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    Sky HIgh Luxury

    Italian developer expands his luxury brand of high-rise living to edge of River Oaks

    Shelby Hodge
    Aug 25, 2016 | 1:05 pm

    Venerable high-rise developer Giorgio Borlenghi notes that people have been asking him for years to expand his luxury condominium style to inside Loop 610. At last, he is granting their wishes with announcement of Villa Borghese, a 26-story, 46-unit condo tower located a stone's throw from River Oaks.

    Borlenghi, founder of the Interfin group, acquired last year a square block on Bammel Lane just off of Westheimer for the construction of what he calls "a building planned by popular demand."

    "We just wanted to do it in a part of town that has asked me for a building there for a number of years similar in concept to the Belfiore," Borlenghi tells CultureMap.

    That luxury high-rise, mostly sold before construction began, provides the general blueprint for the River Oaks project, one improved upon from lessons learned over Borlenghi's 35 years in the business. Think 11-foot ceilings, sizable bars, gas fireplaces, ample wall space for artwork, spectacular views of downtown and the Galleria area.

    "We wanted to move forward with a similar building because the concept had been so successful for us," he says, "Two units per floor. Large units. Only 46 units. Underground parking. Private elevator lobbies. Storage units . . ."

    And that's just the beginning for a building that promises to deliver the ultimate in high-rise luxury living. And well it should with a price tag averaging $680 per square foot, and that is before finishes. Borlenghi doesn't flinch at discussing the $3.2 million price tag for the average unit of 4,820 square feet with 600 square feet of balcony.

    "Villa Borghese is built for a specific target clientele," he says gently in his lilting Italian accent. "Homes in River Oaks are still selling reasonably well. The people we are addressing are not as affected by the turmoil in the local economy as other people might be."

    For those special individuals who want and can afford more space when moving up, there are two 8,800 square foot penthouses. Traditional units, can be expanded to 5,700 square feet, leaving another space at 3,900 square feet. Since introducing the concept to friends and potential clients in recent days, Borlenghi says "interest in the project is very exciting."

    Not unaware of the pitfalls of Houston's energy-based economy, Borlenghi recalls that during the 1980s, he had 400 condominiums on his hands in his Four Leaf Towers development. He prospered when others did not.

    "If I may say, I believe there is no one in the entire city that understands better than I do the relationship between the economy, the business environment and residential real estate," he says. "I still believe very much in the city, in the strength of the city the health and wealth of the city of Houston . . . I think we have a great concept. We have a great deal of comfort in this project, this location, this particular clientele and in the future of the city."

    While Borlenghi's plan is to begin construction in summer 2017, that is dependent, he says, on pre-sales. He plans to have half of the homes sold before construction begins. "If this doesn't materialize, we will wait," he says with a confident smile.

    Joining Borlenghi at Interfin and in this project is his son, Alex Borlenghi, executive vice president.

    Villa Borghese design, as seen in the lobby, reflects a luxurious, contemporary home.

    Villa Borghese
    Rendering courtesy of Interfin
    Villa Borghese design, as seen in the lobby, reflects a luxurious, contemporary home.
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    artist to entrepreneur

    Houston artist rolls out new Hawaii-inspired wallpaper collection

    Emily Cotton
    Sep 11, 2026 | 12:30 pm
    Kristen Leigh Studio Island Collection wallpaper
    Courtesy of Kristen Leigh Studio
    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.

    Houston watercolor artist Kristen Steen, founder and artist at Kristen Leigh Studio in West University Place, is set to make a colorful splash next month with her latest textile and wallpaper collection. Inspired by a family vacation to Hawaii, The Island Collection features four new patterns in shades like soft seafoam, muted blue, terracotta coral, and crisp white.

    The collection unfolds across four patterns, each offered in a range of colorways. Mili anchors the group and is the only pattern to come through in both fabric and wallpaper, moving through chambray, lakeside, terracotta, olive, and shades of blue and green. Lana follows in a similar range of chambray, lakeside, blue and green, and terracotta, while Meadow Check and Kiko round out the offering with the addition of forest and, for Meadow Check, olive green. Fabric is woven on French linen and linen cotton canvas, with wallpaper finished in a premium matte.

    The Island Collection brings the Kristen Leigh Studio line to approximately 85 fabrics and 30 wallpapers — quite an accomplishment for a studio that, like many, was created during the early days of the Covid-19 pandemic. Relying on what Steen refers to as “the power of Instagram,” Connecticut-based Cailini Coastal tapped Steen to design her first wallpaper, a delicate herringbone pattern named Parker that is available to this day.

    Kristen Leigh Studio Island Collection wallpaper

    Courtesy of Kristen Leigh Studio

    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.


    View this post on Instagram
    A post shared by Kristen Leigh (@kristenleighstudio)


    The success of her first wallpaper commission inspired Steen to design collections of her own, which have become designer favorites for providing classically-relaxed, nonchalant refinement elevated through their quality craftsmanship and sophisticated finishes. Fabrics are woven in either French linen or a linen cotton canvas, while wallpapers are premium matte, paper weave, or premium grasscloth. As with anything, trial and error ensued, but Steen quickly found a community that she credits with offering continuous support throughout the evolution of Kristen Leigh Studio.

    “I just jumped in and learned everything I could about manufacturing wallpaper. I tried out a few here and there; it’s just a lot of research,” explains Steen. “Now that I am in it and have friends who are wallpaper and textile designers, we talk and get together. For being such a singular and solo industry, it’s so valuable to have other designers to bounce ideas off of: what’s working, what isn’t, and what swings in the industry.”

    A family health scare kept Steen from creating anything new for a couple of seasons, until a wayward family vacation forced her hand. What was meant to be a week on the beaches of Hawaii ended up being a week indoors during a tropical storm.

    “You just kind of had to make the most of it. We couldn’t just sit there and complain — that doesn’t do any good,” says Steen. “There was a lot of sketch time — a lot of just doodling — then afterwards I was playing with color and thought ‘this could be fun.’”

    As a studio that mainly markets to designers and showrooms, the pressure to create a new collection each season can grind the gears of the creative process to a halt. After an 18-month hiatus, Steen credits the lack of pressure she felt while just passing time on vacation, while admiring the local flora and fauna, for the inspiration she needed to accumulate enough sketches for a complete collection.

    “It sounds really cliché, but just being able to draw and sketch without any end game in mind, being able to not really care about it, is where this collection came from,” explains Steen. “I’m biased, because it’s one of my favorites now, because that’s how it was created.”

    Lush botanicals, winding vines, and the easy, unhurried rhythm of island life came into focus, not as literal tropical motifs but filtered through a quieter, more classic point of view. As a watercolor artist, Steen’s work often maintains a traditional, serene dialect. However, her occasional use of bold, saturated color can feel electric and dramatic — something entirely foreign to those who speak in watercolor.

    “I do love how the watercolor will have variations in the tones and the shades. You can’t mimic that, you can’t fake it,” says Steen. “There are some patterns — like the Kate, or even the new Mili — that all started with just sketches and brushstrokes, but it just didn’t translate as well to pack that color punch that I wanted. So, when I was editing, I ended up really pushing the saturation to where it almost felt like a solid. But everything is done by hand, for sure.”

    More consumers than ever before are seeking out niche studios like Steen’s. Kristen Leigh Studio is not exclusively to-the-trade, a distinction that once made products nearly irresistible. Steen’s collections are available through her Houston studio, website, numerous trade studios throughout the country, through interior designers, and even through select pop-ups. So, with that being said, who is a Kristen Leigh Studio client?

    “Someone who wants to have something that feels warm and joyful. Something that feels special and authentic, but not necessarily fussy,” says Steen. “They want to feel proud of it, ‘This is a designer fabric. This is a designer wallpaper. This is something special that I don’t see in my neighbor’s house all the time.’ They want to feel like this is something special, but I’m also a mom of three kids. I realize that the fabrics have to be durable. They have to be something you can touch and live in and it’s not like a museum. Something that’s approachable and sophisticated. Just approachable design—something that’s everyday, but still special.”

    Kristen Leigh Studio’s The Island Collection will be available beginning October 1.

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