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    One haute show

    How to visit Texas museum's new Dior exhibit like a true fashionista

    Stephanie Allmon Merry
    May 27, 2019 | 11:35 am

    UPDATE: The blockbuster exhibition "Dior: From Paris to the World" has been extended through October 27, the Dallas Museum of Art announced on August 15. For tickets and other information, visit the museum's website.

    ---

    The Dallas Museum of Art is dressed and ready for an extra haute summer. The blockbuster fashion retrospective "Dior: From Paris to the World," which surveys more than 70 years of the House of Dior’s legacy, opened May 19 and runs through September 1.

    After a successful run at the Denver art museum, the DMA is the only other U.S. venue for the exhibition. But Dallas' presentation is even bigger and fancier, showcasing almost 200 haute couture dresses, as well as accessories, photos, sketches, and archival material that profile founder Christian Dior and highlight the work of subsequent artistic directors. It also celebrates the lifelong friendship of Christian Dior and Neiman Marcus department store magnate Stanley Marcus.

    The entire exhibit spans 12,000 square feet and is broken up into 11 sections. There's a lot to take in.

    Whether you're just being introduced to Dior or you have a closet full of couture, here's a quick guide to making the most of a visit to the Dallas exhibition — a handful of viewing tips, highlights, and one very important trick at the end — how to get tickets.

    1. Start looking up.
    The installation makes creative use of space, and that starts at the entrance. The black dresses and coats that flank each side are not just wall-dressings. Resist the temptation to walk right by them (or worse, huddle for group selfies and hold up the line behind you). They are the first section of the exhibition, called "Revolutionary New Look."

    The name refers to Christian Dior's first collection in 1947, dubbed the "New Look" by the press. His post-World War II fashions signaled a new era of femininity, highlighting female curves, nipping in waists, and accentuating hips. Not everyone was a fan. In some countries, including the United States, protesters denounced his work as frivolous luxury, as a black-and-white photo on the wall shows.

    Keep your eyes up as you round the corner into the "Office of Dreams." Here, ethereal white toiles (muslin mock-ups) hang high on the wall, and a mirrored ceiling makes them appear limitless. It's no doubt a literal interpretation of Dior's idea that his studio really was an "office of dreams." Sketches, video clips, and fabric and design samples put you in the heart of the famous Paris atelier.

    2. Sort out who's who.
    Die-hard Dior fans know that Christian Dior got only 10 years at the helm of his design house before dying suddenly of a heart attack in 1957. Six artistic directors have succeeded him — each making his or her mark on the house. The section "Creative Directors" showcases eight mannequins wearing looks from each designer, spread out over two rooms.

    This part will separate the pretty-dress admirers from the fashion aficionados. If you're in the latter category, you'll take the time to study each designer's distinctive aesthetic: Yves Saint Laurent's trapeze dresses. John Galliano's glittering fantasy gowns. Current artistic director Maria Grazia Chiuri's modern femininity. (It's likely no accident that her ready-to-wear ensemble with a T-shirt that says, "We should all be feminists" stands front and center and ready for photo-taking.)

    Some of Chiuri's gowns have graced the runway as recently as fall-winter 2018. Practically brand new.

    3. Bow down in the cathedral of couture.
    If there's a room that's going to make you say, "Amen," it's the showpiece of the exhibition, "From Paris to the World." The magic is in not just what is displayed, but how it is displayed. It is mounted in the museum's famous 114-foot-long Barrel Vault, featuring 44-foot ceilings.

    Visitors walk down the a center aisle, a "catwalk," and on either side — at Anna Wintour-arm's length — mannequins model Dior designs inspired by cultures around the world. Influences include Africa's Maasai people, fox hunting in England, Japanese kimono and cherry blossoms, ancient Egypt, the skyscrapers of New York, and more.

    Walk slowly up and down either side, then step at the end of the catwalk and behold the "Ladies in Dior." Thirteen gowns belonging to Dior's celebrity fans and muses are inset into niches, creating a shadow-box effect on the wall.

    There's a gown that Lady Gaga wore in January to the SAG Awards. One worn by Rihanna at the 2017 Cannes Film Festival. And the gown Jennifer Lawrence wore when she famously tripped up the stairs to receive her 2013 Best Actress Oscar.

    Christian Dior once said, "My dresses make a princess of every woman," and there's a real princess represented in this display, too — a gown made for one of his favorite clients, Princess Grace of Monaco.

    One practical note: The gowns are so high and far away, you'll wish you'd tucked binoculars into your handbag to get a closer view. (Hey, there's an idea.)

    4. Keep an eye out for art.
    Before he was a fashion designer, Christian Dior was an art gallerist. His eye for design started as an eye for art, and the house of Dior has looked to art for inspiration over the last 70 years. The DMA has smartly (and slyly) dropped eight extraordinary artworks like Easter eggs throughout the exhibition. Six are from their collection, and two are on loan from private collectors.

    Most prominently displayed is the oil painting The Abduction of Europa by Jean Baptiste Marie Pierre, which serves as the backdrop to the section "Splendors of the 18th Century." The room resembles one at the palace of Versailles, where many of Dior's dresses were photographed. The gowns on display borrow from the 1700s, inspired by decadent court dresses and ornate open robes.

    Another artwork that's easy to spot is Claude Monet's Water Lilies, displayed in the room called "Fields of Flowers." "After woman, flowers are the most divine creations," said Dior, who had a passion for gardening. Paintings of Impressionists, especially Monet, inspired his floral embroideries and incredible layered-petal textures. Don't miss the chance to ogle the stunning, floral-inspired "Miss Dior" dress.

    5. Mess with Texas.
    Christian Dior had an enduring friendship with Dallas department store magnate Stanley Marcus. In 1947, Dior was awarded the Neiman Marcus Award for his distinguished contribution to fashion, and his trip to Dallas to accept it marked his first international voyage. "To reach Dallas, Texas, I had to cross the ocean and enter the New World," he wrote in his autobiography. This saying is printed on a wall outside of the entrance.

    Inside a section called "Dallas and Beyond," photos and memorabilia illustrate Dior's close ties to Marcus, and to Dallas. Their friendship resulted in Dallas' coup as the only American city to show Dior's 1954 "H" line, from which several looks are displayed in the exhibit.

    It's tempting to be led by the lure of glamorous gowns throughout the exhibition, and to skip over the nondescript cases and walls with writings and photos. But these little palate-cleansers hold interesting tidbits of history. Don't miss the 1957 Time magazine cover that Dior graced — the first non-American couturier to do so. Royal enthusiasts will love the photo and program of the haute couture fall-winter 1958 fashion show, held in front of Britain's Princess Margaret at Blenheim Palace.

    6. Know how to get in.
    Don't drive all the way to Dallas and get stalled at the entrance. Due to its expected popularity and volume of visitors, all guests and museum members must have timed tickets. Adult admission is $20 on Tuesday-Thursday and $25 on Friday-Sunday. (Closed Monday.) Special discounts are available, and tickets can be purchased on the museum's website.

    Be sure to pick up the paper Exhibition Guide to follow along; surprisingly, there's no audio guide or downloadable app available.

    The DMA has scheduled an impressive lineup of accompanying events throughout the summer. They include A Moveable Feast Book Club focused on "Dior by Dior: The Autobiography of Christian Dior;" special talks with experts like fashion historian Amber Butchart, and April Calahan and Cassidy Zachary from the podcast "Dressed;" and a late-night screening of the excellent 2015 documentary Dior and I.

    ---

    Dallas Museum of Art, 1717 N. Harwood St., Dallas, 214-922-1200, www.dma.org. Hours: 11 am to 5 pm Tuesday-Wednesday, Friday-Sunday. 11 am to 9 pm Thursday. Closed Monday.

    Do not just walk by these mannequins at the entrance.

    DMA Dior exhibit
    Photo by James Florio, Dallas Museum of Art
    Do not just walk by these mannequins at the entrance.
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    1. tree-mendously stylish

    New, art-filled boutique hotel debuts in Houston with bold vintage flair

    Emily Cotton
    Dec 5, 2025 | 1:59 pm
    Hotel Daphne lobby
    Photo by Julie Soefer
    Hotel Daphne introduces sophisticated vintage flair to The Heights.

    Taking one step beyond the threshold of the new Hotel Daphne in the Heights is — in a word — transformative. Layered with handcrafted details, various textiles, warm-natured tones, and vintage and custom pieces that embrace contemporary whimsy, Houston’s newest property from Austin-based company Bunkhouse Hotels has truly outdone itself.

    The five story, 49-room property features an all-day restaurant called Hypsi, along with a picturesque walled-courtyard, jewel-box library, lobby retail shop, and a perfectly-curated art collection that could easily rival the best galleries. Those looking to make a splash will be delighted to know that a pool, dedicated outdoor bar, and 10 poolside bungalow suites are currently in the works to open in the spring of 2027. Hotel Daphne is Bunkhouse’s second Houston property, joining the Hotel Saint Augustine that opened in Montrose in 2024 and earned a prestigious Michelin Key in October.

    Setting itself apart from other new build properties, Hotel Daphne has taken painstakingly-precise care not to have disturbed the numerous mature Live Oak trees surrounding the building, giving the hotel a “we’ve always been here” quality that locals can appreciate. Those very trees inspired the hotel’s name, after Daphne of Greek mythology, who famously changed herself into a laurel tree and represents allure and restraint.

    “With Hotel Daphne, we set out to create a project that bridges Houston Heights’ eclectic energy with its residential roots to seamlessly blend into the surrounding landscape,” Timothy Blanchard, founder, principal architect, Blanchard A+D tells CultureMap. “Drawing on the area’s commercial and historic cues, we shaped the building around large heritage oak trees to create a place that feels welcoming, restrained, and quietly refined.”

    The hotel’s exterior features stepped parapets, dark steel sash windows, and soft gray shutters that bridge the scale between neighboring bungalows and historic industrial structures. Local landscape firm McDugald Steele rounds out the exteriors team with lush selections befitting the building and playing nicely with native surroundings, while giving nods to the Heights’ architectural charm and its origins as a utopian society founded in the 1890’s.

    Bunkhouse designed the interiors in-house, with 80 percent of the furniture and decor designed and selected during the initial design phase, leaving the remaining 20 percent to be selected post buildout. Select pieces like the show-stopping, circular modular sofa in the lobby, were sourced during the recent Round Top Fall Antiques Show. Situated beneath a vintage Murano chandelier, the sofa’s striped linen has been swapped for a more commercial-friendly Gem Velvet from Brentano, while the exposed sides have been dressed in a playfully-patterned Bargello from Nobilis. Suffice it to say: she’s Instagram-ready.

    “We always like to keep a healthy mix of vintage. When everything is custom or off the shelf, the end result can feel planned, prescriptive, and a little too perfect. Leaving room for the unplanned is where a dose of magic happens,” explains Tenaya Hills, head of design for Bunkhouse Hotels and JdV by Hyatt. “If you use up every inch of space with things you decided months before, you lose the creativity that hits you while you’re out shopping for vintage, or even when you’re sitting around with your team in the finished space thinking, ‘Okay, what does this space actually need?’ And also — it’s just fun.”

    A right turn off of the lobby leads to Hotel Daphne’s library. Absolutely drenched in a gorgeous, high-gloss blue, the impressive cabinets and bookcases house everything from books to ceramics and found objects — feel free to grab a book off the shelf and get cozy. Grounded by a handwoven rug by Shame Studios, the library offers three custom tables for gaming, providing an onyx chess set, marble checkers, and one table left bare for board games or other amusements. The library’s French doors can be closed off for private events, meetings, and dinners as well.

    Rounding out the first floor, Italian-style restaurant Hypsi, led by two-time James Beard Award nominee Terrence Gallivan, nods to the area’s Prohibition-era supper club history. Opulent and playful details include a blueberry lava stone bar outfitted with leather Cassina chairs, an indoor fireplace framed by an antique mantel, banquettes piled with psychedelic pillows, vintage Gerli chairs reupholstered in velvet, and custom Carimate dining chairs by Vico Magistretti.

    Hypsi’s adjoining vine-wrapped courtyard and Hotel Daphne patio offer outdoor dining. Playful Gubi patio furniture, paired with vintage, mosaic-tiled tables hand-painted to depict nymphs and the like, is available for more informal lounging. Remember those books in the library? Pair one with a cocktail or coffee while taking in an afternoon breeze.

    The remaining four floors are all guest rooms. Hotel Daphne offers a robust selection of double-queen rooms and single-king rooms, with both configurations available in ADA options. Select rooms, like the Terrace King Rooms, offer outdoor balconies. The Terrace King Premiere is 890 square feet, featuring a king bed, lounge area, workspace, and a terrace with dining and lounge furniture — perfect for entertaining a small group outdoors.

    Larger groups may opt for one of the two suites. The Balcony Suite is 850 square feet, featuring a king bed, a bistro table with seating, a parlor room with lounge area, dining table for six, wet bar, and a Juliet balcony. The Penthouse Suite is 1,150 square feet, featuring two rooms with king beds, plus a lounge area, a parlor room, dining table for eight, lounge area, wet bar, and two bathrooms. The Penthouse Suite is a three-key suite and each space can be booked individually.

    Guest rooms feature custom upholstered beds with floral velvet headboards inspired by Trebah Gardens. In fact, the fabric itself is Trebah Velvet by Osborne & Little.

    “We love that fabric and it brought exactly the mood we were looking for,” explains Hills. “Against the room’s more classic backdrop, we wanted an element that felt a little trippy and not-so-perfect, something that captured the spirit of the hotel. The pattern has this dreamy, slightly surreal quality that lets a subtle, ethereal, almost acid trip note come through. The hotel takes inspiration from the Heights’ beginnings as a planned utopian community, but we’ve layered in its history of 1930s clandestine drinking culture and the patina of time to a home that would have occurred on that original idealism. Trebah felt like the perfect way to thread those stories together, refined on the surface, with a little fray underneath.”

    The beds are all dressed in luxe Sferra linens (bath towels are also Sferra), and rooms are additionally outfitted with mohair seating, Arts & Crafts-style credenzas, plus natural stone tables and vintage finds. Adjoining bathrooms are wrapped in rich green Fireclay tiles that play magnificently with onyx vanities. Hotel Daphne’s signature amenities are by Dr. Vranjes of Florence, Italy, and are available for purchase in the lobby’s gift shop, including its signature scent, Dr. Vranjes’ Onyx Rose Tobacco.

    Also available in the gift shop are Hotel Daphne’s signature guest room robes. Collecting robes from Bunkhouse properties has become somewhat of a thing, to say the least.

    “Bunkhouse has a tradition of creating a custom robe for every property, says Hills. “Daphne’s robe was inspired by vintage men’s pajamas, designed to bring a masculine touch to balance the softer, feminine details throughout the rooms. Its striped pattern and colorway were directly drawn from the Trebah Velvet fabric used on the headboards. This connection makes the robe feel distinct but fully integrated with the overall guest room palette.”

    If the carpeting looks familiar, it’s not a trick of the mind. The spaces not clad in brass-inlaid, herringbone wood floors are swathed in patterned carpeting inspired by William Morris’ iconic “Strawberry Thief” pattern, but adjusted and created using AI — that’s certainly one way to mix old with new.

    In an interesting twist to Bunkhouse tradition, a substantial portion of the art on display is held in a private collection. Hotel owner Ben Ackerley and his father will rotate select pieces from the Ackerley Family Collection for guests of the hotel to enjoy. Bunkhouse art director Dina Pugh sourced works by Austin-based painter Alexandra Valenti that are on display in the guest rooms and hallways.

    An additional 160 works of art in the property belong to the Ackerley Family Collection. In January of this year, Hesse McGraw, formerly executive director of Contemporary Arts Museum Houston, came on as Hotel Daphne’s art director. Find works by Vernon Fisher and Kent Dorn on display in the hotel’s lobby, plus artists Kelli Vance and Dorothy Hood on view in the library. The giant Matt Kleberg overlooking the dining room at Hypsi is on loan from Houston’s Hiram Butler Gallery until January, when a commissioned work by the same artist will be completed. The untitled work will be difficult to miss with its 15’ x 8’ stature.

    Ackerley believes that sharing his family’s collection with the city will benefit living, Texas-based artists in a myriad of ways, especially by putting them in front of other potential collectors.

    “99-percent of collectors have no relation to the artists. They look at it as an investment and have no emotional connection to the work or the person behind it,” says Ackerley. “Whereas, we collect people we hang out with. We support living, contemporary Texas artists, and 80-percent of what you’ll see in this hotel is that — there is plenty of cool art.”

    Bunkhouse was purchased by Hyatt Hotels in October 2024, but there are no signs of Hyatt branding in the hotel. The plus is that rooms can be booked with points through Hyatt’s rewards program. Rooms at Hotel Daphne begin at $359 per night.

    Hotel Daphne lobby

    Photo by Julie Soefer

    Hotel Daphne introduces sophisticated vintage flair to The Heights.

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