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    Silk and Sequins

    Cultural fashion takes center stage at Runway to Asia in Houston

    Joel Luks
    Jul 10, 2025 | 12:30 pm

    If fashion is a language, Runway to Asia spoke it fabulously fluently.

    The ballroom of The Post Oak Hotel shimmered with silk, sequins, and sartorial splendor as Asia Society Texas debuted its first-ever Runway to Asia style-studded affair — a glamorous gala-meets-catwalk moment where heritage was hand-stitched into haute couture.

    More than 300 guests filled the swanky venue for the event, greeted by models perched like living mannequins in Danny Nguyen’s Fall/Winter 2025 collection, each ensemble a fabric-forward love letter to cultural identity and avant-garde vision. This was a glamnifesto on what it means to wear your roots with pride and purpose.

    Leading the stylish charge were co-chairs Leigh Smith, Shazia Sultan, and Phoebe Tudor, who curated the afternoon like seasoned couturiers. Attendees noshed on a three-course lunch before the real feast began: a full-throttle catwalk presentation honoring two design dynamos — Danny Nguyen, Houston’s own silhouettist supreme, and international fashion luminary Zang Toi.

    Rekha Muddaraj, former KHOU 11 anchor turned emcee extraordinaire, welcomed the crowd with poise, passing the mic to Asia Society Texas president Bonna Kol, who framed the gathering as more than just fashion, but part of the nonprofit’s mission to celebrate cultural diversity through art.

    The applause crescendoed when Michael Buening, the organization’s director of performing arts and culture, announced the event had raised more than $300,000 to fund more than 20 annual programs.

    Pro tip: philanthropy always looks better in couture.

    Then came the honors. Nguyen was honored with the Texas Trendsetter Award, praised by Shazia Sultan for blending traditional elegance with avant-glam silhouettes. Meanwhile, Tudor crowned Toi with the Global Icon Award, charting his runway rise from Malaysia to Manhattan.

    Toi’s “Opulence of the Orient Express” collection brought the house down with 37 jaw-dropping looks: Ottoman-inspired caftans, midnight velvet suits, pearl-dusted evening gowns, and coat-dress hybrids that defied the laws of layering. Each ensemble whispered luxury and screamed craftsmanship.

    The raffle added a thrill of retail roulette with prizes including a luxe Hill Country escape, personal styling sessions with the honorees, and golden tickets to Zang Toi’s Fall 2026 New York show.

    Soaking in the scene were Sushila Agrawal, Nancy Allen, Fady Armanious, Kristy Bradshaw, Divya Brown, Tripp Carter, Theresa Chang, Anne Chao, Molly Crownover, Kari Dagley, Chloe Dao, Debbie Festari, Kathy and Marty Goossen, Brigitte Kalai, Mandy Kao, Sippi Khurana, Karen Kwok, Teri Lee, Kelley Lubanko, Christy Lynn, Petra Martinez, Sneha Merchant, Duyen Nguyen, Cabrina Owsley, Akemi Saitoh, Miya Shay, Sue and Randy Sim, Shawn Stephens, Y. Ping Sun, Ileana Trevino, Janae Tsai, Stephanie Tsuru, Heidi Turney, and Asha Virani.

    Asia Society Runway to Asia fashion show 2025

    Photo by Annie Mulligan

    Lily Foster, Nao Kusuzaki, Kristy Bradshaw, Shawn Stephens, Phoebe Tudor, Leigh Smith, Kelley Lubanko, Ileana Trevino, and Allison Miller Gonzalez.

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    Curtain Call

    Porgy and Bess revival leads stunning launch of HGO’s new season

    Joel Luks
    Nov 7, 2025 | 11:30 am
    Houston Grand Opera 2025 season opening
    Photo by Emily Jäschke
    The cast of Porgy and Bess with conductor James Gaffigan.

    Houston Grand Opera launched its 2025-26 season with a soul-stirring statement — one that blended history, harmony, and high jazzy American style — at the season-opening performance of Porgy and Bess, followed by a celebration dinner that felt more like an all-cast reunion than a buttoned-up black-tie din din.

    Houston Grand Opera 2025 season opening

    Photo by Emily Jäschke

    The cast of Porgy and Bess with conductor James Gaffigan.

    Under the direction of Francesca Zambello, the Gershwin classic unfolded on the Wortham Theater Center’s stage in a performance that was both nostalgic and unflinchingly honest. The lush, jazz-meets-classical score had audiences leaning in, and many found themselves marveling at how many of the opera’s melodies live rent-free in cultural memory.

    But it wasn’t just the music that captivated. The emotional weight of the story and the conversations it inspired lingered long after the curtain dropped.

    HGO general director and CEO Khori Dastoor opened the evening by reflecting on the company’s legacy with Porgy and Bess, which stretches back to a 1976 production that earned both a Tony and a Grammy. This 2025 revival, nearly 50 years later, brought that legacy full circle, honoring the past while setting a tone for the season’s theme: The light we hold.

    The production, which runs through November 15, features a powerhouse cast that includes bass-baritone Michael Sumuel as Porgy and soprano Angel Blue as Bess. Soprano Latonia Moore, making her HGO mainstage debut, appears as Serena. Baritone Blake Denson takes on the role of Crown, and tenor Demetrious Sampson Jr. brings charisma to Sportin’ Life. A poignant full-circle moment came with baritone Donnie Ray Albert, who portrayed Porgy in HGO’s 1976 production, returning to the stage as Lawyer Frazier. Opening night was conducted by James Gaffigan, with Richard Bado leading later performances.

    The post-performance celebration on Fish Plaza, chaired by Dina Alsowayel and Tony Chase, transformed the space into an elegant nod to Charleston charm. Creams and greens, soft candlelight, and natural textures made for a timeless scene, but it was the congenial vibe that truly stole the show. The mood was chatty, the energy high, and the mission clear: Reconnect, rejoice, and rally behind the power of opera.

    During the dinner, Dastoor and artistic and music director Patrick Summers acknowledged the many supporters who brought this night to life. Dastoor offered a poignant nod to Summers as he begins his final season in his current role, transitioning to music director emeritus next year. She also welcomed Astley Blair as HGO’s newly elected board chair, signaling an exciting chapter ahead.

    Weeks later, HGO announced Gaffigan’s appointment as the company’s fifth music director — a major milestone in its 70-year history. Gaffigan, a rising star in European opera houses and orchestras, made his American operatic debut at HGO in 2011 and returned this fall to conduct Porgy and Bess. His connection to Houston runs deep, as an alumnus of Rice University’s Shepherd School of Music.

    As the night wound down, the cast and creative team received a standing ovation again. And rightly so. The event drew 450 guests and raised $690,000, the second-highest total in HGO Opening Night history.

    CultureMap seen were Margaret Alkek Williams, Jana and Scotty Arnoldy, Sylvia Barnes and Jim Trimble, Vivianna Jolie, Elizabeth and Neil Chapman, Rebekka and Damon Chargois, Jane Cizik, Molly Crownover, Misook Doolittle, Marty Dudley, Elaine Finger, Marianne and Joe Geagea, Claire Liu and Joe Greenberg, Janet Gurwitch and Ron Franklin, Alecia Harris, Matt Healey and Denise Reyes, Chris and Morgan Hollins, Elizabeth and Richard Husseini, Teresa and José Ivo, Monica Karuturi and Kumaran Sathyamoorthy, Sarah and Bryant Lee, Karen and Ramon Manning, Nancy McGregor and Neal Manne, Terrylin Neale, Franci Neely, Cynthia and Tony Petrello, Rebecca Rabinow and Matt Ringel, Jill and Allyn Risley, Cora and Judson Robinson, Kelly and David Rose, Anita Smith, Dian and Harlan Stai, Ellen Susman, Marguerite Swartz, Charlene Tombar, Nestor Topchy, Jesse, Brooks, and Sherida Tutor, Marcia and Alfredo Vilas, Donna Sims and Frank Wilson, Gretchen Watkins, Mary-Olga and John Warren, Yuichi and Uny Watanabe, Geraldina and Scott Wise, and Kristina and Enoch Woodhouse.

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