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    Bartenders of the Year

    These 11 crafty bartenders are shaking up Houston's cocktail scene

    Eric Sandler
    Feb 22, 2019 | 9:00 am

    This year's finalists for the CultureMap Tastemaker Awards Bartender of the Year are an interesting mix. Four are returning finalists from last year, but two of them are in new roles.

    The rest of this year's class are the sort of talented up-and-comers who probably should have been recognized years ago and savvy veterans who provide consistently excellent service year after year. Either way, they're all great at making drinks and delivering memorable experiences, which is why our panel of former Tastemaker Awards winners has chosen to recognize them.

    Who will win? Find out at the Tastemaker Awards party presented by Woodford Reserve on March 27 at Silver Street Studios. We’ll reveal the winners, sip cocktails, and dine on bites provided by the nominees. Tickets are on sale now.

    Alphonso Quiñones, Captain Foxheart’s Bad News Bar and Spirit Lodge
    To be successful at Bad News Bar, a bartender has to be equally adept at making drinks as quickly (and accurately) as possible on busy weekend nights and willing to nerd out on the intricacies of cocktails on slower weekdays. Quiñones, who came to the downtown cocktail temple after a stint at Johnny’s Gold Brick, keeps things moving when the bar is three-deep. More importantly, he’s there at quieter times to recommend a spirit he thinks someone might enjoy or discuss the finer points of how a cocktail is made. Those moments are when turn customers into guests, and they’re the reason he’s nominated for this award.

    Jessica Johnson, Wooster's Garden
    It would be easy to praise Johnson for her speed or her friendly demeanor — anyone who’s watched her at Wooster’s can observe those qualities. But those who really want an insight into her personality need to listen to the bar’s soundtrack. She curates the playlists the pump out an intriguing mix of current hits and surprisingly deep affection for indie rock from the early aughts. No one’s saying that being a fan of The Faint and Black Rebel Motorcycle Club should qualify someone for a Tastemaker Award, but knowing how to keep the party going while leading a talented Wooster’s crew certainly counts for a lot.

    Julie Rogers, Nancy's Hustle
    Rogers built her reputation as bar manager at Coltivare and opening general manager at Night Heron. A Certified Cicerone, she has a deep knowledge of both beer and cocktails. At Nancy’s, she’s part of the nationally-recognized team that’s made the restaurant such a success. Frankly, she's too skilled to be "just" a bartender at a restaurant, even one that's as good as Nancy's Hustle. Rumors about her next move are swirling; whatever she does will be worth watching drinking.

    Justin Ware, Johnny's Gold Brick
    Creating a bar that works as both a neighborhood hangout and a polished cocktail bar requires deft skill. Ware does all the usual neighborhood things: recognizes regulars, engages in banter, even lends a sympathetic ear when called for. In addition, his success in national cocktail competitions shows off his passion for his craft and his attention to detail. Patrons get to experience those qualities, too, when they opt for one of the bar’s monthly specials. As hard as it is to pass on one of Johnny’s signature $8 Old Fashioned, those who sample one of these limited-time-only concoctions are in for a special treat.

    Kristine Nguyen, Nancy's Hustle
    When Nancy’s Hustle opened, Nguyen’s tidy menu of five cocktails seemed perfectly matched to the restaurant’s carefully-prepared cuisine. Now that Nancy’s is a year in, Nguyen’s cocktail menu has expanded considerably — having someone as talented as Rogers around certainly doesn’t hurt — but the amaro-oriented list of house cocktails are still designed to stimulate diners’ palates ahead of a meal. A rotating selection of well-executed classic cocktails helps show off her skills, too.

    Lindsay Rae Burleson, Grand Prize
    Hard to believe it has been almost three years since Burleson became Grand Prize’s beverage director, but time flies when you’re having fun. So, yes, she’ll still offer patrons a beer and a shot of Jameson when they walk in the door — sometimes that’s just what people need. She’ll also make sure all the prep has been done so that Grand Prize’s staff can execute the complex, flavorful cocktails that have always undermined some people’s attempts to describe it as a dive bar. Get a sense of her artistic side by attending a performance of NeoBenshi, the monthly performance she helps organize.

    Monique Cioffi-Hernandez, B.B. Lemon
    In her role as beverage director for Ben Berg’s New York-inspired casual restaurant, Cioffi-Hernandez is responsible for creating drinks that can stand on their own — for people who are hanging out at the bar — or stand up to the bold flavors coming from the kitchen. Thankfully, she brings 20 years of experience to her role, including a widely acclaimed stint at Field & Tides. By focusing on drinks that utilize housemade syrups and high quality spirits, she’s able to craft cocktails that are both flavorful and able to be executed quickly and consistently. When combined with the straightforward menu and appealing atmosphere, it’s easy to see why B.B. Lemon has gotten off to such a strong start.

    Sarah Crowl-Keck, Coltivare
    The former Uchi server has found a home behind the bar at one of Houston’s most-acclaimed restaurants. As the delicious banana bread she sells at Greenway Coffee & Tea demonstrates, Crowl-Keck has legit culinary chops that are on display in Coltivare’s always-intriguing cocktails. She’s also the primary force behind the restaurant’s decision to offer a full selection of non-alcoholic cocktails that are just as complex as their spirited counterparts. Together with general manager and sommelier Leonora Varvoutis, Crowl-Keck leads a team that offers friendly, accommodating service — something that’s particularly important at an establishment where waits can run an hour or more.

    Sarah Troxell, Nobie's
    Three years of practice and training finally paid off for Troxell when she won the South Central finals of the Speed Rack bartending competition to advance to the national finals in Chicago. Win or lose, Troxell is poised for a busy 2019. Later this summer, her affection for all things tiki will reach full bloom when she assumes control of The Toasted Coconut, the new bar and restaurant from Nobie’s owners Sara and Martin Stayer. If the turnout for a recent preview pop-up of tiki drinks and bites is any indication of the excitement surrounding the project, Houstonians can’t wait for Troxell to put her spin on boozy, rum-based drinks.

    Stuart Humphries, Tongue-cut Sparrow
    Working as head bartender at Bobby Heugel’s intimate, Japanese-inspired cocktail bar requires a serious passion for the craft of bartending. Thankfully, Humphries, a veteran of both TCS sister bar Anvil and The Pass & Provisions, has the right combination of experience and confidence to deliver the polished service that matches the bar’s elegant decor and fine details. Plus, he looks sharp in the bar’s uniform of a white dress shirt and bowtie.

    Tommy Ho, Anvil Bar & Refuge
    Nothing written here is going to be better than what Anvil owner Bobby Heugel wrote about Ho on Instagram last year, so here’s that post:

    View this post on Instagram

    In a Fantasy draft of American bartenders, I’d pick @tommyho832 first every single time. And, I’ve sat in front of just about every other person you’d consider instead - he’s the best. Not sure that I’ve ever worked with a more well-rounded bar professional in my entire career. He’s faster than everyone else behind the bar, but has a guest sensitivity that is decades beyond his age. We have a very busy year ahead, and a lot of the opportunities we’ve been able to take advantage of lately are because we have people like Tommy on our side as General Manager at @anvilhouston and in a greater role in the future. • • • • • #houston #bartender #htx #mixology #htown #houstontx #mixologist #cocktail #cocktails #bartending #bartenderlife #ighouston #houstoncity #cocktailbar #bar #houstontexas #barman #craftcocktails #craftcocktail #bartenders #barlife #igofhouston #drinks #booze #cocktailtime #liquor #713 #thirsty

    A post shared by Bobby Heugel (@bobby_heugel) on

    Oct 22, 2018 at 8:27am PDT

    Sarah Troxell, Nobie's.

    Sarah Troxell Nobie's Toasted Coconut
    Photo by Vivian Leba
    Sarah Troxell, Nobie's.
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    Notes from a chef

    Globe-trotting Houston chef reviews Noma's $1,500 Los Angeles pop-up

    CultureMap Staff
    Oct 9, 2026 | 4:00 pm
    David Skinner Noma Los Angeles
    Courtesy of David Skinner
    Pink pepper Dungeness crab.

    [Editor’s note: When David Skinner, chef and owner of Kemah’s celebrated eculent and Ishtia restaurants, offered to share his experience eating at one of the world’s best restaurants, we said, of course. Read on for his experience at Copenhagen restaurant Noma’s pop-up in Los Angeles that took place this summer. Take it away, David.]

    The crab was alive a few minutes before I ate it.

    Just before service, the kitchen broke down a Dungeness crab and set it over open charcoal, the downtown Los Angeles skyline behind the smoke. It came to the table wreathed in dried pink pepper branches, with a butter sauce built on the same pepper. I've eaten crab all over the world — this was maybe the best crab ever.

    That was the first of 17 courses at Noma LA, and the best bite of the afternoon. Leading with your best shot is either confidence or a statement. By the end of lunch, I'd decided it was both.

    The residency had begun in turmoil. Founder René Redzepi stepped away from the residency the day it opened, following a news investigation into allegations of demeaning treatment of staff — conduct that had been discussed in industry circles for years. Protesters gathered at the gate that day. The kitchen, led by Pablo Soto, carried on through the residency's close on June 26.

    I went for lunch at the Paramour Estate, the 1920s Mediterranean mansion in Silver Lake that Noma called home for 16 weeks. For more than 30 years, I've traveled the world in search of culture, a little mystery, and always food, eating everywhere from strangers' kitchen tables to three-Michelin-star dining rooms.

    As the chef behind eculent and Ishtia in Kemah, I also eat with a cook's eye — which means I'll tell you what was brilliant and what was oversalted. Noma LA had a little of both, but after a half dozen meals at Noma over the past 10 years, I can say this one was a standout.

    The setup

    The logistics alone are remarkable. Noma relocated roughly 130 staff members and their families to Los Angeles and built a pantry sourced within 300 miles of the mansion. Lunch ran 17 courses over about four hours at $1,500 per person, including beverages and gratuity.

    Chef Soto greeted us at the entrance with the full kitchen staff, a Noma tradition. By the time I arrived, the protesters were long gone, and the brigade seemed to be cooking with a sense of relief.

    Rather than choose between the wine pairing and the nonalcoholic program, we asked our server, Mara, to mix the two course by course. She nailed it, moving from a sparkling rose-and-pink-pepper drink to a bright cherimoya lemonade to a 25-year-old Tony Coturri zinfandel from Glen Ellen that became the table's favorite pour.

    The standouts

    The crab. It opened the meal, and nothing that followed topped it. The pink pepper did double duty with the dried branches perfuming the shell, the butter sauce carrying a gentle heat — the sweet, smoky meat needed nothing else. Alongside came a 2022 Phelan Farm chardonnay from Rajat Parr's Cambria operation: white Burgundy in spirit, California in its bones.

    The cactus. Pickled tacinga cactus, marinated in Oaxacan mezcal and citrus and crowned with honeypot ants, arrived beneath a live cactus paddle with a eucalyptus handle.

    The acorn. A single braised acorn, glazed with black pepper, sat atop an uni custard made with Santa Barbara sea urchin and caviar in hoja santa oil. The server described it as a nod to California's Indigenous peoples. As a Choctaw, whose ancestors relied on acorns for thousands of years, I felt that one. It was also the most technically accomplished savory course of the meal.

    The seaweed and clams. Six varieties of Southern California seaweed with butter-kissed clams tasted like the coast itself. This is Noma at its best: not interpreting California so much as listening to it.

    The tuna eye. I've eaten cod eye at Noma in Copenhagen, but this version was way better. The kitchen removed the tough cornea, replaced it with a thin disk of kumquat, and served the eye chilled inside a ruby-red banana flower bract. Rich and gelatinous, it's eaten in one bite. When our table wondered aloud where the rest of all that tuna goes, Mara had the answer: family meal for the staff.

    The kelp mole. Grilled greens, a squash blossom stuffed with huitlacoche, and an artichoke on its stalk arrived with tortillas from Komal, one of Los Angeles's top heirloom molinos, paired with a mole built on kelp.

    Between the acorn, the cactus, and the mole, a question kept surfacing: what does it mean for a Danish kitchen to arrive in someone else's pantry and cook as though it has always been there? Some of these ingredients have fed Indigenous and Mexican cooks for centuries. Noma handled them with obvious respect and real curiosity. Sometimes, though, the line between homage and borrowing comes down to whether you're willing to say the name out loud.

    Dessert kept the surprises coming, including a macadamia custard served in a sunflower whose base turned out to be beeswax. The finale arrived as a bundle of ferns tied with string. Diners snip it open with tiny scissors to find a chocolate cookie and a fortune inside. Mine quoted Nietzsche: You must have chaos within you to give birth to a dancing star.

    Nietzsche, at $1,500 a head, in a Silver Lake mansion, from a kitchen whose founder walked away on opening day while protesters stood at the gate. The kitchen knew exactly what it was doing.

    The full menu, course by course

    For those keeping score, here's the complete lineup.

    Pink pepper Dungeness crab
    Daylily crab dumpling — The rest of the crab, tucked inside a trumpet-shaped daylily with buds plumped in crustacean liquor. The flower dominated; the crab was the reason to eat it.
    Chilled lobster broth — Spiny lobster stock, dashi, and elderflower oil served chilled in the lobster's own coral-colored shell. A palate reset dressed as a course.
    Spot prawn with matcha — Served in real seaweed, the head filled with smoked pumpkin paste for sucking, the tail painted with matcha. Paired with the 2024 Verso from Caleb Leisure in Sebastopol.
    Sea urchin custard and braised acorn
    Cactus with mezcal
    Ragout of California botanicals — Seasonal greens, peas, and herbs in a warm, quiet preparation, tied together by a hint of horseradish.
    SoCal seaweed and clam
    Tuna neck — Minced tuna neck in a koji-inoculated steamed bun with the texture of suede, topped with translucent shards of dried chicken-stock skin. Paired with the 2000 Estate Zinfandel from Tony Coturri.
    Tuna eye
    Black pearl rice steamed in avocado leaf — Ringed with pistachio oil and scattered with dime-sized macadamia slices. Humble ingredients in the spirit of California great Jeremiah Tower.
    Morels with habanero and yuzu — Sierra Nevada morels on turkey-tail mushrooms over hot stones. Bright and spicy, but heavy on the salt.
    Greens and grilled artichoke in spiced kelp mole
    Cherimoya and lemongrass — A green cocoa butter shell shaped like a cactus, hiding a smooth cherimoya ice cream. A California fruit most California menus ignore.
    Macadamia milk custard and pistachio — Topped with heirloom Hong Kong kumquats from a handful of research trees that fruit four weeks a year, served in a beeswax-lined sunflower.
    Silver Lake fortune cookie — A Chiapas chocolate mousse cookie garnished with insects, hidden in a bundle of ferns you cut open with tiny scissors. Fortune included.

    The misses

    Not every course landed. Morels with habanero and yuzu were oversalted, and some presentations were delivered too quietly to catch the full story. At $1,500 a seat, the storytelling should be as confident as the cooking.

    The verdict

    Having now eaten Noma's traveling editions in Tulum and Los Angeles, I'll offer an opinion that may be unpopular in certain circles: the pop-ups are better than Copenhagen. Maybe it's the hunt for new ingredients, or the urgency of a 16-week run in a borrowed house. Whatever the reason, the results are hard to argue with. I put that theory to the test in August, when I returned to Noma on my birthday, three days after it reopened with Soto at the helm. More on that meal soon.

    Noma LA wasn't really a restaurant. It was an argument about a place, made in food, by people who flew 6,000 miles to make it. The argument was frequently brilliant, occasionally presumptuous, and closed with Nietzsche in a fortune cookie. On balance, it won.

    ----

    David Skinner is a James Beard Award semifinalist for Best Chef: Texas and the owner of eculent and Ishtia in Kemah. He also writes the culinary travel journal Destination Eater on Substack.

    David Skinner Noma Los Angeles

    Courtesy of David Skinner

    Pink pepper Dungeness crab.

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