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    Go Antiquing

    Antiquing Power: Round Top Antiques Fair gets early start thanks to creative, vintage-loving Houston couple

    Barbara Kuntz
    Barbara Kuntz
    Mar 26, 2015 | 9:19 am

    Gorgeous bluebonnets now blooming are not the only things singing praises to spring in Round Top.

    The Vintage Round Top booth, owned by Houstonians Paige and Smoot Hull, opens its doors during the 47th Original Round Top Antiques Fair with an ode to nature theme, "Flora and Fauna," featuring everything from pressed botanicals from Provence to glass-encased specimens of butterflies from a Lone Star State source to decorative moss to add a touch of green to your home. And there is much more — in its permanent space in Round Top Vintage Market, 1235 N. Highway 237.

    This year's shopping marathon runs April 1-4 in the quaint Texas town, but the Hulls have already started the celebration (going from 9 a.m. to 6 p.m. today) and are extending their own marketplace dates through April 5. The couple returns to the annual spring antique extravaganza after two years in a temporary tent at Marburger Farms Antique Show. The darling duo now operates its permanent booth from 11 a.m. to 5 p.m. every Friday, Saturday and Sunday.

    "We're offering a 'study in botany' this year," Paige says. "It's a play on spring, and we have objects from Provence to individual collectors here across Texas."

    She adds with a laugh, "Shopping is an ongoing job, but what better situation to be in to hunt for shopping opportunities?"

    "I like to find unique pieces that show not only authenticity, but origin, a sense of history and where they came from."

    A recent tip led the Hulls to old warehouse filled with Shudde Bros. hats, molds and other related vintage pieces untouched as the storage facility had been locked shut for 40 years. While most of the hats are now sold, with the last of them snatched up by buyers visiting The Vintage Round Top's online retail boutique, many of the wooden forms to shape head gear will be at the Hulls' booth with price points at around $75 each. The couple displays the millinery pieces as plant holders, office organizers and as interesting home decor objects.

    Waiting for the warehouse to be emptied was an exciting adventure, Paige says, and much different from her trip to France, where flea markets take on a serious first-come, first-served attitude.

    "Here, you get in your car, drive to the flea market and visit the tents," Paige says. "In France, the flea markets are enormous and all over the place. You get there early to find big vans in the lot, the gates open at 8 a.m. and the vendors just start unloading the vans. It's a mad dash to see the items and get them before other shoppers do."

    Some of those treasures Paige did bring back that will be showcased at The Vintage Round Top include amber-hued glass apothecary jars at $135 for a set of three; French clay pots for $35 each; hand-carved wooden rosaries from the 1800s for $135 each; and many items with French labels or French writing on them.

    "I like to find unique pieces that show not only authenticity, but origin, a sense of history and where they came from," Paige says. "I'm such a believer in purchasing vintage because they are often one-of-a-kind, they have a story and they have an energy to them from being handed down from family member to family member. Those are the pieces that become conversation pieces."

    Another fab discovery Paige brings to The Vintage Round Top are box sets filled with 150 individual pages of maps of Europe. These "Carte De Cabinet Des Pays-Bas Autrichiens," as the beautiful labels say, can be kept as is or used as wallpaper, to decoupage, to frame or to show off in a large bowl or tray on a coffee table.

    And, of course, Paige continues to offer her popular accent pillows handmade from "crazy quilts," a textile art that became popular in the late 1800s and produced a patchwork design using exotic pieces such of fabric like velvet, satin or silk. These fun additions to any home are joined by handmade Swiss Army-emblem accessories.

    "Our overall look is French bohemian, industrial chic and vintage luxe," Paige says. "And all our inventory can be placed in any style house in small doses, from cottage to traditional homes."

    After the spring market, Paige and Smoot are taking their school-aged children, also their No. 1 helpers at The Vintage Round Top and budding collectors themselves, on a vacation — and a shopping trip to Provence, Barcelona and Paris.

    "We have it all scheduled for vacation time in between weekends at the flea markets. So we'll have a fresh load of new finds for the next show."

    Paige and Smoot Hull.

    Paige and Smoot Hull March 2015 The Vintage Round Top
    Photo by © Becki Griffin
    Paige and Smoot Hull.
    unspecified
    news/home-design

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    gold pony club

    Inside the creation of the rodeo cook-off’s most over-the-top tent

    Emily Cotton
    Feb 27, 2026 | 12:30 pm
    Cotton Q Club rodeo tent 2026
    Courtesy of Cotton Holdings
    The Gold Pony is the ultra-private VIP lounge behind the stage.

    The Cotton Q Club is arguably the glitziest and most exclusive tent at the Houston Livestock Show and Rodeo’s annual World's Championship Bar-B-Que Contest. Hosting nearly 800 invited guests-per-night, the 5,000-square-foot space includes a 50-foot bar, a new pop-up martini bar by Sophie Cocktail & Terrace Bar called “The Stirrup,” the ultra-exclusive “Gold Pony Club,” and a full stage for private concerts. This season, county music acts include Gabby Barrett, Sammy Kershaw, Josh Turner and Braxton Keith.

    Aside from the obvious, what sets the club apart from the rest is the sheer magnitude of its operation. Once inside, guests are encapsulated by velvet-draped ceilings illuminated by crystal chandeliers, three-layer tartan-topped carpeting, richly-colored wooden-paneled walls, plus thousands of red roses swathed acrobatically throughout.

    To coincide with the year of the horse, five enormous ponies made entirely of red roses have been suspended from the ceilings. The second additions this year hang on either side of the bar in The Gold Pony, the club’s even more exclusive VIP area. The kinetic artworks were created by Houston artist Sneha Merchant —all for a three day fête. This begs the question: how do they do it?

    Cotton Holdings and its subsidiaries are well positioned to carry out the entire project themselves — so they do. Never bothered or besmirched by the possibility of running into issues with rental companies, everything at The Cotton Q Club is procured, purchased, and stored in-house. As one would expect from a company that provides disaster relief around the world.

    “There is a lot of love and care put into this because we’re not in a hotel, we’re not in someone’s home,” Cotton Holdings chief marketing officer Zinat Ahmed tells CultureMap. “So for us to be able to create this entire infrastructure under a tent — down to the walls and chandeliers — it is much more than throwing a party. It’s about the details that make people feel that they are at a hotel, they are in an extravagant room, they are at The Polo Bar.”

    Ahmed notes that a lot of the company’s culture is mixed into the tent, such as what Cotton does as a disaster relief company (including providing food by Cotton Culinary).

    “Cotton Logistics puts up tents during a natural disaster. Seeing the Cotton team, whether it’s cleaning or moving things around, welcoming everyone, that’s part of our Cotton GDS — we restore communities after natural disasters. Our synergies in different parts of our day-to-day are here,” she says.

    Ahmed’s team has complete creative control over the interior aesthetics of the club. Always sourcing anything that cannot be made in-house to local vendors is something she feels is important. Nothing is rented, not even the furniture or accessories.

    “Every single thing, unless it was done by a local vendor, was done in-house: design, signage, execution — even the embroidery,” she explains

    Everything is checked over during the summer months so there won’t be any surprises when the cook-off comes back around. Every item is organized, labeled, and stored either in Cotton’s warehouses, Conex boxes, or in special climate-controlled safes — down to the matchboxes.

    “We are always prepared and ready to go,” explains Ahmed. “It’s not chaotic at all because we’re used to it — it’s a normal day at Cotton.”

    When asked for her favorite parts of the tent this year, Ahmed readily answered that it has to be the five rose ponies in the main area of the club. Secondly, the two commissioned works by Sneha Merchant. Sprinkled in diamond dust, one is a female mallard wrapped in a boa, champagne flute in hand, while the other is a smartly-suited jackalope complete with cowboy hat and martini.

    Both pieces are lit by antique sconces Ahmed sourced from Round Top, while the taxidermy Zebra heads are on loan from the Columbus, Texas ranch of Cotton Holdings’ Chairman Pete Bell.

    “Every detail, down to the swatches of velvet has been thought of with a lot of love and care,” says Ahmed. “You use that mindset with something like this. So, if you have a mindset like before you deploy to a hurricane, you can do it for the Houston Livestock Show and Rodeo.”

    Cotton Q Club rodeo tent 2026

    Courtesy of Cotton Holdings

    The Gold Pony is the ultra-private VIP lounge behind the stage.

    houston livestock show and rodeohome-designcotton holdings
    news/home-design
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