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    Travelin' Man

    The hidden Inca ruins: This fortress adventure takes you far off the regular tourist paths

    Stephan Lorenz
    Stephan Lorenz
    Oct 28, 2013 | 9:44 am

    It was a strange twist. Suddenly we found ourselves at the center of attention, when a group of students, I assumed high school, rushed over to take pictures. They lined up — with us in the middle like trophies — and their classmates took turns hitting shutter buttons. I stood out as at least three heads taller in every picture.

    Of course we played along, but were surprised by how much scrutiny we garnered, given the fact that we all were surrounded by carved stone friezes immense citadels, and nearly 400 structures, some dating back to the 7th century, pre-Incan in other words.

    After posing for a handful of photos, I realized that we were probably the only tourists for miles and definitely the only ones among the few visitors. Nearly one million sightseers from all over the globe trek to the world-famous Inca ruins of Machu Picchu in southern Peru annually.

    We were probably the only tourists for miles and definitely the only ones among the few visitors.

    In contrast, the impressive fortress of Kuelap in the north sees less than 15,000 visitors.

    The day we hiked up to the ruins, spending several hours traipsing about the huge bulwarks and remaining circular walls, we saw only a dozen other visitors in addition to the school group, all of them Peruvian. We definitely had left the well-trodden tourist track. The ruins perch at an airy location, overlooking vast valleys and endless mountains.

    The extensive archeological site offers plenty of space for peaceful wandering and quiet solitude. Much of its history and culture remains unknown.

    The area’s only sizeable city and main transport hub, Chachapoyas, lies two and a half hours by bus to the north. The city’s name stems from the ancient people and culture of the region, which in addition to Kuelap, left numerous ruins and burial sites scattered throughout the precipitous valleys of northern Peru. The Incas gave the name Chachapoyas, meaning warriors of the clouds, to the people who reigned throughout the mountains between the Marañón and Huallaga rivers.

    The distinct civilization of the Chachapoyas flourished between the 8th and 15th century, until it was conquered by the expanding Inca Empire and completely lost after Spanish colonization. The area now lies within the southern part of the Amazonas region of Peru, a land of rugged peaks and deep canyons covered with humid tropical forest.

    Getting There
    By combination of bus and a rattling colectivo (small vans that ply the back roads), we managed to reach the small, dusty town of Nuevo Tingo. The old part of town had apparently been swept away by a flood and a new village was constructed atop a higher bank. From the village center, a few cobblestone streets ran arrow straight in cardinal directions, turning into dirt paths before coming to dead-ends in fallow fields. The main plaza, a tight square of gray stone, was surrounded by colorful, but faded houses.

    A handful of villagers kept busy sweeping dust off storefronts and boardwalks, a seemingly futile task, as sandy gusts blew from the surrounding hills.

    Massive walls of limestone slabs, reaching 60 feet high, stretched left and right for nearly 1,000 feet in length.

    We spent the night in cramped quarters on the second floor of the only hospedaje in town. Starting at sunrise the following morning, we quickly descended to Old Tingo, where a few buildings remained standing along the torrential Rio Utcubamba. From here, a weathered stone bridge crossed a narrow tributary, the Rio Tingo.

    We spotted a discolored trailside sign, pointing straight up at the steep slope ahead, Kuelap six miles!

    A rough dirt track climbed out of the verdant valley and swung in arduous switchbacks up the arid mountainside. The rising sun burnt off the last pockets of cool air and we stuffed our sweaters into the backpack. The trail did not conceal the 4,000-foot elevation gain ahead and, along some stretches, ascended stone steps hewn into the incline. By midday our progress slowed, but the path leveled and a half-dozen adobe houses surrounded by low fences indicated we were getting closer.

    Finally, emerging into an open expanse of green grass, cropped close by roaming goats and llamas, we schlepped our tired legs the final stretch to the immense walls of the fortress. After unabashedly restocking on sodas and chocolate at one of several wooden stalls lining the clearing, we sat on rocks in front of the main portal, a narrow, tall hallway shaped like an inverted V. Massive walls of limestone slabs, reaching 60 feet high, stretched left and right for nearly one thousand feet in length.

    Much of the ruin site has not been fully excavated, leaving a sense of exploration. Nearly 400 buildings have been identified, many of them small circular structures, which were covered by thatch roofs while the city was occupied and may have served as living quarters. Other distinct structures we saw included El Tintero, or ink well, a funnel-shaped citadel and La Atalaya, a round tower at the northern corner of the site.

    We wandered aimlessly for hours, climbing up and down half-buried stairs, inspecting carved friezes in stone walls, some representing deer and birds, but the most common were snake-like zigzag patterns.

    Along the eastern wall of the ruins, the sheer mountainside dropped into a deep valley below and we perched on a slab, soaking in the sweeping views across the crumpled Andes. Terraced fields and farmsteads of minuscule houses clung to the slopes and strips of white dirt, footpaths, zigzagged through the dun colored landscape. I wondered whether any of these trails had been trodden by Chachapoyan farmers or builders, harvesting maize and potatoes or transporting rocks.

    Looking back across the grounds, we could see the rough outlines of the structures still buried under the rank vegetation. The majority of buildings appeared to be of the same size and construction, a sign of an apparently egalitarian society. The imposing walls and narrow entrances suggested that the site served as a fortification, possibly against rival societies to the west, but anthropologists now believe that it functioned as a religious center.

    Researchers estimate that less than five percent of Chachapoyan city sites, burial grounds, and sarcophagi have been excavated and studied, leaving much to be discovered and learned about this fascinating culture. For example, further south, tombs at the Laguna de los Cóndores, discovered by cattle ranchers in 1996, held more than 200 mummies and thousands of artifacts, now housed in the Museo Leymebambain.

    Similar significant finds surely wait to be discovered. Chachapoyan society harbored elaborate beliefs and had intricate rituals to honor the dead. Even Kuelap holds human remains, some of them buried ceremonially, but others could have been last fatalities of war with the Incas.

    Practical Travel Advice

    In the late afternoon, even though we felt there was much left to be seen, we reluctantly started our return. One glance at the torturous path winding up the valley along dry ridges and slopes strengthened our resolve to hitch a ride down the mountain.

    Researchers estimate that less than five percent of city sites, burial grounds and sarcophagi have been excavated.

    Fortunately we caught up with the school group in the parking lot and they remembered us, sparing two seats in their overcrowded bus. We were exhausted and gladly listened to local pop music blaring at maximum decibels, as the bus lurched down the mountain. In some spots, I looked straight down the window at the side of the bus and did not see an inch of road, just a precipitous 2,000-foot drop, but quickly distracted myself by taking one last peek at the unforgettable ruins of Kuelap, receding from view on the mountaintop above.

    From Peru’s capital, Lima, it is possible to board a bus, preferably first class, for the 22-hour trip to Chachapoyas. Dozens of other buses connect to larger cities to the north and south also, including Chiclayo and Trujillo on the coast. From Chachapoyas, it is possible to book tours to visit Kuelap and other ruin sites or hire a taxi to visit independently.

    For the budget conscious traveler, colectivos are an even cheaper alternative to reach the ruins. The hiking option from Tingo is of course free, but more of an option for the energetic, with food stalls and basic supplies available at Kuelap. Guides are often not directly available at the ruin site, but we met two knowledgeable locals who were also visiting and they explained many details to us.

    The Western wall of the fortress of Kuelap

    Stephan Lorenz Travels in Peru October 2013
    Photo by Claudia Cavazos
    The Western wall of the fortress of Kuelap
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    1. tree-mendously stylish

    New, art-filled boutique hotel debuts in Houston with bold vintage flair

    Emily Cotton
    Dec 5, 2025 | 1:59 pm
    Hotel Daphne lobby
    Photo by Julie Soefer
    Hotel Daphne introduces sophisticated vintage flair to The Heights.

    Taking one step beyond the threshold of the new Hotel Daphne in the Heights is — in a word — transformative. Layered with handcrafted details, various textiles, warm-natured tones, and vintage and custom pieces that embrace contemporary whimsy, Houston’s newest property from Austin-based company Bunkhouse Hotels has truly outdone itself.

    The five story, 49-room property features an all-day restaurant called Hypsi, along with a picturesque walled-courtyard, jewel-box library, lobby retail shop, and a perfectly-curated art collection that could easily rival the best galleries. Those looking to make a splash will be delighted to know that a pool, dedicated outdoor bar, and 10 poolside bungalow suites are currently in the works to open in the spring of 2027. Hotel Daphne is Bunkhouse’s second Houston property, joining the Hotel Saint Augustine that opened in Montrose in 2024 and earned a prestigious Michelin Key in October.

    Setting itself apart from other new build properties, Hotel Daphne has taken painstakingly-precise care not to have disturbed the numerous mature Live Oak trees surrounding the building, giving the hotel a “we’ve always been here” quality that locals can appreciate. Those very trees inspired the hotel’s name, after Daphne of Greek mythology, who famously changed herself into a laurel tree and represents allure and restraint.

    “With Hotel Daphne, we set out to create a project that bridges Houston Heights’ eclectic energy with its residential roots to seamlessly blend into the surrounding landscape,” Timothy Blanchard, founder, principal architect, Blanchard A+D tells CultureMap. “Drawing on the area’s commercial and historic cues, we shaped the building around large heritage oak trees to create a place that feels welcoming, restrained, and quietly refined.”

    The hotel’s exterior features stepped parapets, dark steel sash windows, and soft gray shutters that bridge the scale between neighboring bungalows and historic industrial structures. Local landscape firm McDugald Steele rounds out the exteriors team with lush selections befitting the building and playing nicely with native surroundings, while giving nods to the Heights’ architectural charm and its origins as a utopian society founded in the 1890’s.

    Bunkhouse designed the interiors in-house, with 80 percent of the furniture and decor designed and selected during the initial design phase, leaving the remaining 20 percent to be selected post buildout. Select pieces like the show-stopping, circular modular sofa in the lobby, were sourced during the recent Round Top Fall Antiques Show. Situated beneath a vintage Murano chandelier, the sofa’s striped linen has been swapped for a more commercial-friendly Gem Velvet from Brentano, while the exposed sides have been dressed in a playfully-patterned Bargello from Nobilis. Suffice it to say: she’s Instagram-ready.

    “We always like to keep a healthy mix of vintage. When everything is custom or off the shelf, the end result can feel planned, prescriptive, and a little too perfect. Leaving room for the unplanned is where a dose of magic happens,” explains Tenaya Hills, head of design for Bunkhouse Hotels and JdV by Hyatt. “If you use up every inch of space with things you decided months before, you lose the creativity that hits you while you’re out shopping for vintage, or even when you’re sitting around with your team in the finished space thinking, ‘Okay, what does this space actually need?’ And also — it’s just fun.”

    A right turn off of the lobby leads to Hotel Daphne’s library. Absolutely drenched in a gorgeous, high-gloss blue, the impressive cabinets and bookcases house everything from books to ceramics and found objects — feel free to grab a book off the shelf and get cozy. Grounded by a handwoven rug by Shame Studios, the library offers three custom tables for gaming, providing an onyx chess set, marble checkers, and one table left bare for board games or other amusements. The library’s French doors can be closed off for private events, meetings, and dinners as well.

    Rounding out the first floor, Italian-style restaurant Hypsi, led by two-time James Beard Award nominee Terrence Gallivan, nods to the area’s Prohibition-era supper club history. Opulent and playful details include a blueberry lava stone bar outfitted with leather Cassina chairs, an indoor fireplace framed by an antique mantel, banquettes piled with psychedelic pillows, vintage Gerli chairs reupholstered in velvet, and custom Carimate dining chairs by Vico Magistretti.

    Hypsi’s adjoining vine-wrapped courtyard and Hotel Daphne patio offer outdoor dining. Playful Gubi patio furniture, paired with vintage, mosaic-tiled tables hand-painted to depict nymphs and the like, is available for more informal lounging. Remember those books in the library? Pair one with a cocktail or coffee while taking in an afternoon breeze.

    The remaining four floors are all guest rooms. Hotel Daphne offers a robust selection of double-queen rooms and single-king rooms, with both configurations available in ADA options. Select rooms, like the Terrace King Rooms, offer outdoor balconies. The Terrace King Premiere is 890 square feet, featuring a king bed, lounge area, workspace, and a terrace with dining and lounge furniture — perfect for entertaining a small group outdoors.

    Larger groups may opt for one of the two suites. The Balcony Suite is 850 square feet, featuring a king bed, a bistro table with seating, a parlor room with lounge area, dining table for six, wet bar, and a Juliet balcony. The Penthouse Suite is 1,150 square feet, featuring two rooms with king beds, plus a lounge area, a parlor room, dining table for eight, lounge area, wet bar, and two bathrooms. The Penthouse Suite is a three-key suite and each space can be booked individually.

    Guest rooms feature custom upholstered beds with floral velvet headboards inspired by Trebah Gardens. In fact, the fabric itself is Trebah Velvet by Osborne & Little.

    “We love that fabric and it brought exactly the mood we were looking for,” explains Hills. “Against the room’s more classic backdrop, we wanted an element that felt a little trippy and not-so-perfect, something that captured the spirit of the hotel. The pattern has this dreamy, slightly surreal quality that lets a subtle, ethereal, almost acid trip note come through. The hotel takes inspiration from the Heights’ beginnings as a planned utopian community, but we’ve layered in its history of 1930s clandestine drinking culture and the patina of time to a home that would have occurred on that original idealism. Trebah felt like the perfect way to thread those stories together, refined on the surface, with a little fray underneath.”

    The beds are all dressed in luxe Sferra linens (bath towels are also Sferra), and rooms are additionally outfitted with mohair seating, Arts & Crafts-style credenzas, plus natural stone tables and vintage finds. Adjoining bathrooms are wrapped in rich green Fireclay tiles that play magnificently with onyx vanities. Hotel Daphne’s signature amenities are by Dr. Vranjes of Florence, Italy, and are available for purchase in the lobby’s gift shop, including its signature scent, Dr. Vranjes’ Onyx Rose Tobacco.

    Also available in the gift shop are Hotel Daphne’s signature guest room robes. Collecting robes from Bunkhouse properties has become somewhat of a thing, to say the least.

    “Bunkhouse has a tradition of creating a custom robe for every property, says Hills. “Daphne’s robe was inspired by vintage men’s pajamas, designed to bring a masculine touch to balance the softer, feminine details throughout the rooms. Its striped pattern and colorway were directly drawn from the Trebah Velvet fabric used on the headboards. This connection makes the robe feel distinct but fully integrated with the overall guest room palette.”

    If the carpeting looks familiar, it’s not a trick of the mind. The spaces not clad in brass-inlaid, herringbone wood floors are swathed in patterned carpeting inspired by William Morris’ iconic “Strawberry Thief” pattern, but adjusted and created using AI — that’s certainly one way to mix old with new.

    In an interesting twist to Bunkhouse tradition, a substantial portion of the art on display is held in a private collection. Hotel owner Ben Ackerley and his father will rotate select pieces from the Ackerley Family Collection for guests of the hotel to enjoy. Bunkhouse art director Dina Pugh sourced works by Austin-based painter Alexandra Valenti that are on display in the guest rooms and hallways.

    An additional 160 works of art in the property belong to the Ackerley Family Collection. In January of this year, Hesse McGraw, formerly executive director of Contemporary Arts Museum Houston, came on as Hotel Daphne’s art director. Find works by Vernon Fisher and Kent Dorn on display in the hotel’s lobby, plus artists Kelli Vance and Dorothy Hood on view in the library. The giant Matt Kleberg overlooking the dining room at Hypsi is on loan from Houston’s Hiram Butler Gallery until January, when a commissioned work by the same artist will be completed. The untitled work will be difficult to miss with its 15’ x 8’ stature.

    Ackerley believes that sharing his family’s collection with the city will benefit living, Texas-based artists in a myriad of ways, especially by putting them in front of other potential collectors.

    “99-percent of collectors have no relation to the artists. They look at it as an investment and have no emotional connection to the work or the person behind it,” says Ackerley. “Whereas, we collect people we hang out with. We support living, contemporary Texas artists, and 80-percent of what you’ll see in this hotel is that — there is plenty of cool art.”

    Bunkhouse was purchased by Hyatt Hotels in October 2024, but there are no signs of Hyatt branding in the hotel. The plus is that rooms can be booked with points through Hyatt’s rewards program. Rooms at Hotel Daphne begin at $359 per night.

    Hotel Daphne lobby

    Photo by Julie Soefer

    Hotel Daphne introduces sophisticated vintage flair to The Heights.

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