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    the artsy outdoors

    6 brand-new public art projects every Houstonian should experience

    Tarra Gaines
    Apr 9, 2018 | 9:30 am

    Beauty blossoms this spring, and we’re not just talking Texas wildflowers. Get ready for art all around us, because a plethora of new and free public art projects and installations have popped up throughout Houston to add some glorious color to a city already in bloom. Some art we can find just walking the downtown streets, while other projects take on nature itself as a collaborator. So be always on the lookout for art perhaps where you least expect it. But if you need definite art destinations, here are some of our favorite viewings for spring.

    Dear Houston: Poems of Love from a City of Resilience in Eleanor Tinsley Park (through April)
    Every year to celebrate national poetry month, Writers in the School, in partnership with Buffalo Bayou Park transforms trees along Buffalo Bayou into Poet-Trees (because poets especially love a good/bad pun) allowing those passing by to hang a note on a tree, to leave their own poems, thoughts, or just a general hello to the community. This post-Harvey year, WITS partnered with local artist, Nicola Parente, to wrap the trees in material symbolizing water. They hope people will contribute their own stories, poetic creations, messages and well-wishes for our city and each other.

    Color Bursting in Hermann Park (through mid-May)
    Art-adjacent to this year’s Poet-Trees, artists Tami Merrick and Nicola Parente help the trees in Hermann Park don the clothes of spring. They’ve woven colorful vinyl skirts for live oaks along the Marvin Taylor trail, while over 60 trees along the walking trails wear ribbon vests created by YES Prep Eastside art students and community members to reflect Houston’s multi-cultural heritage. Color Bursting Hermann Park is made possible by grants from the Houston Arts Alliance, the National Endowment for the Arts’ Our Town initiative, as well as The Brown Foundation, Wells Fargo, City of Houston and the Hermann Park Conservancy.

    Green and Blue Trees at Memorial and Waugh Cloverleaf (until mother nature fades the colors away)
    Reminiscent of the Blue Trees project from artist Konstantin Dimopoulos that the Houston Arts Alliance commissioned in 2013, this new color wash on the crepe myrtles comes from the The Houston Parks and Recreation Department. (There is some controversy about how reminiscent it is to Blue Trees.) This Houston Parks and Rec initiative calls attention to the plight of pollinators, such as bees and butterflies, so of course they used a biologically safe colorant that will fade over time. Take to the trees and selfie now while the color remain most vivid.

    Twins at the Main Street Marquee (now through fall 2018)
    A part of Main Street Square’s Art Blocks, the Marquee has hosted a rotating series of billboard-sized installations since April 2016. The latest work, Twins by Houston-area artist Jasmine Zelaya, explores femininity, racial and cultural identity, religious iconography and even fashion of the '60s and '70s with a beautiful pair of seemingly identical faces gazing out into the city streets. Head on down to Main St. to watch them watching you.

    Ripple at Cherryhurst House (now until January 1, 2019)
    Step across the Ripple threshold to explore the latest project from award-winning local artists Dan Havel and Dean Ruck, and don’t be surprised if you begin to question your own perceptions of reality. The duo specializes in taking ordinary structures and, sometimes literally, turning them inside out in the creation of art. Inspired by Leonardo da Vinci drawings and Gordon Matta-Clark’s architectural deconstructions of the 1970, for Ripple Havel and Ruck have carved out patterns and abstract images into the interior of a house, giving familiar solidity the feeling its undulating around you. Ripple is art that joyful discombobulates.
    (Ripple does have limited viewing times, so check the Cherryhurst House website for open house dates.)

    Cloud Column (May 20 through forever)
    For arts sake, can we please stop calling it a bean? While the Anish Kapoor sculpture does share some mirrored attributes with its younger sibling in Chicago, Cloud Gate, Cloud Column looks absolutely nothing like a bean. If we have to compare it with something in the legume family perhaps a giant, intergalactic sunflower seed might be more apt. And yes that’s right, Kapoor began the stainless-steel, hand-worked surface, Column before the Gate. Cloud Column also feels like the right Kapoor sculpture for Space City, as the 30-foot-high, 21,000-pound artwork looks both monumental and so ethereal it will at any moment defy gravity and head back into space.

    CultureMap has covered the Cloud controversyand subsequent feud with Chicago. Now, it’s time to enjoy the art. While it’s possible now to glimpse the artwork from the sidewalk across Montrose, be patient a little longer, as the MFAH's Glassell School of Art and Brown Foundation, Inc. Plaza officially opens May 20.

    The latest Havel Ruck Project sends a Ripple through the Houston art landscape.

    Havel Ruck Projects: Ripple
      
    Photo by Chuy Benitoz
    The latest Havel Ruck Project sends a Ripple through the Houston art landscape.
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    Hodge Podge

    Houston artist bids farewell, for now, with career-spanning new exhibit

    Craig D. Lindsey
    Jun 18, 2025 | 10:29 am
    Robert Leroy Hodge Sanman Studios
    Courtesy of Robert Leroy Hodge/SANMAN Studios
    The exhibit shows a range of the artist's works.

    Artist Robert Leroy Hodge is saying goodbye to Houston – well, not exactly.

    The Houston-born multidisciplinary artist recently debuted his latest exhibit, Diamonds That Fall from the Treetop, at SANMAN Studios. Known more for his eye-catching, pop-art collages (in 2023, he collaborated with Austin artist Tim Kerr for the No Kings But Us exhibit at Blaffer Art Museum), this mini-retrospective will feature selected works from his two-decade career – including the early stuff.

    “A lot of kids think I only make collages,” Hodge tells CultureMap. “And, also, I'm not making collages anymore like that. So, it's like the end of an era. I show where I started with these portraits and real paintings and drawings and how I kind of got into collage. It's a wide range of things I do, not just collage.”

    Diamonds will also be his last exhibit in Houston, but he’s not moving away. Hodge will cut down on doing local exhibits and focus more on getting his art and his name out there in other parts of the world. He’s out to prove that serious art can come out of this place.

    “When I interact with politicians and people in higher positions, they treat local artists like they're secondary, they're not good enough,” he says. “[They say] ‘They're in Houston because they can't be in New York and LA,’ and that's not the case. I could be anywhere, and I chose Houston.”

    But Hodge wants to be known as an artist from Houston, instead of just in Houston. “There’s nothing wrong with being a local artist in your city, but that’s not what I want,” he says. “I live here, but for me to get to the next space I wanna get to, I need to be showing more in New York, LA, out the country. And it's nothing personal – when you do a lot of stuff here, you just can't keep doing the same thing. You start to feel stagnant.”

    As much as he loves both the city and its art scene, Hodge knows that the visual arts isn’t a high priority around here. “We are an oil-and-gas city,” he says. “And because that's the main way money is being made, arts and culture is not primary. And, then, the new mayor is not really into art. So, it's like it all depends on who loves art and who's in office.”

    Within city limits, Hodge says he will be more of a curator and mentor, helping young artists and working with galleries and studios on creating showcases for those artists and others. He also wants to continue collaborating with fellow art enthusiasts of color, like the folks at SANMAN.

    “I wanted to do it with SANMAN because it's owned by two young Black men,” he says. “They got a staff of Black creatives, and I wanted to really show cohesiveness between Black men.”

    But Hodge isn’t completely hanging up the idea of doing another big solo show in his hometown. “This is the last one for a while,” he says, “unless the Menil calls or something crazy happens.”

    -----

    Diamonds That Fall will be on display through Saturday, July 26.

    Robert Leroy Hodge Sanman Studios
      

    Courtesy of Robert Leroy Hodge/SANMAN Studios

    The exhibit shows a range of the artist's works.

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