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    Breaking down #Alison100

    Winners and losers in Alison Cook's Top 100 Houston restaurants: The class of 2015 makes a big splash

    Eric Sandler
    Sep 23, 2015 | 9:58 pm

    As thousands of Jewish Houstonians stood at Yom Kippur services and asked to be sealed into the Book of Life for another year, a different sort of ritual took place in downtown's Hilton Americas hotel.

    Rather than seeking penance from the God of Abraham, Isaac and Jacob, Houston's restaurant community gathered to learn their fates at the hands of Chronicle restaurant critic Alison Cook, as reflected in the fifth edition of her Top 100 Restaurants list.

    While the paper lost the element of surprise at the event by publishing the entire list and companion articles online at approximately 5 pm, the crowd, many of whom had paid $100 or $150 to attend the festivities, found that many things about Cook's list had changed over the last year.

    Most prominently, one and two had flip-flopped with The Pass & Provisions taking the top spot for the first time from Oxheart. Pax Americana (up from 12), Killen's Barbecue (three in 2014) and Tony's (27 in 2014) round out the new top five.

    Oxheart seems to be taken its slight demotion in stride, tweeting "Congrats to @PASSPROVISIONS on the one spot. No one deserves it more."

    For her part, Cook makes no apologies for the list's subjectivity. "It is written from four decades' worth of professional perspective on Houston's ever-evolving food scene, but in the end, the reality is that everybody's version of the city's Top 100 restaurants would be different,"she writes in a companion essay. "If my version is a jumping-off place for dialogue about what is good and what matters in our restaurant world, it will have done its job."

    During the research for the list, Cook ceased writing formal restaurant reviews from June until this week, when she awarded one star to upscale Tex-Mex restaurant Anejo. While the criteria can be inscrutable, the results are discussed widely both within the restaurant community and the dining public at large. Ronnie Killen cited his steakhouse's dip out of the top 10 in 2014 as one of the reasons he hired Joe Cervantez to be executive chef. Even before it moves to a new, larger space, Killen's Steakhouse is back up to 14.

    Killen joins chef Marco Wiles (Dolce Vita, 21; Da Marco, 22) and chef Hugo Ortega and Tracy Vaught (Hugo's, 6; Caracol, 10) as the only restaurateurs with two restaurants each in the top 25.

    BCN leads the 17 newcomers that found spots on the list. Overall, the class of 2015 acquitted itself well with new arrivals like Radio Milano (17), Kuu (19, one behind Uchi), Kitchen 713 (29) and Oporto Fooding House & Wine (30) all doing well. Izakaya, Weights + Measures, Amalfi, SaltAir Seafood Kitchen and Helen Greek Food & Wine all made the top 50.

    On the losing side, Underbelly (23), MF Sushi (27) and Indika all fell out of the top 10. Common Bond tumbled from four to 69, and Melange Creperie went from 10 to 50; the crepe stand's "freewheeling combos, borrowed from Houston's grab-bag of international cuisines, are less in evidence these days," Cook writes by way of explanation.

    Similar falls occurred for Roost (52), Bernie's Burger Bus (78) and Brennan's (81), which each declined more than 30 spots.

    Some of the past year's arrivals that might have made the list and didn't include Prohibition Supperclub & Bar, Main Kitchen, Jackson Street Barbecue, B&B Butchers and Bramble. Better luck next year.

    Still, better to have never been on the list than to have been on it and fallen off, but that's the fate that befell Ciao Bello (52 in 2014), El Tiempo (72), Goode Co Seafood (89) and a few others.

    Of course, next year's newcomers will make the 2016 list even more difficult to compile. That turnover is just part of what makes Houston such an exciting city to eat in. Whether one agrees or disagrees with Cook's list, that's good news for everyone who loves dining.

    Seen here in 2014, Chronicle critic Alison Cook published the fifth edition of her top 100 restaurants on Wednesday.

    Alison Cook Houston Chronicle
    Photo by Eric Sandler
    Seen here in 2014, Chronicle critic Alison Cook published the fifth edition of her top 100 restaurants on Wednesday.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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