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    doing pam proud

    Prolific Houston celebrity photographer gets her due in new UH exhibition

    Steven Devadanam
    Apr 21, 2022 | 6:17 pm
    Dusty Hill ZZ Top
    Dusty Hill of ZZ Top posed for Francis.
    Photo by Pam Francis

    Few Houston-area photographers have made the kind of mark as Pam Francis. The Houston native shot countless, iconic celebrities in the nation for myriad publications over more than three decades. Fittingly, her work is being showcased at University of Houston’s Blaffer Art Museum now through April 26.

    “Pam Francis: Photographs” spans more than 30 years of her career, from 1987-2020, boasting more than 100 photographs and artifacts including her artist’s camera, selected slides, contact sheets, CDs, films, and ephemera, according to a press release. The exhibition will be accompanied by a full-color catalogue designed by Miko McGinty.

    Beloved for her charm and demeanor as much as her photographic skills, Francis shot notable Houstonians for Texas Monthly including Dan Rather, former CBS Evening News anchor; Oscar Wyatt, founder and CEO of Coastal Corporation; and Texas Lt. Governor, William “Bill” Hobby, Jr.

    Notably, Francis was ahead of the trend in capturing hip-hop talent, as the lead Houston photographer for XXL, the New York-based-hip-hop magazine. She took portraits of UGK’s (Underground Kingz- formed by Pimp C and Bun B) Grammy-nominated album Dirty Money. Rap legend Bun B appreciated her understanding of the formation of Southern rap in Houston.

    “She was seeing that, all of a sudden, she was getting a lot of work to shoot rappers in Houston. I think she is just a great example of a Texan,” Bun B noted in a statement. “Using her talent to benefit other Texans. She was trying to make all of us look the best that we can.”

    Music was indeed a staple for Francis, as she shot the “Houston Texans Got Tickets” billboard campaigns. Her subjects included local legends Lyle Lovett, Destiny’s Child, Dusty Hill and Frank Beard of ZZ Top, Roger Clemens, and President George HW Bush and first lady Barbara Bush.

    “You don’t just see the subject, you see the subject responding to Pam,” Lovett said in a statement. “First and foremost, she was, technically, a great photographer. She knew it. But that’s not enough. Pam was able to bring herself to her knowledge of photography and it was a wonderful combination.”

    “While Francis’ portraits have been on the covers of Texas Monthly, Time, Business Week, XXL, Source, and Sports Illustrated, her work has not yet had the critical attention to be comprehensively studied and celebrated until now,” said Christine Starkman, guest curator of the exhibition, in a press release.

    Prolific as she was, Francis, who passed away in 2020, is remembered for the joy she brought to those she documented. “She was a kind of walking, breathing, nuclear power plant of energy,” Rather noted. “She never asked me to pose or do anything unusual. She listened, she asked some questions, she struck up an immediate rapport with me and made me very, very comfortable.”

    Works in the show are a gift from her family; specifically from Welcome Wilson, Sr., the former chairman of the University of Houston System Board of Regents.

    For more information on the exhibition and direction, visit the Blaffer Art Museum website.

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    building ballet's brand

    Houston Ballet recruits ex-Netflix exec to serve as first-ever CMO

    Holly Beretto
    Jan 15, 2026 | 9:45 am
    Adama Sall headshot
    Photo by Grace Hwang
    Adama Sall starts as the Houston Ballet's first-ever chief marketing officer on January 26, 2026.

    The Houston Ballet announced it has hired Adama Sall as the organization’s first-ever chief marketing officer.

    Sall, who starts her tenure with the Ballet on January 26, will oversee all marketing and brand strategy as part of the executive leadership team. Sall brings more than 20 years of experience building global, culturally influential brands to this newly created role.

    “Having worked with the best and the brightest, Adama is passionate about what Houston Ballet is set to accomplish, including building a brand that feels essential, modern, and deeply integrated into people’s lives,” executive director Sonja Kostich said in a statement. “We are focused on aligning how we show up across ticketing, digital platforms, public relations, events, education, and community engagement — so that every touchpoint tells a cohesive, compelling story. This is not about following traditional ballet marketing playbooks, this is a rare opportunity to shape the identity of an already stable, well-resourced organization and bring fresh creative energy to an institution poised for reinvention. We are thrilled to have her joining us at this pivotal moment for the Company’s growth.”

    Sall is excited for what comes next.

    “Sonja's vision for elevating Houston Ballet into a global cultural force resonates,” Sall tells CultureMap. “It reflects the kind of bold ambition I grew up with in advertising: building iconic brands, reshaping categories and setting aspirations that inspire not just an entire organization, but the culture at large.”

    Throughout her career, Sall has worked with both top creative agencies and held in-house leadership roles at some of the most innovative, culture-shaping companies in the country. She is known for collaborating with deeply creative teams and partners who are ready to think differently, and for translating big, imaginative ideas into scalable strategies. She has partnered with leading agencies including Mekanism, Ogilvy & Mather, BBDO, McCann, TBWA\Chiat\Day, and R/GA, and has led brand strategy for some of the world’s most recognized companies, including Disney, Coca-Cola, HBO, Gap, Peloton, Starbucks, Ben & Jerry’s, Samsung, Jeep, Nasdaq, HP, GE Appliances, and UPS.

    During her time as director of global brand strategy at Netflix, she helped create brands that maintained consistency in different mediums worldwide. That worked is credited with helping the streaming platform drive "global cultural conversation," according to press materials.

    “Arts marketing is similar to my work in entertainment at Netflix,” she said, explaining how marketing an organization like the Ballet can be unique. “We weren't just selling a product or a service. The marketing was centered on building meaning, emotion and cultural value. In the arts, brand doesn't just support the mission, it is the mission made visible. At its best, arts marketing invites people into something that matters, amplifying artistic intent.”

    As chief marketing officer, Adama will develop integrated marketing campaigns that elevate Houston Ballet locally, nationally, and globally. She will oversee digital, social, content creation, public relations, and brand storytelling, all designed to raise Houston Ballet's profile and make a compelling cultural case for ballet overall.

    “I'm eager to dive in,” Sall said. “One of my favorite parts of brand strategy is listening and learning, then translating those insights into a fresh perspective that inspires people to see ballet in a new light. Houston Ballet is a powerhouse, and I can't wait for more people to discover it.”

    Sall holds a degree in Cultural Anthropology from Columbia University and is a longtime mentor, educator, and advocate for diversity in the creative industries.

    In a press release announcing her appointment the Ballet noted that Sall’s hiring reflects a continued evolution toward a more integrated, future-facing approach to the Ballet’s brand and audience engagement.

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    news/arts

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