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    Live Music Now

    These are the 6 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Aug 14, 2018 | 2:57 pm

    Hip-hop is the sound of the week, with several high profile concerts rolling through the 713. Meanwhile, the '90s nostalgia trip continues as some of the biggest alt-rock bands of that era grace the Cynthia Woods Mitchell Pavilion stage. Here are the best and biggest shows live music shows of the week:

    No. 1 hitmaker J. Cole
    Multi-platinum selling, North Carolina-based hip-hop star J. Cole returns to Houston, this time promoting his fifth consecutive No. 1 album, KOD and a just-released a new mixtape, Album of the Year. To put it in perspective as to how big Cole is, he’s produced singles for Pulitzer Prize winner Kendrick Lamar and Janet Jackson. Also be on the lookout for the son of one of the first major hip-hop stars, Will Smith, when Jaden Smith takes to the stage for an opening set.

    J. Cole performs at the Toyota Center, located at 1510 Polk St., on Wednesday, August 15. Young Thug, Jaden Smith, Earthgang & Kill Edward open. Tickets start at $49.50 plus service fees. Doors open at 6:30 pm.

    CultureMap recommends: Black Moth Super Rainbow
    Add elements of French electronica duo Air, a little Daft Punk vocoder, and Flaming Lips visual weirdness, and you'll get Black Moth Super Rainbow. Case in point, bandmates go by the monikers Tobacco (lead vocals), The Seven Fields of Aphelion (synths, of course), Iffernaut (drums), and STV SLV (bass). Their latest is this year's Panic Bloom. If you're into the more experimental corners of alternative music, this is the show for you this week.

    Black Moth Super Rainbow headlines White Oak Music Hall, located at 2915 North Main St., on Wednesday, August 15. Stargazer Lilies and Air Credits open. Tickets start at $15 in advance plus a $6.57 service fee. Doors open at 7 pm.

    Show of the week: Bush, The Cult, and Stone Temple Pilots
    If you said that Bush would be touring with The Cult and Stone Temple Pilots 20 years ago, it would be the hottest ticket of the summer. Alas, it's 2018 and the glory days are far behind these three bands as they embark on their Revolution 3 tour. That said, it should be a fun trip down memory lane, as they all are responsible for numerous hits that make busting out those baggy jeans and wallet chains worth it.

    Bush, led by the ageless Gavin Rossdale (now more famous for having been married to Gwen Stefani) and founding member Robin Goodridge on drums, produced one of the biggest albums of the post-grunge era in Sixteen Stone, that still gets regular airplay on mainstream radio. Their latest album, Black and White Rainbows, is decidedly not quite as huge as their debut, which sold six million copies.

    The Cult is by all definitions still bad ass, heavily influenced by The Doors and Guns 'N Roses hair metal riffs. It will be great just to see lead singer Ian Astbury and guitarist Billy Duffy rip through "She Sells Sanctuary" and "Fire Woman."

    Stone Temple Pilots, unfortunately, are on their third lead singer, the little known Jeff Gutt, after original frontman Scott Weiland tragically overdosed in 2015 and his replacement, Linkin Park's Chester Bennington committed suicide last year. They still have the tunes though, as their first two albums, Core and Purple, are alt-rock classics.

    Bush, The Cult, and Stone Temple Pilots bring back the '90s to Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Thursday August 16. Lawn tickets start at $25, reserved seats start at $39.50 plus service fees. Gates open at 6:30 pm.

    Lil Baby is big
    Atlanta rapper Lil Baby is on the rise with singles, "Freestyle", "My Dawg," and "Yes Indeed" and making a big impact on the charts, with the latter reaching as high as No. 6 on the Billboard Hot 100 charts with the guest starring help of some little-known Toronto rapper named Drake. He's riding high on No. 3 album, Harder Than Ever, making this a situation where fans can claim to have seen him at the start of what looks to be a promising career.

    Lil Baby performs at House of Blues, located at 1204 Caroline St., on Thursday, August 16. YK Orisis opens. Tickets are $32.50 plus service fees. Doors open at 7 pm.

    Marilyn Manson and Rob Zombie haunt The Woodlands
    Once again, if this bill came out 20 years ago, it would be an immediate sell-out as shock rockers Marilyn Manson and Rob Zombie ruled the charts back in their '90s heyday, combining Hallowe'en-themed theatrics and hard riffing, synth-inflected, alt-rock that made fans of grunge kids, goths, and metalheads. Manson has consistently produced good-to-great albums, the latest being Heaven Upside Down. He recently played Houston earlier this year following the postponement of a tour due to an injury he sustained when a stage prop toppled on him.

    Zombie stepped away from his music career to focus on directing classical dramas, er, we mean horror films. However, there has been inklings that a new album is on the way. His output with his original band, White Zombie, and 1998's solo album Hellbilly Deluxe remain highlights. Get there early as new act Deadly Apples has been making some noise, incorporating the best influences of the headliners.

    Marilyn Manson and Rob Zombie co-headline the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, August 18. Deadly Apples open. Lawn tickets start at $25, reserved seats start at $39.50 plus service fees. Gates open at 6 pm.

    Thinking man's rap: Lupe Fiasco
    The former protégé of Kanye West and Jay-z, Chicago rapper Lupe Fiasco rose to fame in the mid-2000s with his debut Lupe Fiasco's Liquor and Food. While his career didn't reach the heights of those who helped produce that album, Fiasco has carved out a respectable career as a thinking man's rapper, critically adored, but unable to find as much commercial success, perhaps due to his rejection of the misogyny and vulgarity that is sometimes associated with his chosen genre and overt political stances. Still, fans of conscious hip-hop a la The Roots or Talib Kweli will find a lot to like here. His latest is last year's DROGAS Light.

    Lupe Fiasco performs at the House of Blues, located at 1204 Caroline St., on Sunday, August 19. Kota the Friend and Billy Blue open. Tickets start at $32.50 plus service fees. Doors open at 7 pm.

    Rob Zombie haunts Cynthia Woods Mitchell Pavilion with Marilyn Manson on Saturday, August 18.

    Rob Zombie
    Photo courtesy of Rob Zombie
    Rob Zombie haunts Cynthia Woods Mitchell Pavilion with Marilyn Manson on Saturday, August 18.
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    Movie Review

    Reminders of Him taps into grief, grace, and the power of moving on

    Alex Bentley
    Mar 13, 2026 | 10:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s. The new film Reminders of Him marks the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far — most notably It Ends With Us — are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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