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    walkable art

    See inside MFAH's new masterpiece art school before it opens to the public

    Tarra Gaines
    May 16, 2018 | 9:12 am

    The Museum of Fine Arts, Houston will give the world a new angle on what an art education space can become as it officially opens the many doors of the Glassell School of Art on May 20 and invites the whole city to take in some cool, reflective shade from Anish Kapoor’s Cloud Column — while exploring the building and the Brown Foundation, Inc. Plaza.

    The Glassell School opening marks the completion of the first phase of the museum’s campus redevelopment with the entire Susan and Fayez S. Sarofim Campus Project, including the Nancy and Rich Kinder Building for modern and contemporary art, and the Sarah Campbell Blaffer Foundation Center for Conservation scheduled for fruition in 2020.

    At a recent media preview of the Glassell School, MFAH director Gary Tinterow delivered another grand announcement, that having reached $400 million in the project’s capital campaign goal, Nancy and Rich Kinder had issued a $25 million challenge grant to help reach the campaign’s $450 million goal.

    “The entire campus project is a testament to Houston’s historical legacy of what could be called city-building through arts and culture philanthropy, and the Kinders are an extraordinary example of what is now a century-old Houston tradition,” described Tinterow.

    Richard D. Kinder, who is also MFAH chairman of the board; Alfred C. Glassell III, MFAH trustee; Nancy Abendshein, Brown Foundation trustee; and Onur Genç, president and CEO of BBVA Compass joined Tinterow for the media briefing and emphasized the placement of the Glassell School and Brown Foundation, Inc. Plaza as both a physical and creative connection between the museum and the greater Houston community, continuing the MFAH’s mission to be a place for all people.

    Climbing into the clouds
    The inside of the three-story, 93,765-square-foot building designed by Steven Holl Architects is filled with what seems like thousands of lines and planes of cool, soothing grays. I know I wasn’t the only one feeling I was falling upwards into a M.C. Escher lithograph when looking up and getting lost in all the seemingly paradoxical angles of the building’s central stairway. But when the Glassell is explored together as one with the Deborah Nevins & Associates designed Brown Foundation, Inc. plaza, it becomes difficult to pinpoint exactly where the space ends and begins.

    Both the school and plaza lie atop the museum underground parking and can be accessed directly from the garage, one route by stairs up to the plaza another by elevator directly inside the L-shaped Glassell building. Visitors can also just wander into the expansive space from the Montrose sidewalk, as no fencing lines the plaza.

    For an even more spectacular entrance into the school, I climbed the gently sloping roofline stairs, past a stepped amphitheater up to the BBVA Compass Roof Garden. Another door into the third-floor of the school lies atop the roof garden, but it’s difficult not to pause and take in the 360-degree view of the Houston tree-and-skyscraper-lined horizon spread out all around us. The garden feels like it spills out onto all of Houston, or perhaps all of Houston becomes a part of the BBVA Compass Roof Garden.

    The MFAH’s heart
    “Education has been at the heart of the Museum of Fine Arts since its founding in 1900,” reminded Kinder in his opening remarks.

    Having taken art class years ago as a child and then sculpture classes as an adult, I felt a particular empathetic thrill for all the present and future students who will soon learn and make their art in the new building. The Glassell School education programs and classes reach students as young as 3-year-olds, to adults, to the postgraduate artists and critics of the Core Program.

    The new building boasts 24 studios for adults and youth, eight Core Program artists’ studios, four Core Program critical-writers’ studios, a 75-seat auditorium and exhibition space throughout to hang and display students’ work. The school is expecting enrollment to grow to 8,500 students with the expanded course offerings the new facility will bring.

    The hub for culture
    Tinterow explained that community development will be a key component of the campus redevelopment as the Museum invites community partners, performing arts organizations, and entities that develop cultural programming to bring their creative and educational work to the museum, predicting the the MFAH will act as “Houston’s hub for all things cultural.”

    Wandering the plaza and the Glassell building, it’s easy to imagine how the new campus can bring a multitude of groups, organizations and individual Houstonians to create together. The vast spaces of the Glassell and the Brown Plaza will give much room for performing arts, cultural and educational programming in the coming months, years and decades.

    And to begin its role as Houston cultural hub immediately, on Sunday, May 20, the MFAH, along with many community partners, will present Celebrating Community: Opening Day, to welcome Houston into the new space.

    The celebratory event will include performances from Texas Southern University Jazz Ensemble, Ballet Folklorico Performance with MECA, Aperio, METdance, as well as creative and participatory programming from HISD, Inprint, Houston Public Library, Houston Community College, and many more, so check the MFAH website for the full schedule. 


    A night view of the new Glassell School.

    Glassell School, night view
    Photo by Richard Barnes
    A night view of the new Glassell School.
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    Best August Theater

    8 best new plays and musicals opening on Houston stages this month

    Tarra Gaines
    Aug 3, 2026 | 11:00 am
    Queensbury Theatre presents Mean Girls
    Photo by Alexander Cross
    Queensbury Theatre presents Mean Girls

    August tends to bring darkened stages across Houston theaters as our favorite local companies prepare for the big fall season. But this month, Houstonians still have lots of summer theatrical shows and musicals opening.

    Many of these productions spotlight family relationships and dynamics. From long lost twins to bickering sister Muses to awkward meet-the-parents family dinners, Houston stages show us families at their most dramatic and comic. In addition, Stages takes us to Vegas with a nun tour guide and Miller Outdoor brings us dance and acrobatics amid visual art masterpieces.

    The Tempest at Miller Outdoor Theatre (now through August 7)
    As one of Shakespeare’s final plays, this story of magic, regret, revenge, and forgiveness has always been a favorite of directors. After years exiled on an enchanted island with his daughter, the aging magician, Prospero, settles the score on those who put him there, including his brother. In this production, Prospero becomes Propera, and director Sharon Ott, who is also the UH director of the School of Theatre and Dance at University of Houston will emphasize themes of motherhood.

    “There have been many productions of this play with women playing the role, so it's not a novel idea of mine,” Ott says. “But as a woman, I read this play very personally. It's even more personal as I get older because the play was written at the end of Shakespeare’s artistic life. Our design team, choreographer, and composer/sound designer will bring Shakespeare's visual and aural magic to the Miller Outdoor Theatre.”

    Comedy of Errors at Miller Outdoor Theatre (now through August 8)
    The Shakespeare Festival alternates Tempest with one of Shakespeare’s first comedies. Hijinks will ensue, interlaced with scenes of shenanigans, in this mistaken identity comedy. With warring cities, an imprisoned father, two sets of adult twins who were separated by a tempest at sea as infants, angry wives, a lost bag of money, and a very confused town who’s going to blame all the madness on witchcraft, the story could not get much more convoluted on its way to a happy ending. According to Errors director, Jack Young, this Miller production will lean in on the farcical nature of the play with a 60s “vibe” and a “cap tip” to classic television sitcoms of that era, like The Honeymooners.

    A Nice Indian Boy from Aerial Roots Theatre Company (now through August 9)
    A new Houston theater company makes an auspicious debut with this delightful twist on the “bring the fiancé home to meet the parents” plot. In fact, playwright and noted screenwriter Madhuri Shekar’s regional hit play was recently adapted into a critically acclaimed Desi rom-com. Shy and unlucky in love, gay American Indian engineer Naveen, meets the man of his dreams, Keshav, at his local Hindu temple. The only hitch is that his new love is white, though adopted by a nice Indian family. When Naveen finally takes Keshav home to meet his traditional parents, his sister arrives to bring her own drama to a most awkward dinner. The Asia Society hosts this inaugural production from Aerial Roots.

    Late Nite Catechism Las Vegas: Sister Rolls the Dice! at Stages (August 4-16)
    This is one habit Houstonians just can’t break. Yes, Denise Fennell as Sister is back with another audience participatory adventure from the Late Nite Catechism theatrical universe. In this one, the church needs a new roof, so Father Murphy has decided that Sister, with her extensive gambling experience running the church sanctioned bingo game for the last 25 years, will organize a Las Vegas Night. Sister will tackle topics ranging from magicians to show girls, all the while reminding audiences that what happens in Vegas may stay in Vegas, but God sees and remembers everything.

    Mean Girls at Queensbury Theatre (August 6-16)
    Keeping with this summer's trend of musical fun, Queensbury brings audiences this fetching Broadway adaptation of Tina Fey’s most quotable and meme-able blockbuster comedy from the early 2000s. As a reminder, the musical introduces the naive Cady on her first day of American high school as she tries to break into the mean girls clique who rules the school. This production showcases a great local cast with some Texas musical theater heavy vocal hitters, like Abigail Bensman, Sara Sachi, Teresa Zimmermann, and Holland Vavra.

    Xanadu from Garden Theatre (August 14-30)
    The 2007 jukebox musical adaptation of the cult classic '80s hit Broadway tells the story of a Greek muse who descends to Earth to inspire a young painter and a former '40s big band musician-turned-real estate mogul to partner in opening a roller disco night club, plus added subplots involving sibling jealousy and demigoddess pranks among the muses. (Houston connection fun fact: Theatre Under the Stars artistic director, Dan Knechtges, was nominated for a Tony Award for his choreography of the original Broadway production of the show.) Since then, Xanadu has become a campy hit for regional theaters across the nation. Next up, Garden Theatre slips on the roller skates and weaves some “Strange Magic” for end of summer fun in the intimate Matchbox 3.

    Holly Street at A.D. Players (August 19-September 6)
    The Houston theater company that specializes in family-friendly productions with spiritual themes opens its 26-27 season a little early with this world premiere drama about a unique kind of love geometry. Set in the 1940s after World War II, the play tells the story of two sisters ,Virginia and Martha, as they prepare for a Christmas pageant in rural Kentucky. But the holidays are not so joyful, as Virginia recently lost her fiancée, Paul, during the war. As life sputters forward, two veterans and friends of Paul arrive unexpectedly having also fallen for Virginia through her letters when Paul read them aloud at the front. As Christmas nears, hidden truths surface, loyalties are tested, and affection and grief collide in surprising ways.

    Cirque-tacular: The Art of Circus at Miller Outdoor Theatre (August 28)
    Still celebrating its reopening, Miller Outdoor brings in Cirque-tacular, the New York based aerial and ground acrobatic performing arts company with a history of lots of off-Broadway and internationally touring hits. Its Art of Circus show surrounds performers with sets that recreate some of the greatest art masterpieces. From Van Gogh’s swirling skies, to Da Vinci’s all perceiving genius, Warhol’s pop images, and O’Keeffe’s beguiling natural forms, these colors, movements, and stories inside the paintings inspire the performers into dance, acrobatics, and aerial artistry.

    Queensbury Theatre presents Mean Girls

    Photo by Alexander Cross

    Queensbury Theatre presents Mean Girls

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