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    Live Music Now

    These are the 6 best concerts to catch in Houston this week

    Johnston Farrow
    Johnston Farrow
    Jul 17, 2018 | 1:15 pm

    The ’90s are hot right now. The live music scene is looking back, with several big names from the grunge-dominated heyday playing Houston this week — in addition to some standouts from the pop and country genres. Here are the biggest and best.

    CultureMap show of the week: Smashing Pumpkins and Metric
    Smashing Pumpkins are back. Well, sort of: They are three-fourths back, with band leader Billy Corgan opting to leave former girlfriend and bassist D’arcy Wretzky at home due to whatever drama those two have going on. Fortunately, drummer Jimmy Chamberlain and guitarist James Iha return to the live stage for the Shiny and Oh So Bright tour. They’ll be playing classic cuts from their first five albums.

    Even better, one of Canada’s best bands, Metric opens, and if there was any justice in this world, they’d be the ones filling arenas. They are that good. They've just released hot new single, "Dark Saturday" and will be worth getting to the Toyota Center by 7 pm sharp.

    The Smashing Pumpkins headline at the Toyota Center, located at 1510 Polk St., on Tuesday, July 17. Metric opens. Tickets start at $29 plus fees. Show starts at 7 pm.

    Sam Smith: Crooning to the rafters
    James Bond title crooner Sam Smith brings his unique voice to Houston on a hot streak. The multi-award winner is set to release his new album, The Thrill of it All, in November, and first single, “Too Good at Goodbyes,” went to No. 1 on almost every conceivable chart. Fans of amazing vocal talent shouldn’t miss this one.

    Sam Smith performs at the Toyota Center, located at 1510 Polk St., on Wednesday, July 18. Cam opens. Tickets start at $35 plus fees. Show starts at 8 pm.

    CultureMap recommends: Julianna Barwick
    Acclaimed avant folk singer Julianna Barwick makes sounds rarely heard in a live setting, by looping her gorgeous voice and synths into an ethereal, dreamy mix. To give you the sense of whose radar she's on, she’s been commissioned by Radiohead to remix their work. And although she hasn’t put out anything since 2016’s Will, it’ll still be a treat to see her in the intimate confines of Rockefellers.

    Julianna Barwick rolls into Rockefellers, located at 3620 Washington Ave., on Thursday, July 19. Mary Lattimore and Ak'chamel, The Giver Of Illness open. Tickets start at $13 plus service fees. The show starts at 8 pm.

    Sugar Land, meet Sugarland
    It’s a match made in heaven, as Sugarland performs in, ahem, Sugar Land. While not named after the suburb, the country duo, comprised of Jennifer Nettles and Kristian Bush, is no stranger to the Houston area, having played RodeoHouston two times previously. The Georgia-based group has sold millions of albums, and they’re selling a bunch more with the release of their latest, Bigger, this past June. Their song, "Babe," features a little-known singer named Taylor Swift, who shows some real promise here.

    Sugarland performs at Smart Financial Centre, located at 18111 Lexington Blvd. in Sugar Land, on Saturday, July 21. Frankie Ballard and Lindsay Ell open. Tickets start at $59.50. The show starts at 7 pm.

    Roasting with Blue October
    Summertime — the perfect time for beer-sponsored festivals with questionable lineup choices. The good thing about these types of events is they’re usually cheap to get into and there’ll be at least one or two bands that you’re willing to pay to see. Houston’s own Blue October will headline the Bud Light Roast this Saturday, which is what anyone who sits on the lawn will be doing if they get there early, but hey, there’ll be plenty of beer to drink, right? Alt-rock bands AWOLNATION, Theory of a Deadman, and more will also perform.

    Blue October headlines the Bud Light Roast at the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Saturday, July 21. AWOLNATION, Theory of a Deadman, Robert DeLong, and Hold On Hollywood also perform. Tickets start at $15 for lawn seating, $20 for reserved seats, plus fees. Tickets increase $10 on day of the event. Gates open at 3:30 pm.

    Counting 25 years with the Counting Crows and Live
    The second nostalgia trip back to the ’90s in two weeks hits Cynthia Woods this weekend as the Counting Crows bring their 25 Years and Counting tour to town. August and Everything After, released in 1993, made the Crows huge stars with hits “Mr. Jones,” and “Round Here” becoming radio staples.

    They’ll be joined by another huge ’90s hitmaker, Live, whose grunge-lite Throwing Copper was inescapable back in the day with several singles ("I Alone," "Selling the Drama," and "All Over You," and “Lightning Crashes”) rising to the top of the alt-rock and modern rock charts. Those who hate 25-year high school reunions should go to this instead.

    The Counting Crows and Live relive the ’90s at the Cynthia Woods Mitchell Pavilion, located at 2005 Lake Robbins Dr. in The Woodlands, on Sunday, July 22. Tickets start at $23 for lawn seating, $29.50 for reserved seats, plus fees. Gates open at 5:30 pm.

    Houston's own Blue October headlines the Bud Light Roast at Cynthia Woods Mitchell Pavilion on Saturday, July 21.

    Blue October_band_older photo
    Photo by Chris Barber
    Houston's own Blue October headlines the Bud Light Roast at Cynthia Woods Mitchell Pavilion on Saturday, July 21.
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    Movie Review

    Rachel McAdams goes feral in Sam Raimi's gory new comedy Send Help

    Alex Bentley
    Jan 29, 2026 | 2:30 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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