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    an east end gem

    Meet the Houston business granting asylum to discarded art supplies

    Emily Cotton
    Aug 15, 2025 | 11:15 am

    A maximalist interior is not complete without a cabinet of curiosities. Serving to reflect particular hobbies and interests of the curator, these “cabinets” have evolved to include bookcases and floating shelves in modern times. Those looking to populate these spaces with bits and bobs in any and every variety of kitsch, odd, and weird, but find themselves at a loss for where to begin, will be delighted to learn that Houston is home to a perfect place to get started.

    In Houston’s East End, those seeking curiosities will find a historically-registered Art Deco building that opened in the 1930s as The Houston Coffin Company — spooky, yet intriguing. Since 2013, the building has been home to Texas Art Asylum, a creative reuse center that still bears the former coffin factory’s golden grieving angel medallion above the doorway. Beyond these doors lies a collection of donated items and trinkets from every era of the last century.

    Owner Ramona Brady, a self-proclaimed “hoarder,” started the business when she realized that she couldn’t find the types of items that she required for certain crafts and hobbies, like collage making, and lamented that what she wanted was most likely wasting away in a landfill.

    “I was looking for stuff for myself when I opened this, and it seemed like there should be such a place here, and there wasn’t, so I just made one!” says Brady. “I get to help people like myself who want to do good stuff and want to try things and don’t always want to keep doing the same things.”

    Brady acknowledges that people oftentimes begin hobbies that aren’t always a good fit. This is why she accepts donations of unfinished projects, like needlepoint work, etc. There are tools and materials for every variety of arts and crafts, especially the non-traditional.

    “It’s cyclical,” she says. “Sometimes we will get someone’s whole lifetime of projects.”

    While the name may be Texas Art Asylum, the space is more like a Mecca of upcycling. The idea is for items found inside to be used to create something “new,” but that’s not always the case — although this author did leave with a cache of antique glass test tubes of every size to repurpose into a plant propagation station. Many things, like vintage glass medicine bottles, leather suitcases, blueprints, and even matchbooks work well as standalone decor. That’s the beauty of the place.

    Need a small amount of interior paint to add some pizazz to bookcase backing? Pick up one of the many opened paint samples. Break a panel in a stained glass window? They’ve got you. Want to retrofit a pendant light with a vintage or antique shade — guess who?! Have a show-stopping hat to display? Try one of the many vintage wooden wig blocks on offer. Going rustic? Reach for the bowl of antlers or acorns, perhaps.

    Bowls and jars populate just about every surface and contain just about everything. Think buttons, keys, mixed poker chips, stray playing cards, beads, beans, you name it. Shoppers will also find antique door knobs, decorative letters and numbers, doll and mannequin parts, cigar boxes, even holiday chocolate and treat tins. Vintage frames, glass block, mirror scraps, tile samples, salvaged lamp parts, wheels, castors, and even vintage classroom chalkboards find their way onto the shelves. Fabric fills one room.

    “We want the rusty hardware, or the stuff that’s more interesting,” says Brady. “Stuff that has more of a story than a brand name.”

    Brady accepts donations by appointment three days a week, 18 appointments per day, and takes in 1.5 tons of items per week. That’s 3,000 pounds of items saved from the landfill every single week — what a notion.

    Wishing she could accept more, Brady concedes that they just don’t have the space. That means that larger salvaged items don’t make the cut: “As much as I would love to have like three pink toilets lined up, we have to save room for stuff that people will actually buy and not just what I think is funny.”

    Donations of school-appropriate art supplies like markers, crayons, pencils, etc. are shared with The Houston Center for Creative Reuse and help to supply the Teacher’s Warehouse, where educators can find items free of charge. Texas Art Asylum also has a dedicated area in the front of the store with bins of free items for teachers.

    The broad selection can overwhelm newcomers, which is fair, considering its ambiguous identity. “I think people don’t really know what to expect, and I think they are amazed at the breadth of what’s available,” says Brady. Luckily, Shuug and Johnny Cash, the two shop cats (because, obviously) are on hand if shoppers need any emotional support.

    Brady offers some advice to potential shoppers or collectors who may not know where to begin. “Just focus on the stuff that you are interested in — it’s all here! You don’t have to consume it all the first day. You can kind of get a general idea that you’re not interested in the hardware stuff, or you’re not interested in a bunch of old crayons or whatever. Then there are the parts [of the store] you are interested in, and you just have to take a breath. There are people who are here for hours at a time.”

    So, the next time a junk drawer or workbench clutter gets purged, consider making an appointment at Texas Art Asylum to donate one-off earrings, kid’s meal toys, and other random objects instead of condemning them to a landfill. And give our best to Shuug and Johnny Cash.

    Texas Art Asylum

    Photo by Emily Cotton

    Texas Art Asylum is housed in a historically-recognized Art Deco building.

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    artist to entrepreneur

    Houston artist rolls out new Hawaii-inspired wallpaper collection

    Emily Cotton
    Sep 11, 2026 | 12:30 pm
    Kristen Leigh Studio Island Collection wallpaper
    Courtesy of Kristen Leigh Studio
    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.

    Houston watercolor artist Kristen Steen, founder and artist at Kristen Leigh Studio in West University Place, is set to make a colorful splash next month with her latest textile and wallpaper collection. Inspired by a family vacation to Hawaii, The Island Collection features four new patterns in shades like soft seafoam, muted blue, terracotta coral, and crisp white.

    The collection unfolds across four patterns, each offered in a range of colorways. Mili anchors the group and is the only pattern to come through in both fabric and wallpaper, moving through chambray, lakeside, terracotta, olive, and shades of blue and green. Lana follows in a similar range of chambray, lakeside, blue and green, and terracotta, while Meadow Check and Kiko round out the offering with the addition of forest and, for Meadow Check, olive green. Fabric is woven on French linen and linen cotton canvas, with wallpaper finished in a premium matte.

    The Island Collection brings the Kristen Leigh Studio line to approximately 85 fabrics and 30 wallpapers — quite an accomplishment for a studio that, like many, was created during the early days of the Covid-19 pandemic. Relying on what Steen refers to as “the power of Instagram,” Connecticut-based Cailini Coastal tapped Steen to design her first wallpaper, a delicate herringbone pattern named Parker that is available to this day.

    Kristen Leigh Studio Island Collection wallpaper

    Courtesy of Kristen Leigh Studio

    The Island Collection introduces Mili, Lana, Meadow Check, and Kiko to the Kristen Leigh Studio line of textiles and wallpapers.


    View this post on Instagram
    A post shared by Kristen Leigh (@kristenleighstudio)


    The success of her first wallpaper commission inspired Steen to design collections of her own, which have become designer favorites for providing classically-relaxed, nonchalant refinement elevated through their quality craftsmanship and sophisticated finishes. Fabrics are woven in either French linen or a linen cotton canvas, while wallpapers are premium matte, paper weave, or premium grasscloth. As with anything, trial and error ensued, but Steen quickly found a community that she credits with offering continuous support throughout the evolution of Kristen Leigh Studio.

    “I just jumped in and learned everything I could about manufacturing wallpaper. I tried out a few here and there; it’s just a lot of research,” explains Steen. “Now that I am in it and have friends who are wallpaper and textile designers, we talk and get together. For being such a singular and solo industry, it’s so valuable to have other designers to bounce ideas off of: what’s working, what isn’t, and what swings in the industry.”

    A family health scare kept Steen from creating anything new for a couple of seasons, until a wayward family vacation forced her hand. What was meant to be a week on the beaches of Hawaii ended up being a week indoors during a tropical storm.

    “You just kind of had to make the most of it. We couldn’t just sit there and complain — that doesn’t do any good,” says Steen. “There was a lot of sketch time — a lot of just doodling — then afterwards I was playing with color and thought ‘this could be fun.’”

    As a studio that mainly markets to designers and showrooms, the pressure to create a new collection each season can grind the gears of the creative process to a halt. After an 18-month hiatus, Steen credits the lack of pressure she felt while just passing time on vacation, while admiring the local flora and fauna, for the inspiration she needed to accumulate enough sketches for a complete collection.

    “It sounds really cliché, but just being able to draw and sketch without any end game in mind, being able to not really care about it, is where this collection came from,” explains Steen. “I’m biased, because it’s one of my favorites now, because that’s how it was created.”

    Lush botanicals, winding vines, and the easy, unhurried rhythm of island life came into focus, not as literal tropical motifs but filtered through a quieter, more classic point of view. As a watercolor artist, Steen’s work often maintains a traditional, serene dialect. However, her occasional use of bold, saturated color can feel electric and dramatic — something entirely foreign to those who speak in watercolor.

    “I do love how the watercolor will have variations in the tones and the shades. You can’t mimic that, you can’t fake it,” says Steen. “There are some patterns — like the Kate, or even the new Mili — that all started with just sketches and brushstrokes, but it just didn’t translate as well to pack that color punch that I wanted. So, when I was editing, I ended up really pushing the saturation to where it almost felt like a solid. But everything is done by hand, for sure.”

    More consumers than ever before are seeking out niche studios like Steen’s. Kristen Leigh Studio is not exclusively to-the-trade, a distinction that once made products nearly irresistible. Steen’s collections are available through her Houston studio, website, numerous trade studios throughout the country, through interior designers, and even through select pop-ups. So, with that being said, who is a Kristen Leigh Studio client?

    “Someone who wants to have something that feels warm and joyful. Something that feels special and authentic, but not necessarily fussy,” says Steen. “They want to feel proud of it, ‘This is a designer fabric. This is a designer wallpaper. This is something special that I don’t see in my neighbor’s house all the time.’ They want to feel like this is something special, but I’m also a mom of three kids. I realize that the fabrics have to be durable. They have to be something you can touch and live in and it’s not like a museum. Something that’s approachable and sophisticated. Just approachable design—something that’s everyday, but still special.”

    Kristen Leigh Studio’s The Island Collection will be available beginning October 1.

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