky indeed. To be able to be on the front lines helping out other Houstonians instead of being the ones in need of help was a true blessing.

    CM: More than volunteer, you actually created an citizen-powered organization to help.

    BB: About a week after the hurricane hit our region, I created the Harvey Relief Hub.

    That first Sunday, I hopped on my bicycle (and waded through four feet of water at one point) to join the city’s emergency Disaster Relief Center downtown at George R. Brown. After five days of volunteering at GRB, it became clear to me that there was more I could do to help.

    Long lines of Houstonians wanted to volunteer, but were being turned away. Donations had become so enormous that there was no more room and they were no longer being accepted.

    So, I decided with my partner [Armanious] and some of the friends I’d made that week at GRB to start the Harvey Relief Hub. The Hub was a place to pair together those wanting to serve, those wanting to donate, and those wanting to help in other ways with those in need of help, supplies, and information. We took all volunteers and donations.

    CM: The photos in the book are strikingly candid—a mix of found imagery and documentary style.

    BB: The photos in the book come from many different people, including me. Most of them are very real photos just taken on people’s phones to capture what was going on at the time.

    Many of them are grainy or blurry, but they’re real. They’re real, down-to-earth photos simply telling the story of Houstonians stepping up to help Houstonians during this crisis.

    CM: Your commencement address to the graduates at your alma mater turned out to be quite pivotal.

    BB: I was lucky enough to give the commencement address at my alma mater Sam Houston State in the summer of 2018. That speech focused on the life lessons learned from Harvey and this book is the end result of that event. The book starts at Harvey, but it ends with the lessons.

    To me, this book is less about the hurricane and more about what happened after the hurricane and the goodness in mankind after an exceptional event in time.

    CM: What are some lessons we can all learn from Harvey, given our often short memories and even disaster fatigue?

    BB: The core of the book is really all about the many lessons I learned in the aftermath of Harvey so I encourage everyone to purchase a copy of the book to read them all, but one of the biggest lessons I learned is that people are truly good. They want to help and are willing to help others.

    Don’t believe the rhetoric that more divides us than unites us. That is just not true. Harvey showed us how united we can become. At a time when our country seems so divided, I think it’s crucial to remember that.

    CM: We’re officially into hurricane season. Do you think we’re headed for more devastating storms like Harvey? Are we ready?

    BB: Our region of Texas will undoubtedly continue to flood. All sorts of efforts are being made to mitigate flooding in the region, but in the Houston area, we will always need to prepare ourselves for flooding and major storms.

    It’s hard to know how well our city will hold up physically to the next major storm, but I can assure you that Houstonians will be ready to step up and help their fellow Houstonians in the aftermath of that storm.

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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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