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    Bon appétit

    Top Houston chefs and dance stars raise the bar at Houston Ballet fundraiser

    Joel Luks
    May 2, 2024 | 1:30 pm

    It wasn’t even minutes after the official time on the invitation to Raising the Barre when Caracol was bursting at the seams with balletomanes arriving fashionably on time. One could even say that on Sunday, April 28, the coastal Mexican kitchen was donning its eating pants — with savoir-faire and springtime class, of course — as Houston Ballet supporters have a reputation for impeccable taste and panache.

    Why not indulge in wood-roasted Gulf oysters on the half-shell kissed with chipotle butter, cheese, and toasted breadcrumbs? Or a plantain fritter topped with a rich mole? Or spicy ceviche served on a crisp tortilla tartlet shell? Make that ‘and’ instead of ‘or’ as Hugo Ortega surely was on a mission to show his VIPs only the best of southern hospitality by passing tray after tray after tray of these palatable finger foods. Co-chairs Heidi and Marcus Smith and Roslyn and Derrick Mitchell had concocted a sold-out showcase that linked culinary arts and dance, pairing chefs with Houston Ballet dancers to tell entertaining tales of creative connections.

    And it was evident that Roslyn Mitchell had ballet in her past as she greeted guests with her pumps perched in fourth position. As for the hubby, Derrick Mitchell was proudly sporting one of his wife’s colorful creations, a limited edition pocket square from her line, RoKi Design, founded in 2019 with business partner Kimberly Phipps-Nichol.

    The lively chatter gradually crescendoed into an animated buzz as guests eagerly anticipated the four-course dinner honoring the 54-year-old ballet company.

    Ortega, the winner of the Best Chef: Southwest at the 2017 James Beard Awards, of H-Town Restaurant Group was in notable epicurean company that included Bludorn’s Aaron Bludorn, Chris Williams of Lucille’s, and Rebecca Masson of Fluff Bake Bar. On the ballet’s team were principal Skylar Campbell, soloist Eric Best, demi soloist Kellen Hornbuckle, and corps de ballet Zoe Lucich. Add Chris Shepherd of Southern Smoke Foundation as sommelier to this ensemble, and therein lies the reason why this Raising the Barre was a must on the guests’ dance card.

    The dinner in four acts started in 2011 as a Ballet Barre young professionals rendezvous imagined by the coterie’s principal personalities Kristy Bradshaw and Lindsey Brown (Brown would later marry Shepherd). We're talking about harking back to the days of Shepherd’s Catalan and Underbelly restaurants, where the event was hosted in its early stages. This edition was as popular as bacon and crème brûlée, and everyone wants that party in their mouths.

    Bon appétit.

    Williams’ braised lamb stew with sweet potato purée, coconut collard green pesto, and peanuts was a satisfying overture that paid homage to Best’s mother, who often elevated African-inspired dishes, Best recounted. The combination of sweet and savory, made with vegetables from Williams’ production farm, also included a surprising protein—goat. A nine-herbed ravioli by Bludorn for Lucich played on both of their upbringings in California. As Lucich joked, herbs create a dance in your taste buds. Ortega and Skylar joined forces for Pacific halibut in ginger broth and puya peppers.

    About the bacon brûlée reference? That was Masson’s brilliant idea for her 12th Raising the Barre event. She paired both for the rich finale, which, for Hornbuckle, represented the yin and yang of her parents: a bougie dame from the East Coast and a humble guy from Alabama. That sweet and salty pas de deux was worthy of a standing o.

    Seen among the 200 gourmands were Lenni and Bill Burke, Lily Jang and Julien Nolan, Zoe Cadore, Jane DiPaolo, Mignon and Stephen Gill, Carey Kirkpatrick, Ann Graham, Victoria Gutierrez and Nick Pierce, Miya Shay and Gene Wu, Jesse H. Jones II and Terry Wayne Jones, Patti Murphy, Beth Muecke, Tammy and Wayne Nguyen, Cabrina and Steven Owsley, Laura and Brannon Robertson, Helen and Jim Shaffer, Marguerite Swartz, Ileana and Michael Treviño, Stephanie and Frank Tsuru, Allison and Troy Thacker, and Dina Munroe-Whitaker.

    Raising the Barre 2024
      

    Photo by Melissa Taylor

    Co-chairs, dancers, and chefs at the 2024 Houston Ballet Raising the Barre.

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    Silk and Sequins

    Cultural fashion takes center stage at Runway to Asia in Houston

    Joel Luks
    Jul 10, 2025 | 12:30 pm
    Asia Society Runway to Asia fashion show 2025
    Photo by Annie Mulligan
    Rekha Muddaraj, Shazia Sultan, Danny Nguyen, Zang Toi, Bonna Kol, Phoebe Tudor, and Leigh Smith.

    If fashion is a language, Runway to Asia spoke it fabulously fluently.

    The ballroom of The Post Oak Hotel shimmered with silk, sequins, and sartorial splendor as Asia Society Texas debuted its first-ever Runway to Asia style-studded affair — a glamorous gala-meets-catwalk moment where heritage was hand-stitched into haute couture.

    More than 300 guests filled the swanky venue for the event, greeted by models perched like living mannequins in Danny Nguyen’s Fall/Winter 2025 collection, each ensemble a fabric-forward love letter to cultural identity and avant-garde vision. This was a glamnifesto on what it means to wear your roots with pride and purpose.

    Leading the stylish charge were co-chairs Leigh Smith, Shazia Sultan, and Phoebe Tudor, who curated the afternoon like seasoned couturiers. Attendees noshed on a three-course lunch before the real feast began: a full-throttle catwalk presentation honoring two design dynamos — Danny Nguyen, Houston’s own silhouettist supreme, and international fashion luminary Zang Toi.

    Rekha Muddaraj, former KHOU 11 anchor turned emcee extraordinaire, welcomed the crowd with poise, passing the mic to Asia Society Texas president Bonna Kol, who framed the gathering as more than just fashion, but part of the nonprofit’s mission to celebrate cultural diversity through art.

    The applause crescendoed when Michael Buening, the organization’s director of performing arts and culture, announced the event had raised more than $300,000 to fund more than 20 annual programs.

    Pro tip: philanthropy always looks better in couture.

    Then came the honors. Nguyen was honored with the Texas Trendsetter Award, praised by Shazia Sultan for blending traditional elegance with avant-glam silhouettes. Meanwhile, Tudor crowned Toi with the Global Icon Award, charting his runway rise from Malaysia to Manhattan.

    Toi’s “Opulence of the Orient Express” collection brought the house down with 37 jaw-dropping looks: Ottoman-inspired caftans, midnight velvet suits, pearl-dusted evening gowns, and coat-dress hybrids that defied the laws of layering. Each ensemble whispered luxury and screamed craftsmanship.

    The raffle added a thrill of retail roulette with prizes including a luxe Hill Country escape, personal styling sessions with the honorees, and golden tickets to Zang Toi’s Fall 2026 New York show.

    Soaking in the scene were Sushila Agrawal, Nancy Allen, Fady Armanious, Kristy Bradshaw, Divya Brown, Tripp Carter, Theresa Chang, Anne Chao, Molly Crownover, Kari Dagley, Chloe Dao, Debbie Festari, Kathy and Marty Goossen, Brigitte Kalai, Mandy Kao, Sippi Khurana, Karen Kwok, Teri Lee, Kelley Lubanko, Christy Lynn, Petra Martinez, Sneha Merchant, Duyen Nguyen, Cabrina Owsley, Akemi Saitoh, Miya Shay, Sue and Randy Sim, Shawn Stephens, Y. Ping Sun, Ileana Trevino, Janae Tsai, Stephanie Tsuru, Heidi Turney, and Asha Virani.

    Asia Society Runway to Asia fashion show 2025
      

    Photo by Annie Mulligan

    Rekha Muddaraj, Shazia Sultan, Danny Nguyen, Zang Toi, Bonna Kol, Phoebe Tudor, and Leigh Smith.

    fundraisersasia society texas centerfashion show
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