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    Top Holiday Movies

    12 don't-miss movies of the holidays, including sure-fire Oscar picks and a Hobbit

    Joe Leydon
    Dec 8, 2013 | 3:36 pm

    I have made a list – and checked it twice – to ascertain what’s in store for audiences during the ongoing holiday movie season. It could be argued, of course, that this year’s season began as far back as Nov. 7 with the unleashing of Thor: The Dark World. But, hey, people who would claim that are the same sort of folks who start decking their halls, trimming their trees, and stocking their store shelves the week before Halloween.

    In any event: Here is a guide to what might be called The 12 Films of Christmas – not because of their Yuletide content, in most cases, but simply due to their release dates. It’s quite possible that one or two may turn out to be the equivalent of coal-stuffed stockings. But when it comes to moviegoing, it’s always the season to be hopeful.

    The Hobbit: The Desolation of Smaug

    Who’s in it? Ian McKellen, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Stephen Fry, James Nesbitt, Orlando Bloom.

    What’s the pitch? Gandalf and the guys finally get their act together and take it on the road to Mirkwood.

    Why see it? Early reviews indicate that, if you like this sort of thing, this is the sort of thing you’ll like a lot more than The Hobbit: An Unexpected Journey. (Opens Dec. 13)

    Hours

    Who’s in it? Paul Walker, Genesis Rodriguez, Kerry Cahill, Yohance Miles, Matt Cook, Nick Gomez.

    What’s the pitch?During the aftermath of Hurricane Katrina, a desperate New Orleans father (Walker) struggles to keep his prematurely born daughter alive while operating a battery-powered ventilator in an abandoned hospital.

    Why see it? For some, I am sure, it may seem too soon after Walker’s tragic demise to see him in a life-or-death situation on screen. All I can say is: His performance here arguably is the finest of his all-too-short career. And the film itself is a small-scale, high-impact drama that likely will impress you more than many of the heavily hyped blockbusters of the season. (Opens Dec. 13)

    Tyler Perry’s A Madea Christmas

    Who’s in it? Tyler Perry, Larry the Cable Guy, Kathy Najimy.

    What’s the pitch? Madea (Perry) helps a friend pay a surprise visit to her daughter in a small rural town, only to find the young woman is married to a conspicuously Caucasian fellow from a raucous redneck family. Complications arise.

    Why see it? Madea and Larry the Cable Guy? How in God’s name can you resist? (Dec. 13)

    Anchorman 2: The Legend Continues

    Who’s in it? Will Ferrell, Steve Carell, David Koechner, Paul Rudd, Christina Applegate, Kristen Wiig.

    What’s the pitch? Legendary San Diego newsman Ron Burgundy tries to stay classy – and, more important, recover from a career setback – by reestablishing himself as a marquee player at the first 24-hour cable news network. In this endeavor, he is accompanied by sportscaster Champ King (Koechner), weatherman Brick Tamland (Carell) and field reporter Brian Fantana (Rudd).

    Why see it? Don’t know about you, but I feel like I can’t not see it after weeks of enduring the ubiquitous and relentless hard-sell promotional campaign. It’s like this movie is The Borg: Resistance is futile. (Opens Dec. 18)

    American Hustle

    Who’s in it? Christian Bale, Bradley Cooper, Amy Adams, Jeremy Renner, Jennifer Lawrence.

    What’s the pitch? In the 1980s, a maverick FBI agent (Cooper) employs an ace con artist (Bale) and his va-va-voom partner in crime (Adams) to launch the sting operation that would be known as Abscam.

    Why see it? Director David O. Russell reunites with the stars of his Silver Linings Playbook (Cooper, Lawrence) and The Fighter (Bale, Adams) for a darkly comical con movie based on real-life events. Not surprisingly, there already has been much talk about Oscar nominations. (Opens Dec. 20)

    Inside Llewyn Davis

    Who’s in it? Oscar Isaac, Carey Mulligan, John Goodman, Garrett Hedlund, F. Murray Abraham, Justin Timberlake.

    What’s the pitch? Joel and Ethan Coen go acoustic for this seriocomic musical drama, set in Greenwich Village during the early ‘60s, about a guitar-strumming folk singer (Isaac) whose career is going nowhere fast.

    Why see it? You did see that this is a Coen Brothers film, right? And if that’s not enough, consider: T Bone Burnett once again serves as musical producer for the Coens. If you recall, one of their previous collaborations – O Brother, Where Art Thou? – worked out fairly well. (Opens Dec. 20)

    Saving Mr. Banks

    Who’s in it? Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell, Ruth Wilson, Rachel Griffiths, Kathy Baker.

    What’s the pitch? Walt Disney (Hanks) tries to convince starchy novelist P.L. Travers (Thompson) to let his studio adapt her classic book Mary Poppins into a musical movie. It is not an easy task.

    Why see it? If, like me, you’re a sucker for movies about moviemaking – or at least when those movies are appreciably better than last year’s ill-conceived Hitchcock – you’re doubtless already looking forward to this one as a Christmas present for cineastes of all ages. Advance word has been sufficiently promising to increase anticipation. (Opens Dec. 20)

    August: Osage County

    Who’s in it? Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Abigail Breslin, Benedict Cumberbatch, Juliette Lewis, Margo Martindale, Dermot Mulroney, Julianne Nicholson, Sam Shepard.

    What’s the pitch? It’s the big-screen version of Tracy Letts’ Pulitzer Prize-winning play, about a domineering family matriarch (Streep) who’s visited by her extended family following the suicide of her husband.

    Why see it? The acting duel between Streep and Roberts (as the matriarch’s equally strong-willed daughter) should be reason enough to visit the megaplex. (Opens Dec. 25)

    47 Ronin

    Who’s in it? Keanu Reeves, Hiroyuki Sanada, Tadanobu Asano, Rinko Kikuchi

    What’s the pitch? After a wicked warlord kills their master, 47 newly unemployed samurai join forces with a previously ostracized half-breed (Reeves) as they journey through a savage world populated by CGI bogeymen of various shapes and sizes.

    Why see it? Can’t deny that there has been significant negative buzz about this large-scale fantasy flick, which originally was supposed to open last year, and has reportedly burned through tens of millions while scenes were reshot and special effects were made more special. But the finished product, judging from trailers and TV spots, could be a spectacular action-adventure epic that’s worth the wait. (Opens Dec. 25)

    Grudge Match

    Who’s in it? Sylvester Stallone, Robert De Niro, Kevin Hart, Alan Arkin, Kim Basinger

    What’s the pitch? Two long-retired Pittsburgh fighters step back into the ring, to finally decide who’s the tougher dude – and because they really, really don’t like each other.

    Why see it? Admit it: You’ve always wanted to see Rocky Balboa duke it out with Jake LaMotta, right? But wait, there’s more: Hart and Arkin may have their own down-card bout to see who can steal more scenes. (Opens Dec. 25)

    The Secret Life of Walter Mitty

    Who’s in it? Ben Stiller, Kristen Wiig, Shirley MacLaine, Adam Scott, Sean Penn. .

    What’s the pitch? A shy Life magazine photo editor (Stiller) must stop daydreaming about heroic deeds and indulge in real-life derring-do while seeking a missing shot by a legendary photographer (Penn).

    Why see it? Stiller serves as director and star for this long-delayed, eagerly awaited adaptation of the classic 1939 James Thurber short story. It would appear his latest double-duty effort is subtler and more sentimental than Zoolander and Tropic Thunder, earlier comedies that employed him on both sides of the camera. But inquiring minds in H-Town want to know: Will it be as overall nifty as Reality Bites, his debut feature as a director?

    The Wolf of Wall Street

    Who’s in it? Leonardo DiCaprio, Jonah Hill, Margot Robbie, John Favreau, Kyle Chandler, Rob Reiner, Jean Dujardin, Matthew McConaughey.

    What’s the pitch? Director Martin Scorsese and superstar Leonardo DiCaprio – together again! – join forces for the stranger- and wilder-than-fiction story of New York stockbroker Jordan Belfort, who savored a wild life of sex-drugs-and-greed excess until his world came tumbling down in the late 1990s.

    Why see it? Some early viewers have compared it – favorably – to Scorsese’s GoodFellas and Casino. Others insist it’ll grab a fistful of Oscar nominations, and actually will go home with a few of the golden statuettes. Strangely enough, however, there’s been no word yet as to whether co-star Matthew McConaughey has delivered the goods one more time to cap off the year of his career renaissance. (Opens Dec. 25)

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    Movie Review

    Realism and strong performances power new war drama Warfare

    Alex Bentley
    Apr 11, 2025 | 4:30 pm
    Cast of Warfare
    Photo courtesy of A24
    Cast of Warfare

    At this point in movie history, there are precious few ways to make a war film feel original. Every major American war, including the most recent ones in Iraq and Afghanistan, has been covered, and the “war is hell” idea has been featured in too many films to count. So for a film like the new Warfare to stand out, it needs to do something that other war films have not.

    To say that it accomplishes that goal is an understatement. Set in Iraq in 2006, it follows a platoon of soldiers tasked with helping to gain control of the city of Ramadi, a hotbed of activity in the war at that time. But this is not a story of good triumphing over evil, nor one that tries to examine exactly what the U.S. military was trying to accomplish in the war. Instead, it’s just a story of a group of young men trying to do the job they’re asked to do, and what happens to them during that mission.

    It presents as fact, with no judgment either way, that one squad of the platoon overtakes the home of two Iraqi families as part of the mission. An ensuing firefight pins the soldiers down with almost no way to escape, and subsequent rescue attempts by other squads result in multiple casualties. The bulk of the film focuses on how the shell-shocked and injured soldiers react to the situation in which they find themselves.

    Written and directed by Alex Garland (Civil War) and Ray Mendoza, the film is based on the memories of Mendoza and his fellow soldiers of this exact situation they experienced. As such, the film does not attempt to add extra drama or even emphasize one character over another. In fact, the first 30-40 minutes of the film are relatively boring, as the squad relays information about their position to other, unseen people.

    The men in the platoon are not exactly interchangeable with each other, but the way the film is structured, they’re essentially equals. It’s easy to tell who the leaders are, but those giving orders are not treated as more important to the film than those carrying them out. This is especially true when things go to hell, as each person goes from trying to fight to trying to survive, with their training coming into play in different ways.

    The situation depicted in the film is somewhat mundane - it’s not some big battle or a turning point in the war - but the intensity with which Garland and Mendoza stage it makes it enormously impactful. They put the audience right in the thick of the carnage, and the horrific injuries inflicted on some of the men, as well as the seemingly never-ending screams of pain emanating from them, can be difficult to take.

    The cast features a few actors who are starting to make names for themselves (Will Poulter, Joseph Quinn, Noah Centineo, Charles Melton Michael Gandolfini), others who’ve had smaller impacts (D’Pharoah Woon-A-Tai, Cosmo Jarvis, Evan Holtzman), and plenty of others who have yet to get their big breaks. Each of them does their job extremely well, which in this case means that they complement each other’s performances, with none of them overshadowing the others.

    Warfare is not an overtly political film, and yet the politics of war are inextricable from the story it tells. Neither anti-war nor pro-war, it simply lays out the facts of one individual mission in a larger conflict, and each viewer will likely take away something different from the experience of watching it.

    ---

    Warfare is now playing in theaters.

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