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    walkable art

    See inside MFAH's new masterpiece art school before it opens to the public

    Tarra Gaines
    May 16, 2018 | 9:12 am

    The Museum of Fine Arts, Houston will give the world a new angle on what an art education space can become as it officially opens the many doors of the Glassell School of Art on May 20 and invites the whole city to take in some cool, reflective shade from Anish Kapoor’s Cloud Column — while exploring the building and the Brown Foundation, Inc. Plaza.

    The Glassell School opening marks the completion of the first phase of the museum’s campus redevelopment with the entire Susan and Fayez S. Sarofim Campus Project, including the Nancy and Rich Kinder Building for modern and contemporary art, and the Sarah Campbell Blaffer Foundation Center for Conservation scheduled for fruition in 2020.

    At a recent media preview of the Glassell School, MFAH director Gary Tinterow delivered another grand announcement, that having reached $400 million in the project’s capital campaign goal, Nancy and Rich Kinder had issued a $25 million challenge grant to help reach the campaign’s $450 million goal.

    “The entire campus project is a testament to Houston’s historical legacy of what could be called city-building through arts and culture philanthropy, and the Kinders are an extraordinary example of what is now a century-old Houston tradition,” described Tinterow.

    Richard D. Kinder, who is also MFAH chairman of the board; Alfred C. Glassell III, MFAH trustee; Nancy Abendshein, Brown Foundation trustee; and Onur Genç, president and CEO of BBVA Compass joined Tinterow for the media briefing and emphasized the placement of the Glassell School and Brown Foundation, Inc. Plaza as both a physical and creative connection between the museum and the greater Houston community, continuing the MFAH’s mission to be a place for all people.

    Climbing into the clouds
    The inside of the three-story, 93,765-square-foot building designed by Steven Holl Architects is filled with what seems like thousands of lines and planes of cool, soothing grays. I know I wasn’t the only one feeling I was falling upwards into a M.C. Escher lithograph when looking up and getting lost in all the seemingly paradoxical angles of the building’s central stairway. But when the Glassell is explored together as one with the Deborah Nevins & Associates designed Brown Foundation, Inc. plaza, it becomes difficult to pinpoint exactly where the space ends and begins.

    Both the school and plaza lie atop the museum underground parking and can be accessed directly from the garage, one route by stairs up to the plaza another by elevator directly inside the L-shaped Glassell building. Visitors can also just wander into the expansive space from the Montrose sidewalk, as no fencing lines the plaza.

    For an even more spectacular entrance into the school, I climbed the gently sloping roofline stairs, past a stepped amphitheater up to the BBVA Compass Roof Garden. Another door into the third-floor of the school lies atop the roof garden, but it’s difficult not to pause and take in the 360-degree view of the Houston tree-and-skyscraper-lined horizon spread out all around us. The garden feels like it spills out onto all of Houston, or perhaps all of Houston becomes a part of the BBVA Compass Roof Garden.

    The MFAH’s heart
    “Education has been at the heart of the Museum of Fine Arts since its founding in 1900,” reminded Kinder in his opening remarks.

    Having taken art class years ago as a child and then sculpture classes as an adult, I felt a particular empathetic thrill for all the present and future students who will soon learn and make their art in the new building. The Glassell School education programs and classes reach students as young as 3-year-olds, to adults, to the postgraduate artists and critics of the Core Program.

    The new building boasts 24 studios for adults and youth, eight Core Program artists’ studios, four Core Program critical-writers’ studios, a 75-seat auditorium and exhibition space throughout to hang and display students’ work. The school is expecting enrollment to grow to 8,500 students with the expanded course offerings the new facility will bring.

    The hub for culture
    Tinterow explained that community development will be a key component of the campus redevelopment as the Museum invites community partners, performing arts organizations, and entities that develop cultural programming to bring their creative and educational work to the museum, predicting the the MFAH will act as “Houston’s hub for all things cultural.”

    Wandering the plaza and the Glassell building, it’s easy to imagine how the new campus can bring a multitude of groups, organizations and individual Houstonians to create together. The vast spaces of the Glassell and the Brown Plaza will give much room for performing arts, cultural and educational programming in the coming months, years and decades.

    And to begin its role as Houston cultural hub immediately, on Sunday, May 20, the MFAH, along with many community partners, will present Celebrating Community: Opening Day, to welcome Houston into the new space.

    The celebratory event will include performances from Texas Southern University Jazz Ensemble, Ballet Folklorico Performance with MECA, Aperio, METdance, as well as creative and participatory programming from HISD, Inprint, Houston Public Library, Houston Community College, and many more, so check the MFAH website for the full schedule. 


    Yes, you'll feel like you're climbing into a M.C. Escher painting walking up the central staircase of the Glassell School.

    Glassell School central stairway
    Photo by Tarra Gaines
    Yes, you'll feel like you're climbing into a M.C. Escher painting walking up the central staircase of the Glassell School.
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    Best March Art

    9 new art museum and gallery exhibits opening in Houston this month

    Tarra Gaines
    Mar 9, 2026 | 6:00 pm
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and
plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the
Caroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund

    As spring returns so does a flowering of biannual, annual, and biennial art festivals and events this month. Art blooms indoors in Houston's favorite museums but also on the city's streets, parks, and even waterways. Lots of immersive art invites viewers to journey into the picture.

    The Museum of Fine Arts, Houston gets contemplative, and the Menil Collection displays some rare recent gifts. If that’s not enough art for one month, FotoFest celebrates a big anniversary, and the yearly “Night Light” art party heads downtown.

    “Global Visions – FotoFest at 40” programming across Houston (March)
    Marking four decades of photographic arts and education programming in Houston, this 2026 FotoFest looks back on key works and themes from the 20 previous biennials between 1986 and 2024. With participating art galleries and museums around the city offering special photography exhibitions over the next several month, FotoFest will feature more than 450 artists from the United States and 58 countries. Curated by FotoFest co-founder and former artistic director Wendy Watriss and FotoFest executive director Steven Evans, with co-curators Annick Dekiouk and Madi Murphy, “Global Visions” will explore some of the previous festival themes including geography, identity, war, ecology, and social change, while also celebrating FotoFest’s global reach and impact. Look for auctions, tours, conversations, art walks, and workshops as part of the programming.

    “Buddha/Nature: Five Dialogues on a Shared World” at the Museum of Fine Arts, Houston (now through May 10)
    Ancient and contemporary art converse in this extraordinary new exhibition at the MFAH that explores key teachings of Buddhism centered on how we engage with the natural world. The exhibition is organized crossed five thematically focused galleries, including Samsara, Impermanence, Karma, Compassion, and Awakening. Each gallery features one of five ancient Buddhist sculptures from the Xuzhou Collection, a private collection of Buddhist masterpieces, along with works by international and Texas contemporary artists.

    “This exhibition brings ancient Buddhist sculptures into dynamic dialogue with contemporary art,” explains Hao Sheng, consulting curator to the MFAH and organizing curator of the exhibition. “These sacred objects take on new resonance when paired with modern works that explore fundamental questions about existence and harmony. As we witness shifts in our natural environment, we are invited to reflect on the impact of our collective choices in order to achieve a deeper understanding of our place within a changing world.”

    “Blooming Wonders: A Celebration of Spring” at Artechouse (now through May 31)
    The Houston venue that acts as a greenhouse for art, science, and technology to grow together, Artechouse, brings back this hit exhibition from last year.To explore themes of growth, renewal, and sustainability, “Bloom wonders” showcases several dynamic installations, including “PIXELBLOOM: Timeless Butterflies,” a 270 degrees projection space that puts visitors in the middle of a butterfly cloud. Audiences journey with a flock of butterflies into an immense garden of flowers. In another immersive space, “BloomFall: Through the Infinite” guests enter an mirrored infinity room full of shifting floral dimensions. The installation, “Akousmaflore et Lux” creates a very different type of garden where plants transform into musical instruments. “Clay Pillar” invites visitors to sculpt new forms using clay and a little help from an AI program.

    “Ernesto Neto: SunForceOceanLife” at the Museum of Fine Arts, Houston (now-September 7)
    Immersive art gets elevated as the MFAH brings back this commissioned installation that had museum goers walking on air. Looking something like a giant starfish or spiral galaxy from underneath, Ernesto Neto’s singular work floats above almost the entirety of Cullinan Hall in the Caroline Wiess Law Building. One of the largest crochet works to date by Neto, the sculpture consists of yellow, orange, and green materials hand-woven into a myriad of patterns and sewn together in a spiral formation. Visitors can enter this rising labyrinth and wander through different sections filled with soft, plastic balls underfoot that move with each step. Once they reach the center of work, they might pause to view the piece from within the art and reflect on their own journey through “SunForceOceanLife.”

    “Ernesto Neto created this site-specific piece as a tribute to the life-giving forces of the sun and the ocean. Inspired by crochet, which he learned from his grandmother, the piece transforms this traditional Brazilian craft into a massive, enveloping structure that engages the body and the mind,” remark Mari Carmen Ramírez, Wortham Curator of Latin American Art on the return of the monumental installation.

    True North 2026 along Heights Boulevard (now through December)
    Once again, art grows on the Height Boulevard esplanade with this annual outdoor sculpture exhibition sponsored and partnered by the nonprofit Houston Heights Association. The outdoor show features the latest work of some stellar Texas and Houston artists, including Hans Molzberger, Suzette Mouchaty, James D. Phillips, Roger Colombik, Mark Nelson, Robbie Barber, Jim Robertson, Keith Crane/Damon Thomas. Since the artists don’t always install their sculptures on the same days, True North is always an artful excuse to make time for a walk along the boulevard to see what new work has popped up. This beloved tradition is once again thanks to an all-volunteer team, along with the Houston Heights Association in cooperation with the City of Houston Parks and Recreation and Public Works Departments and the Houston Mayor’s Office of Cultural Affairs.

    "Rebel Girl" and “The Vanguard” at Houston Center for Photography (March 12-April 12)
    Just a few days after International Women’s Day, HCP continues their historic commitment to championing women’s photographic careers as they present two exhibition exploring the complexities of female identity. “Rebel Girl” exhibits the work of Luisa Dörr, Selina Román, and Jo Ann Chaus, artists whose work challenges convention while questioning stereotypes and illuminating the evolving roles and perceptions of women today. For “The Vanguard,” HCP executive director, Anne Leighton Massoni, went through their archives and selected the work of 20 trailblazing women who exhibited at HCP within its first 20 years. Taken together their work illustrate the diversity of women’s artistic visions and creativity.

    “The Gift of Drawing: Cy Twombly” at the Menil Collection (March 27-August 9)
    Perhaps as a nod to the Menil Collection being the home of the only permanent retrospective exhibition of 20th century pioneering artist, Cy Twombly’s, work, last year the Cy Twombly Foundation made an extraordinary gift of 121 of Twombly’s drawings to the institute. Now art lovers around the world will get to see some of that landmark gift, as the Menil Drawing Institute presents this exhibition featuring 30 of those works. Covering three decades of the artist’s activity, from the 1950s to the 1980s, the show will feature work created by Twombly’s use of a broad range of materials, from graphite to oil paint; techniques such as drawing and collage; and themes that are fundamental to his entire practice, such as classical antiquity, eroticism, and nature. Some highlight of the exhibition will be a series of lush and unrestrained landscapes from 1986 that verge on pure abstraction; two untitled works from 1970 that are related to the artist’s “blackboard paintings” on view in Cy Twombly Gallery; and Narcissus, 1975, a collage of paper, with oil, charcoal, and wax crayon on paper. None of these works have been exhibited in the U.S. before.

    “Night Light” at Allen’s Landing at Buffalo Bayou Park (March 28)
    The annual free festival of video art along Buffalo Bayou moves west this year from its usual setting along the industrial and residential landscapes of the Buffalo Bayou East trails to Allen’s Landing in downtown Houston. The concrete bridges and underbellies of the major city freeways that emerge from watery bayou depths become the canvases for three site-specific installations from some of Houston most innovative video and multidisciplinary artists. Co-presented by the Aurora Picture Show and Buffalo Bayou Partnership “Night Light” puts the spotlight on new works from artist, designer, and engineer, Corey De’Juan Sherrard Jr.; video, installation, and performance artist and Rice professor, Kenneth Tam; and award winning collaborative duo Hillerbrand+Magsamen. And it wouldn’t be an outdoor Houston event of any kind without food, so expect a lively night artisan market hosted by East End District and BLCK Market at East River featuring local vendors and food trucks plus tunes from DJ Gracie Chavez.

    Bayou City Art Festival Downtown at Sam Houston Park (March 28-29)
    Downtown Houston continues to sprout art everywhere, as the last weekend in March also heralds the biannual Bayou City Art Fest in Sam Houston Park. Showcasing art from 250 creators from around the country, the festival always brings a wide selection of paintings, prints, jewelry, sculptures, and functional art at all price levels. Fest goers also have the opportunity to meet the art makers and hear the stories behind the art. This year’s featured artists is Lijah Hanley, a digital photographer from Vancouver, WA who first found his place behind a camera lens when he was 13. Along with a day of art, a ticket includes live music all day long on two stages, roaming performers, exciting kids areas with interactive crafts, and culinary arts demonstrations.

    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and\nplastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the\nCaroline Wiess Law Accessions Endowment Fund
    © 2020 Ernesto Neto / photograph by Albert Sanchez
    Ernesto Neto, SunForceOceanLife (installation view), 2020, crocheted textile and plastic balls, the Museum of Fine Arts, Houston, Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
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