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    On The Market

    The ultimate bungalow? Lovingly restored Heights house turns heads — an $825,000 time machine

    Barbara Kuntz
    Barbara Kuntz
    Nov 11, 2014 | 1:54 pm

    Editor's Note: Houston, the surrounding areas and beyond are loaded with must-have houses for sale in all shapes, sizes and price ranges. In this continuing series, CultureMap snoops through some of the best and gives you the lowdown on what's hot on the market.

    A once small, three-bedroom, one-bath bungalow needing some TLC in the Brooke Smith neighborhood in the Greater Heights area now stands as an authentic, accurate and admirable tribute to the original American Arts and Crafts style.

    While celebrating its own open house, the local larger-scale "ultimate bungalow" even turned heads and attracted visitors during the recent American Institute of Architects Houston 2014 Home Tour. The house, located at 512 Archer St., is now for sale at $825,000.

    "It was the house that we first lived in together. We literally got married on the front porch of this house."

    The 2,460-square-foot residence blends period details with modern features. Taken to the studs, careful craftsmanship is evident throughout, from reclaimed hardwoods and shiplap; antique doors, windows, lighting fixtures and shutters salvaged from historic structures; to custom cabinets and bookshelves. The four-bedroom charmer also offers 400 square feet of covered and screened porches, including an outdoor kitchenette, making nature very much a part of the living experience on the 5,000-square-foot lot.

    So who is behind this local authentic American Arts and Crafts revival?

    Meet Anthony Harnden, president of The Contemporary Craftsmen, a company of six determined to meticulously represent classic Craftsman style in its projects.

    Harnden took time to respond to a Q&A email from CultureMap to share more about his latest creation — down to the nails.

    CultureMap: Tell us about The Contemporary Craftsmen. What are your inspirations and goals?

    Anthony Harnden: We started in 2008 right after the recession. I got my feet wet by moving a house from the Woodland Heights to a piece of property that we had purchased the previous year next to our residence. The Contemporary Craftsmen officially started about a year and a-half ago. I am the sole member of the LLC and have six full-time employees, mostly carpenters/painters.

    I started my second period restoration about two years ago. This was a house that (my wife) Kay bought for herself before we met. It was the house that we first lived in together. We literally got married on the front porch of this house. The house was what I call a working-class Victorian — T-shaped with three rooms total plus a bathroom that was added at some point.

    I really wanted to recreate the experience I had in some of the homes we visited in New Orleans. I wanted the screened-in porches, the court yards, the French doors, sun rooms and transoms. I wanted there to be a sense of having layers of history. I finished the house, and we had a pretty good amount of interest.

    I guess the goal of The Contemporary Craftsmen is to make a connection. My inspirations come from personal experiences. One of the three couples that have showed serious interest in the house at 512 Archer, my second house in this style, spoke with me. She told me that she was from Pasadena, Calif. She lived one-half a mile from The Gamble House. She said that the house that we built reminded her of the house that she grew up in. She was even tutored in a Greene and Greene house.

    It's difficult to describe what a gift she gave me by telling me these stories. Not many people have the chance to make that kind of connection with people. I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been.

    CM: What were the major steps you took in order to begin the process to create a true American Arts & Crafts house?

    AH: One of the challenges with this design were the 3-foot eaves. Greene and Greene houses typically have closer to 5-foot eaves. With 3-foot eaves plus a 12-foot-wide driveway, the location of the house on the lot becomes an important factor. So we had to move the house over about five feet. Since we were adding up, we decided to take that opportunity to build a proper foundation for the house, so we had the house lifted about six feet so we could get under there and rebuild the foundation.

    CM: Tell us about your favorite repurposed features incorporated into the house and where you found them?

    AH: We bought a building, a two-story brick building, in the neighborhood that was built in 1929 located at 1000 Enid, our current project. This property was originally a grocery store and had rental units upstairs. We scored four clawfoot tubs and several sinks from this building. We used two of the clawfoot tubs and one of the sinks at 512 Archer. One of the other sinks came from Adkins Architectural Antiques. Many of the sconces came from August Antiques on Heights Boulevard. We also used reclaimed oak floors.

    "I think a lot of builders try to take buyers to the next level. We try to take people somewhere they have already been."

    One of the things that gets noticed the most are the industrial exposed track doors, but its the subtle things like the mortise sets and porcelain door handles that are my favorites because people don’t notice those things. They just experience them when they pull the door closed. It's not visual; it's sensory and subconscious.

    CM: American Arts & Crafts houses typically have furniture built specifically for certain areas of the homes. Is any of the furniture especially made for the house?

    AH: We built the dining table out of ash. We were kind of excited about it actually. We bought the wood from Clark’s Lumber. The ash had been left in the kiln for an extended time. causing the wood to turn a beautiful deep coffee color all the way through and giving it a wonderful smell, almost like a cigar. After it was finished, we decided to rub it down with mineral oil instead of putting a finish on it so you can smell that ash when you walk in the house.

    CM: Tell us about the other house you built in this fashion?

    AH: We have done two “California Craftsmen” on this street. The other one is located at 506 Archer. We were kind of proud of that house because it was actually a new construction. If we didn’t tell you, though, you wouldn't know it. We definitely used reclaimed material in that house, but it had an element that was greater than the sum of its parts. We felt like we breathed soul into it. It really felt like it had been there 100 years.

    CM Anything else you would like to add? I heard a lot of people on the AIA Contemporary Home Tour saw the house and liked it!

    AH: I wish I could take credit for planning this, but it was purely a coincidence that our open house was on the day of the AIA tour. Our friends and neighbors have a house that was on the tour. They live four doors down. They sent quite a few people down to see our house.

    It turns out that a lot of the people on the AIA tour have an appreciation for Early American Arts and Crafts as well as contemporary. Happy accident, and generous neighbors.

    Take a visual tour of 512 Archer St. by clicking through the slideshow above.

    Square footage: 2,460

    Asking price: $825,000

    Listing agent: Kay Harnden, Berkshire Hathaway HomeServices

    The master bedroom.

    On the Market 512 Archer St. November 2014 Master
    Photo by © William Tadlock
    The master bedroom.
    unspecified
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    Good Brick Tour 2025

    Historic home tour celebrates preservation and sustainability in Houston

    Emily Cotton
    Nov 4, 2025 | 3:15 pm
    Good Brick Awards 2025 Style in Steel
    Courtesy of Preservation Houston
    The Style in Steel townhouses were built in 1968.

    Preservation Houston’s 2025 Good Brick Tour kicks off this weekend (Saturday, November 8, and Sunday, November 9), giving Houstonians the opportunity to explore stories, craftsmanship, and design details from a selection of the city’s Good Brick Award recipients, which reward excellence in historic preservation. Now in its 12th year, the tour has grown into a celebration of Houston’s rich architectural heritage, distinctive neighborhoods, and the work that goes into restoring and maintaining some of the city’s most treasured places.

    “Preservation Houston’s Good Brick Tour celebrates not only the homes and landmarks themselves, but the stories of the people who care for them,” said Jennifer Kapral, executive director of Preservation Houston. “Each stop on the tour reminds us that preserving our city’s history is an act of community, one that connects Houston’s past, present, and future.”

    This year, event chairs Pei-Lin Chong (whose home is featured on the tour) and Mariam Hejazi, along with over 150 volunteers, invite the public into four homes that offer a glimpse of the distinctive styles that contribute to the architectural vernacular of the Bayou City. It’s also worth noting that, while the tour offers access to four homes, one location — Style in Steel — is a collection of three independent townhomes that have not been open together since their original debut in 1969.

    Just in time for the tour, CultureMap has gathered insights from each location’s homeowner(s) so that participants can keep an eye out for the little things that make each one of these homes so special. Find each insight just below the history of each home.

    2025 Good Brick Tour Locations

    Valenti-Dissen House 1507 Alamo Street (First Ward), 1921
    Built by Sicilian immigrant and grocer Jacob Valenti, this Craftsman bungalow reflects the First Ward’s early diversity. Over the decades it welcomed a mix of tenants, from a printer and an accountant to members of Houston’s Greek community, capturing the spirit of a working-class area where many cultures met. In 1934, the property was purchased by Della Settegast Dissen, whose well-known Houston family had deep ties to the city’s development. When FW Heritage acquired the home in 2021, they found a structure in need of major repair but rich in original details. A careful restoration, guided by Grayform Architecture, respected the home's proportions while updating it for modern living. The project received a 2024 Good Brick Award.

    “The house was originally a two-bedroom, one-bath home and served as a rental for close to 100 years before I bought it in 2021,” says homeowner and event co-chair Pei-Lin Chong. “I’m actually the first homeowner to ever live here, which makes it even more special. One of my favorite features is the built-in china cabinet between the kitchen and dining room; it’s such a thoughtful original detail. During the restoration, we discovered old wallpaper under the sheetrock. I asked my demo team to carefully remove them and I have framed two samples as keepsakes. It's a small piece of the home’s long history.”

    William Henry Lighthouse House 2018 Kane Street (Old Sixth Ward), 1906
    A two-story Classical Revival residence built for brick maker William H. Lighthouse is among the Old Sixth Ward Historic District’s most prominent landmarks. Architect Olle Lorehn designed the home with honey-colored brick, stone trim, and a soaring double-height portico — a fitting showcase for the material that made Lighthouse’s fortune.

    When changing health circumstances made stairs increasingly difficult, the homeowner turned to architect Marisa Janusz of Janusz Design for a way to remain in the home he loves. The resulting one-story addition provides accessible living space on the ground floor. Set back and lower in height, it connects to the main house via a copper-and-glass bridge that meets the historic structure with a light touch. The project was honored with a 2025 Good Brick Award for demonstrating how thoughtful design can adapt historic architecture to modern life with grace and care.

    “The brick interior walls are what make this home truly stand out — strong and full of character,” explains homeowner Jason Johnson. “Paired with the historic exterior walls, which are three bricks thick, and thoughtful modern updates, it’s a space I hope visitors appreciate for both its design and its story.”

    Anderson Todd House 9 Shadowlawn (Museum District), 1961
    Designed by architect and Rice University professor Anderson Todd for his family, this steel-framed pavilion balances privacy and openness through a series of courtyards and light-filled spaces. The steel-framed, brick-and-glass pavilion is organized around a black-walnut-paneled core. Polished terrazzo floors, a rhythm of exposed columns, and an unbroken ceiling plane finished in white-painted plaster reflect Todd’s disciplined craftsmanship and his view of architecture as the measured interplay of light, form, and material.

    Modern in form yet understated in presence, the Todd House complements its neighbors in the Shadow Lawn Historic District through scale and workmanship. The house is listed in the National Register of Historic Places and is a City of Houston Protected Landmark. Because the home has never undergone any renovations, it has never been nominated for a Good Brick Award. Instead, Anderson Todd House is considered an excellent example of how thoughtful stewardship can keep a landmark home livable today.

    “Our house was a wonderful house for children. There was so little furniture that we could bicycle indoors,” says Emily Todd. “It continues to be a wonderful house as an adult, equally comfortable for a quiet dinner or a lively cocktail party. I’m very lucky to have spent virtually all my life in this house. Living here has been a privilege.”

    Style in Steel Townhomes 4156, 4158 and 4160 Meyerwood Drive (Southwest Loop), 1968
    Designed by Wilson, Morris, Crain & Anderson, the firm behind the Astrodome, the three Style in Steel townhomes stand among Houston’s most elegant expressions of late modern design. The houses debuted at the 1969 National Association of Home Builders’ exposition, showcasing the versatility of steel in residential design. Architects Talbott Wilson and Hal Weatherford paired precision with warmth, combining steel with terrazzo, travertine, brick, and cedar in open, light-filled homes arranged around courtyards landscaped by Fred Buxton.

    The current owners of the central townhouse undertook a meticulous restoration with architect Rodolfo R. Fabre, reversing years of alterations to reveal the clarity of the original design and earning a 2024 Good Brick Award. Together, the three houses — all City of Houston Protected Landmarks — represent Houston modernism at its finest, sustained by thoughtful stewardship and care. This year’s Good Brick Tour marks the first time the Style in Steel homes have been open to the public together since 1969.

    “My favorite space in the house is the front courtyard, which the entire house is designed around. It’s magical the way light filters in and casts patterns on the walls throughout the day,” homeowners Philip and Mandy LeBlanc explain.

    “We enjoy the courtyard daily for lunch, work, or simply soaking in the sunlight. It connects every part of the home. The design transitions beautifully from public to private spaces, with intentional glass and steel elements that make the home both functional and elegant. Inside, our mid-century furniture collection, gathered from local estate sales, complements the home’s modern aesthetic and ties everything together. From a design standpoint, there’s truly nothing else like it in Houston; it’s a space that connects history, light, and everyday life so seamlessly.”

    Tickets

    Advance tickets, valid for admission to all four homes both days, are $25 online through Thursday, November 6. Tickets will be $30 at the door during the tour weekend. Single-site admission will also be available for $10 per location. Hours for both days of the tour are 12-5 pm. Proceeds from the tour support Preservation Houston’s advocacy and educational programs.

    Good Brick Awards 2025 Style in Steel

    Courtesy of Preservation Houston

    The Style in Steel townhouses were built in 1968.

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