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    Live Music Now

    These are the 7 best concerts in Houston this week

    Johnston Farrow
    Johnston Farrow
    Apr 30, 2019 | 9:01 am

    One-third of 2019 is over and what a year it's been for concerts in the Bayou City.

    RodeoHouston exceeded expectations with a handful of over-the-top shows, including Santana, Cardi B, and George Strait. Muse and Michael Bublé rocked Toyota Center. Leon Bridges kicked off another great season at Cynthia Woods Mitchell Pavilion last week. And a ton of other great bands already made appearances in a city that continues to draw huge names from across the music world.

    It will be hard to live up to those first four months, but if the concert calendar is any indication, the summer will be just as hot with more top caliber shows across the metro than a weekly column can handle.

    CultureMap's best, biggest, and most notable shows of the week are as follows:

    CultureMap show of the week: Al Green
    There is only one question surrounding this show. Why the heck are there still tickets available? The Reverend Al Green is one of music's best legends and talents, with countless timeless singles that are as part of the American experience as apple pie and the Fourth of July.

    Simply put, thousands have Green to thank for getting their parents in the mood to create them. That's the power of those silky, smooth vocals and soulful jams that include "Let's Stay Together," "How Can You Mend a Broken Heart?," "Let's Get Married," and "Take Me to the River." Better yet, New Orleans band Tank and the Bangas will open, a group that caught its big break after NPR singled them out from thousands of entries as part of its Tiny Desk Contest in 2017. Do not miss this one.

    Al Green plays Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Tuesday, April 30. Tank and the Bangas open. Tickets start at $59.50 plus fees. Doors open at 8 pm.

    CultureMap recommends: Deerhunter at White Oak
    Few indie-rock bands today are as highly revered as Atlanta, Georgia's Deerhunter. Led by the distinctively gangly and charismatic Bradford Cox, the band combines hooky melodies with hints of psych-rock, art school pastiche, and layers of sound. Just check out "Desire Lines" from the 2010's Halcyon Digest as proof of their power.

    For a group that hasn't put out a bad album, they have hit a high watermark with one of this year's best in Why Hasn't Everything Already Disappeared? Now on their seventh album, Deerhunter will be able to pull from their back catalog to perform what's sure to be one killer live set.

    Deerhunter plays at White Oak Music Hall, located at 2915 N. Main St., on Wednesday, May 1. The TIMKOH opens. Tickets start at $25 plus fees. Doors open at 7 pm.

    The Cult at HOB
    The Cult were criminally underrated during their heyday due to the fact that they refused to wear spandex at the height of the hair metal and they loved The Doors a little too much. It's too bad, because the group, maintained by the vocal beast in Ian Astbury and supremely talented guitarist Billy Duffy, was insanely good during their best years, producing some fantastic hard rock albums and singles that have aged like fine wine, including "Fire Woman" and "She Sells Sanctuary."

    The Cult is at House of Blues, located at 1204 Caroline St., on Thursday, April 2. The Broken Things open. Tickets start at $35 plus fees. Doors open at 7 pm.

    Silent Disco at Revention
    Ever want to know what its like to hang out in a big music space with multiple DJs on stage, no audible sounds emanating from speakers, while the crowd dances to different beats? Welcome to Silent Disco, a strange, yet appealing concert experience that allows the audience to select their evening soundtrack through special headphone sets. Not into house music? Switch over to the hip-hop channel. Or try the '80s channel while your friend raves on with the EDM frequency. Sure to be a crowd pleaser, no matter the musical taste.

    Silent Disco goes down at Revention Music Center, located at 520 Texas Ave., on Friday, May 3. Tickets start at $12. Doors open at 8 pm.

    The 1975 in Sugar Land
    Exploding out of Manchester, the 1975 is one of the more successful U.K. acts to take American shores lately on the strength of dance pop that can be compared to a darker, more experimental take on Maroon 5's vision. Fronted by the eccentric Matt Healy, a Millennial version of INXS' Michael Hutchence, the band broke through with the verbose album, I like it when you sleep, for you are so beautiful yet so unaware of it, which hit No. 1 in both the U.K. and U.S.

    They have another hit on their hands with their most inspired set of their career, 2018's A Brief Inquiry Into Online Relationships, their third No. 1 U.K. album, featuring the singles "Give Yourself a Try" and "Love It If We Made It."

    The 1975 perform Smart Financial Centre at Sugar Land, located at 18111 Lexington Blvd. in Sugar Land, on Saturday, May 4. Pale Waves and No Rome open. Tickets start at $39.50 plus fees. Doors open at 8 pm.

    The Psychedelic Furs at WOMH
    Fans of '80s music and John Hughes flicks will be out in full force for the Psychedelic Furs on Saturday night. Sure, the band's biggest days are behind them, but the tunes they've racked up are fantastic. They are best known for the title track to the Molly Ringwald flick, Pretty In Pink, but their early albums were some of the post-rock era's best, including their 1980 self-titled debut and 1981's Talk Talk Talk. Fans of Echo and the Bunnymen, early U2, and synth-pop will find a home at White Oak this weekend.

    The Psychedelic headlines White Oak Music Hall, located at 2915 N. Main St., on Saturday, May 4. Royston Langdon opens. Tickets start at $30 plus fees. Doors open at 8 pm.

    Elle King at WOMH
    Los Angeles native Elle King, daughter of comedian Rob Schneider, made waves in 2016 with the hit single, "Ex's & Ohs," a poppy confection that made its way to the top of the alternative charts. She also dabbled in country, getting to No. 1 on those charts with the Dierks Bentley duet, "Different for Girls," that same year. Both songs garnered Grammy nominations, seemingly paving the way toward a solid career.

    A few years in the wilderness, a failed marriage, and rock star excess finally gave way to 2018's Shake the Spirit. While it hasn't made as much of a dent as those first big singles, the girl can sing, which is always worth the price of admission.

    Elle King rolls into White Oak Music Hall, located at 2915 N. Main St., on Sunday, May 5. Barns Courtney opens. Tickets start at $30 plus fees. Doors open at 8 pm.

    ---

    What are your favorite shows of 2019 so far? Let us know on Facebook.

    The Reverend Al Green is at Smart Financial Centre at Sugar Land on Tuesday, April 30.

    Al Green
    Photo courtesy of Texas Performing Arts
    The Reverend Al Green is at Smart Financial Centre at Sugar Land on Tuesday, April 30.
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    super duper

    Quirky Houston DJ drops genre-blending mix CD inspired by video games

    Craig D. Lindsey
    Dec 26, 2025 | 9:15 am
    DJ Squincy Jones
    Photo by Dustee Torres
    DJ Squincy Jones

    If you’re the type of person who has dubstep, Southern hip-hop, and Koji Kondo’s iconic “Ground Theme” from Super Mario Bros. in your streaming-music library, then Squincy Jones has created the perfect playlist for you..

    DJ Squincy Jones

    Photo by Dustee Torres

    DJ Squincy Jones

    Super Nintendub is the name of the mix where the Houston-born-and-bred DJ mashes up all those aforementioned music genres. A capella bars from Houston heavyweights (Megan Thee Stallion, Paul Wall) and other Dirty South MCs (Three 6 Mafia, 8Ball & MJG) gets laid over grooves from underground dubstep artists (Numa Crew, Blay Vision, Hamdi). But we also get music from various Nintendo (Castlevania III, Ninja Gaiden) and Super Nintendo (Super Mario World, Final Fantasy VI) games. Jones also throws in audio samples from commercials and gaming-heavy movies like WarGames, The Wizard, and the Adam Sandler-produced Grandma’s Boy.

    Needless to say, Jones has always been a gamer. He’s had his run of game systems: NES, SNES, Sega Genesis, even the old-school Atari 2600. He recalls his days blowing the dust out of such cartridges as Contra, Double Dragon, and Duck Hunt. In the past, Jones has released a series of mashup mixes – titled Blend Pack – with cover art that resembles/salutes classic video games.

    “I'm a huge fan of all the eight-bit and 16-bit stuff,” says Jones (government name: Shane Rector), 41. “I play a lot of the new games, or I have played a lot of the new games, but not as much anymore. You know, being a parent and having a full-time job – you don't really have time for video games anymore.”

    Super Nintendub is a sequel to Nintendub, a dubstep mix he played during a party way back in 2008. “I added some a capellas, [like] a Bun B a capella,” he recalls. “I had some other Dirty South tunes from the time. I layered them because they're at the same tempo as dubstep. Another friend that does music gave me a folder of Nintendo songs. So, I just randomly layered it on top and kinda slowed down the Nintendo music, and it sounded cool as hell to me.”

    The mix picked up fans overseas when he dropped it online. “I've always wanted to make a follow-up to it because I got so much good feedback,” he remembers. “People from all over were writing about it."

    Jones decided to release Super on compact disc, sold in rectangular keep cases – packaging that’s very familiar to gamers – with double-sided artwork also by Jones. (A digital link is available upon request to those who buy the CD.) While the limited-edition disc is available for purchase on Jones’s Bandcamp page, the CD mix shouldn’t be confused with the Super mix that’s currently playing on the page.

    “I wanted to have them in the mix as well,” he says. “But I'm not entirely, you know, confident with my production skills. So, I just kinda had it on the side to go along with the release of this mix.”

    Since releasing Super in September, Jones says he’s gotten good feedback from those who’ve bought a copy. “Because it looks like a video game,” he says, “a lot of people are like, ‘Oh, cool! Is it an actual game or an actual DVD or whatnot?’ But it's always hit or miss because some people are like, ‘Oh, man, I don't have a CD player’ or "Wow, you actually printed a CD,’ because everything's, you know, digital.”

    He’s looking into playing a big-screen version of Super, where videos of the rap songs are spliced in with video-game footage and other retro clips, somewhere around here. “I was thinking like either a movie theater or somebody mentioned Aurora Picture Show, or maybe Wonky Power, to do like a viewing or showing or whatever – kind of have a party for it.”

    Even though Jones enjoys merging gaming and music – his dual obsessions – he still prefers to be known as more than a video-game DJ. A veteran of the Houston DJ scene for a quarter of a century, he continues to do gigs like his upcoming monthly residency at Eight Row Flint.

    “I do open-format DJing,” he says. “I've done raves and dubstep parties. I've played on the radio. I've played at Mid Main, where it’s a mainstream crowd. In this day and age, everybody has their branding or whatnot. I just love video games, so I just kind of take that as my branding, I guess.”

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