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    A Story of Passions

    World-renowned maestro premieres passionate Easter concert in Houston

    David Gow
    Mar 14, 2018 | 6:07 pm
    Invictus concert Howard Goodall
    British composer Howard Goodall brings Invictus to Houston.
    Courtesy photo

    Houstonians have a rare opportunity: attend the premier of a new, major work by world-renowned British composer, Howard Goodall.

    The piece, Invictus: A Passion premieres ​Sunday, March 25, at St. Luke’s United Methodist Church. It’s a stirring recounting of the passion of Christ; music lovers who look forward each year to the Passion settings of Bach and Handel will embrace this 21st-century piece. Adding to the poignancy: Invictus debuts on the eve of Palm Sunday, the start of Holy Week.

    The backstory of the making of Invictus: A Passion is the culmination of many passions. The first is the way music connected the lives of two men who would never have otherwise met. Sid Davis, St. Luke’s Choir Director in Houston, first became familiar with the work of Goodall, living in England, when a friend introduced Davis to Eternal Light: A Requiem.

    Moved by this stunning piece by Goodall, Davis brought Eternal Light to St. Luke’s, where it has been performed by the Chancel Choir three times, fostering a love affair between the church and Goodall.

    “Our choir is emotionally connected to Eternal Light. They would gather to do it again tomorrow. I have never seen anything like it,” says Davis.

    Eight years later, Eternal Light was to be performed at Carnegie Hall, and Goodall invited Davis and members of the Chancel choir to join him in New York City. There was an immediate familiarity, a connection — born out of their common passion music.

    Shortly thereafter, Davis tapped into the resources of the Friends of Music, an organization that supports music at St. Luke’s, to commission Goodall to write Invictus: A Passion.

    Goodall notes, “it is wonderful to when the piece you want to write is also the piece the people who commission you want you to write…the choir had embraced the idea of it and the writing of it came like white hot feet — on after the other.”

    Goodall’s commitment to the piece was, ironically, heightened by tragedy. During the writing, Goodall witnessed the Grenfell tower fire, which took place near his home, and killed 72 people. His distress and empathy for the loss enhanced his view of what he wanted to achieve in the piece.

    While recounting the final hours of Jesus’ life and crucifixion, Goodall strives to address persecution of the innocent, the power of peaceful humility in the face of tyranny, and the facing-down of fear. Invictus, which means unconquered, is a portrait of endurance, an ability to overcome hardship, and a passion for others.

    ---

    Invictus: A Passion debuts 7 pm ​Sunday, March 25, at St. Luke’s United Methodist Church, 3471 Westheimer Rd., 713-622-5710. Admission is free.

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    Remembering the Flood

    Texan wins Pulitzer Prize for heartbreaking story of Guadalupe flood

    Brianna Caleri
    May 5, 2026 | 2:00 pm
    Guadalupe River July 4 flood
    Photo by Brandon Bell/Getty Images
    Aaron Parsley has won a Pulitzer Prize for "Where the River Took Us," published days after the flood.

    Many Houstonians know someone who was impacted by the July 4, 2025 flood that killed more than 100 people. But one story cut through the chaos with an emotionally raw, first-person view of what actually happened. Texas Monthly senior editor Aaron Parsley published his survival story in "Where the River Took Us." On Monday, May 4, he has won the Pulitzer Prize for feature writing.

    The prestigious journalism award has 23 winners each spring. For features, the judges chiefly consider "quality of writing, originality and concision."

    "Where the River Took Us," brought readers moment-by-moment from Parsley's family house on the Guadalupe River, to family members including Parsley rushing down the river itself, to reunification for most of the family and grief for his 20-month-old nephew, Clay, who drowned.

    Parlsey renders each scene with arresting detail, recalling dialog and individual pieces of refuse raging past in the water: branches, furniture, a car with headlights still on. Adding to the immersion were photographs by Jordan Vonderhaar and Parsley's family. Published just days after the flood, the account was one of the first deep looks at what happened for readers who had only seen general news coverage and disorganized posts on social media.

    “In a matter of hours, Aaron uncovered the singular experiences of family members wrenched from one another and thrown into a raging flood," said Texas Monthly editor in chief Ross McCammon in a story announcing the Pulitzer award. "He then braided those stories together to convey what a tragedy of this sort actually feels like. This is a deeply reported story of horror, courage, and love, and it is one of the finest magazine stories ever written.”

    “I am grateful to my family for trusting me and to everyone at Texas Monthly for offering their support, talent, and meticulous care during the process of writing, reporting, and all that goes into putting this story into the world,” said Parsley. “It means everything to me, and I’m deeply proud to be a part of the Texas Monthly team.”

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