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14 eclectic artists

Round Top hosts pop-up art gallery from stylish furniture line and Framebridge

Emily Cotton
Oct 9, 2025 | 11:47 am

The impeccably-stylish Roxy Owens has returned to Blue Hills for the 2025 Round Top Fall Show with her highly-irreverent furniture and decor line Society Social, but this time, there’s a twist!

Studio by Society Social, in collaboration with online framing service Framebridge, has created a shoppable art gallery and lounge featuring curated, heirloom-quality framed works by 14 artists. Even better, many of the artists will be in Round Top for live painting demos, meet-and-greets, limited-edition prints, and other activations throughout the show.

Save for delightfully-bougie lifestyle photographer Nick Mele, the artist lineup is entirely female. Austin-based artist Brittany Atkinson’s adorably-playful cowgirl portraits are sure to catch the attention of every cowboy-boot-clad Round Topper who visits the store.

Looking for something more tactile? Shop Found, featuring Lindsey Andersen’s meticulously-framed antique and vintage textiles from across the globe, or mixed media botanical floral collages by Tara Roma Gill. Folk art painter Meredith Walker’s collection will please those whose tastes bend toward Americana flare.

Traditional genres such as landscapes, florals, botanicals, and still life are also represented — but with contemporary, abstract, and impressionist influences — by both acrylic and watercolor artists. Works by Lia Burke Libaire, Inslee Fariss, Raven Roxanne, Teil Duncan, Kendal Blanchard, Diana Garrett, Elizabeth Sage, and Blakely Made all fall into this popular category. Bold abstract studies of color and gesture by Kiki Slaughter round out Society Social’s selection of talented artists.


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A post shared by Society Social | Furniture & Decor (@societysocial)


“Visitors can expect a space that feels buzzy and energetic with unexpected surprises around each turn,” Owens explains. “The best part is that there’s no single vibe - the magic is in the mix! Each piece has its own character and history, and together they create something layered, eclectic, and nostalgic.”

The tent showcases over 250 meticulously-custom-framed works, plus select Society Social pieces for an immersive gallery experience. Each of the 14 artists worked directly with Framebridge to select frames, mats, and materials that perfectly complement each work of art.

“It was really important to us to honor the integrity of each artist’s work. Every artist had complete creative control over how their pieces were presented,” says Owens. “So, when visitors browse the tent, they’re seeing each piece exactly as the artist intended…fully curated and ready to take home. I keep joking with the team — is there a checkout option to buy a complete gallery wall?”

Owens selected the geographically-diverse slate of artists for various reasons. She encountered some during previous trips to Round Top, while others have an existing relationship with Society Social, and a few are artists that the team has been fangirling over in the digital realm.

“We took a really personal approach to curating this collection. As a team, we came together to share our favorite artists — the ones whose work we’ve loved, collected, and talked about for years,” says Owens. “Each artist was handpicked for their unique point of view and craftsmanship — the kind of work that feels both elevated and approachable, timeless yet full of personality and that signature Round Top quirk we adore. It’s such a joy to bring this creative community together in real life.”



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A post shared by Society Social | Furniture & Decor (@societysocial)


The Society Social tent is always a fan favorite when it comes to capturing a playful Instagram moment, with brightly-colored florals, checks, and stripes layered one over the other. So, why the change?

“We still included our signature furnishings, but reimagined in a gallery-style setting: welcoming ruffled table skirts at the entryways, fully upholstered benches for taking in the art, and stools and ottomans showcasing our playful fabrics alongside handcrafted wicker and rattan designs,” explains Owens. “After several shows spotlighting our furniture and décor at Round Top and to keep things fresh and exciting, we were inspired to reimagine what our tent could be. Studio by Society Social is a natural evolution — art has always been central to how we tell stories through interiors, so this felt like a meaningful way to expand our world and offer visitors something unexpected.”

Framebridge is gearing up to open a brick-and-mortar location in Houston, part of a larger expansion into Texas. While Society Social shares an existing relationship with the custom framing company, Owens explains that collaborating with a brand introducing itself to Texas just made sense.

“Our relationship with Framebridge grew out of a shared appreciation for creativity, craftsmanship, and the art of personal expression. We’ve teamed up before — most recently on Design on a Dime in NYC,” says Owens. “When we started dreaming up Studio by Society Social, it felt like a natural fit. With Framebridge’s recent store expansion into Texas and our established presence at Round Top, the collaboration couldn’t be more aligned.”

Studio by Society Social, in collaboration with Framebridge is located in tent 10 at Blue Hills in Round Top, Texas. Don’t miss these activations: Brittany Atkinson: meet the artist (Tuesday, October 14, 1-4 pm); Raven Roxanne: meet the artist (Thursday, October 16, 9-11 am); Elizabeth Sage: meet the artist and live painting session (Thursday, October 16, 9 am-4 pm). Blue Hills at Round Top is already in full swing, closing Saturday, October 18.

Society Social Framebridge Round Top 2025

Photo by Stephanie Layne Disney

Shop heirloom-quality framed works from 14 artists.

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hail britannia

Catching up with Houston's new British Consul-General and top UK designer

Emily Cotton
Nov 14, 2025 | 4:14 pm
British Consul General home Houston
Courtesy of the British Consulate-General
The British Consul General’s River Oaks residence can be difficult to miss along Kirby Drive.

British aesthetics and sensibilities have recently been front-and-center in everything from sartorial choices to residential design. From Cottagecore to Cluttercore, Houston has embraced it all.

Recently, far more than British aesthetics have sailed up the bayou. Between a newly-appointed Consul General, details about the residence’s secret art gallery and annual Winston Churchill birthday bash, to a book tour by veteran interior designer and Churchill descendant Lady Henrietta Spencer-Churchill, there has been a lot.

A home in River Oaks, which is sometimes known to project the Union Jack upon its classic white façade, has been home to the British Consul General since the building’s purchase in 1963. The nearly 4,500-square-foot manse dates back to 1948 (when it was valued at $11,380!), but with the diligent stewardship of the Brits, one can hardly notice its age.

Beginning in September of this year, the residence has been inhabited by Keith Scott, the current Consul General (which has overall responsibility for leading the UK’s engagement in Texas, Oklahoma, Arkansas, Louisiana, and New Mexico) and acts as a meeting and event space as well as housing a rotating first floor art exhibition curated by Yvonamor Palix of Gallery Artique in the Heights.

“I’m so very excited to be in Houston,” says Scott of his new assignment. “When I was growing up in Aberdeen, a lot of my friends ended up in the oil industry and came to Houston. And there has always been a big, big exchange of people in Houston and Aberdeen, so it was always in the back of my mind as a place to come and visit.”

Scott admits that being in the residence makes the old adage true — everything is bigger in Texas. “This house is huge, the driving is huge, the businesses are huge. I was proud, when I had to go to the UK embassy in Washington, to wear my Texas pin badge, and see the number of staff who jumped up from their chairs and were shouting: ‘Republic of Texas!’ It was really good to get that sense of where Texas sits in the U.S., and all these stats about Texas — we’re the eighth biggest GDP in the world. They keep me busy, and I’m looking forward to more of this.”

One thing Scott wasn’t quite expecting of his new home is that almost the entire first floor is an art gallery. For nearly 15 years, international art curator and gallerist Yvonamor Palix has been at the helm of curating works for both the British, French, and Mexican residences — open for exploration and enjoyment by all invited guests.

“I am the daughter of a career diplomat who loves art,” says Palix. “It was my parents’ influence that took me to discover this amazing field of work on an international level — Paris, Mexico City and then Houston. I have been curating in diplomatic venues for much of my career. Perhaps it is because art is a conversation starter, or it brings people together and creates unique experiences.”

Current artists on view — by vetted appointments by Palix and residence staff — include Ruth Gervich, Jane Liang, Duncan Wylie, Alex Gutierrez, Pep Guerrero, Alicia Paz, Karine Parker, Lesley Bodzy, Cha DAE-Duck, and Claire Basler.

British designer sounds off

Most recently, the residence hosted an invite-only soirée to commemorate the birthday of Winston Churchill, while simultaneously operating as an intimate de facto tour stop for a new book written by his relative, Lady Henrietta Spencer-Churchill, about his birthplace (if interested in the somewhat complicated family tree — buy the book).

Blenheim: 300 Years of Life in a Palace, published by Rizzoli, is Spencer-Churchill’s 12th book. While her previous books have all been written strictly on interior design, this book is a heritage project more for her family than anything else. CultureMap sat down with Spencer-Churchill for a chat about her new book, her design career, tips on how to curate a British aesthetic, and why she thinks social media is giving interior design a bad name.

“I did this [book] as a legacy for my family home,” Spencer-Churchill begins. “I didn’t do anything to be business-related; it’s just a legacy for our family home — people, architecture, interiors, the park and garden, lifestyle, logistics, and the future.”

As a 45-year interior design veteran, with a shop in Woodstock, where Blenheim Palace is located, and her wildly-successful Spencer-Churchill Design firm, the great-granddaughter of Consuelo Vanderbilt is slowing down just enough to spill the proverbial tea.

With a specialty in restoring listed (i.e., historically-protected) buildings and old houses, especially Georgian-era architecture, Spencer-Churchill appreciates the opportunity to stretch her imagination with a new-build project from time to time.

“In a funny way, it gives you a chance to be more creative, because you’re putting in the features,” she explains. “The more challenging ones are the ones you start from scratch, especially because listed buildings have so many restrictions. I love the creativity of putting in the architectural features — picking the fireplace, picking the trim, picking the plaster work, all of that sort of thing. I think that’s what adds all of the character to a room.”

As for tips for getting that effortless, just-so look? “I always want to start with the bones, and make sure that’s right,” says Spencer-Churchill. “Then, from that, you build it up with the layers — the furniture, the pictures, the furnishings, etc. I use a lot of antiques in my business, because, largely, they give a lot of character; secondly, they are so much better made; and thirdly, they are much cheaper than what’s available new.”

Auctions are where Spencer-Churchill suggests shoppers look for the best deals on quality antiques: “In England, a lot of the old antique shops have disappeared. They just don’t have enough business, and rates and rents, and everything are so high — so I think that’s why now a lot of people are buying at auction.”

When asked about social media trends involving interior design, Spencer-Churchill admits that it’s a bit of a double-edged sword: “I use the internet as much as anyone else does now — you have to.” She will use Pinterest for research purposes (relatable!), but thinks that “designers” who chase trends for likes on social platforms are contributing to problematic practices.

“There are a lot of designers who are really just decorators. I think this is why I get quite negative about Instagram and things like that, because it’s easy for someone to photograph something, put it on Instagram, and say ‘Look at this, look at that!’ It slightly drives me mad. And I think, in a sense, it gives the industry a bit of a bad name—that’s why I’ve gotten a little bit annoyed.”

At the end of the day, good design is something that doesn’t shout someone else’s tastes, it’s about taking what the homeowner loves, and making it theirs, something that Spencer-Churchill prides herself on.

“I’m one of those designers where I don’t put my stamp on a project. I very much try to reflect the client, and I’m passionate about the architecture and details. I don’t have an ego, or my ego is that I’ve done a really good job and the client is happy — it’s on budget, it’s on time. I don’t have to live with the decor. There is definitely a lot of stuff I’ve done that I wouldn’t want to live with myself, but that’s fine — you know?”

British Consul General home Houston

Courtesy of the British Consulate-General

The British Consul General’s River Oaks residence can be difficult to miss along Kirby Drive.

home-design river oaks
news/home-design

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