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Summer Fest First-Timer

Scenes from Summer Fest: First-timer has experience she'll never forget at Houston's biggest music party

Sarah Bass
Jun 8, 2015 | 3:46 pm

Each summer, Free Press Summer Fest is one of the most talked about events in Houston. As a native of the city, I’ve heard crazy stories, seen awesome pictures and helped friends coordinate perfect outfits in past years, but this go-around I decided to take part in the action for the first time. It was slightly frowned upon to be seen at FPSF as a high-school freshman so, airing on the side of caution, I waited a couple of years later until I was sure my parents would let me go and I wouldn't face social disdain from anyone I knew.

I had a few expectations going into the festival: It would be hot, I would be exhausted by the end, I would probably leave with a bad sunburn, and I would have a lot of fun. It was pretty much all that — and a whole lot more.

The Food: Cookie Heaven and Waffle Burgers

Lined up in multiple places throughout the grounds, food trucks selling waffles, burgers, hot dogs, and basically anything else you can imagine tempted hungry festival goers. I didn’t expect the food to be so varied or so delicious and was pleasantly surprised.

Singing as loud as I could to each song and dancing as much as the space between me and the stranger next to me allowed for, I definitely worked up an appetite. So, when I stumbled upon Smoosh Cookies I thought I was in heaven. Choosing from the wide assortment of cookies, toppings, and ice cream was extremely difficult but I when I finally decided on an ice cream sandwich and took my first bite, it was pure bliss.

I also had an amazing grilled cheese from The Golden Grill and a Tiger's Blood snow cone from Friohana that rescued me from the mid-afternoon heat. My favorite had to be the many types of waffle sandwiches offered by The Waffle Bus. A waffle burger is the perfect way to end the last day at FPSF.

The Performers: Fireworks on Stage

Just looking at the lineup in February, I figured I would enjoy all the concerts, but I had no idea what to expect from the performers themselves. From the fireworks and laser lights of Skrillex’s performance to the energy of the Welcome to Houston rappers, I was impressed. With upbeat and exciting music from artists like Flogging Molly and St. Vincent, I was on my feet dancing the whole day. My personal favorite, Flume, played popular songs like “You and Me” that had the entire crowd yelling the lyrics back.

The crowd went crazy each time smoke and streamers billowed out of machines near the stage during the Skrillex performance and his shout-outs to fans got everyone excited.

The massive screens surrounding each stage displayed views of the crowds and bright designs that moved along to the music and danced across the screens. The crowd went crazy each time smoke and streamers billowed out of machines near the stage during the Skrillex performance and his shout-outs to fans thrilled everyone.

I also had fun wandering around and ending up at one of the smaller stages listening to upbeat music from Moon Taxi or in front of performers, like Mastodon, playing heavy metal. The impressive light designs and overall excitement from each performer was a standout.

The Heat: Sweaty Together

The only thing more talked about than the performances each year is the hot early summer weather at FPSF. As a first timer, one of my greatest concerns was that I might get dehydrated or way too sweaty. The hype around the change of venue had me thinking the asphalt at NRG park would melt the shoes off my feet. Even though I can't compare it to the festival when it was at Eleanor Tinsley Park, I can say that the mostly treeless landscape was not as bad as I expected. Although it was hot, water was available almost everywhere with people handing it out for free and cooling stations spraying water from the top to cool your body down.

There were also shaded areas for those who wanted to nap (myself included), with people lounging on blankets in between concerts.

Day one was fairly cloudy, so the sun didn’t bother me much and day two had a breeze that definitely helped keep things more cool. And when it was really hot, I discovered that everyone in the crowd was hot and sweaty together. As long as I reapplied sunscreen a lot and drank as much water as I could I didn't mind the heat. And I didn't get sunburned.

The People: New Friends

Living in Houston, I am used to being around a lot of people I don't know. I went into FPSF expecting it to be crowded, but I didn't realize just how many people that would be. The crowds were massive, moving in huge waves when a concert was ending or about to start. Lines to get food, use the bathroom or get water never seemed to end.

By the second day, I learned how to time it better by going to get food near concerts I knew a lot of people would attend, in hopes that they would ignore the food in favor of the music. But this plan only lessened the wait slightly.

I definitely felt lost at times being surrounded by so many people and having to wait in such long lines. But it was exciting making so many new friends — the couple standing next to me whose favorite song by St. Vincent is my favorite song or the guy from the snow cone line who also loves Tove Lo's voice.

The Outfits: A Little Bit of Everything

Even having never previously been to the festival, I know that one of the most important things to do before attending FPSF is to pick the perfect outfit for both days. The search can go on for weeks in advance to find the right hat, swimsuit, or shirt. Of course I had seen pictures from past years, but I was excited to see for myself what everyone was wearing this year.

There were people wearing long pants (which looked way too hot) and others wearing nothing but tape and bathing suit bottoms. I saw a man on stilts, a girl wearing lots of rainbow colored fur, and jelly-bean printed hats. American flags and tie-die print were in abundance throughout the crowd.

The Verdict: Can't Wait 'Til Next Year

Free Press Summer Fest was a total success. I enjoyed listening to some of my favorite artists and discovering musicians I had never heard before. And the people watching was the best. I am already looking forward to going back next year — and figuring out what to wear.

-------------

CultureMap intern Sarah Bass attends The Kinkaid School.

Local act The Suffers performed an incredible set in front of a loving hometown crowd.

Free Press Summer Fest The Suffers
Photo by Marco Torres
Local act The Suffers performed an incredible set in front of a loving hometown crowd.
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Awards Season

CultureMap critic's guide to the 2026 Oscar Best Picture nominees

Alex Bentley
Jan 22, 2026 | 2:00 pm
Michael B. Jordan and Miles Caton in Sinners
Photo courtesy of Warner Bros.
Sinners leads all films at the 2026 Academy Awards with a stunning 16 nominations.

The nominations for the 2026 Academy Awards have been announced, with 10 films vying for Best Picture. Leading the way is Sinners with an astonishing 16 nominations, the most in Oscars history.

The other top films include One Battle After Another, which earned 13 nominations, and Marty Supreme, Frankenstein, and Sentimental Value, which each got 9 nominations.

As a refresher, below are links to the full reviews for each of the nominees covered by CultureMap in the past year, as well as brief thoughts on the films and their various nominations.

Movie fans will have plenty of time to catch up with each of the nominees, as this year's Oscars ceremony will not take place until Sunday, March 15.

Here's the list of Best Picture nominees, in alphabetical order:

Bugonia
Yet another off-the-wall film from director Yorgos Lanthimos features two great performances by Emma Stone (nominated for Best Actress) and Jesse Plemons at its center. Written by Will Tracy (nominated for Best Adapted Screenplay), the conspiracy theory film is alternately brutal and funny as the characters played by Stone and Plemons use their form of power to try to manipulate the other. With a fair amount of intrigue and two great actors going head-to-head for much of its running time, it gives even more Oscar pedigree to its filmmakers and stars.

F1
The biggest surprise among the Best Picture nominees has to be the racing movie F1. It was a technical marvel, to be sure, as its nominations in Film Editing, Sound, and Visual Affects attest. But the fact that it has no other nominations in any of the above the fold categories indicates that its other qualities are lacking. As a showcase (aka advertisement) for the sport it depicts, the film works relatively well. As a complete movie, though, there’s not much to recommend, to the point that it almost negates any of the positives that come from the racing scenes.

Frankenstein (not reviewed)
Writer/director Guillermo del Toro (nominated for Best Adapted Screenplay) loves himself a monster movie, and he takes on one of the classics with his new version of Frankenstein (now streaming on Netflix). Oscar Isaac plays Victor Frankenstein, who brings to life The Creature, played by Jacob Elordi (nominated for Best Supporting Actor). With a slew of nominations in technical categories, there's a chance this film goes home with a lot of awards at this year's ceremony.

Hamnet (not reviewed)
Writer/director Chloé Zhao (nominated for Best Director and Best Adapted Screenplay alongside co-writer Maggie O'Farrell) gets back to her Oscar-worthy skills for the first time since 2020's Nomadland (after the unfortunate detour into the MCU with Eternals). A story about love, loss, and grief involving William Shakespeare and his wife, Agnes, the film is most notable for the performances of its two leads, Jessie Buckley (nominated for Best Actress) and Paul Mescal.

Marty Supreme
There was no other movie this year, or maybe even this century, like Marty Supreme. Directed and co-written by Josh Safdie (nominated for Best Director and Best Original Screenplay alongside co-writer Ronald Bronstein), the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives. At its center is the fast-talking, powerhouse performance by star Timothée Chalamet (nominated for Best Actor), who cements his status as his generation’s movie star one year after playing the polar opposite role of Bob Dylan in A Complete Unknown. Look for the film to be a strong contender in the inaugural Best Casting category, as Safdie fills the film with non-actors who are crucial to the film's success.

One Battle After Another
Writer/director Paul Thomas Anderson (nominated for Best Director and Best Adapted Screenplay) has an acclaimed career going back 30 years, but has yet to actually win an Oscar. That will change this year, as One Battle After Another is one of the favorites to win Best Picture thanks to Anderson's stellar filmmaking, as well as multiple great performances that earned the film four acting nominations (Leonardo DiCaprio for Best Actor, Teyana Taylor for Best Supporting Actress, and Benicio Del Toro and Sean Penn for Best Supporting Actor). Add in a story with a very timely political critique (that's getting more relevant by the day) and you have the recipe for a big winner on Oscar night.

The Secret Agent (not reviewed)
No foreign country has quite the influence on the Oscars as Brazil, which for the second straight year has gotten one of its films nominated for both Best International Feature Film and Best Picture. Written and directed by Kleber Mendonça Filho, the film is anchored by the performance of Wagner Moura (nominated for Best Actor) as a technology expert in the late 1970s who flees from a mysterious past to try to find peace in his hometown.

Sentimental Value (not reviewed)
For the third year in a row, two international films made the cut in the Best Picture race (but whither It Was Just an Accident?). Directed and co-written by Joachim Trier (nominated for Best Director and Best Original Screenplay alongside co-writer Eskil Vogt), the film is tied for the most acting nominations this year, earning nods for Renate Reinsve for Best Actress, Elle Fanning and Inga Ibsdotter Lilleaas for Best Supporting Actress, and Stellan Skarsgård for Best Supporting Actor.

Sinners
It takes a special kind of filmmaker to make movies that are both popular and Oscar-worthy, and writer/director Ryan Coogler (nominated for Best Director and Best Original Screenplay) has done it again, seven years after helming the Oscar-winning Black Panther. Both a tribute to Black music history and a gnarly vampire movie, the film is led by Michael B. Jordan (nominated for Best Actor) in dual roles as twins Smoke and Stack. With a story infused with all manner of subtext and a bunch of great supporting performances, including Best Supporting Actress nominee Wunmi Mosaku, the film demonstrates Coogler's great filmmaking abilities that should keep him in demand for years to come. Amazingly, there was only one category for which it was eligible in which it did not receive a nomination.

Train Dreams (not reviewed)
The second Netflix movie this year to be nominated, Train Dreams is a contemplative film about a logger (played by Joel Edgerton) in early 20th century America who tries to adapt to a rapidly-changing world. Nominated for Best Adapted Screenplay for the script by director Clint Bentley and co-writer Greg Kwedar, the film is most notable for the work done by Adolpho Veloso (nominated for Best Cinematography), who showcases the Pacific Northwest in all its glory.

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