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    Tattered Jeans

    A life in colors: Inspired by Big Mama, a father and daughter duo launch anunlikely art career

    Katie Oxford
    Aug 18, 2011 | 1:10 pm
    • "Dewberry Patch"
      Photo by Katie Oxford
    • Window at Tejas Antiques in Navasota, with painting "The Cotton Walk" by MollyBee Collins resting on chair
      Photo by Katie Oxford
    • Painting over doorway, "Grandma's Hands" by Molly Bee
      Photo by Katie Oxford
    • "Mission in New Mexico" by Leon Collins
      Photo by Katie Oxford
    • Leon with his "Madame Freeman," the first African-Americn business woman inNavasota, painted on hand-hooked rug made by Pat Shoemake
      Photo by Katie Oxford
    • "The Cotton Walk" by Molly Bee Collins
      Photo by Katie Oxford
    • Leon's "As I Remember," with subjects Leon's great-great-grandmother (Big Mama)and her sister praying in the back yard
      Photo by Katie Oxford
    • "The Cotton Walk," detail
      Photo by Katie Oxford
    • Leon and Molly Bee's "Homestead Sunday," with Leon's work table below and BigMama's chair on the right
      Photo by Katie Oxford
    • "Poak Salad" by Molly Bee
      Photo by Katie Oxford
    • "Another Sweet Song," which Molly Bee and Leon painted together
      Photo by Katie Oxford

    I entered the Tejas Antiques store in Navasota, Texas where, behind a counter filled with homemade fudge, was the owner. Duane Garner greeted me with an open, smiling face. He was welcoming even after realizing that I’d come to view art more than antiques.

    Folk art to be exact — acrylic paintings by Leon Collins and his daughter Molly Bee. The paintings are as rich in color as they are steeped in culture. A culture that Leon and Molly Bee bring to life through vibrant colors, yet the paintings are restful. Soothing. Probably like the person to whom Leon gives all the credit.

    Their art gallery (inside Tejas Antiques) is named The Color of Life. It portrays Leon’s life, Molly Bee’s and one other’s. “The inspiration,” Leon said, his hands opened, brushing lightly across the room, “comes from my great, great grandmother … the will comes from God.”

    “I lost my sight and my speech,” Leon told me. He mentioned this briefly, like a stone skipping over water — brain cancer.

    While the sun continued scorching everything outside to a color of dull beige, Leon and I settled on a sofa surrounded by various shades of greens, blues and reds and talked about his life. As I listened, I noted he spoke easy like and reverently as if his great, great grandmother was sitting right there with us. Sometimes, I teared up.

    Leon was born in Galveston, but when he turned four his parents divorced and he was sent to Baton Rouge to live with relatives. When Leon was eight, he moved out to Beverly Hills to live with his mother. But every summer he was sent to Brazoria to be with his great, great grandmother, “Big Mama.” Leon would go to the store and buy a Big Chief notebook. Then, he would write down all the stories Big Mama told him. There were many.

    I pointed to a painting by the doorway that Leon named As I remember. “That’s her and her sister,” he explained. “Every morning before we’d go out to work, we’d go in the back yard and pray. We did not leave that house before praying — not even to go fishing,” he chuckled.

    In the 1970s, Big Mama died at age 119.

    “I never knew her to have a sick day,” Leon said. “She never had a cold — I never even heard her cough.”

    Her sister (the one praying in the painting with Big Mama) died at age 114. They were tall women, 6-foot-4 and 6-foot-6 as were all the sisters (seven altogether). In another painting, Leon included a rose plant called Seven Sisters. “Each stem grows seven roses,” he explained.

    The day before she died, Leon and Big Mama had killed a 500-pound wild hog. Then, they dragged it four miles to the house. The next day, “she knew,” Leon said. She’d told him she realized that she’d given him a lot of things to do that day but at 3 p.m. she wanted him back at the house — right there in the room with her. He was. At one minute before three, she died. Leon was in his twenties at that time.

    New chapter, new challenge

    When Leon’s mother died, he packed his bags and left California for Navasota, where his mother’s sister lived. From there, he fast-forwarded to 2005.

    “I lost my sight and my speech,” Leon told me. He mentioned this briefly, like a stone skipping over water — brain cancer. For the next two years, his daughter took care of him. Molly Bee began telling her father the same stories that Leon had told her growing up.

    “I used to tell her stories to settle her down,” Leon explained. “You can use this,” he said, pointing to his black leather belt, “Or you can use something else.”

    He started by asking her, “Did you know that my great, great grandmother lived to be 119 years old?” From there, the stories poured forth, one connecting to another and sparking Molly Bee’s interest.

    Now, as Molly Bee repeated these stories to her father, his mind recalled things. He began seeing them like in a movie. He also realized, “If God gives me my sight back, I’m going to start painting again.” (Leon first started painting in the 1970s but quit.)

    “I used to tell her stories to settle her down,” Leon explained. “You can use this,” he said, pointing to his black leather belt, “Or you can use something else.”

    Two years later (2007) Leon got his sight and his speech back. “I’ve been painting ever since,” he said. Sometimes on hand hooked rugs made by his friend Pat Shoemake.

    So how did his paintings get into Tejas Antiques?

    Leon used to be a “treasure hunter” he called it, looking for items for the shop. One morning, Duane picked him up and spied something on his front porch.

    “Who painted that?” Duane asked pointing to the painting. “That little girl right over there,” answered Leon, also pointing. That little girl was Molly Bee, artist, now age 21.

    The following morning, they took some of her paintings to the shop. By 10:30 a.m., one had sold, the other two quickly thereafter. The next day, they took three more. Molly Bee turned to her father then and asked him if he was ready to start painting again. The rest is history.

    Today, theirs is indeed a life of color. Some of their paintings now hang in New York City. In the fall, they’ll have an exhibit at Rice University. Duane Garner had told me earlier, “It doesn’t matter which way the wind’s blowin’ — economically or politically — we sell 25 to 30 of these paintings a month.”

    Still, Leon’s easy like and reverent. "Ninety percent of my work comes from God and Big Mama,” he said. “She’s right here in this room. She’s sitting right there in that chair.” He pointed behind me. “Don’t you see her?”

    I didn’t, but I’m certain she was there. Restful like, in vibrant colors.

    unspecifiedseries568664000
    news/travel
    series/state-of-the-arts-2011

    Get your kicks

    Texas is just the start of the ultimate Route 66 road trip

    Associated Press
    Apr 9, 2026 | 9:30 am
    Cadillac Ranch
    Cadillac Ranch/ Facebook
    Cadillac Ranch in Amarillo is an essential stop on a Route 66 road trip.

    ALBUQUERQUE, N.M. (AP) — There are faster ways to get from Chicago to Los Angeles, but none have the allure or cultural cachet of Route 66.

    To John Steinbeck, it was the Mother Road that led poor farmers from Dust Bowl desperation to sunny California. To Native Americans along the route, it was an economic boon that also left scars. To Black travelers, it offered sanctuary during segregation. And to music fans, it was the place to get their kicks.

    Route 66 marks its 100th anniversary this year. Despite losing its status decades ago as one of the nation’s main arteries, people from around the world still flock to it to take perhaps the quintessential American road trip and soak in its neon lights, kitschy motels and attractions, and culinary offerings.

    The dream
    Route 66, which runs for roughly 2,400 miles (3,860 kilometers) from Chicago through Missouri, Kansas, Oklahoma, Texas, New Mexico, and Arizona before ending in Santa Monica, California, was stitched together a century ago from a collection of Native American trading routes and old dirt roads with the goal of linking the industrial Midwest to the Pacific coast.

    Oklahoma businessman Cyrus Avery, known as the Father of Route 66, saw it as more than just a way to cross the country efficiently. It was a chance to connect rural America and create new pockets of commerce.

    Avery knew the number 66 would be ripe for marketing and could be seared into drivers' minds, and he was right: Route 66 has been immortalized in movies, books, including Steinbeck’s The Grapes of Wrath and Jack Kerouac’s On the Road, and songs such as Bobby Troup's “(Get Your Kicks on) Route 66,” which served as an anthem for post-World War II optimism and mobility.

    If you’ve ever planned to motor west and take the highway that’s the best, the year of Route 66's 100th anniversary just might be the time.

    Many stretches of Route 66 may be littered with abandoned buildings and faded signs, but there's still much history and magic to be discovered. With each stop the wheels of imagination turn, leaving travelers to contemplate what life was like for the people and communities that made the road hum.

    Here are essential stops and sights to see on a road trip along historic Route 66.

    Route 66 Somewhere along Route 66. Photo by Morten Andreassen on Unsplash

    Illinois
    Chicago has long been one of the country’s economic engines, with access to international waters and railroads that linked all corners of the country.

    For some travelers, the journey is fueled more by the food than the scenery, and there’s plenty to choose from — slices of homemade pie, thick shakes, cheeseburgers and an assortment of fried delights.

    The Cozy Dog Drive In in Springfield, the Illinois capital, is one of the many diners that sprang up along Route 66, and its breaded hot dogs on a stick have stood the test of time. Third-generation owner Josh Waldmire says the recipe is a secret.

    Waldmire’s grandfather, Ed, saw the concoction’s potential as fast and convenient road food and developed a system for frying the dogs vertically.

    Missouri
    Route 66 has its share of twists and turns, and it’s no surprise that a highway famous for its quirky roadside attractions would cross the nation’s most famous river on one of the more peculiar bridges known to modern engineering.

    As the road nears St. Louis, the mile-long (1.6-kilometer-long) Chain of Rocks Bridge hovers more than 60 feet (18 meters) above the Mississippi River.

    Engineers eventually built a straighter, higher-speed option, and a poor resale market spared the original bridge from the scrap heap. Today it’s reserved for pedestrians and cyclists.

    A median in Missouri is home to St. Robert Route 66 Neon Park, which features orphaned neon signs that once beckoned travelers to stop at certain sites and businesses along the highway. Often handcrafted, they weren’t only markers for motels, cafes and gas stations, but were also folk art and symbols of local culture.

    Kansas
    The Sunflower State hosts only a short stretch of Route 66, but it packs a punch with the Kan-O-Tex Service Station in Galena. A classic example of roadside fare, the station served as inspiration for the animated 2006 Pixar film Cars.

    Director John Lasseter and his crew took road trips along the route, digging into history and looking for elements that could bring the project to life. It was in Galena where they spotted the old boom truck that served as the basis for the character Tow Mater. The plot wasn’t far off, as so many once bustling towns — like the fictional Radiator Springs — nearly faded away after being bypassed by an interstate.

    Kansas also is home to the Brush Creek Bridge, otherwise known as the Rainbow Bridge. It’s on the National Register of Historic Places and is one of few remaining examples of the concrete arched bridges designed by James Barney Marsh.

    Route 66 Neon signs along Route 66. Photo by Mick Haupt on Unsplash

    Oklahoma
    There was a real danger for some who traveled the road, particularly Black motorists passing through inhospitable and segregated areas during the Jim Crow era. The Green Book — a guide first published in 1936 by Victor Hugo Green — listed hotels, restaurants and gas stations that would serve Black customers.

    The Threatt Filling Station near Luther wasn’t listed in The Green Book, but it was a safe haven — not only for getting fuel, but for barbecue and baseball. Listed on the National Register of Historic Places, it was the only known Black-owned and operated gas station along Route 66.

    Route 66 is littered with abandoned buildings and faded signs, but one example of the highway’s resilient spirit stands tall in Sapulpa, near Tulsa. The restored Tee Pee Drive-In Theater offers a step back into the 1950s, when the booming car culture helped spawn thousands of drive-in theaters nationwide.

    Built in 1949, the drive-in officially opened in the spring of 1950 with a screening of John Wayne’s “Tycoon.” It was one of the few drive-ins at the time to have paved pathways. Over the years, it survived a tornado, a fire that destroyed the concession stand and break-ins before being shuttered for more than 20 years. It reopened in 2023.

    route 66 historic district Get your kicks on Route 66 in Amarillo. Photo courtesy of Visit Amarillo

    Texas
    Blink and you might miss it, but a stop at the Cadillac Ranch in Amarillo is a must for any Route 66 journey. For decades, visitors have been spray-painting the 10 vintage Cadillacs at the site and mulling the transitory nature of time as Bruce Springsteen did in his 1980 song of the same name.

    It’s not a ranch, but rather a public art installation created in 1974 by the art and architecture collective Ant Farm. At first, the cars — which were half-buried front-down at a 60-degree angle — were used for target practice. Others would scratch their initials into the metal. The spray painting started later.

    Arrive in Adrian and you’re halfway through your trip. Steps from a white line marking the midpoint of Route 66 is the Midway Cafe, where the “ugly pies” are anything but.

    If you’re still hungry, head back to Amarillo for a 72-ounce (2 kilogram) steak and all the sides at The Big Texan. If you can finish the meal in an hour or less, it's free.

    New Mexico
    More than half of Route 66 cuts through sovereign Native American lands, often tracing routes used by tribes long before settlers arrived. Much like the railroad in the 1800s, the highway opened the door to a new era of commerce, but it also fueled stereotypes about cultures along the way.

    There are still faded and crumbling references to tipis and feathered headdresses at some stops along the historic highway. The symbols were easily appropriated for marketing by roadside vendors but weren't indicative of the separate and distinct Native American cultures in the area.

    Today, tribes are telling their own stories and showcasing their creations, whether it be pottery, fruit pies or poems.

    Albuquerque boasts the longest intact urban stretch of Route 66. Those 18 miles (29 kilometers) pass through several neighborhoods and business districts, from historic Old Town to Nob Hill.

    Some of the old motor lodges and neon signs along what is now Central Avenue have been restored. Other signs are being reimagined using hubcaps, elaborate lowrider-inspired paint jobs and New Mexico’s classic yellow and red license plates in a nod to the car culture that is very much still alive in the city.

    Arizona
    Musician Jackson Browne was taking his own road trip in the early 1970s when his car left him stranded in Winslow. The experience inspired the lyrics to the Eagles’ hit “Take it Easy.” But it’s certainly not the only song that is a must-have for a Route 66 playlist.

    Bobby Troup created a classic American road anthem in the 1940s with “(Get Your Kicks on) Route 66.” Nat King Cole, Chuck Berry, The Rolling Stones and Depeche Mode carried it through the decades, each covering the song with their own flair.

    While standing on a corner in Winslow, don’t be surprised if someone saunters up with a guitar and starts strumming favorites from their own road trip playlist.

    Before leaving the state, the one-time gold mining town of Oatman features a Wild West atmosphere, daily staged shootouts and beloved burros. Oatman was a destination along one of the original alignments of Route 66 via a treacherous path through the Black Mountains, but it was later bypassed as part of improvements made in the 1950s.

    California
    Once a desert oasis, Roy’s Motel & Café in Amboy is a quintessential Route 66 landmark. The towering neon sign is one of the most photographed spots along the road. Inside, foreign currency left by international visitors lines one wall. Across the street, a clothing post decorated with shoes, shirts and other items juts up from the desert floor.

    This stretch of the highway through the Mojave Desert offers a special kind of solitude. The pavement gets rough in spots and the landscape takes charge, showing off Joshua trees, wide-open spaces and the remnants of ancient volcanic activity.

    Much of the area is undeveloped, meaning it looks a lot like it would have when Route 66 was commissioned in 1926.

    After making it through oft-congested Los Angeles, the iconic Santa Monica Pier marks the end of the line, and it’s nothing short of a perpetual party with a steady stream of spectators and performers. Although many stretches of Route 66 have lapsed into decay, the breathtaking views of the Pacific Ocean are a reminder of the pursuits made possible by the road over the last century.

    american road tripneon signsroad triproute 66
    news/travel
    series/state-of-the-arts-2011

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