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    14 eclectic artists

    Round Top hosts pop-up art gallery from stylish furniture line and Framebridge

    Emily Cotton
    Oct 9, 2025 | 11:47 am

    The impeccably-stylish Roxy Owens has returned to Blue Hills for the 2025 Round Top Fall Show with her highly-irreverent furniture and decor line Society Social, but this time, there’s a twist!

    Studio by Society Social, in collaboration with online framing service Framebridge, has created a shoppable art gallery and lounge featuring curated, heirloom-quality framed works by 14 artists. Even better, many of the artists will be in Round Top for live painting demos, meet-and-greets, limited-edition prints, and other activations throughout the show.

    Save for delightfully-bougie lifestyle photographer Nick Mele, the artist lineup is entirely female. Austin-based artist Brittany Atkinson’s adorably-playful cowgirl portraits are sure to catch the attention of every cowboy-boot-clad Round Topper who visits the store.

    Looking for something more tactile? Shop Found, featuring Lindsey Andersen’s meticulously-framed antique and vintage textiles from across the globe, or mixed media botanical floral collages by Tara Roma Gill. Folk art painter Meredith Walker’s collection will please those whose tastes bend toward Americana flare.

    Traditional genres such as landscapes, florals, botanicals, and still life are also represented — but with contemporary, abstract, and impressionist influences — by both acrylic and watercolor artists. Works by Lia Burke Libaire, Inslee Fariss, Raven Roxanne, Teil Duncan, Kendal Blanchard, Diana Garrett, Elizabeth Sage, and Blakely Made all fall into this popular category. Bold abstract studies of color and gesture by Kiki Slaughter round out Society Social’s selection of talented artists.


    View this post on Instagram
    A post shared by Society Social | Furniture & Decor (@societysocial)


    “Visitors can expect a space that feels buzzy and energetic with unexpected surprises around each turn,” Owens explains. “The best part is that there’s no single vibe - the magic is in the mix! Each piece has its own character and history, and together they create something layered, eclectic, and nostalgic.”

    The tent showcases over 250 meticulously-custom-framed works, plus select Society Social pieces for an immersive gallery experience. Each of the 14 artists worked directly with Framebridge to select frames, mats, and materials that perfectly complement each work of art.

    “It was really important to us to honor the integrity of each artist’s work. Every artist had complete creative control over how their pieces were presented,” says Owens. “So, when visitors browse the tent, they’re seeing each piece exactly as the artist intended…fully curated and ready to take home. I keep joking with the team — is there a checkout option to buy a complete gallery wall?”

    Owens selected the geographically-diverse slate of artists for various reasons. She encountered some during previous trips to Round Top, while others have an existing relationship with Society Social, and a few are artists that the team has been fangirling over in the digital realm.

    “We took a really personal approach to curating this collection. As a team, we came together to share our favorite artists — the ones whose work we’ve loved, collected, and talked about for years,” says Owens. “Each artist was handpicked for their unique point of view and craftsmanship — the kind of work that feels both elevated and approachable, timeless yet full of personality and that signature Round Top quirk we adore. It’s such a joy to bring this creative community together in real life.”



    View this post on Instagram
    A post shared by Society Social | Furniture & Decor (@societysocial)


    The Society Social tent is always a fan favorite when it comes to capturing a playful Instagram moment, with brightly-colored florals, checks, and stripes layered one over the other. So, why the change?

    “We still included our signature furnishings, but reimagined in a gallery-style setting: welcoming ruffled table skirts at the entryways, fully upholstered benches for taking in the art, and stools and ottomans showcasing our playful fabrics alongside handcrafted wicker and rattan designs,” explains Owens. “After several shows spotlighting our furniture and décor at Round Top and to keep things fresh and exciting, we were inspired to reimagine what our tent could be. Studio by Society Social is a natural evolution — art has always been central to how we tell stories through interiors, so this felt like a meaningful way to expand our world and offer visitors something unexpected.”

    Framebridge is gearing up to open a brick-and-mortar location in Houston, part of a larger expansion into Texas. While Society Social shares an existing relationship with the custom framing company, Owens explains that collaborating with a brand introducing itself to Texas just made sense.

    “Our relationship with Framebridge grew out of a shared appreciation for creativity, craftsmanship, and the art of personal expression. We’ve teamed up before — most recently on Design on a Dime in NYC,” says Owens. “When we started dreaming up Studio by Society Social, it felt like a natural fit. With Framebridge’s recent store expansion into Texas and our established presence at Round Top, the collaboration couldn’t be more aligned.”

    Studio by Society Social, in collaboration with Framebridge is located in tent 10 at Blue Hills in Round Top, Texas. Don’t miss these activations: Brittany Atkinson: meet the artist (Tuesday, October 14, 1-4 pm); Raven Roxanne: meet the artist (Thursday, October 16, 9-11 am); Elizabeth Sage: meet the artist and live painting session (Thursday, October 16, 9 am-4 pm). Blue Hills at Round Top is already in full swing, closing Saturday, October 18.

    Society Social Framebridge Round Top 2025

    Photo by Stephanie Layne Disney

    Studio by Society Social, in collaboration with Framebridge closes October 18.

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    dive in

    Houston designer dishes on Tulum-inspired look of chic Montrose cocktail lounge

    Emily Cotton
    Jun 12, 2026 | 12:00 pm
    1111 cocktail lounge interior
    Photo by Par Bengtsson
    Tulum's cenotes inspired the monolithic central bar.

    Globally-recognized luxury design firm Nina Magon Studio’s continued foray into the realm of hospitality has wowed Houstonians once again. The Architectural Digest, Elle Decor, and Forbes favorite introduces an immersive experience unlike anything else in the city. Unlike Magon’s previous, ultra-glamorous hospitality projects 5115 Saks Fifth Avenue and Cocody, her latest concept is unlike anything yet seen from the designer. Organic in nature, pared down, and entirely unpretentious, the new 1111 cocktail lounge in Montrose is a masterpiece of escapism.

    1111 (read as “eleven-eleven”) is the latest concept by nightlife impresarios Army Sadeghi and Brandon Duliakas (Clarkwood and Melrose). Featuring cocktails created by bartenders who worked at Mexico City’s world-renowned Handshake Speakeasy and cuisine by chef Emmanuel Chavez of Houston’s Michelin-starred Tatemó, it’s only fitting for the interior spaces to be helmed by an elite designer as well. The result is a brilliant trifecta of offerings poised to satiate the most sophisticated tastes.

    While food and cocktail menus look squarely to Mexico City for their source material, Magon chose to venture the path less traveled. Stepping away from her signature polished and glamorous aesthetic, the interiors of 1111 are decidedly earthy, naturalistic, and even primal. Inspired by the cavernous sunken swimming holes, known as cenotes, outside of Tulum, earthy greens, warm taupes, terracotta hues, oxidized tones, and muted stone textures evoke the raw beauty of Mexico’s landscapes.

    “It was very fun, because we were able to get to be very creative and create something that is different from our portfolio to show the extent of where design can go and how we can bring authenticity from other cities into our hometown of Houston,” explains Magon. “You feel like you’re in a space that doesn’t necessarily feel like you’re in the glamour of Houston; we wanted something more authentic to Mexico.”

    Anchored by a monolithic central bar, the open-concept space utilizes seating and tables of various materials and scale to accommodate any of the lounge’s many functions. Textural Venetian plaster in shades of the deepest greens drench the walls and ceilings, lending a cavernous quality to the overall atmosphere. Along one wall, a dramatically-curved overhang draws the eye back to the central bar, where a recessed ceiling gives way to a cascade of backlit flora and fauna, harkening to the idea that guests are gazing up through a void in the earth.

    “When you’re in a cenote, you have rays of sunlight coming through from the foliage, and so that’s what we’re emulating. Everything is done with that thought in mind,” says Magon. “It feels like this underground — not in Houston — feel that we were going for. The design is unexpected, and with the unique, big play on lighting, it’s very unlike Houston.”

    The heavy use of drapery, extensive architectural curvature, and cinematic lighting throughout continue the idea that the space is deep underground, with light merely sneaking in through cracks and voids. To soften the space, warm wooden panels are strategically positioned to provide both form and function. Laser-cut patterns were inspired by a design Magon admired in Mexico City. Though originally cast in stone, Magon’s backlit interpretation is equally striking.

    In residential settings, the use of decor and accessories helps define a space and set the desired tone. Restricted by the realities of 1111, where a DJ starts spinning at 9 pm, and patrons move more freely, Magon parlayed this limitation into a grand opportunity. Along the eastern wall, 18 custom, backlit niches create an illuminated gallery of vintage Mexican pottery — each piece chosen by Magon and her team.

    “It’s all vintage pieces, and the pots really bring in that originality of Mexico,” explains Magon. “We only used natural materials. Anything that’s glamorous, you’re not going to see here.” This naturalistic theme continues with the organic yarn wall hangings, and eagle-eyed patrons will notice the subtle mountain landscape — and other clever shadow-play — dyed into the wall-hung works.

    To keep the low lit, earthy vibes from becoming too monotonous, Magon chose a bright terracotta and bone color palette for the restrooms. All too aware that mirror selfies are highly de rigueur, the hallway is a colonnade of recessed full length mirrors leading up to the burst of color waiting beyond the doors. Bright terracotta plaster, oversized mirrors in organic, fluid shapes, stone vessel sinks, draped foliage, and fire-baked floor tiles in playful patterns beckon patrons to take advantage of the flattering rosy lighting.

    “We always want, in everything we do, a photo moment, a place where everyone takes photos,” explains Magon. “I didn’t want green everywhere. I wanted it to be a different experience, because everything in this space is an experience. From the moment you walk in, to when you’re seated, to the cave portion of the cenote, it’s all a different experience and different view point of this lounge. So, in the bathrooms, we wanted to make sure we weren’t missing any moments. Terracotta is very prevalent in Mexico City, and that’s why we wanted to bring in that terracotta color to the hallways and bathrooms — everything is fresh.”

    The entire interior concept was conceived of the instinctive desire to escape the everyday. From its sculptural architecture to its richly layered materiality, 1111 stands as one of Nina Magon Studio’s most immersive hospitality projects to date, an environment where bold design vision and cultural authenticity converge in a deeply sensory experience.

    “I’ve been wanting to do something like this for the last three years, just based off of my travels,” 1111 co-owner Army Sadeghi tells CultureMap. “I felt that Nina, with her strong residential portfolio, would be a unique opportunity for everybody to collaborate on a big stage — being hospitality — and I think she delivered. We worked very closely with her team, and they did a great job throughout the process — I think they nailed it. They created a space that’s a unique, sculptural, architectural sort of luxe space that hasn’t been seen in the country.

    1111 cocktail lounge interior

    Photo by Par Bengtsson

    Tulum's cenotes inspired the monolithic central bar.

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