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    Houston Ballet's Swan Lake soars into Jones Hall to close season

    Tarra Gaines
    Jun 27, 2018 | 1:30 pm

    The Houston Ballet bids adieu to its 2017-2018 season of resilience with the ultimate swan song, artistic director Stanton Welch’s realization of one of the most beloved ballets of all time, the classic Swan Lake.

    Welch created this Swan Lake especially for the Houston Ballet in 2006, using Tchaikovsky’s full score for a rich, complex three-act production. Yet, Swan Lake’s story of an everlasting love and beauty that defies will likely resonates even greater today when viewed with a mind towards the ballet’s own, real life story of perseverance this year. When Hurricane Harvey’s damage to the Wortham Center, left them without their usual stages for a year, they made a promise to the city that the dance would go on. The company embarked on a hometown tour, pirouetting into to a different venue for each of their major productions.

    Quite fittingly, they end the season flying into their Theater District neighbor Jones Hall, which was originally one of HB’s early venue homes.

    “Jones Hall—for many years—was the place where Houston Ballet performed all of its repertoire. So, after all this chaos we’ve had with the storm and shifting from venue to venue, we return to the original place where Houston Ballet started to do these big full-length ballets. It does feel like a homecoming to us as an organization,” described Welch of the significance of staging Swan Lake in Jones Hall, in a statement.

    After attending the opening performance of this mad, tangled danced love story of a prince, the cursed swan-maiden of his dreams, her dark doppelgänger, and the evil knight magician who puts the tragic fairytale into motion, I can attest that it takes an expansive space like Jones to hold all the lush, majesty of Welch’s Swan Lake.

    The company will stage its triumphant return to the Wortham Center with its 2018-2019 season, but unfortunately, we’ll have something of a wait, as the season won’t begin until November with the Nutcracker. So ballet fans will need to commit to some bird watching by July 1 for a last chance to see a major production from the Houston Ballet before it migrates back into the Wortham this fall.

    Swan Lake soars in Jones Hall through July 1. Tickets start at $25.

    Houston Ballet Principals Yuriko Kajiya as Odile and Chun Wai Chan as Siegfried in Stanton Welch’s Swan Lake.

    Houston Ballet: Swan Lake
    Photo by Amitava Sarkar
    Houston Ballet Principals Yuriko Kajiya as Odile and Chun Wai Chan as Siegfried in Stanton Welch’s Swan Lake.
    dance
    news/arts

    MFAH expands

    Houston museum acquires historic Masonic lodge property for new greenspace

    Eric Sandler
    Dec 23, 2025 | 2:16 pm
    Holland Lodge masonic building
    Holland Lodge No. 1, A.F. & A.M./Facebook
    The building at 4911 will be torn down for the new greenspace.

    The Museum of Fine Arts, Houston has acquired a prime parcel to expand its campus in the Museum District. On Tuesday, December 23, the museum announced it has purchased a two-acre parcel of land at 4911 Montrose Blvd that will bring its total footprint to 16 acres.

    Located just north of the Glassel School of Art, the property will be developed as a greenspace that will serve as a community lawn as well as be utilized for future museum events and parking. MFAH has retained landscape architects Nelson Byrd Woltz — the firm responsible for work at Memorial Park and the recently-opened Ismaili Center — to create the design for the new greenspace.

    Museum of Fine Arts, Houston greenspace rendering A rendering offers a bird's-eye preview of the new greenspace.Image by by Cong Nie/Courtesy of Museum of Fine Arts, Houston

    At this time, the museum does not have plans to build anything on the property, according to a press release.

    To make way for the greenspace, the property’s existing building, Holland Lodge No. 1, will be torn down. Built in 1954 as a home for the oldest Masonic lodge chapter in Texas, the building features a sandstone mural facade. It has been for sale since at least 2005, according to a report in the Houston Chronicle.

    Demolition on the site is expected to begin in spring 2026 with the greenspace opening in approximately two years, according to press materials. In addition to the Glassell School, the museum’s campus includes the Audrey Jones Beck Building, the Caroline Wiess Law Building, the Lillie and Hugh Roy Cullen Sculpture Garden, and the Nancy and Rich Kinder Building.

    “We are delighted to contribute to Houston’s greenspace access with this new initiative, which will expand the museum’s 14-acre campus to a thoroughly walkable 16 acres,” Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, said in a statement. “While the primary objective for the purchase of this property is to secure land for any potential future expansion of the museum, our priority now is to create a welcoming community lawn. Thoughtfully designed by Nelson Byrd Woltz, one of the leading firms in sustainable landscape practice, the site will serve as public greenspace and provide additional parking for museum visitors.”

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