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    Savant Artist Blows Our Minds

    Drawing from memory, renowned British artist tackles Houston landscape after chopper ride

    Joel Luks
    Apr 19, 2016 | 12:07 pm

    For some of us who rely on Facebook to remind us what we had for breakfast, British artist Stephen Wiltshire’s innate aptitude seems incomprehensible, baffling and superhuman. Wiltshire has the ability to precisely recall a large amount of visual details after studying his subjects for a relatively short amount of time.

    He does so with ease, seamlessly and accurately, as he has demonstrated time and time again around the world.

    After a 45-minute helicopter tour to survey the landscape of a city, Wiltshire works publicly for several days to realize a large hand-drawn panoramic interpretation from memory. He puts on a pair of ear buds and listens to Motown, rhythm and blues, funk, soul and ‘70s disco while doing what he’s done since he was three years old: Drawing to communicate something that’s uniquely his.

    “If I have time, I will study the area first, especially somewhere I am not familiar with,” Wiltshire says. “ I make a few rough sketches in my book and then study those as well as taking pictures to help me remember the detail. Sometimes it's hard for me and sometimes it's very easy. It depends, but I enjoy it very much.”

    In Houston, Wiltshire will do exactly that.

    Watch the artist at work

    From Tuesday through Saturday, Wiltshire will visit The Galleria to execute his 3-foot by 12 foot-drawing of the Bayou City, working everyday from 10 a.m. to 5 p.m., with a break for lunch from 1 to 2 p.m. The five-day live performances, titled “Elevate Houston: The Big Picture,” will be held in Galleria IV between Nordstrom and Macy’s.

    “When I do panoramas, I put a lot of pressure on myself because I have to fit it in within a couple of days,” he adds. “After doing several panoramas over the years, I have now worked out how much I need to do each day.”

    He’s been called a superhero with super powers, rain man (particularly because Dustin Hoffman is a big fan), a human camera, a savant and a genius. His autism — let's call it neurodiversity, shall we? — being used often as the basis for his extraordinary ability. But simply, Wiltshire thinks of himself as an artist who loves to draw. Some like to label him as an autistic artist, but Wiltshire doesn’t quite see the connection.

    Audience gives him energy

    “I always feel tired after working for several days, but I feel good inside as I get closer to completing my creation,” he says. “The crowd gives me energy, and I meet lots of people and have many interviews so my day is never dull.”

    The forty-something year old, who is quiet unless he’s singing, dancing and playing the piano, is confidently shy and has a warm connection with his sister, Annette Wiltshire. While visiting Houston, rumor has it that he has already consumed a healthy dose of tacos.

    Wiltshire’s most excellent Houston adventure began on Sunday, when billionaire and reality television star Tilman Fertitta offered his luxury chopper for the artist, a few filmmakers and lead patron Michael Dokupil, who engaged Lea Weingarten of Weingarten Art Group to project manage Wiltshire’s public appearance. The threat of inclement weather shortened the trip, which was re-started on Monday thanks to an unexpected clearing of the skies in the evening and a savvy pilot from Apex Helicopters.

    A passion for his art

    “Stephen’s work is uniquely inspiring on a myriad levels,” Weingarten said. “Not only are his cityscape interpretations beautifully accurate and genuine, but also his passion for his art adds to the emotional prowess of the finished works. Stephen’s art speaks to everyone.”

    The completed work will be displayed in a public setting. Prints of the drawing will be available for sale, with proceeds benefiting KIPP Houston Public Schools.

    From his early years as a mute boy who had trouble relating to people to his professional triumphs, Wiltshire’s life has been well documented, his story serving as a source of inspiration for anyone who has felt misunderstood or marginalized.

    Wiltshire’s hope is to encourage others to pursue their dreams regardless of whatever obstacles they might encounter.

    Pilot Doug Dickey of Apex Helicopters, from left, Stephen Wiltshire, Lea Weingarten, filmmaker Chris Hodson and Annette Wiltshire.

    Stephen Wiltshire, April 2016
      
    Photo by Joel Luks
    Pilot Doug Dickey of Apex Helicopters, from left, Stephen Wiltshire, Lea Weingarten, filmmaker Chris Hodson and Annette Wiltshire.
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    this ballerina knows business

    Houston Ballet names new executive director with deep ties to its past

    Tarra Gaines
    May 5, 2025 | 10:00 am
    Sonja Kostich Houston Ballet
    Photo by Bre Johnson
    Houston Ballet appoints Sonja Kostich as the organization’s next Executive Director.

    Dance lovers who saw Houston Ballet artistic director Stanton Welch’s beautiful and fierce Maninyas back in February probably didn’t realize they were witnessing a dance with significant hidden history. Maninyas was the Australian-born Welch’s first American commissioned work when it had its 1996 world premiere in San Francisco. Seeing that premiere inspired Ben Stevenson, Houston Ballet's artistic director at the time, to invite Welch to create a piece for the company, eventually paving the way for Welch to serve as the company's artistic director.

    Sonja Kostich Houston Ballet
      

    Photo by Bre Johnson

    Houston Ballet appoints Sonja Kostich as the organization’s next Executive Director.

    It seems those dance waves from Maninyas continue to reverberate, for on stage for that 1996 world premiere performance was acclaimed ballerina Sonja Kostich. And today Houston Ballet announced Kostich will leap into the role of Houston Ballet executive director beginning in August.

    Kostich assumes the directorship after major triumphs in roles onstage, backstage, and behind executive desks across the dance world. As a young dancer, Kostich trained at the prestigious School of Classical Ballet, a program created by Mikhail Baryshnikov. Then at 17 she was chosen by Baryshnikov himself to join the American Ballet Theatre. Such began a impressive career dancing with the San Francisco Ballet, Zurich Ballet, Baryshnikov’s White Oak Dance Project, and collaborations with renowned director Peter Sellars. One of Kostich’s big endeavor mixing dance and entrepreneurship came in 2008, when she co-founded the contemporary dance company OtherShore in New York. She also served as co-director for six years.

    After hanging up her ballet slippers, at least professionally, Kostich pursued a career in business, earning a Bachelor of Business Administration in Accounting from the Zicklin School of Business at CUNY Baruch College, where she graduated Salutatorian at age 42. She also completed a master's degree in arts administration.

    Kostich's professional experience includes roles at Goldman Sachs, Mark Morris Dance Group, and New York City Center. From 2018 to 2022, she was Chief Executive and Artistic Officer of Kaatsbaan Cultural Park, leading a successful rebranding and revitalization of the organization.

    Since 2022, Kostich has served as president and executive director of Baryshnikov Arts Center in New York City. Her work at the Center likely caught the HB board’s eye, as her tenure helped to achieve financial stability, expand opportunities for artists, and increase both earned and contributed income to record-breaking levels while engaging new, diverse audiences.

    “We are thrilled to welcome Sonja Kostich to Houston Ballet,” said Kristy Bradshaw, Houston Ballet board chair, in a statement. “Our board has worked diligently to ensure the continued financial strength and operational excellence of our company, building on the legacy of our retiring executive director, Jim Nelson. It is through this solid foundation — marked by fiscal stewardship, exceptional senior leadership, and a highly capable organizational structure that we have been able to attract such remarkable talent in Kostich. We are confident that her vision, creativity, and leadership will further elevate our company on the global stage. We look forward to this exciting new chapter for Houston Ballet.”

    Kostich has as many good things to say about the company as the board does about welcoming her.

    “Houston Ballet is an exemplary company with exceptional artists, dedicated employees, and a robust history of supporters and audience goers,” said Kostich. “I am deeply humbled and honored to build upon the company's remarkable legacy and look forward to developing thoughtful and valuable long-term relationships within the community. Ballet as an art form has a phenomenal capacity to generate real inspiration and engagement in all ages."

    Along with collaborating with Welch in the past, Kostich also has ties to the company’s co-artistic director, Julie Kent. Kent and Kostich overlapped during their dance careers at the American Ballet Theatre.

    Both Welch and Kent also sing Kostich’s praises.

    “I am thrilled that Sonja will be joining Houston Ballet as executive director. She will be an excellent partner to bring Houston Ballet into our next chapter,” said Welch. “Along with her exceptional leadership capabilities, Sonja will also bring a level of unique dance expertise that will enhance our Company.”

    Julie Kent added, “I very much look forward to what will be a highly collaborative experience that will only elevate what Houston Ballet can achieve, both artistically and as an organization. Sonja’s extraordinary talents and drive are a perfect match for our future goals.”

    The feelings are mutuals from Kostich who ended her statement saying, “I am thrilled by this opportunity to work with Stanton and Julie, truly accomplished and respected artistic leaders, as we work together on a firm vision for the limitless potential for the future of Houston Ballet.”

    James Nelson, the retiring executive director, will assume the title of executive advisor, supporting Kostich during her transition.

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