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    10 Cardinal rules

    First time at SXSW? Follow this survivor's guide — you may find a cool concert or meet your mate

    Catarina Cron
    Catarina Cron
    Mar 12, 2013 | 10:56 am

    It’s the time of year that serious music fans look forward to: SXSW Music starts Tuesday and runs through Sunday. The festival is in its 27th year and I’ve been attending for at least seven of them.

    I love the festival because it utilizes so many venues all over Austin and caters to diverse musical tastes. You can see bands from all over the world with styles ranging from folk, to indie, to hip hop, rap, punk, pop or rock. It’s a phenomenal chance to enjoy a lot of music and discover new bands.

    I once stumbled upon an unannounced Snoop Dogg show at a warehouse. I can’t remember who I was on the way to see, but I sure remember that Snoop show.

    But since the festival continues to grow every year, it can be overwhelming for the first-time visitor. With that in mind, I've compiled some useful tips I’ve picked up along the way to help maximize the time spent seeing bands and get the most out of the experience.

    1. Sit whenever possible

    I can’t stress this enough. You will be on your feet for hours, so if you have the opportunity to sit you should rest your legs. If you are standing in a line that is going absolutely nowhere then take a seat. Your legs will thank you later.

    2. Get there early

    If there is a band you really want to see it’s worth it to get there early. If there is a buzz about a band, the long line to get in will reflect it. I have gone to some amazing shows and walked right in because I got there before the line became impossible.

    3. Don’t worry about seeing big name bands

    Unless it’s your favorite band or a show you just can’t miss, don’t worry about seeing the big name bands that come in because you are going to miss the opportunity to see a band at a small venue that will be a big name in the future. A friend of mine saw The Black Keys at a small venue while operating under this theory. How awesome would that have been?

    One of my best friends and partner in SXSW crime met her significant other at the festival one year. They are getting married in July.

    4. Drink lots of water and pace yourself

    Dehydrated people are tired people. It is entirely possible to see 14 hours of bands in one day. There is free alcohol everywhere. If you don’t pace yourself and hydrate frequently you will miss some great music. Do you really want to be the person who missed an epic show because you overindulged?

    5. Wear comfortable shoes

    You will be walking and standing a lot. I normally am a fan of impractical footwear but not at SXSW. I break out the Toms and don’t worry about my 5-inch heels.

    6. Ride your bike

    It’s impossible to park or drive in Austin during SXSW. The best way to get around is by bicycle. There are several places available to rent bikes during the festival and Austin is a bicycle friendly city.

    7. Be flexible about your schedule

    This is super important. I spend a good deal of time researching bands and preparing a schedule of bands I want to see, but if you are inflexible about your schedule you will miss some amazing experiences. I was once heading from one show to another and stumbled upon an unannounced Snoop Dogg show at a warehouse. I can’t remember who I was on the way to see, but I sure remember that Snoop show.

    I have gone to some amazing shows and walked right in because I got there before the line became impossible.

    8. Use social media and carry your charger with you

    People at SXSW love to tweet their whereabouts and to check in on Foursquare. There are also a lot of places that offer cool stuff if you check in. This is a must-do because a lot of the good parties and shows are word-of-mouth. Also, it’s a good idea to carry your phone charger with you. A lot of places will have charging stations but you don’t want to be disconnected from the people on social media who are dying to tell you where the party is at!

    9. Make friends

    This is a good rule for life in general, but especially true at SXSW. You never know who is standing next to you or what inside info they have on who is playing where. Also, one of my best friends and partner in SXSW crime met her significant other at the festival one year. They are getting married in July.

    10. Be patient

    You will be dealing with a lot of lines and a lot of people trying to see the same shows as you. This requires a good deal of patience. It’s worth it, trust me.

    Wear comfortable shoes and be prepared to stand in line as the crowds are large at SXSW Music.

    SXSW, crowd, band, stage, Austin skyline
    ExtremeAirShots SXSW.com
    Wear comfortable shoes and be prepared to stand in line as the crowds are large at SXSW Music.
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    Movie Review

    Muddled drama After the Hunt wastes a strong Julia Roberts performance

    Alex Bentley
    Oct 17, 2025 | 3:30 pm
    Andrew Garfield and Julia Roberts in After the Hunt
    Photo courtesy of Amazon MGM Studios
    Andrew Garfield and Julia Roberts in After the Hunt.

    The #MeToo movement was at its peak during the late 2010s, with high profile people in the entertainment industry and elsewhere starting to be held accountable for prior sexual assaults and/or sexual harassment. A few movies, like The Assistant and Bombshell, confronted the issue while it was still garnering headlines, making the films themselves feel even more important.

    The new film After the Hunt seems to have an appropriate title, as it’s a fictional look back at the culture during that time from the perspective of the current day. Alma Imhoff (Julia Roberts) and Hank Gibson (Andrew Garfield) are professors at Yale University in the same department. They are both very friendly with Alma’s TA, Maggie Price (Ayo Edebiri), even inviting her and other students to Alma’s home for boozy gatherings.

    That friendliness and booziness comes to a head when Maggie confides to Alma that Hank “crossed the line” after walking her home one night. Alma, whose history with Hank is more than just professional, finds herself in a battle between believing what Maggie is telling her and standing up for her longtime friend. The tight group slowly gets pulled apart as each of them and people around them grapple with the fallout of the accusation.

    Directed by Luca Guadagnino and written by first-time screenwriter Nora Garrett, the film’s solid premise soon gives way to the disease of bloat. The overly-long 138-minute movie isn’t satisfied with the dramatics of its central plot, instead adding on a number of character quirks that either add nothing to the story or do little to enhance it. These include a mysterious ailment for Alma that gives her intense stomach pain, her somewhat strained marriage to Frederik Mendelssohn (Michael Stuhlbarg), and Maggie’s relationship with a transgender man.

    The filmmakers make the choice to not show a number of key moments, like the actual incident between Maggie and Hank or when Hank finds out he’s been accused. The scenes they do include, like charged one-on-ones between Maggie and Alma or Alma and Hank, work well, but the film loses all momentum when it digresses into other areas. As consequences start to be felt, it’s almost as if Guadagnino and Garrett stop caring about the main plot at all, with the main characters devolving in a number of ways.

    More than anything else, the film never has anything interesting or new to add to the #MeToo conversation. Instead of a tight, taut drama about how the three main characters deal with their feelings about the incident/accusation, the story meanders aimlessly. Garrett also seems to want things both ways, casting doubt on Maggie while also giving her a righteous cause. The result is a muddled mess with nobody coming off as compelling.

    That clutter extends to the casting, with the 57-year-old Roberts portrayed as a contemporary with the 42-year-old Garfield. The film never adequately explains their relationship, leaving audiences to fill in gaps they shouldn’t have to bridge. Roberts, Garfield, and Edebiri are each fine actors who do good work in their roles, but the story does them no favors.

    Just because it’s disappeared from the headlines doesn’t lessen the importance of the #MeToo movement, but if After the Hunt was trying to revive it in some way, it fails in that ambition. Its star power is mostly wasted in a story that never seems as interested in its main idea as it should be.

    ---

    After the Hunt is now playing in theaters.

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