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    Cliff Notes

    Cloris & Rusty: Friends for life

    Clifford Pugh
    Nov 23, 2009 | 5:00 pm
    News-Cloris Leachman and Rusty Arena-Nov 09
    Rusty Arena, left, and Cloris Leachman gave been fast friends for more than 20 years.
    Phyllis Hand

    Cloris Leachman and Rusty Arena make an unusual pair.

    Leachman, who at 83 has become a household name after a wildly popular stint as the oldest contestant to participate in Dancing with the Stars, is an outspoken Hollywood star who blurts out just about anything on her mind.

    The boyish-looking Arena, 55, is a soft-spoken artist and designer who creates gorgeous hand-printed textiles in a large warehouse studio surrounded by grassy vacant lots on Houston’s northside.

    But the two have been close friends for more than 20 years. It all began with a chance encounter at Harry’s Bar in Venice, when Leachman and her daughter met Arena and a couple of his friends on an Italian vacation. Her son had died a month earlier and she was in an uncharacteristically melancholy mood. Arena snapped her out of it.

    “We just fell in love,” she recently recalled. “They got us to leave Venice and go with them to Milan on a train….After that, whenever we traveled, Rusty and his friends would meet us or we would meet them. And then (his friends) got a divorce, and I’m just in love with Rusty now. I don’t love anyone else. Only this little darlin’.”

    The duo reunited last week when Leachman was in Houston as the featured speaker at the Alzheimer’s Association luncheon at River Oaks Country Club. Afterwards, she relaxed on a sofa in the middle of Arena’s vast warehouse and talked about their good times together.

    In 2000, Leachman Asked Arena to re-do her California condo. She went off to film a movie while he stayed at the house for two months, painstakingly sponging walls with two-toned beige paint to create unique-looking stripes and patterns.

    When she returned, she hated what he had done at first. She left him a series of phone messages over the day that progressively changed in tone. Arena recalls that the messages ranged from, "Oh my God, that's the most horrible thing I've ever seen" to "It's getting better" to "It's the most beautiful thing I've ever seen."

    Having painted her house, Arena’s was next commissioned to paint Leachman’s body for the cover of an alternative health publication. Editors had asked for a photograph, but she didn't have one. "I started thinking, I wouldn't buy a magazine with an old lady on it, would you?" So she asked him to do something different.

    Using grease paint, he worked 14 hours to transform her body into a cornucopia of watermelon, potatoes, cabbage, lettuce and other fruits and vegetables.

    “After it was all done, we had to figure out how to get her into the automobile (to travel to the photo shoot),” Arena recalled. “We finally wrapped her up in Saran wrap. She looked like something in produce with a bar code.”

    Just a few months ago, Leachman wrapped herself in a gown of cabbage leaves for a “Let Vegetarianism Grow on You” ad campaign for the People for Ethical Treatment of Animals. She’s also served as grand marshal at the 2009 Tournament of Roses parade and recently completed a psychological thriller, “The Fields,” out next fall.

    “It’s wonderful. It’s the first picture I’ve starred in since Young Frankenstein,” Leachman said.

    Seizing the moment in hopes of enticing the actress to repeat her famous line from the movie, Houston photographer Phyllis Hand jumped in and asked Leachman, "Is there a line that you have said in a movie that people ask you to say?”

    Of course,” Leachman replied. “Everyone knows (the line from Young Frankenstein) ---- YES, YES, YES, YES, YES – HE – VAS – MY – BOYFRIEND!”

    “That’s what I wanted to hear,” Hand said, laughing.

    Such iconic performances, along with her recent stint on Dancing with the Stars has won Leachman a whole new generation of fans. She serves as a role model, although she’s not happy about being a senior citizen.

    “I’m old,” she said. “When I turned 80, everything started hurting."

    Leachman recently wore a gown made of cabbage leaves for a People for the Ethical Treatment of Animals ad promoting vegetarianism.

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    Movie Review

    Michelle Pfeiffer visits Houston in new Christmas movie Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 3:30 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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