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    Where to eat right now

    5 new Houston restaurants serving sushi, Vietnamese fusion, Tex-Mex, and more

    Brianna McClane
    Mar 26, 2025 | 5:30 pm
    city cellars htx houston downtown view

    The downtown view from City Cellar HTX's patio is worth a visit unto itself.

    Sean Rainer

    Despite what seems like a spate of recent closures, Houston’s dining scene continues to grow with a range of new and returning establishments. From scenic patios to intimate sushi spots, read on to see where you can find fare such as “brunch-uterie” boards, truffle tagliatelle, and tamarind lobster.

    annam in autry park

    Photo by Alex Montoya

    Hand-carved arches soar at Annam, the new French-Vietnamese restaurant in Autry Park.

    City Cellars HTX
    A familiar face has returned to the Houston community. City Cellars HTX is reopening after a nearly two-year hiatus and in a completely new location.

    The restaurant launched in 2020 at its original Museum District address that could seat only 71 patrons in its 2,000 square feet. City Cellars HTX closed its doors in July 2023 and began migrating to the East River development in Fifth Ward. Located at 2850 Riverby Road, the venue’s spacious patio overlooks the bayou with downtown views.

    The larger space allowed owner Daniel Wolfe and chef Antonette Williams-Wright to expand the globally-inspired fare alongside Instagrammable items such as “brunch-uterie” boards and mimosa flights. The 21-plus only spot maintains a strict dress code that will carry over into future events, such as weekly live music and trivia nights.

    City Cellars HTX is open Monday through Wednesday from 11 am to 10 pm, Thursday from 10 am to 12 am, Friday and Saturday from 10 am to 2 am, and Sunday from 10 am to 9 pm.

    Remi at Hotel Granduca
    Hotel Granduca is celebrating its grand reopening with Remi, a fine dining establishment that weaves European inspiration with Texas hospitality.

    Real estate firm Transwestern purchased the Hotel Granduca in 2024 to renovate and relaunch the 122-room property. Chicago-based Episcope Hospitality joined Transwestern to bring Remi to fruition, with Italian executive chef Maurizio Ferrarese, who also led the hotel's previous restaurant Alba Ristorante, and Ryan Gaudin leading the beverage program.

    The current menu features crispy Roman artichokes with roasted garlic aioli, Ora King salmon with charred broccolini and romesco, and a half chicken from Greener Pastures Texas served alongside truffle tagliatelle. A wine list of 130 selections and a reserve list of Domaine de la Romanée-Conti vintages provides plenty of pairing opportunities.

    Adjacent to the restaurant is Bar Remi, where patrons can enjoy crafted coffee drinks in the morning and cocktail creations in the evening, including a signature martini program.

    Artist David Yarrow’s “The Last Supper in Texas” serves as the focal point of Remi, with a rotating collection of the artist’s photography on display (and available for purchase) in the restaurant’s courtyard. Interior designer Kara Childress designed the venue and its six unique event spaces, including The Library, a moody room ideal for cocktails and conversations with rare books and antiques.

    Remi is open daily from 7 am to 9 pm.

    Keep an eye out this spring for the return of afternoon tea at Hotel Granduca.

    Goode Co. Kitchen and Cantina
    The fourth outpost of Goode Co. Kitchen and Cantina has officially debuted for business at 2002 W. Gray Street. The former La Griglia space at the River Oaks Shopping Center retains some of its former features but with upgrades, such as the large interior tree that draws the eye upward and the historic concrete pavers, autographed by local celebrities when La Griglia launched.

    Goode Co. Kitchen and Cantina in River Oaks dishes out favorites found at its other addresses, like mesquite-grilled fajitas and redfish on the half shell. The anticipated Bar Buena is slated for later this spring behind the main restaurant. The speakeasy-ish bar will be tequila-forward, drawing inspiration from the mezcal-making process.

    “Bar Buena is going to be a bit more refined than what we’ve done at Kitchen and Cantina,” chef and president Levi Goode told CultureMap. “If it’s ranch-inspired, very Texas-Mexican frontera, you’re going to get more a polished finish at Bar Buena. It’s a small space, very intimate. A place where we’ll be well suited for great hospitality with small bites, great cocktails, and tastings of agave-based spirits.”

    Good Co. Kitchen and Cantina is open Monday through Thursday from 11 am to 10 pm, Friday from 11 am to 10:30 pm, Saturday from 9 am to 10:30 pm, and Sunday from 9 am to 9 pm.

    Annam
    Autry Park is saying farewell to Auden in a few short weeks, but the urban village tucked between Montrose and River Oaks continues to expand with Annam.

    The French-Vietnamese concept is helmed by partner and chef Chris Kinjo, the well-known sushi savant behind both MF Sushi and MF Lobster & Ceviche (also in Autry Park).

    The menu serves as a history lesson of sorts, with plates such as Vietnamese crepes (Bánh Xèo), a popular street food that some believe is a remnant of the country’s time as a French colony. Chef Kinjo wanted most of the offerings to be tapas-style, encouraging diners to sample dishes that were small in size but big in flavor. Innovative entrees include the King Salmon clay pot, tamarind lobster, and a Cornish half hen.

    The restaurant's design also reflects the influences of France and Vietnam. Handhewn white arches soar overhead, while crystal chandeliers sparkle and delicate Vietnamese lanterns glow. Bottles and crates of wine are scattered around the restaurant, a reminder of Annam's expansive wine list and the option to purchase for home.

    Amman is open Friday and Saturday from 5:30 pm to 11 pm, and from 5:30 pm to 10 pm on Sundays and Tuesday through Thursday.

    Doko
    Autry Park also recently welcomed Doko, a sushi and yakitori restaurant from chefs Patrick Pham and Daniel Lee of Duckstache Hospitality, known for Kokoro, Handies Douzo, Himari, and Aiko.

    Located at 3737 Cogdell St, Suite 145, the spot is hidden away in a quiet alley, creating an intimate atmosphere with seating for only 50 diners. The lunch menu’s three sushi sets of traditional make, handrolls, and nigiri begin at the more approachable price of $19, but the restaurant’s signature six-course chef tasting menu at $75 encapsulates Doko’s abilities with A5 wagyu toast to the chef’s choice crafted cut roll.

    Finish the meal off at Bar Doko, the 16-seat, Japanese-inspired cocktail bar next door that boasts one of the largest selections of Japanese whiskey in the state.

    Doko is open Sunday through Thursday from 11 am to 10 pm and Friday and Saturday from 11 am to 11 pm.

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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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