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    Who needs Miley?

    Suave and sexy Robin Thicke gets a workout in his first Rodeo performance

    Jayme Lamm
    Mar 19, 2014 | 6:22 am

    Walking onto the stage in his three-piece black suit, super cool shades and gold microphone in hand, Robin Thicke put on one hell of a performance Tuesday night. The sex appeal and energy oozing from the rotating stage is what the Houston Rodeo is all about, Thicke quickly learned.

    He began his 11-song set fairly coy, keeping his shades on and his hand in his pocket as he belted out lyrics with extreme ease. The American-Canadian singer-songwriter even kept a towel handy to wipe his sweaty brow during songs — a sure sign he was performing his heart out.

    He threw in Michael Jackson and Al Green covers for good measure, proving he did not need Miley Cyrus to make fans go wild for him.

    "This is my first rodeo and I'm having a blast," the pop icon said in front of the 61,191 in attendance. "I've been making music since I was 11-years-old and it's such an honor to be here at the Houston Rodeo."

    Of course he sang his most popular songs, including, of course the smash, "Blurred Lines," but threw in Michael Jackson's "Rock With You" and Al Green's "Let's Stay Together" covers for good measure, proving he did not need Miley Cyrus to make fans go wild for him. It takes a brave man to cover MJ and Al in front of such a massive crowd, but it seems Mr. Thicke brought his big-boy pants to Reliant.

    Ending the show with Blurred Lines, Thicke took the customary lap around the dirt, taking more selfies (which has officially become a thing) and even letting fans sing into the mic before climbing the piano middle stage allowing the fireworks to truly end the night with a bang.

    Set List:

    Give It To You

    Take It Easy

    Shooter

    Pretty Lil Heart

    Shadow of Doubt

    Band Solos

    Shakin It

    Rock With You

    Lets Stay

    Blurred

    In three-piece black suit, super cool shades and gold microphone in hand, Robin Thicke put on one hell of a performance.

      
    Photo by © Michelle Watson CatchLightGroup.com
    In three-piece black suit, super cool shades and gold microphone in hand, Robin Thicke put on one hell of a performance.
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    Movie Review

    Disturbing new horror film Bring Her Back will shock fans of the genre

    Alex Bentley
    May 30, 2025 | 4:00 pm
    Sally Hawkins and Sora Wong in Bring Her Back
    Photo courtesy of A24
    Sally Hawkins and Sora Wong in Bring Her Back.

    While there have been plenty of great horror movies that have come out of the United States, there are also many examples of other countries delivering films that put American ones to shame. Whether it’s the freedom of working outside the U.S. studio system, different sensibilities, or something else, international horror movies often hit way harder than domestic ones.

    The latest example is the Australian film Bring Her Back, directed by Danny and Michael Philippou, the same filmmakers behind the 2023 sensation Talk to Me. The fantastically unnerving story centers on Andy (Billy Barratt) and his sister, Piper (Sora Wong), who’s legally blind. The two are put into foster care after the death of their father, finding a home with Laura (Sally Hawkins), a former social worker. Laura is enthusiastic about having Piper, who reminds her of her blind daughter who passed away, but Andy feels a coolness toward him right away.

    Also living with Laura is Oliver (Jonah Wren Phillips), whom Laura says has been mute since her daughter’s death. But Oliver’s actions are much weirder than him not being able to talk, and Laura alternates between being dismissive of him and overly attentive. Things start to go off the rails when Andy witnesses a horrific event, and he and Piper - along with the audience - are unprepared for how awful things will get.

    The film, written by Danny Philippou and Bill Hinzman, ranks extremely high on the list of most disturbing films you’re likely to see. It’s not just the blood and gore that can be found in many other horror movies; it’s the manner in which the carnage comes about that may haunt the dreams of viewers. The things that the filmmakers choose to show are so shocking that it’s fair to wonder what kind of a mind comes up with such atrocities.

    But the Philippous have more on their mind than trying to traumatize viewers visually. It’s a movie about grief and a broken foster care system mixed with a tinge of the supernatural. While it’s not entirely clear what’s going on with Laura and Oliver, it involves something spooky that has affected both of them in inexplicable ways. The film combines the horrors of real life and the incomprehensible for a highly effective story.

    The film also veers far away from your typical horror film arc. While Laura is the “villain” of the film, she’s also a victim in a certain way, and the filmmakers have empathy for the trauma that she has endured. They don’t excuse her actions, but the reasons behind them are explained, and so the journey that Andy and Piper go on becomes more meaningful than if it involved a monster with no back story.

    Hawkins, who’s been nominated for two Oscars, elevates the film with her high-level acting. No matter what kind of weird thing Laura does, it feels grounded because Hawkins is bringing it to life. Barratt and Wong play their roles well, but it’s Phillips who’s the real revelation. Without speaking a word, he turns in a supremely creepy performance, one that’s especially amazing for the physical things he’s asked to do.

    Even horror film aficionados may not be able to anticipate the level of depravity on display in Bring Her Back. Unlike other movies in the genre, it’s not out for cheap thrills. The Philippous give it heart and soul, along with some of the most messed-up scenes you’ll see this year.

    ---

    Bring Her Back is now playing theaters.

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