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    Live Music Now

    These are the 5 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Dec 24, 2019 | 12:01 pm

    Is the Leonard Cohen classic, "Hallelujah," a Christmas song?

    That's what the Arlington, Texas-based a cappella group Pentatonix would have you believe, seeing as their cover of the immortal tune is now creeping into Christmas music playlists. The five-piece that sells a boatload of holiday-themed music and that just performed a sold-out show at the Smart Financial Centre at Sugar Land has somehow blasphemed a song with heavenly themes.

    Yes, it's a song about religion. It's also a song about a devastating breakup. It is also a song about sex. The really passionate kind. Which really doesn't fit on a playlist of Christmas tunes.

    The sudden pervasiveness of the updated version has irked some music writers, including Sterogum's Chris DeVille, who states plainly why the world's most famous barbershop quintet went a bit too far. We'll leave you to read his piece and decide. Just remember — when you hear the Pentatonix holiday version, you're really listening to a song about knocking boots, and we're not talking the kind that Santa wears.

    Meanwhile, the last week of the year is a great time to see Texas acts in a live setting after your fill of food and family. CultureMap's shows of the week are as follows:

    Los Skarnales at White Oak
    Houston ska legends Los Skarnales have been a going concern for over 25 years. Started in 1994 during the peak of the genre's third wave, they've shared the stage with the biggest ska acts in the world all the while representing the diversity of the city over the course of their long and varied career, drawing from ska, punk, reggae, cumbia, and rockabilly.

    For two-tone fans that prefer to skank those Christmas calories away, this is the perfect setting to do so while holding one up for one of the best acts to grace local stages over the last quarter century. And for 15 bucks to see a handful of local acts, the value can't be beat.

    Los Skarnales play White Oak Music Hall, located at 2915 N. Main St., on Friday, December 27. Tickets are $15 plus fees. Piñata Protest, Debauche, DJ Big E, and DJ Tropicana Joe open. Doors open at 8 pm.

    Roger Creager at Goode Company Armadillo Palace
    For a man who didn't start performing in front of an audience until 26 years old, Roger Creager sure made up for lost time in his home state of Texas. One of the most popular country singer-songwriters in the Lone Star State, Creager sells out middle-sized venues with regular ease, evidenced by his three-night run this month at Tomball's Main Street Crossing earlier this month.

    Even though guitar is his main instrument these days, the troubadour will concentrate on his first learned instrument — the piano — when he plays the Goode Company Armadillo Palace in an intimate show this weekend. He may not have released an album since 2014's Roadshow, but with tried-and-true regional hits, "Turn It Up," "Rancho Grande," and "The Everclear Song," fans won't really mind.

    Roger Creager performs at Goode Company Armadillo Palace, located at 5015 Kirby Dr., on Saturday, December 28. Tickets start at $20 plus fees. Doors open at 8 pm.

    CultureMap show of the week: The Toadies at House of Blues
    "So help me Jesus" has a completely different connotation when Fort Worth alt-rock faves the Toadies come to town this holiday season. That would be a line from their biggest hit, "Possum Kingdom," a song about a North Texas killer that became an unlikely Top 40 hit and catapulted the album, Rubberneck, to platinum status.

    But a years-long label battle set the band back, momentum it would never recover. That said, the Toadies still rock hard, as anyone who saw them at the Love Street Music Fest earlier in 2019 can attest. This show is a must-catch for any '90s alt-rock fan.

    Toadies are at House of Blues, located at 1204 Caroline St., on Saturday, December 28. Vandoliers open. Tickets start at $27.50 plus fees. Doors open at 7 pm.

    Ghostland Observatory at White Oak Music Hall
    Austin's Ghostland Observatory reached epic heights following the release of their 2006 album, Paparazzi Lightning, receiving critical adulation and high billing at festivals for their Queen-meets-Daft Punk inspired sound. Unfortunately, they seemed to be a product of their time when indie rock and EDM beats sold like hotcakes. The band wouldn't reach those heights again.

    Even so, the duo of Aaron Behrens and Thomas Turner are still revered by fans for their epic live show that get hips shaking and fists pumping, still drawing crowds to Red Rocks in Colorado and Austin City Limits (the TV show, not the fest) years after they caught lightning in a bottle. Thankfully, after a long hiatus, the band released a new album in 2018, See You Later Stimulator. Their annual pilgrimage to H-town should be hot and sweaty.

    Ghostland Observatory headline White Oak Music Hall, located at 2915 N. Main St., on Saturday, December 28. Tickets are $35 plus fees. Doors open at 8 pm.

    CultureMap recommends: Charley Crockett at Heights Theater
    Talk about a Christmas miracle. This time last year, Charley Crockett prepared to go under the knife for open-heart surgery to repair a congenital heart defect. After months of recovery, the Americana, old-school country crooner released The Valley, one of his best albums that recalled a time when country performers not only could sing, they were unquestionably cool.

    Like the best artists, Crockett isn't pigeonholed by a sound, rather pulling various elements of blues, R&B, and jazz, alongside a gritty roots flourish. Simply put, there's no other artist doing what Crockett does so well in front of an audience.

    Charlie Crockett performs at Heights Theater, located at 339 W 19th St., on Sunday, December 29. Katie Vincent Neil Emerson opens. Tickets start at $22 plus fees. Doors open at 7 pm.

    Legendary Houston ska act Los Skarnales plays White Oak Music Hall on Friday, December 27.

    Los Skarnales
    Los Skarnales/Facebook
    Legendary Houston ska act Los Skarnales plays White Oak Music Hall on Friday, December 27.
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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