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    chef of the year

    Houston's 10 best chefs blend veteran chops and future-star flair

    Eric Sandler
    Jul 13, 2021 | 2:07 pm

    Only two chefs overlap between last year’s nominees for Chef of the Year and this year’s 10 finalists. No, it’s not that anyone got worse or did anything wrong.

    Rather, it’s about all of the things this year’s nominees did to stand out. Four of them — Brandon Silva, Kaitlin Steets, Mark Clayton, and Nick Wong — graduated out of the Rising Star category and into this one. Others asserted themselves during the pandemic through their service to the community and their commitments to their staffs.

    Of course, they all serve excellent food at restaurants that offer hospitality to match, and they successfully navigated the challenges of operating during a global pandemic. That’s how they earned the attention of our judges’ panel of restaurants industry insiders.

    Who will win? Find out July 22 at the Tastemaker Awards party. We’ll dine on bites from this year’s nominated restaurants before emcee Bun B reveals the winners. Buy tickets now.

    Aaron Bludorn - Bludorn
    Few chefs have made a bigger splash in a shorter amount of time than Aaron Bludorn has on Houston. Despite opening Bludorn in the middle of a pandemic, this veteran of New York’s Michelin-starred Cafe Boulud and the Netflix competition series The Final Table has played to (socially distanced) capacity crowds since day one. While certain menu items like the oysters, burger, and signature lobster pot pie have remained staples, Bludorn has show that most preparations will be updated with seasonal ingredients that keep each dish as fresh and flavorful as possible.

    Anita Jaisinghani - Pondicheri Café
    The veteran chef celebrated Pondicheri’s 10th anniversary earlier this year, a testament to how her restaurant has become a local staple. While Jaisinghani has long been interested in healthy eating, she stepped up during the pandemic by keeping Pondicheri’s dining room closed longer than most restaurants and utilizing changes in city regulations to expand her patio. Her relentless creativity and unwavering commitment to utilizing locally-sourced ingredients means diners will always find something new to try on Pondicheri’s menu.

    Brandon Silva - Degust/The Kirby Group
    Like an actor who takes a break from making superhero movies to perform in a play off-Broadway, Silva realized his passion project by opening Degust earlier this year. With elements that draw upon his Mexican heritage, his time growing up in Houston, and his stages at restaurants across the U.S. and Europe, Degust offers Silva’s highly personal take on how to eat well (it involves freshly made masa, Gulf seafood, and plenty of uni). Beyond the intricately executed dishes, Degust’s design features elements from Silva’s hobbies, and of course the former DJ picked every track of the bumping playlist.

    Chris Williams - Lucille's Hospitality Group
    Feeding Joe Biden and George Floyd’s family may be Williams’ most public accomplishment, but he made an ever more lasting contribution to Houston by establishing the Lucille’s 1913 non-profits that’s served hundreds of thousands meals to hungry Houstonians. With the establishment of Lucille’s Hospitality Group, Williams has positioned himself to grow with new concepts, including Late August, his eagerly anticipated collaboration with Top Chef finalist Dawn Burrell. Of course, Lucille’s remains one of Houston’s best Southern-inspired restaurants.

    Kaitlin Steets - Littlefoot/Theodore Rex
    The chef had already earned fans for her work at Theodore Rex, but this spring’s French-inspired Littlefoot pop-up demonstrated she’s a chef who’s capable of running her own restaurant. Each course demonstrated precise cooking and a high regard for ingredients, two staples of the T. Rex experience.

    “Every praise she got she deserved,” Theodore Rex chef-owner Justin Yu said about Steets. “I expect her to do big things in the future.”

    We do, too.

    Luis Roger - BCN/MAD
    Little about the reserved, understated atmosphere at BCN could have prepared people for the over-the-top atmosphere of MAD, but anyone who’s been to both can sense the two are connected. Credit for that goes to executive chef and partner Roger, who brings traditional flavors and ingredients from his homeland to Houston. Roger may be a jovial presence in the dining room, but the seriousness he brings to his work is reflected in the consistency of both of his kitchens.

    Mark Clayton - Squable
    While Squable has always been a satisfying place to dine throughout its two years of operations, credit Clayton for always making it a little better. Clayton has a quiet demeanor, but his food does plenty of talking. Squable’s menu will always be broadly European, but recent additions such as radiatore pasta with crawfish and sweet corn and summer melon with blistered shisitos show that it remains firmly grounded in the Gulf Coast, too.

    Martin Stayer - Nobie's/The Toasted Coconut
    The chef responded to the challenges of the pandemic in a variety of ways — for example, both of his restaurants take reservations now — but his commitment to providing his staff with a safe place to work never wavered. Stayer continues to show a willingness to experiment with new ideas, whether that’s taco Tuesday at Toasted Coconut or the one-off specials that add excitement to every visit to Nobie’s. As the restaurant likes to say on social media, why not get high and stop on by to try his latest creations?

    Nick Wong - UB Preserv
    Earlier this year, Chris Shepherd elevated Wong from chef de cuisine to executive chef; the title bump made official what had long been obvious — UB Preserv is Nick Wong’s restaurant. The chef employed a number of techniques to keep UB Preserv afloat during the pandemic, such as weekly pop-ups on different themes (British pub, Chinese American, red sauce Italian) that prompted diners to stop by. Soon, the restaurant itself will get an updated interior more in line with Wong’s sensibilities; after all, it’s his restaurant.

    Ryan Lachaine - Riel
    As Riel approaches its five-year anniversary next year, Lachaine’s restaurant has never been better. Some credit goes to executive sous chef Peter Nguyen, who has injected some new creativity into the menu, but it still starts at the top with Lachaine’s only-in-Houston mix of Eastern European, Canadian, and Gulf Coast influences. Already adept at dividing his time between Houston and a hotel a project in Nashville, could the time be right to unleash a second Houston project?

    Ryan Lachaine, right, with artist Franky Cardona, Riel.

    Franky Cardona Ryan Lachaine Riel restaurant
    Photo by Nic High
    Ryan Lachaine, right, with artist Franky Cardona, Riel.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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