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    Popp Culture

    A milestone casualty in Afghanistan reaches all the way to Hawaii, putting D-Dayin perspective

    Steve Popp
    Jun 5, 2010 | 4:48 pm
    • A scene from the mini-series, "The Pacific". It's hard not to think about thoseimages while in Hawaii.
    • The late Marine Cpl. Jacob Leicht
    • Admiral Chester W. Nimitz pins a Navy Cross on Doris Miller at ceremony on boarda warship in Pearl Harbor, May 27, 1942.
    • Lanai Island, Hawaii is ultra picturesque — and it gives one a lot of time tothink. A lot.
    • Did you know dolphins sleep with one eye open? That's the kind of knowledge youcan gain in a week away.

    My wife and I took a much-needed weeklong vacation to Lanai, Hawaii, this past week. We left behind the grind of the workweek, mounting “to do” lists and, as it turns out, a malfunctioning refrigerator.

    To fully embrace our Pacific retreat, once we landed in Hawaii we pledged to ignore our e-mail accounts. I also quarantined myself from any hint of social media, any mention of “breaking news,” and any television show with a pundit.

    As a consequence of being sequestered on a remote Hawaiian island without a steady stream of substantive news, I was able to focus my attention on finding the answers to more pressing questions of my vacation:

    • Do dolphins sleep? Yes, and approximately eight hours a day. It’s called “logging,” and it is similar to napping. Yet, fascinatingly, when dolphins sleep only half of their brain is inactive and only one eye is closed.
    • Can one overdose on pineapple? Yes, especially on an island developed by the Dole family.
    • How many pages did James Michener dedicate to chronicling the formation of the Hawaiian archipelago in his 1959 book Hawaii? Surprisingly, Michener spent only 16 pages on rock formations and lava; this is compared with the 921 pages he spent detailing the rest of the history of the islands.
    • Should a guy ever pair a Speedo and a T-shirt, with nothing else, at the same time? Never, despite the Speedo renaissance as reported by CultureMap's Steven Thomson.

    Reality Check
    The one disadvantage I discovered in going somewhat “off the grid” is that getting up to speed on the events of the world after a week off can be jarring.

    As I sat in the Honolulu Airport, acclimatizing to humanity and to the news of the day, I found particularly depressing the Associated Press story that explained how a “grim milestone was reached when NATO reported that a service member was killed in a roadside bombing in southern Afghanistan."

    The AP later reported that the 1,000th American casualty of the war in Afghanistan was Marine Cpl. Jacob Leicht of Kerrville. According to his brother, this 24-year-old, born on the Fourth of July, told people he “always wanted to die for his country and be remembered."

    With Memorial Day last Monday, and with the 66th anniversary of the D-Day invasion this Sunday, there’s no better time than now for us all to take some time off and reflect on those, like Jacob Leicht, who have sacrificed for this country.

    Memorial Day Origins
    Congress mandated the last Monday in May as an official holiday in 1971, yet Memorial Day originated in the wake of the American Civil War. It was meant to commemorate fallen service members of that conflict.
    In 1868 the veteran group the Grand Army of the Republic described the purpose of the day as one for “strewing with flowers, or otherwise decorating the graves of comrades who died in defense of their country during the late rebellion, and whose bodies now lie in almost every city, village, and hamlet churchyard in the land."

    I wanted to relay that historical tidbit about Memorial Day to the driver of a pickup truck who idled in front of me at a stoplight near downtown Houston this weekend.

    On his bumper was a sticker with a Texas flag and the words “SECEDE” emblazoned over it.

    You see, when I see the word “secede,” I don’t think of state pride or principled stances about state sovereignty. Rather, I think of Bull Run, Shiloh, Antietam, Gettysburg, Spotsylvania and Cold Harbor; and I think of the thousands of Americans, from the North and South, who died there.

    Had the light not turned green, I would have also recommended to the driver of said secessionist pickup truck that he pick up Drew Gilpin Faust’s 2008 book This Republic of Suffering: Death and the American Civil War. In the book, Faust employs staggering statistics to quantify the extent of the war’s carnage, and she chronicles how Americans coped and dealt with death during the conflict.

    Faust estimates, as other historians have done as well, that the number of American casualties during Civil War was 620,000. This figure was “approximately equal to the total fatalities in the Revolution, the War of 1812, the Mexican War, the Spanish American War, World War I, World War II, and the Korean War combined."

    Faust explains that “the Civil War’s rate of death, its incidence in comparison with the size of the American population was six times that of World War II.” And Faust notes, “One in five white southern men of military age did not survive the Civil War." Shockingly, Faust calculates that approximately two percent of the American population died in the American Civil War.

    To put it in another way, Faust estimates this “would mean six million fatalities” today.

    I doubt Rick Perry will utter any secessionist talk in the general election campaign against Bill White. But if he does, I’m going to mail Governor Perry my personal copy of This Republic of Suffering to read.

    Doris Miller
    Despite my inattention to the news in Hawaii this past week, I found it next to impossible not to think about World War II while staring out onto the Pacific Ocean. Scenes from the haunting HBO series The Pacific were still seared in my imagination, and our close proximity to Pearl Harbor brought to mind that day that still lives in “infamy.”

    Yet just a stone’s throw from my house here in Houston is another memorial to a hero who fought and died in World War II. The Doris Miller Center, a library and former elementary school in HISD, sits amid a canyon of townhomes on Feagan Street in the Rice Military neighborhood.

    The center is named after Doris “Dorie” Miller, originally from Waco, who became the first African-American awarded the Navy Cross “for his extraordinary courage in battle.” During the Japanese attack on Pearl Harbor, Miller rescued fellow sailors and fired an anti-aircraft gun at attacking Japanese planes. What made Miller’s conduct even more extraordinary was “it was Miller's first experience firing such a weapon.” As an African-American sailor, Miller served “in the segregated steward's branch of the navy” and as a result was “not given the gunnery training received by white sailors.”

    Tragically, Miller was killed in action in 1943 when the aircraft carrier Liscome Bay he was serving on was torpedoed and sunk in the Pacific Ocean. In memoriam, the Navy “honored Doris Miller by naming a dining hall, a barracks, and a destroyer escort for him.” You may have seen Cuba Gooding Jr. playing Miller in Hollywood’s 2001 Pearl Harbor. While the movie overall was forgettable, the actions of those at Pearl Harbor, like Dorie Miller, are not.

    The Associated Press story documented how for one soldier, "Capt. Nick Ziemba of Wilbraham, Massachusetts, serving with the 1st Battalion, 17th Infantry Regiment in southern Afghanistan," the number "1,000 was an arbitrary number and would have no impact on troop morale or operations." "We're going to continue to work," Ziemba declared.

    And this time of year, the least we can all do is respect and remember their service and sacrifice.

    unspecified
    news/travel

    1. tree-mendously stylish

    New, art-filled boutique hotel debuts in Houston with bold vintage flair

    Emily Cotton
    Dec 5, 2025 | 1:59 pm
    Hotel Daphne lobby
    Photo by Julie Soefer
    Hotel Daphne introduces sophisticated vintage flair to The Heights.

    Taking one step beyond the threshold of the new Hotel Daphne in the Heights is — in a word — transformative. Layered with handcrafted details, various textiles, warm-natured tones, and vintage and custom pieces that embrace contemporary whimsy, Houston’s newest property from Austin-based company Bunkhouse Hotels has truly outdone itself.

    The five story, 49-room property features an all-day restaurant called Hypsi, along with a picturesque walled-courtyard, jewel-box library, lobby retail shop, and a perfectly-curated art collection that could easily rival the best galleries. Those looking to make a splash will be delighted to know that a pool, dedicated outdoor bar, and 10 poolside bungalow suites are currently in the works to open in the spring of 2027. Hotel Daphne is Bunkhouse’s second Houston property, joining the Hotel Saint Augustine that opened in Montrose in 2024 and earned a prestigious Michelin Key in October.

    Setting itself apart from other new build properties, Hotel Daphne has taken painstakingly-precise care not to have disturbed the numerous mature Live Oak trees surrounding the building, giving the hotel a “we’ve always been here” quality that locals can appreciate. Those very trees inspired the hotel’s name, after Daphne of Greek mythology, who famously changed herself into a laurel tree and represents allure and restraint.

    “With Hotel Daphne, we set out to create a project that bridges Houston Heights’ eclectic energy with its residential roots to seamlessly blend into the surrounding landscape,” Timothy Blanchard, founder, principal architect, Blanchard A+D tells CultureMap. “Drawing on the area’s commercial and historic cues, we shaped the building around large heritage oak trees to create a place that feels welcoming, restrained, and quietly refined.”

    The hotel’s exterior features stepped parapets, dark steel sash windows, and soft gray shutters that bridge the scale between neighboring bungalows and historic industrial structures. Local landscape firm McDugald Steele rounds out the exteriors team with lush selections befitting the building and playing nicely with native surroundings, while giving nods to the Heights’ architectural charm and its origins as a utopian society founded in the 1890’s.

    Bunkhouse designed the interiors in-house, with 80 percent of the furniture and decor designed and selected during the initial design phase, leaving the remaining 20 percent to be selected post buildout. Select pieces like the show-stopping, circular modular sofa in the lobby, were sourced during the recent Round Top Fall Antiques Show. Situated beneath a vintage Murano chandelier, the sofa’s striped linen has been swapped for a more commercial-friendly Gem Velvet from Brentano, while the exposed sides have been dressed in a playfully-patterned Bargello from Nobilis. Suffice it to say: she’s Instagram-ready.

    “We always like to keep a healthy mix of vintage. When everything is custom or off the shelf, the end result can feel planned, prescriptive, and a little too perfect. Leaving room for the unplanned is where a dose of magic happens,” explains Tenaya Hills, head of design for Bunkhouse Hotels and JdV by Hyatt. “If you use up every inch of space with things you decided months before, you lose the creativity that hits you while you’re out shopping for vintage, or even when you’re sitting around with your team in the finished space thinking, ‘Okay, what does this space actually need?’ And also — it’s just fun.”

    A right turn off of the lobby leads to Hotel Daphne’s library. Absolutely drenched in a gorgeous, high-gloss blue, the impressive cabinets and bookcases house everything from books to ceramics and found objects — feel free to grab a book off the shelf and get cozy. Grounded by a handwoven rug by Shame Studios, the library offers three custom tables for gaming, providing an onyx chess set, marble checkers, and one table left bare for board games or other amusements. The library’s French doors can be closed off for private events, meetings, and dinners as well.

    Rounding out the first floor, Italian-style restaurant Hypsi, led by two-time James Beard Award nominee Terrence Gallivan, nods to the area’s Prohibition-era supper club history. Opulent and playful details include a blueberry lava stone bar outfitted with leather Cassina chairs, an indoor fireplace framed by an antique mantel, banquettes piled with psychedelic pillows, vintage Gerli chairs reupholstered in velvet, and custom Carimate dining chairs by Vico Magistretti.

    Hypsi’s adjoining vine-wrapped courtyard and Hotel Daphne patio offer outdoor dining. Playful Gubi patio furniture, paired with vintage, mosaic-tiled tables hand-painted to depict nymphs and the like, is available for more informal lounging. Remember those books in the library? Pair one with a cocktail or coffee while taking in an afternoon breeze.

    The remaining four floors are all guest rooms. Hotel Daphne offers a robust selection of double-queen rooms and single-king rooms, with both configurations available in ADA options. Select rooms, like the Terrace King Rooms, offer outdoor balconies. The Terrace King Premiere is 890 square feet, featuring a king bed, lounge area, workspace, and a terrace with dining and lounge furniture — perfect for entertaining a small group outdoors.

    Larger groups may opt for one of the two suites. The Balcony Suite is 850 square feet, featuring a king bed, a bistro table with seating, a parlor room with lounge area, dining table for six, wet bar, and a Juliet balcony. The Penthouse Suite is 1,150 square feet, featuring two rooms with king beds, plus a lounge area, a parlor room, dining table for eight, lounge area, wet bar, and two bathrooms. The Penthouse Suite is a three-key suite and each space can be booked individually.

    Guest rooms feature custom upholstered beds with floral velvet headboards inspired by Trebah Gardens. In fact, the fabric itself is Trebah Velvet by Osborne & Little.

    “We love that fabric and it brought exactly the mood we were looking for,” explains Hills. “Against the room’s more classic backdrop, we wanted an element that felt a little trippy and not-so-perfect, something that captured the spirit of the hotel. The pattern has this dreamy, slightly surreal quality that lets a subtle, ethereal, almost acid trip note come through. The hotel takes inspiration from the Heights’ beginnings as a planned utopian community, but we’ve layered in its history of 1930s clandestine drinking culture and the patina of time to a home that would have occurred on that original idealism. Trebah felt like the perfect way to thread those stories together, refined on the surface, with a little fray underneath.”

    The beds are all dressed in luxe Sferra linens (bath towels are also Sferra), and rooms are additionally outfitted with mohair seating, Arts & Crafts-style credenzas, plus natural stone tables and vintage finds. Adjoining bathrooms are wrapped in rich green Fireclay tiles that play magnificently with onyx vanities. Hotel Daphne’s signature amenities are by Dr. Vranjes of Florence, Italy, and are available for purchase in the lobby’s gift shop, including its signature scent, Dr. Vranjes’ Onyx Rose Tobacco.

    Also available in the gift shop are Hotel Daphne’s signature guest room robes. Collecting robes from Bunkhouse properties has become somewhat of a thing, to say the least.

    “Bunkhouse has a tradition of creating a custom robe for every property, says Hills. “Daphne’s robe was inspired by vintage men’s pajamas, designed to bring a masculine touch to balance the softer, feminine details throughout the rooms. Its striped pattern and colorway were directly drawn from the Trebah Velvet fabric used on the headboards. This connection makes the robe feel distinct but fully integrated with the overall guest room palette.”

    If the carpeting looks familiar, it’s not a trick of the mind. The spaces not clad in brass-inlaid, herringbone wood floors are swathed in patterned carpeting inspired by William Morris’ iconic “Strawberry Thief” pattern, but adjusted and created using AI — that’s certainly one way to mix old with new.

    In an interesting twist to Bunkhouse tradition, a substantial portion of the art on display is held in a private collection. Hotel owner Ben Ackerley and his father will rotate select pieces from the Ackerley Family Collection for guests of the hotel to enjoy. Bunkhouse art director Dina Pugh sourced works by Austin-based painter Alexandra Valenti that are on display in the guest rooms and hallways.

    An additional 160 works of art in the property belong to the Ackerley Family Collection. In January of this year, Hesse McGraw, formerly executive director of Contemporary Arts Museum Houston, came on as Hotel Daphne’s art director. Find works by Vernon Fisher and Kent Dorn on display in the hotel’s lobby, plus artists Kelli Vance and Dorothy Hood on view in the library. The giant Matt Kleberg overlooking the dining room at Hypsi is on loan from Houston’s Hiram Butler Gallery until January, when a commissioned work by the same artist will be completed. The untitled work will be difficult to miss with its 15’ x 8’ stature.

    Ackerley believes that sharing his family’s collection with the city will benefit living, Texas-based artists in a myriad of ways, especially by putting them in front of other potential collectors.

    “99-percent of collectors have no relation to the artists. They look at it as an investment and have no emotional connection to the work or the person behind it,” says Ackerley. “Whereas, we collect people we hang out with. We support living, contemporary Texas artists, and 80-percent of what you’ll see in this hotel is that — there is plenty of cool art.”

    Bunkhouse was purchased by Hyatt Hotels in October 2024, but there are no signs of Hyatt branding in the hotel. The plus is that rooms can be booked with points through Hyatt’s rewards program. Rooms at Hotel Daphne begin at $359 per night.

    Hotel Daphne lobby

    Photo by Julie Soefer

    Hotel Daphne introduces sophisticated vintage flair to The Heights.

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