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    New Photography Director

    New Houston Center for Photography director wants to push boundaries and take risks

    Elizabeth Rhodes
    Feb 9, 2015 | 2:16 pm

    With a unique vision and years of experience working with nonprofit arts organizations, new Houston Center for Photography executive director Sarah Sudhoff brings a different perspective to the Museum District's only institution dedicated to photography. And she's ready to shake things up.

    "Houston, even though it's one of the largest cities in the country, I think we're quite conservative when it comes to the type of photography we show," she says, "and I'm adamant about changing that."

    "If we can't show work here that's politically charged or creates tension in the viewer, then who else is going to show it?"

    "I feel the nonprofit model is where artists should be experimenting and pushing the boundaries of their own art and audience expectations. If we can't show work here that's politically charged or creates tension in the viewer, then who else is going to show it? I want to encourage artists to take a risk with us in terms of content and presentation that they might not otherwise be able to with a profit space."

    Previously a photo editor for Time Magazine, Sudhoff shifted her focus to fine art photography in 2004 when she entered graduate school at Parsons the New School for Design. In addition to founding, operating and supporting photography-focused organizations, she is also an award-winning photographer who has exhibited her work in galleries and museums around the world.

    Taboo subjects

    The San Antonio Express News notes that, in her work, "Sudhoff has dealt with taboo subjects such as sex, illness and death in unflinching — and often surprisingly poetic — images, among them semi-nude self-portraits shot in a doctor's exam room ('Repository'), medical waste ('Single Use Only') and the stains on bedding, carpet and upholstery that mark the passing of a life ('At the Hour of Death')."

    She continued that tradition last year with a provocative show that centered on her inability to produce enough milk to breastfeed her infant son.

    Before signing on at HCP, Sudhoff, 37, served as director of Photohive, a San Antonio-based non-profit organization she founded in 2013 that enables students from across the country to propose, curate and participate in solo and group exhibitions.

    Although Sudhoff admits she was hesitant to apply for the position at HCP — "I couldn't imagine why everyone in the United States wouldn't be applying for this job," she says — she's "beyond thrilled" to have been chosen as the new executive director. A supporter of HCP for more than 10 years, Sudhoff says she looks at the visual arts organization "as an artist and as an executive director."

    "Whether I was teaching, visiting as an artist, contacting them because I was running a nonprofit in Austin," referring to the Austin Center for Photography, which she founded in 2008, "I've been involved with HCP in many different capacities for quite a while."

    "I've always been impressed with Houston's offerings of photo-related programming and HCP's contribution to this discourse," she adds. "My goal is to continue to exhibit great work, develop more inclusive programing, extend our audience reach and bring in contemporary, engaging and dynamic exhibitions and artists."

    New projects

    Sudhoff is currently working on plans for a number of projects, including a new lecture series using primarily regional photographers and increased programming — artist lectures and panel discussions that relate to the subjects of each exhibition — between openings and closings.

    "I really love it when people come back to me months later and say 'Oh, I'm still thinking about that exhibition or artist talk.' "

    She's also wants to develop a partnership with Slideluck Potshow, an innovative New York City-based nonprofit which holds events around the world that combine art slideshows and potluck dinners, usually with a jury panel to judge the works presented.

    Recognizing the difference in reactions between a traditionally "beautiful" photograph and one with "multiple layers," Sudhoff wants to highlight works which elicit strong emotions.

    She hopes the works presented in HCP exhibitions and lectures are thought-provoking and start new, unexplored dialogues among patrons. "I want to expand on HCP's mission to not only increase society's understanding and appreciation of photography but also present photography that is relatable and approachable for our audience," she says.

    "I really love it when people come back to me months later and say 'Oh, I'm still thinking about that exhibition or artist talk.' Most of all, I want our programming to resonate with people."

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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

    parksvisual-arthills at simsanderson
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