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    Changing The City

    Arts Town: Mayor Parker touts new 5-year, $85 million cultural arts budget centered around hotel taxes

    Clifford Pugh
    Jan 30, 2014 | 1:02 pm

    Just about every arts leader in Houston gathered with elected officials on the stage of Zilkha Hall at the Hobby Center for the Performing Arts to tout the benefits of the city's burgeoning arts scene at the annual Elected Officials Reception for the Arts, hosted by the Houston Arts Alliance.

    Amid banners with the words, "Cultural tourists spend more and stay longer," "Houston has more than 500 cultural, visual and performing arts organizations," and "More Art," Mayor Annise Parker announced the implementation of a five-year cultural arts budget using revenue from the hotel occupancy tax.

    "Instead of doing it a year at a time, I wanted to give it five years of funding to get some stability," she said. "It's a time to think about where we want our arts community to be in the future. Is it about investing in more visual arts in the community? Is it about investing in arts education? It is about public facilities or is it about making sure our universities are turning out artists who are writing and performing and dancing here in Houston?"

    "It's a time to think about where we want our arts community to be in the future."

    Houston City Council recently passed the budget which calls for $85 million to be spent on the arts over five years, assuming that hotel occupancy rates remain high in the booming Houston economy. The city receives 7 percent of the hotel occupancy tax with 1.3 percent going to the arts. So for every $100 hotel room, $7 goes to the city and of that amount, $1.35 goes to the arts.

    For the most recent fiscal year, arts groups received $14 million from the hotel occupancy tax, said Minnette Boesel, the mayor's assistant for cultural affairs.

    An additional unspecified amount of hotel occupancy tax funds (known as HOT funds) will be used to create a long-term plan for the arts in Houston. A committee of arts leaders, with a lot of community input, will spend up to two years creating the blueprint for Houston's cultural future.

    "The last one was done 20 years ago and the arts have expanded so much since then," Boesel said. "It's a whole new approach of how we fit in both regionally and globally."

    Cities — big and small — across the nation are devising plans to maximize arts funding. In 2012, Chicago published a comprehensive roadmap for the city's cultural and economic growth, identifying 200 proposed arts initiatives and 10 priorities for "the vision of culture in Chicago to be realized."

    Closer to home, the city of Sugar Land has created a Culture Arts Strategic Implementation Plan and Guide "to lay out a formal decision making process to assist in the prioritization of funding requests."

    At the arts reception, city controller Ron Green noted that more than 146,000 people are employed in the arts in the Houston area, more than the the Texas Medical Center by almost 50 percent. "That's a major economic impact on our community," he said.

    "We have been able to build the case for how important the arts are to our overall economy," Parker said.

    City Council members David Robinson, Jack Christie, Mike Laster, Dave Martin and Richard Nguyen, along with State Rep. Gene Wu mingled with the large group of arts leaders, including Museum of Fine Arts, Houston Director Gary Tinterow, The MATCH Board president Emily Todd, Texans for the Arts executive director Ann Graham, Contemporary Arts Museum director Bill Arning, new Asia Society of Texas director Bonna Kol, Alley Theatre managing director Dean Gladden and Houston Cinema Arts Society executive director Trish Rigdon.

    Also on hand were honorary Consul General of Austria Gerald Seidl, honorary Consul General of Colombia Miguel Rafael Lopez Mendez, Acting Consul General of Indonesia, Prasetyo Budhi and Houston poet laureate Gwendolyn Zepeda, who read a poem she had written for the occasion.

    Houston Arts Alliance chairman of the board Marc Melcher, HAA president and CEO Jonathan Glus and board members Philamena Baird, Shannon Buggs, Michael Cordúa, Laurette Cañizares, Cissy Segall Davis, Denise DuBard, John Guess, Jr., Andrew Huang, Suresh Raghavan, M. Kaye DeWalt, Fatima Mawji and Boesel welcomed the crowd.

    Other arts leaders included gallerists Barbara Davis and Nicole Longnecker, Houston Chamber Choir executive director Becky Tobin, DiverseWorks executive director Elizabeth Dunbar, Fresh Arts board chairman Harry McMahan, SWAMP executive director Mary Lampe, Houston Ballet executive director James Nelson, Art League executive director Michael Peranteau, River Oaks Chamber Orchestra executive James Rowland, Blaffer Art Museum director Claudia Schmuckli, Houston Metropolitan Dance executive director Michelle Smith, Musiqa executive director Joe Wilson, Houston Center for Contemporary Craft executive director Julie Farr, and Mercury artistic director Antoine Plante.

    From the business community there were Yellow Cab president Roman Martinez, whose company sponsored the reception, Bank of America’s David Ruiz and Van Ngo and Boeing’s Dayni Alba.

    Rusty Arena, left, unidentified guest, and Alton LaDay at the Houston Arts Alliance Reception for the Arts.

    Rusty Arena, left, guest and Alton LaDay at the Houston Arts Alliance Reception for the Arts January 2014
    Courtesy photo
    Rusty Arena, left, unidentified guest, and Alton LaDay at the Houston Arts Alliance Reception for the Arts.
    unspecified
    news/arts

    Thanks, Tommy

    Houston-born Broadway legend  donates 50,000 item personal collection to UH

    Holly Beretto
    Jan 9, 2026 | 1:45 pm
    Tommy Tune headshot
    Courtesy of University of Houston
    Tommy Tune has received 10 Tony Awards.

    Broadway legend Tommy Tune and his sister Gracey have made a major gift to the University of Houston, ensuring that the star's larger-than-life legacy will be available for scholars and students for generations to come. The Tony Award-winning actor, choreographer, and director has given a collection of costumes, scripts, design sketches, choreography notes, photos and personal letters to the university.

    More than 50,000 items in all, the collection captures the creative spirit of Broadway in the 1960s, ’70s and ’80s and provides a window into how iconic productions were conceived, staged, and experienced. Tune, a native Houstonian who earned his master's degree in directing from UH in 1964, has been one of Broadway's luminaries for decades, helming the original production of The Best Little Whorehouse in Texas, Nine, and more. He is the first person to win Tony Awards in four different categories, and the only person in Tony Awards history to win the same categories in consecutive years, taking home best choreography and best directing in 1990 and 1991. He is also the recipient of a Lifetime Achievement Tony Award.

    He starred opposite Barbra Streisand in the 1969 film Hello, Dolly!

    “The University of Houston felt like the natural home for it because it’s where my story truly began,” Tune said. “This collection represents my life in musical theater, and I want it to inspire the next generation of artists in the city that first inspired me.”

    The collection is housed in the UH Archives in the MD Anderson Library. Tune's sister Gracey noted that her brother's extraordinary career is part of theater history.

    “You don’t win nine Tony Awards in so many facets of the craft — and a 10th for Lifetime Achievement — without shaping the era itself,” she said. “This collection covers every corner of his Broadway life, and many of his creations still live on stages around the world.”

    The gift means that current and future generations of students and researchers will have access to remarkable items and letters.

    “This collection is a significant contribution to the study of theater history, particularly musical theater,” said University of Houston Archivist Mary Manning. “It will be invaluable to students, performers, filmmakers and researchers who want to explore Tune’s creative process, reconstruct productions or gain cultural context for the works he directed and performed in.”

    Tune's connections to Houston run deep. TUTS' annual Tommy Tune Awards are named for the star, and recognize excellence in high school musical theater.

    Tune expressed gratitude for the university and acknowledged that donating these pieces of his life and work represent a full-circle moment.

    “The University of Houston has an energy and creative spirit that matches everything this collection represents,” Tune said. “If my life’s journey can help even one young artist see a bigger future for themselves, it will be the perfect encore.”

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