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    The CultureMap Interview

    An affair with Brando & Muppet love: Trailblazing actress reveals all in 45 minutes

    Joel Luks
    May 1, 2014 | 7:08 am

    Go ahead: Try to sum up your life in 45 minutes or less. Possible?

    If so, pretend you've had affairs with mega celebs, that you've single handedly altered Hollywood and that you've garnered almost every show business industry award possible. Add that you're in your 80s and you are still going strong.

    Rita Moreno doesn't have to pretend. Those tidbits frame a life that has fascinated the world.

    Moreno is the featured guest at a Houston Arts Alliance benefit, set for 6:30 p.m Thursday at Hotel ZaZa. Prior to arriving in the Bayou City, CultureMap chatted with the trailblazer on the phone to learn more about what makes this extraordinary gal tick.

    CultureMap: What do you consider to be your big break in show biz?

    Rita Moreno: That would have to be my first film. It was called, and I love the title, So Young, So Bad. Soon after that, I was 16, a talent scout saw me perform at a dance school recital in New York City. That's how it happened. But there was a secret kind of racism during that time.

    CM: You weren't satisfied with keeping the status quo.

    RM: A lot of people in the Latino community called me la pionera — the pioneer. I wasn't willing to accept a part that was one of those stereotypical Conchita Lolitas. But that cost me.

    I won an Oscar and I won a Golden Globe for my work in West Side Story and then I didn't get to do anything for seven years. It broke my heart, absolutely broke my heart. That was a horrible time for me.

    CM: Have things changed for minority actors?

    RM: I am in no position to tell you that. You would have to ask others.

    "I wasn't willing to accept a part that was one of those stereotypical Conchita Lolitas. But that cost me."

    I made a decision once I won those two wonderful awards that I would not talk with an accent — unless it made perfect sense — or do any of those maiden roles. Ha! I showed them. Of course I'm being sarcastic. I didn't do a movie for seven years. It was a slap in the face from the industry.

    CM: You overcame that obstacle.

    RM: Yes. One of the reasons is that I do it all. I sing, I dance, I act, I do comedy, I do drama. There aren't many people who do all that, especially nowadays. In my time, there were more people who were well versed in all those skills.

    CM: Which of your roles or engagements do you enjoy watching?

    RM: I love The Muppets. "Fever" with Animal? I still watch it. I love that skit. I laugh and laugh.

    CM: Do any of your roles more closely resembles the real Rita Moreno?

    RM: Not necessarily, but that's what being an actor is. An actor is a person who takes on another personality — and that's pretty terrific.

    However, the role I'm doing right now for a pilot is part me, part someone else. This is a woman who's a songwriter from the old days of Broadway. The cast is all older actors except for the young woman lead, Natasha Lyonne, who's in Orange Is the New Black. The character I play is close to me in the sense that she's in show business, but she has this notion that she can still dance. But she can't.

    She just never gets anything. And has a big mouth. She's gruff. She's always getting into trouble.

    CM: About Marlon Brando, you've said in past interviews that your relationship with him drove you to the point of madness. If you could, is there a moment of your relationship you'd want to relive?

    RM: Just meeting him and becoming my lover became an extraordinary experience. He was very charismatic. After that our relationship turned horribly tumultuous, maddening, frustrating and heartbreaking. But one of the most electric moments was connecting with him for the first time.

    CM: Your upcoming appearance in Houston: What do you have planned?

    "You have to do what's important to you. Being in a job that one hates, that must be so tough."

    RM: The title of my show is A Life in Words and Music. It's really a biographical kind of piece, but it's not a real autobiography. That would take days. I wanted to do a piece — and I've never done this before — where I could do some songs that followed along what I was talking about in my life. With the help of my manager, we put that together. It's fun, quite funny, it's sad. It's got all kinds of pieces of my life. Maybe I should call it that. Pieces of my life.

    It's not chronological. That would take, well, days. This is 45 minutes.

    CM: How will you summarize your life in 45 minutes? Is that even possible?

    RM: Precisely, you don't. I am going to amuse. I am going to entertain. I am going to help people to come into a life that has been quite interesting. Here I am at 82, and I feel like the Energizer Bunny.

    CM: Will you ever retire?

    RM: I don't know what the word means. What are you crazy? I do what I love to do. Why on earth would I want to give that up?

    I know there are a lot of things that can happen physically when you get into your 80s, but keeping active is a wonderful kind of medication. When you get the brain going, everything else falls into place. You have to do what's important to you. Being in a job that one hates, that must be so tough.

    CM: Last time in Houston?

    RM: On my god, it must have been 15 years ago. And by the way I love your city. I love the (Museum of Fine Arts, Houston) — it's gorgeous.

    I was in Houston right around the time I started to do talks. An organization flew me in for a luncheon. They also showed me around the city, which I found to be remarkable.

    CM: Fondest memory of your visit?

    RM: I remember thinking: What on earth is a Holocaust museum doing in Houston? It made perfect sense when I was told that there was an influx of Jewish people who had survived the Holocaust that lived in Houston. The day I visited the Holocaust Museum, a docent was showing us around, about a group of five.

    There was a series of photos of concentration camp prisoners wearing those horrific black and white uniforms. They were pounding stones, building a structure where they would eventually be gassed.

    The docent was telling us that the prisoners had to go to the bottom of the quarry, break stones and climb a long way. He was about to tell us how many steps there were when a man in the group told us just how many. We all looked at him as he said, "That's me in the picture."

    All of us froze.

    ___


    Houston Arts Alliance hosts "An Intimate Evening with Rita Moreno" on Thursday, 6:30 p.m., at the Hotel ZaZa. Individual tickets start at $500.

    Rita Moreno.

    Rita Moreno
    Photo by Mike LaMonica
    Rita Moreno.
    unspecified
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    Ride the Wave

    Houston Grand Opera's new album spotlights groundbreaking production

    Holly Beretto
    Jul 23, 2026 | 12:00 pm
    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves
    Photo by Lynn Lane
    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

    A groundbreaking opera is finally getting a recording, and Houston Grand Opera is behind it. Breaking the Waves, by composer Missy Massoli and librettist Royce Vavrek, originally premiered in 2016. The opera’s regional premiere at HGO during the 2024 - 2025 season was captured for the album release. It will be available starting August 7 in both physical and digital formats, with streaming offered on major platforms including Apple Music, Amazon Music, and Spotify.

    This album is the third release from the Houston Grand Opera label, created in partnership with the London Symphony Orchestra’s LSO Live. The label’s first album — for company-commissioned world-premiere opera Intelligence — won the 2026 GRAMMY Award for Best Opera Recording.

    It features a star-studded cast led by soprano Lauren Snouffer and bass-baritone Ryan McKinny, accompanied by the HGO Orchestra and Chorus under the baton of HGO Music Director Emeritus Patrick Summers.

    Breaking the Waves is set in Calvinist 1970s Scotland, and tells the story of the impressionable young Bess (Snouffer) and offshore oil rigger Jan (McKinny). After they marry, Bess embarks on a journey of sexual exploration that, following a series of shocking events, ends in tragedy. Based on the art film of the same name by Lars von Trier, it won the inaugural Best New Opera Award from the Music Critics Association of North America and was shortlisted for Best World Premiere at the International Opera Awards.

    “Breaking the Waves is a fearless, devastating, and utterly singular landmark of contemporary American opera from one of the most compelling compositional voices of this generation,” HGO General Director and CEO Khori Dastoor said in a statement. “Alongside Missy Mazzoli and Royce Vavrek, our company’s incredible cast, orchestra, and chorus have brought their own fearlessness to this piece, rising to meet its challenges with passionate artistry. This album brilliantly captures the electricity of these sublime live performances, preserving their energy in every measure. HGO launched this label to bring bold American works to the world, and there is no better testament to that mission than what you will hear here.”

    In addition to Snouffer and McKinny, the cast features soprano Michelle Bradley as Mother, mezzo-soprano Maire Therese Carmack as Dodo McNeill, tenor David Portillo as Dr. Richardson, baritone Michael Mayes as Councilman, bass-baritone Sam Dhobhany as Terry, bass Johnny Salvesen as Sadistic Sailor, tenor Andrew Surrena as Young Sailor, and Jon Janacek as Tenor Solo.

    “Breaking the Waves is one of the most important operas of the 21st century, a work of incredible beauty, dramatic power, and profound lessons,” said Summers. “I am deeply honored to conduct its first recording.”

    The recording was made possible by Aaron Copland Fund for Music, Inc., Juan Moreno, Kristine Vikmanis and Denny Creighton, Alexander Sanger, and David Gindler.

    “I’m so grateful that Houston Grand Opera has captured this extraordinary cast and creative team in this recording of Breaking the Waves. Opera is an art form that not only takes a village, but a small city, and this performance is filled with artists who gave themselves completely to this emotional, dramatic whirlwind,” said Mazzoli.

    Ryan McKinny holding Lauren Snouffer in a scene from HGO's Breaking the Waves

    Photo by Lynn Lane

    Lauren Snouffer and Ryan McKinney lead a star-studded cast in Breaking the Waves, the latest album release from Houston Grand Opera, available August 7.

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