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    Alison Cook's Top 100

    Breaking down Alison Cook's latest list of Houston's 100 top restaurants: Has Chron critic gotten bored?

    Eric Sandler
    Sep 15, 2017 | 10:07 am

    As I read over Alison Cook’s latest list of Houston’s 100 best restaurants, published Thursday night by the Houston Chronicle, one thought kept popping up.

    Is Alison Cook bored? The Chronicle touts her 45 years of experience writing about food, but I sincerely wonder whether she’s over it.

    The first reason I asked that question is that, once again, she didn’t rank the entire list. This year, the first 30 come in numeric order (up from 25 last year) and the rest are listed alphabetically. While I suppose it might be tricky to weigh the relative merits of 68 versus 72, Jonathan Gold, the Pulitzer Prize-winning food critic for the Los Angeles Times, manages to parse those distinctions when he ranks that city’s restaurants. It isn’t unreasonable for Cook’s readers to expect the same from her.

    The list that once caused controversy has become pretty staid, in my opinion, and most of the choices seem pretty obvious. That the critic would anoint Xochi as Houston’s new best restaurant — Oxheart’s closure ensured a new No. 1— seemed so obvious to me that I predicted in on my podcast back in August (listen at about the 8:30 mark).

    I mean no disrespect to Xochi’s owners chef Hugo Ortega and Tracy Vaught with that opinion. Opening a Oaxacan restaurant in a luxurious downtown hotel took courage, and the restaurant has to walk a tricky balancing act of representing its region well while serving dishes in a form that will appeal to mainstream tastes. My most recent meal at Xochi a few weeks ago has been one of my favorite dining experiences of the year.

    Count Ronnie Killen as one of the list’s other big winners. He’s the only chef with three restaurants in the ranked section of the list: Killen’s Barbecue (8), Killen’s STQ (15), and Killen’s Steakhouse (27). After being snubbed by Texas Monthly, which elevated Tejas Chocolates and CorkScrew BBQ over Killen’s Barbecue in its ranking of Texas’s 50 best barbecue joints, Killen comes out on top here with the only barbecue restaurant in the ranked section of the list.

    Congratulations are also due to places like Brasserie 1895, Riel, Nobie's, and Roost. Houston can always benefit from more independently-owned, one-off establishments that reflect a chef's unique vision. Hopefully, Cook's attention fills their dining rooms.

    Hard to parse

    As always, Cook’s criteria are hard to parse. “Ambition matters, whether it is broad-based or tightly focused,” she writes. “A sense of Houston place, however, is one of those intangibles that can make a difference.”

    “Can make a difference,” but won’t necessarily, even at the top of the list. BCN, which is ranked No. 2, offers a delicious, luxurious, and expensive way to spend an evening, but chef Luis Roger’s Spanish cuisine is deliberately designed to transport diners to another part of the world. Realistically, it could be located in just about any city in America.

    I wonder about the restaurants that fell off the list entirely. What could have happened at Cafe Annie to drop it from 19 last year — when Cook hailed chef Robert del Grande’s decision to revive the restaurant’s name and Southwestern dishes as “a stroke of genius” — to completely off the list? Additionally, it’s hard to fathom having a take on Houston’s restaurant world in which neither Brennan’s nor Paulie’s are among the city’s best, yet neither one makes this year’s list.

    Another reason I think Cook might be tired of this exercise is that she’s included relatively few new restaurants. The list touts 16 new additions, but by my count, only eight opened since last year’s list: Xochi, Maba Pan-Asian Diner, Killen’s STQ, Riel, Nobie’s, Pi Pizza, Pinkerton’s Barbecue, and Yauatcha. Two restaurants that relocated and broadened their menus, Kitchen 713 and Kiran’s, could be considered new-ish, but that’s still only 10. One Fifth probably would have found a spot on the list, but the decision to close in August and reopen in September with a new concept makes it almost impossible for the critic to evaluate each new version in time to include it.

    Left out

    Where are some of the other leading lights of the last year like The Pit Room or Star Fish? Why not find a spot for at least one of the new breed of bars that serve carefully prepared food like Presidio, Edison & Patton, Heights Bier Garten, or even Better Luck Tomorrow, which comes with the status of being owned by Bobby Heugel and Justin Yu? Jonathan Jones and Matt Wommack deserve more credit for bringing a new culinary perspective to the Houston locations of Cane Rosso that have transformed it from a solid pizza option into a sophisticated, locally-inspired take on casual Italian cuisine.

    How about mixing up the Chinatown picks by making room for the hand-pulled noodles at Let’s Noodle, the Sichuan spices at Chengdu Taste, or creative spin on Korean food at Ohn?

    If Cook gives Maba so much credit for its updated take on (mostly) Vietnamese food that it’s Houston’s 11th best restaurant, then shouldn’t Les Baget have a spot for its own creative preparations and inventive twists on Vietnamese flavors? And if Bernie’s Burger Bus, Hubcap Grill, and burger-chan are on the list, then shouldn’t The Burger Joint be, too?

    Restaurants evolve, but Cook doesn’t seem to notice. She cites Shepard Ross as a "co-owner" of Pax Americana who shapes the wine list and cocktails, but Ross departed from Pax this summer to work as a restaurant consultant on projects like the upcoming Maison Pucha Bistro. In her blurb for Riel, she touts the borscht that’s been off the menu all summer. In the passage for Weights + Measures, she mentions Mike Sammons’ influence on the wine list and cocktails, but it’s general manager Isaac Johnson, not Sammons, who has been responsible for them the last two years. Did she revisit these restaurant this summer during the almost three month gap between her last review (Tejas Chocolates on June 19) and the list's publication to ensure she experience their most current versions?

    Still doubt that the critic is out of touch? She tweeted Thursday night that she had never had queso at Pappasito's before that day. Pardon me for stealing a bit from Seth Meyers and Tina Fey, but, really, Alison Cook? Houston's most prominent food writer has never had a basic appetizer at the city's most popular Tex-Mex restaurant (at least by number of locations)? Really?!?

    Ultimately, the list reflects one critic's opinion. Cook can write what she wants. Let’s just stop pretending her list is anything more than that.

    BCN is an unexpected choice for Houston's second best restaurant.

    BCN Taste & Tradition exteior
    BCN Taste & Tradition/Facebook
    BCN is an unexpected choice for Houston's second best restaurant.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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