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    This Week In Music

    Motorcycles and hip-hop: Lone Star Rally, Fall Out Boy, Jay-Z highlight championship week of concerts

    Johnston Farrow
    Johnston Farrow
    Nov 2, 2017 | 1:00 pm

    The Black Album and black leather highlight the week ahead for music in and around Houston as the city celebrates a world championship with world-class talent and events. From hogs on the historic Strand in Galveston and Mr. Carter visiting the in-laws to a big Party on the Plaza, the stars have aligned for Astros fans to let loose as they are set to toast their team in style over the next week.

    Best Show of the Week
    At this point does Jay-Z, producer of said Black Album, have to tour anymore? The guy is closing in on billionaire status and he's achieved almost everything a musician and businessman can accomplish, so the only reasons for touring his latest album is either to maintain his profile as the Merriam-Webster dictionary definition of the American dream or because he really loves his fans. No matter the reason, droves of hip-hop fans will be at his Toyota Center stop of the 4:44 Tour on Wednesday, November 8, because very few rapper/producers are making impactful music at this level, not to mention, he has a catalogue of hits dating back almost 20 years to pull from.

    The biggest question is, will the Queen Bey herself, Beyonce Knowles, make an appearance in her hometown to perform a few songs alongside her world-beating partner? If there’s any stop on this tour where it would happen, this would have to be the one where we get a duet from the power couple who have done a tour together in the past. Fast-rising, 24-year-old Chicago rapper Vic Mensa and Jay-Z protege will open. Tickets start at $39.50, but checking the Toyota Center site, the only seats still available start at $199.50 plus service charges. Doors open at 7 pm.

    Biggest Show of the Week
    As a former Galveston resident, there are three type of island residents when nearly 600,000 visitors and nearly 300,000 motorcycles descend on the Island throughout the weekend as part of the immense Lone Star Rally. The first type of resident will get out of town, the constant roar too much for them to take; the second will live for three days with earplugs firmly implanted in their skulls; the third will bust out their leather and denim and embrace the sheer madness for what the Lone Star Rally is, which is a really great party with a couple of dozen of bands playing over the course of the weekend.

    The Lone Star Rally is one of, if not the biggest (there’s always been arguments over whether the Sturgis, South Dakota rally is bigger), motorcycle enthusiast gatherings in the world. A surprisingly safe and fun event, bikers bust out their tricked out rides and showcase them along The Strand throughout the day, riders filling the bars and cheering on a strong line-up of bands that cater to this sort of crowd. It’s so huge, the City of Galveston commissioned its own economic impact study and the results are impressive.

    Performers through Sunday, November 2 include Vanilla Ice, David Allen Coe, Shallow Side, the Zach Tate Band, Tom Keifer and many more. Admission is free.

    Best Free Show of the Week
    Respect has to be given to The Old 97’s for the sheer longevity of their career. Releasing their first album in 1994, the quartet that got its start in Dallas has produced one of the most respected catalogues of Americana-based rock music, making friends of Hollywood along the way, in no small part due to lead singer Rhett Miller’s good looks, charm and strong songwriting. The band continues to churn out new music, the latest being this year’s Graveyard Whistling.

    The band is set to play the Party on the Plaza concert series on Wednesday, November 8, a great venue just outside the George R. Brown Convention Center for any Astros fans that can’t get the celebration out of their system. The best part? The show is free. The Seratones will open.

    Other Shows of Note
    Friday, November 3
    Iron & Wine with John Moreland at the Heights Theater. Tickets are sold out. Doors open at 7 pm.

    Sunday, November 5
    The Guess Who at Dosey Doe, tickets start at $118 , doors open at 7:30 pm.

    Monday, November 6
    Toad the Wet Sprocket at the House of Blues, tickets start at $40, doors open at 7 p.m.

    Tuesday, November 7
    Fall Out Boy with blackbear and Jaden Smith at the Toyota Center, tickets start at $30.50, doors open at 6 p.m.

    Wednesday, Nov. 8
    The Jesus and Mary Chain at White Oak Music Hall, tickets are $30 in advance, doors open at 7 p.m.

    The Last Bandoleros at the House of Blues Bronze Peacock Room, tickets start at $13, doors open at 7 p.m.

    The Old 97’s play a free show as part of the Party on the Plaza concert series on Wednesday, November 8.

    Old 97's
    Photo courtesy of Old 97's
    The Old 97’s play a free show as part of the Party on the Plaza concert series on Wednesday, November 8.
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    Movie Review

    Meta-comedy remake Anaconda coils itself into an unfunny mess

    Alex Bentley
    Dec 26, 2025 | 2:30 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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