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    Best February Art

    10 art museum and gallery exhibits to see in Houston this month

    Tarra Gaines
    Feb 12, 2026 | 9:15 am

    Art and history merge in many museums and galleries across Houston this month, as contemporary artists and curators look to the past for inspiration and examination. From Black History Month to agricultural history in the Americas to queer history to the mid 20th century glamorization of dining, we’ve got a range of shows for all art and history tastes. If that’s not enough, we get up close to Australian spiders and celebrate Houston as a town of makers.

    "The Black Experience: Past, Present and Future” at Bisong Art Gallery (now through February 28)
    Celebrating Black History Month, Bisong Art Gallery presents this show curated by The Dream Affect Foundation. With a focus on Black artistic practice as both an archive and a catalyst, the exhibition features the work of six contemporary artists, including Lauren Luna, Romeo Robinson, Craig “TheArtist” Carter, Corey Haynes, Lanre Buraimoh, and John Whaley Jr. The gallery notes that these artists’ works reflect the enduring influence of history while asserting bold, forward-thinking visions of Black life, identity, and imagination. Though using a varied of medium and visual languages, what each artist has in common is an engagement with cultural memory, resilience, and creative sovereignty.

    "Just Wood - Mostly” at Archway Gallery (now through March 5)
    Featuring whimsical, creative, and utilitarian works “mostly” in wood, this new show showcases the quirky utilitarian and decorative sculptures by Robert L. Straight, as well as cabinet work by guest artists and furniture maker Tom Wells. From wooden race cars to body parts, Straight’s work offers many unique visions of what woodwork can be. Look for sculptures, new furniture, clocks, and sundry surprises from both artists.

    “Nick Vaughan And Jake Margolin: Around The Corner And Two Blocks Down” at McClain Gallery (now through March 7)
    The acclaimed Houston-based duo continues their multimedia 50 State Project to reveal lost queer histories and stories from across the U.S. This exhibition at McClain Gallery features some of the latest art from their wind drawing series, a selection of charcoal work within the larger project.

    To explore ideas of history lost and rediscovered, the artists translate photographs of prior queer spaces into laser cut stencils and lay down charcoal powder onto the page. Then, they blow the charcoal away using pressurized air. The force of the wind drags the charcoal particulates across the tooth of the paper, etching the final image onto the page.

    “Art, Place, and Power: Project Row Houses in Houston's Third Ward” at the Museum of Fine Arts, Houston (now through November 8)
    One great Houston arts institution celebrates the history of another great Houston art organization with this MFAH installation of works on paper by several of the founders of Project Row Houses, including James Bettison, Bert Long, Jr., Jesse Lott, Rick Lowe, and Floyd Newsum. In 1993, seven artists came together to transform a block of abandoned row houses in Houston’s Third Ward neighborhood, making them into a new kind of cultural space. As the Project Row Houses mission reminds us, the founders sought to preserve the culture and history in one of the city’s oldest Black neighborhoods through the practice of socially-engaged art.

    For over three decades PRH has staged free exhibitions, offered artist residencies and youth programs, promoted the preservation of historic architecture, and become a cultural landmark in Houston. With this installation, the MFAH helps Houstonians gain further appreciation of the founders' art. These works celebrate the powerful impact of community-oriented artists and art.

    “Boris Lurie: Nothing To Do But To Try” at Holocaust Museum Houston (February 13-July 19)
    For this exhibition focused on Boris Lurie, the acclaimed artist, writer, and Holocaust survivor, organizers use his artwork to trace the story of his remarkable life. Viewed together within the show, Lurie’s paintings, drawings and sculptures – many of which he never exhibited during his lifetime – create a portrait of an artist reckoning with devastating trauma, haunting memories, and a lifelong quest for freedom. The HMH notes that these works, presented along with objects from the artist's personal archive, trace his experience from his childhood in Riga through the concentration camps and postwar period in Europe, to his immigration to the United States, followed by his return visit to Riga thirty years after the Holocaust and beyond. Photographs, official documents, and personal writings underpin the visual retelling and processing of Lurie's survival and its crucial function in forming his identity as an artist.

    “Midcentury Menu: Dining in the Atomic Age” at Rienzi (February 18-July 31)
    The MFAH plates up a visually delicious dish of Midcentury Modern at Rienzi, the museum’s house for European decorative arts located in River Oaks. This unusual and fascinating exhibition draws from Rienzi’s historical cookbook collection and loans from the Heritage Society, to explore how convenience, technology, advertising, gender, and labor converged to redefine the meaning of eating in postwar World War II America.

    The exhibition will examine how American’s perspective on food and dining changed at the end of WWII with waves of scientific advancement, complex supply chains, and the rise of popular culture media that put preparing meals, dining, and ads for modern appliances into magazines and on television. Cooks like Julia Child encouraged women to experiment with French cuisine, and the fictitious Betty Crocker championed convenience with step-by-step guidance. Food and home entertaining took center stage in this new age of abundance, and a wide range of cookbooks promoted everything from curious Jell-O salads to international cuisine.

    “In Search of History” at Throughline Collective (February 20-March 21)
    This juried exhibition and part of FotoFest Houston’s “Participating Space” program, examines the evolution of lens-based art. Curated by Museum of Fine Arts photography curator, Lisa Volpe, this show focuses on 21st century photography and especially the new uses of technology and the diversity in stories that technology brings.

    “The works of art submitted to Throughline Collective demonstrate the wide-ranging vision of lens-based art,” Volpe said. “The artwork included in this exhibition provides a fascinating cross-section of artistic production, representing the diverse landscape of contemporary photography and also the vigorous involvement of the artists in contemporary discourse.”

    “Maratus: Spiders of Paradise” at Sicardi Ayers Bacino (February 27-April 11)
    This show of multi-disciplinary artist María Fernanda Cardoso’s work will feature her ongoing photographic project to bring the minuscule Australian Maratus spider into larger focus. Featuring large-scale and small-scale digital photographic portraits of various Maratus species, each photographic image is comprised of over 1000 individual photos. Seen together as one spider image, the photos reveal the spider’s colors and form and especially its unique and brightly colored abdomen that are part of the species’ elaborate mating rituals. Much of Cardoso’s work explores connections and tensions between society and the natural world.

    “Mud + Corn + Stone + Blue” at Lawndale Art Center (February 28-May 2)
    Last month, the Blaffer Museum opened the first section of this exhibition, organized by Blaffer chief curator Laura Augusta, that uses artwork to trace the historical entanglements between the United States and Central America through the angle of U.S. agricultural policy. Now Lawndale expands the selection of works from artists with ties to farming communities in the U.S., Guatemala, Mexico, Honduras, and El Salvador. To complement the Houston presentation of this exhibition, Lawndale has commissioned a mural from Dario Bucheli, activations with Zine Fest Houston, and textiles and candies made by Jorge Galván. Lorena Molina will also install an outdoor corn maze in Lawndale’s 4900 Main Street lot as an immersive piece that explores the experience of immigration and diaspora.

    “Clutch City Craft” at Houston Center for Contemporary Craft (February 28-August 8)
    Clutch City, Space City, Bayou City, now among our other favorite monikers for Houston, HCCC would like to add one more: Maker City. Calling H-Town “one of the nation’s most formidable centers of making” HCCC celebrations that maker spirit by organizing this special exhibition to examine Houston’s craft traditions and material cultures. The show features a wide spectrum of making practices, from the artists behind century-old, mosaic street signs to cowboy boot makers and fiber artists who design space suits and preserve the woven interiors of NASA mission control.

    “Drawing its title from the city’s emblematic nickname — earned during the Houston Rockets’ back-to-back NBA championship wins in 1994 and 1995 — this exhibition uses Clutch City as both a cultural ethos and curatorial framework to examine how skilled craftsmanship underpins Houston’s industrial, social, and aesthetic identities,” HCCC Curator and Exhibition Director Sarah Darro said.

    Mar\u00eda Fernanda Cardoso's Maratus: Spiders of Paradise
    Image courtesy of Sicardi | Ayers | Bacino

    Sicardi | Ayers | Bacino presents "Maratus: Spiders of Paradise"

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    Best October Art

    9 must-see October art openings at Houston museums and galleries

    Tarra Gaines
    Oct 8, 2026 | 9:00 am
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”
    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York
    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection”

    Houston falls into new art realms this month as intriguing new exhibitions open that take art lovers from Earth’s elements, specifically silver, all the way to the Moon.

    The Blaffer showcases provocative contemporary artists, and the CAMH gets back to the land. For those looking to start their own art collection, October is also the month for art festivals. Then, in keeping with the collecting theme, the MFAH brings Houston the world class Modernism collection from a true Texas original, Charles Butt.

    “Maria Gaspar: We Press Our Hands to the Steel Curtain” at Blaffer Art Museum (now through November 21)
    In her artwork, interdisciplinary artist Maria Gaspar considers the concept of walls not just as physical structures but as barriers that can influence individual psyches and even societies. Growing up in Chicago in the neighborhood near the Cook County Correctional Facility, Gaspar became interested in jails and prisons and how they impact communities within those wall and outside of them.

    The exhibition brings together sculpture, sound installations, video, archival materials, and participatory projects that draw from Gaspar’s years of collaborative research inside and beyond the jails. A highlight of the exhibition is Clamour, a 60 hour video documenting the demolition of one of Cook County Correctional Facility’s housing blocks.

    "Singular Visions” at The Silos at Sawyer Yards (now through November 21)
    Sculpture Month Houston celebrates its 10th anniversary with this special exhibition in one of Houston’s most unique art spaces, the Site Gallery housed within the decommissioned former rice silos complex at Sawyer Yards. Participating artists have each taken over one of the cylindrical silo spaces, which allows visitors to enter and engage directly with the art in a truly immersive experience.

    Look for work that intrigues as it challenges ordinary ideas of reality from some of Houston’s most dynamic artists, including: Tom Bandage, Michael Bhichitkul, Christie Blizard, Steve Brudniak, Alton DuLaney, Jonathan Durham, Alicia Eggert, Tim Glover, Stephan Hillerbrand + Mary Magsamen, Beili Liu, Steve Murphy, Steve Parker, Gladys Poorte, Chris Powell, Margo Sawyer, Amy Scofield, Zulma Vega, and Ed Wilson.

    “Adriana Corral: As Long as Life Endures” at Blaffer Art Museum (now through December 5)
    Texan interdisciplinary artist Adriana Corral uses a research-based practice to explore themes of memory, loss, human rights abuses, natural disasters, and hidden histories. Corral’s art installations, sculptures, drawings, and films attempt to unearth and preserve those histories.

    The exhibition will feature the new film by Corral, Terrebonne, created as part of her research in coastal Louisiana, where she worked with members of the Pointe au Chien Indian Tribe. The film examines how land loss, rising waters, and ecological collapse disproportionately threaten Indigenous communities. Also on view is a large scale transparent bullet resistant polycarbonate sculpture that references above-ground mausoleums often found in places like New Orleans. The juxtaposition of the material with the form asks viewers to ponder questions of who can afford to buy environmental safety and who cannot.

    “A Material Inheritance” at Houston Center for Contemporary Craft (now through January 30, 2027)
    In celebration of its 25th “silver” anniversary, HCCC presents this once-in-a-generation exhibition that examines silver as material and metaphor. Giving both a bit of a science and art history lesson, the exhibition will explore how, as the Earth’s most reflective element, Silver has changed human cultures. Silver’s unique properties, along with human ingenuity, led to advances in mirror-making, photography, and scientific instrumentation, while its weight, density, and malleability established it as a prime medium for currency, ceremonial objects, jewelry, and treasured heirlooms.

    The exhibition will showcase artists who work with silver in a multitude of ways, including: Shane R. Hendren, Edward Lane McCartney, Jaydan Moore, Leah Ying Lin, and Anjali Srinivasan. The selected pieces will span a range of ways to work with silver as a medium, from traditional metalsmithing and jewelry making to experimental glass, ceramic, and kinetic media practices that reveal silver’s remarkable conceptual and material range.

    “Divination: Beverly Buchanan & Dionne Lee” at the Contemporary Art Museum Houston (now through February 14, 2027)
    This is the second in a series of new exhibitions from the CAMH to bring together the work of artists across decades as a way to open up new interpretations. “Divination” finds thematic and art-making commonalities between photographers Beverly Buchanan (1940–2015) and Dionne Lee (b. 1988, New York City). CAMH senior curator Rebecca Matalon notes that though the artists come from different generations, they both explore relationships between Blackness and the land, share an interest in survivalist practices, and have unique relationships with their environment and landscapes.

    The exhibition will showcase Buchanan’s photography of her large-scale environmental works that she began in the 1970s, placing stone-like fragments in remote locations across the Southeast. "Divination" organizes Buchanan’s work in conversation with Lee’s 21st century photography and films that examine what it means to honor the land on which we live. The CAMH notes that the exhibition’s title comes from the idea that both artists created work to uncover hidden histories, but they were are also committed to letting these histories remain out of focus and elusive.

    “Wall Drawing Series: Jitish Kallat” at Menil Drawing Institute (now through August 8, 2027)
    Since 2018, the MDI has commissioned a contemporary artist to create a new work on an interior wall within the building. Art, Cold War history, and even state secrets merge in “Wall Drawing / Redux: A119,” the latest Wall Drawing Series installation by acclaimed multidisciplinary Indian artist Jitish Kallat.

    The time-based wall drawing grows out of Kallat’s interest and research into Project A119, a U.S. Air Force plan in the late 1950s to detonate a nuclear bomb on the Moon. Of course, the plan was never carried out, but the report on the project was only partially declassified at the turn of this century. For “Redux: A119,” Kallat has layered pages from the A119 report, titled “A Study of Lunar Research Flights - Volume I” with his own drawings and watercolors. The piece was then sheathed in laminated glass, and Kallat and the Menil team collaborated with researchers at Rice University on an electrical system so that the glass changes degrees of transparency every 500 seconds, which is approximately the time it takes sunlight to travel from the Sun to the Moon creating what we see as moonlight.

    “Bayou City Art Festival” at Memorial Park (October 9-11)
    The annual festival always gives art lovers and collectors a chance to meet artists, view original pieces, and purchase artwork from more than 270 creators across 19 disciplines, including world-class paintings, prints, jewelry, sculptures, and more, at prices for everyone. The fest will feature more than just visual artists, as a wide range of musical artists and bands take the festival stage, and look for roaming entertainment throughout the festival area. The three days also boast a wide range of interactive and educational activities for kids and adults.

    Affordable Art Fair at George R. Brown Convention Center (October 15-18)
    Presented in Houston for the first time, this fair's name sums up the mission, for the Affordable Fair is set to bring thousands of artworks from around the world. The prices, ranging from $100 to $12,000, will likely entice both the experienced and novice collector.

    The fair will feature work from 55 galleries, including 17 Houston favorites, as well as 22 U.S from the U.S and 16 prestigious international galleries. Affordable Art Fair organizers have programmed many special events over the weekend, such as a spotlight on Hispanic and Latin American artists from Houston, Mexico, and Argentina, in honor of Hispanic Heritage Month; special installations by artists Kayla Powers, Dan Trelenberg, and Brendan Flores; and a print workshops with PrintHouston. Look also for family hours with KIDO Preschool, Art After Hours evenings, and a Fair Director's Tour.

    "American Modernism from the Charles Butt Collection” at Museum of Fine Arts, Houston (October 25-January 18)
    As Americans continue to celebrate the nation’s 250th year, the MFAH offers up one Texan’s extraordinary collection of some of America’s greatest artists of the 20th century. While Charles Butt is well admired across the state for his philanthropy, especially when it comes to education, the H-E-B chairman also has a passion for collecting and wants to share that art with other Texans.

    The exhibition will give MFAH visitors new insights into the extent of American artistic diversity in the 20th as it showcases over 80 works of art by such greats as Stuart Davis, Georgia O’Keeffe, Jacob Lawrence, Thomas Hart Benton, Jackson Pollock, Joan Mitchell, and Andrew Wyeth, as well as Texas artists like Everett Gee Jackson and Mary Bonner. "American Modernism" will likely also give attendees a glimpse into Butt’s own vision and focus, as it is organized into five intriguing thematic sections reflecting Butt’s life-long passions including: Intimate Perspectives, The Language of the Sea, Land Progressions, Geometric Utopias/Dystopias, and New Directions.

    “More than a textbook survey of American modernism, the Charles Butt Collection shows many of the artists at turning points in their careers, with signature works and intimate sketches that encompass a remarkable range of expression and achievement,” MFAH curator of Modern and Contemporary Art Alison de Lima Greene said in a statement.

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection\u201d

    Andrew Wyeth, Sea Legs, 1984, tempera onpanel, Charles Butt Collection. © 2026Andrew Wyeth / Artists Rights Society(ARS), New York

    The Museum of Fine Arts, Houston presents "American Modernism from the Charles Butt Collection.”

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