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    Foodie News

    Women food power: All female, all-star chefs make "Bitches for Bitches" an unforgettable meal

    Jodie Eisenhardt
    May 1, 2013 | 2:14 pm

    A lucky sold-out crowd of 125 had their taste buds enticed by a talented lineup of all-female chefs, bartenders and wine professionals from Houston and Austin at event space 5226 Elm last weekend. Dubbed “Bitches for Bitches," the multi-course chef’s tasting and silent auction benefited Lucky Dog Rescue.

    The event netted more than $23,000 for the cause, with virtually everything being donated including ingredient support from Whole Foods and the participating chefs along with product from Hudson Ferus Vodka, St. Arnold and Renaissance Wines. Chefs Randy Evans, John Sheely, Philippe Gaston and many others donated Chef’s Tastings and gift cards to contribute significantly to the effort via the silent auction where items like a weekend at the soon to open Lone Star Court in Austin combined with dinner at Uchi went for $825 and an “Opening Night Tasting” with chef Brandi Key at the upcoming Coppa Osteria fetched $620.

    Masson was eager to do something unique for this one and called upon a league of fellow female chefs to join the effort.

    “The auction items are dream dining experiences for us — we wouldn’t miss this event!” said attendee April McGee who was clearly thrilled to win the Coppa tasting.

    Owner of a rescue dog from the streets of Houston and currently a foster for Lucky Dog Rescue, pastry chef Rebecca Masson of Fluff Bake Bar spearheaded the first “Sweet & Savory” event in April, 2010. Due to the overwhelming response, her events have become highly anticipated foodie gatherings, raising much-needed funds for the ever-increasing number of dogs in need of rescue and placement.

    “These events have enabled us to virtually double our rescue efforts from when the organization was founded in 2009,” said Laura Finkeldey, president of Lucky Dog Rescue. Considering the extreme numbers of stray animals on the streets of Houston (recent studies report there are 1.2 million), it’s a never-ending need.

    Chefs Star

    Masson was eager to do something unique for this one and called upon a league of fellow female chefs to join the effort. Claire Smith of Shade and Canopy kicked things off with passed appetizers of tender duck confit and mushroom frisee served on potato crisps (think delicate flower-petal shaped “Ruffles”) along with a fantastic traditional English curry blend of spices for her curried crab served on a whole-wheat pita crisp.

    Young chef Patricia Burdette of Cresent Moon Wine Bar blew us away with her appetizer of chilled, extraordinarily tender octopus carpaccio served with an earthy sauteed beech mushroom salad brightened with just a hit of lemon juice. Her lamb “lollipop” was prepared sous vide with rosemary and seared just before serving — with a dollop of tangy red bell pepper and mango chutney. Utterly divine.

    “These events have enabled us to virtually double our rescue efforts from when the organization was founded in 2009."

    Robin Berwick from Midtown’s Double Trouble and Alba Huerta from Anvil served up a refreshing “Lucky Dog Punch” made with Hudson Ferus Vodka. And this was only the beginning.

    For the first seated course, chef Amanda McGraw (who recently left Brasserie 19 and is now at Tiny Boxwood’s) served her famously delicious pickled Texas gulf shrimp with smoked crème fraiche, celery and fennel, paired beautifully with a Riesling from Australia.

    Key followed with a hearty second course of rabbit sausage with a crazy-good crunchy whole-grain mustard sauce — a wonderful contrast to the waxy red creamer potatoes — and finished with charred green onions, served family style on large platters that lined the tables. Winner! The dish was nicely paired with a Truly Noble Julep cocktail.

    The third course was the cheese course — a combo effort from Karen Man, the pastry Chef at Oxheart and Elizabeth Thoede from Houston Dairymaids. Man’s impossibly delicate brioche crisps with fennel and golden raisin relish served alongside the Matos St. Jorge cheese and the freshest, creamiest ‘spring’ chevre from Pure Luck Farms in Dripping Springs made for a delicious revelation. Paired with St. Arnold’s Brown Ale, many said it was the best combination of the evening.

    The fourth course — the first “dessert” course — was a masterful creation by Food & Wine Magazine’s Best New Pastry Chef, Jodi Elliott from Foreign & Domestic in Austin. Her “yogurt” sorbet had such a fresh, tart flavor — not too sweet — combined with the tart dried cherries and the bright green dill syrup (yes, dill) and scatterings of crumbled baked phyllo. It was my favorite course of the night.

    The fifth course was a nice contrast to the fourth — a delicate, buttery petite apple-almond Danish with vanilla bean and honey, topped with an adorably crunchy “Lucky Dog” brittle tuile by Katie Rangel from Michael’s Cookie Jar, paired with Saint Arnold Santos.

    Next up, the “host bitch” (she won’t mind being called that), Rebecca Masson did a genius twist with tangy, crunchy sous vide-prepared rhubarb alongside some magical mousse-like concoction created with Vahlrona’s “dulcey cremeux” — a relatively new 32 percent buttery, toasty, salty chocolate that was perfectly complemented by a rose-scented meringue. It was paired with a layered shot glass (but not a shot) of Jamoca flavored liqueurs to sip alongside. Very nice.

    The seventh course featured Callie Speer (wife of Uchi director of culinary operations Philip Speer) from Swift’s Attic in Austin. For those who feared a lack of chocolate, Callie came through with a combination of dark chocolate, salty almond, ginger and black sesame paired with a sparkling Shiraz from Australia.

    On the way back into the reception area, armed with goody bags from Whole Foods, guests were greeted with Katz Coffee and a “push pop to go” of ice cream from Fat Cat Creamery, which will soon open a storefront on 19th Street in the Heights. The "Gin-Gin Mule” was an inspired creation, with flecks of lime zest with the rich gingery ice cream.

    It was the perfect, refreshing end to an outstanding meal and a fantastic evening — for the bitches, and everyone else involved.

    Rebecca Masson's dulcey crémeux with rhubarb, streusel and rose

    Jodie Lucky Dog "Bitches for Bitches" event May 2013 Rebecca Masson - Dulcey cr\u00e9meux, rhubarb, streusel, rose
    Photo by Dragana Harris
    Rebecca Masson's dulcey crémeux with rhubarb, streusel and rose
    unspecified
    news/restaurants-bars

    What's up, Doc?

    Houston's new retro-styled jazz supper club sets opening date

    Eric Sandler
    Nov 4, 2025 | 10:12 am
    Doc's Houston jazz club marquee
    Photo by Matthew Casby
    Doc's Houston opens November 15.

    Brent “Doc” Watkins has a very specific reference for Doc’s Houston, his new jazz supper club that’s opening November 15 in the historic Tower Theater in Montrose.

    “I ask them if they’ve seen the movie Goodfellas,” Watkins tells CultureMap. “If they have, there's that famous scene where Ray Liotta takes his girlfriend to the supper club. They walk through the secret entrance and go in through the kitchen. They bring out a special table with the white tablecloth and they sit down and the show starts.”



    The very famous scene captures the spirit of what Watkins wants to create at Doc’s Houston — an intimate venue serving classic American fare and showcasing live music in genres such as jazz, R&B, soul, and the blues. It’s a formula that Watkins developed at Jazz, TX, his original jazz supper club that’s part of San Antonio’s Pearl District since 2016. He says Houston was always a logical choice to expand the concept.

    “Doing a proper jazz supper club, there wasn’t anything like that in Houston 10 years ago, and there wasn’t anything like that now until Doc’s,” Watkins says.

    Let’s start with the jazz part first. Doc’s will host live music Tuesday through Saturday in a variety of genres. Artistic director Graeme Franci, who, like Watkins, holds a doctorate in music from the University of Texas, is a Houstonian with a deep knowledge of the local music scene. He’s been reaching out to musicians and booking them to play Doc’s. In addition to local acts, the venue will host national touring acts — Tony Danza recently played San Antonio — and as many as 30 performances by Watkins himself.

    From his perspective, Doc’s provides an essential space for friends and neighbors to connect during a shared experience.

    “We aren’t inventing a brand new concept. We’re reviving something that had been lost,” Watkins explains. Later, he adds, “These are really essential spaces. It’s a very ancient tradition to gather as smaller groups of people for a meal and some music. It’s a very timeless thing. There was a blip on the radar where we lost these rooms for about a generation.”

    In terms of the food, chef Jose Avila’s menu is built around classic supper club fare such as steaks, seafood, and pastas. Specific dishes include grilled octopus, short rib empanadas, pork belly chicharron paella, coq au vin, and Chateaubriand that will be carved to order tableside.

    “We’ve got a massive kitchen. We’ve got the ability to do a big menu and do it right,” Watkins says. “You can’t be all things to all people, but we’ll get pretty damn close.”

    Doc's Houston jazz club staff Watkins has assembled an experience team to lead Doc's Houston.Courtesy of Doc's Houston

    The Tower Theater has had a number of lives. Most recently home to Acme Oyster House and El Real Tex-Mex Cafe, it’s also been a movie theater and a video store, among other iterations. To turn it into Doc’s, Watkins and his team added all-new lighting and sound, built a stage, and added a wraparound balcony.

    “When we found it, it was pretty wonky. The orientation was all wrong,” Watkins says. “We decided to go big and do it right. That balcony is new, but it looks like it’s always been that way. It’s how the space needs to be and wants to be, even though for 100 years it did not have a full wraparound balcony.”

    Reservations and tickets will be available via the Doc’s website in the coming days. Memberships will be available that come with perks such as preferred seating and advance access.

    “I hope we’re around for a very long time,” Watkins says. “I think we’ve set ourselves up to be around for a very long time. We’ve got all the ingredients that go into success. Now we just have to execute.”

    Doc's Houston jazz club marquee

    Photo by Matthew Casby

    Doc's Houston opens November 15.

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