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    Out of The Alley

    Brutalist building gets a $45.6 million revamp as Houston's premier theater company zooms forward

    Joel Luks
    Jan 29, 2014 | 7:03 am

    The clock had been ticking ever since the Alley Theatre announced in April the launch of a $73 million big ticket campaign that would include a $46.5 million renovation of its 1968 Ulrich Franzen brutalist building. Although the architectural style was all the rage during the mid 20th century, the castle-like structure that was conceived as a "building that sings from any viewpoint" seemed as if it was warming up to croon its swan song, dingy, sad and passé — a far cry from the groundbreaking modern marvel it once was.

    The time is now, ladies and gentlemen. Alley Theatre officials are set to reveal Wednesday afternoon that the execution of the makeover will begin in July. The renovation process is expected to continue through the following summer and to be completed in the fall, in time for the beginning of the 2015-16 season.

    "The reception from the Houston community toward the Alley campaign has been excellent," Roger Plank, co-chair of the Extended Engagement Capital Campaign, said in a statement. "We have raised $40.3 million to date and are eager to begin construction."

    The schedule of improvements is ambitious. The highlights include:

    • Remove four steel columns in the middle of the stage
    • Add a fly loft with computer controlled motorized rigging
    • Create a fully trapped stage floor that will allow the ability to have an orchestra pit
    • Replace front of house ceiling with a catwalk system for light and sound
    • Upgrade speakers with remote amplification ability
    • Renovate actor dressing rooms and add additional dressing rooms
    • Add American with Disabilities Act seating in multiple locations with lifts
    • Replace interior with all new seats and carpeting
    • Replace air conditioning/heating system with a significantly quieter multi-zoned system with localized control
    • Replace windows with energy efficient glass
    • Replace the entire roof
    • Install new plumbing throughout the building

    Studio RED Architects was selected for the undertaking, alongside a creative team that includes Studio RED principal Pete Ed Garrett, Irvine Team DCS president and CEO Dennis Irvine, lighting and scenic designer Kevin Rigdon, Jaffe Holden Acoustics chairman Mark Holden and Bill Conner Associates founder Bill Conner as project consultant.

    Before the Alley relocates to the University of Houston, many upgrades to the school's facilities are needed.

    Back to School

    In the meantime, the University of Houston will play host to the professional company during the 2014-15 season. The Lyndall Finley Wortham Theatre, which Alley administrators say is similar to Broadway and League of Resident Theatres houses, was the only space available for the duration of the facelift venture.

    "This is an outstanding opportunity for our theater students to directly engage with the Alley's working professionals," UH chancellor Renu Khator says. "In addition to specific internships, simply sharing the hallways is a wonderful chance for our students to make connections and gain insight from the Alley's experienced and talented actors and staff. I know they'll experience the energy of our students as well."

    Before the Alley relocates to the University of Houston, many upgrades to the school's facilities are needed.

    The Wortham Stage will be outfitted with a new framework for lighting, sound equipment and stage machinery. State of the art control platforms, flooring, air systems, communications systems and lighting will be installed in the Quintero Theatre. The costume shop will also be expanded.

    While the gesture of southern hospitality is commendable, the temporary move could have a negative effect on the Alley's revenue.

    The Alley is accustomed to operating on two stages that collectively accommodate 1,130 theater goers. It isn't rare for production runs to overlap one another. With 565 seats and one performance stage — 50 percent less capacity than its downtown property — the Alley's interim home at the University of Houston could hinder the nonprofit from meeting the needs of its audience.

    One additional significant drawback is the disaster of a parking situation that's experienced by anyone visiting the University of Houston. School of Theatre and Dance director Jim Johnson says that parking concerns are being addressed with a major overhaul. Lets just hope UH gets its act together. That would deserve a standing ovation.

    As for the Alley's 68th season, the lineup will be released next week.

    The University of Houston will play host to the Alley Theatre during the 2014-15 season.

    Alley Theatre @UH
    Rendering courtesy of Alley Theatre
    The University of Houston will play host to the Alley Theatre during the 2014-15 season.
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    on the bright side

    'First-of-its kind' Houston park reveals 6 murals by local artists

    Jef Rouner
    Apr 22, 2026 | 10:00 am
    Houston artist Ade Odunfa stands in front of his mural "Salt Marsh" at the Hill at Sims.
    Photo by Scott Julian, courtesy of Houston Parks Board
    "Birth From the Sea" by Ade Odunfa

    One of Houston's most innovative green spaces, the Hill at Sims, is edging toward completion as artists put the finishing touches on a series of six beautiful murals. They should be ready when the park has its grand opening on Saturday, May 23.

    The project is being led by Harris County Precinct One Commissioner Rodney Ellis and the Houston Parks Board. Located in Sunnyside along Sims Bayou, it combines a flooding retention pond with walkways and other infrastructure to create a unique multi-use community space. Adding a series of environmentally-themed murals highlights the project's dedication to empowering nature around Sunnyside.

    “When we bring art, resilience, and opportunity together in one place, we create something that can serve and inspire future generations for decades to come," said Ellis in an emailed statement. "The Hill at Sims is a community-oriented, first-of-its-kind green space in the neighborhood I grew up in. These murals honor Sunnyside, celebrate the natural world, and help turn public space into something people feel proud to protect.”

    The murals include “Impression of Nature” by Emily Ding, “Step Into the Wild” by Carlos Alberto, “Birth from the Sea," a reproduction of a John Biggers’ mural by Ade Odunfa, "The Heron and the Fish” by Ana Marietta, “Rêverie” by Amy Sol inspired by Claude Debussy’s 1890 solo piano piece, and “Salt Marsh”, another Biggers reproduction by Bimbo Adenugba.

    Houston is a major mural and street art city, with an increasing number of spaces using murals to showcase local talent as well as bring a sense of identity to locations like the Hill at Sims. The green space offers both a massive natural setting in a neighborhood that has traditionally been underserved in park acreage with an elevated point to view the whole city, a rare treat in a place as flat as Houston. Thanks to the Bayou Greenways Project, a 150-mile series of trails that connects parks across Houston, people can walk or bike to the Hills at Sims if they choose to.

    "Our goal is for every person who visits this park to feel that Hill at Sims truly represents the Sunnyside community. Public art is a powerful and joyful way to evoke feelings of connection and stewardship in public settings,” said Justin Schultz, President and CEO, Houston Parks Board, in an emailed statement. “Houston Parks Board is proud to support Commissioner Ellis to bring Sunnyside residents a transformative, multi-benefit greenspace that captures the spirit of Houston: turning our climate challenges into vibrant community assets.”

    The total cost of Hill at Sims is $28.3 million. Funding comes from Precinct One ($18.8 million), The Brown Foundation ($7.5 million), with an additional $2 million from public federal and state funds secured by State Representative Alma Allen and Congressman Al Green. When complete, it will feature a 1.6 mile basin loop trail, water access pier, a parking lot, a 2,000-square-foot open air pavilion with restrooms, flexible lawn space for active programming, and picnic pavilions.

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