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    The Bees' Knees

    New Houston office tower soars with wellness perks and Discovery Green views

    Emily Cotton
    Sep 26, 2025 | 11:15 am

    Downtown Houston’s Norton Rose Fulbright Tower, the new, eye-catching, 28-story building adjacent to Discovery Green, is a Biophilic-design-lover’s dream. Swedish-based developer Skanska worked with Copenhagen’s Bjarke Ingels Group to create an innovative workplace focused on sustainability, health, and wellness — with staggered levels of lushly-landscaped terraces, she’s nice to look at, too.

    Happily replacing what was once a large, surface-level parking lot, Norton Rose Fulbright Tower is one of only four projects in Houston, nine in Texas, and fewer than a hundred across the country which are currently certified as WELL Building Standard Platinum. The Class A trophy tower in downtown Houston has also been awarded LEED Platinum V4 certification, Wired Score Platinum, Three Star Fitwell status, plus Energy Star designations. This is the 12th LEED Platinum certification of a Skanska-developed project in the United States. Other notable developments include 2+U in Seattle, WA; 121 Seaport in Boston, MA; plus Beverly Hills’ first LEED Platinum office building, 9000 Wilshire.

    “In designing our office space at Norton Rose Fulbright Tower, we were intentional about incorporating elements that serve the wellbeing of our people,” says Carter Dugan, Partner-in-Charge. “This includes access to nature at Discovery Green Park, outdoor collaboration spaces on our expansive terrace, and an abundance of natural light indoors. These elements, and many others, have been widely celebrated by our colleagues since we moved into our state-of-the-art office last year.”

    Biophilic Benefits

    Over the last several years, Biophilic design catapulted in popularity in the residential design field, especially as workers increasingly chose to work from home. Exposure to natural light, fresh air, and outdoor space at home accounted for a remarkable uptick in both physical and mental health for workers which, in turn, helped increase productivity. As employees return to traditional office-based work, Skanska has developed Norton Fulbright Tower to lead the way to putting Houston workers — and their environment — first.

    Natalia Rodriguez, M.P.H., the Project Director for the Methodist Center for Health & Nature, assisted by Texas A&M Health, continuously conduct studies on the positive effects of utilizing Biophilic design. The Center assists buildings like Norton Rose Fulbright Tower to use this data to drive health-forward progress in the workplace and beyond.

    “We are only as healthy as our environment, and this reciprocates a lot into just our interactions with nature and the outdoor space,” Rodriguez tells CultureMap. “So, in some of the studies that we've done at the Center, we have found that spending just 15 minutes a day outdoors in nature, whether you're sitting in the sun, or you feel the breeze on your face, or focusing on something green — maybe a tree or a plant at a distance — that can infinitely just boost your mood, your attention span, your creativity, your productivity, and it grounds us. It's an opportunity for us to be connected to things that we should be, regardless of our day-to-day.”

    The soaring 35-foot lobby, complete with elevated, slatted-wooden-clad planter boxes teaming with vibrant plants by Always in Season cascading overhead, gives visitors a glimpse of what’s to come. In order to give people the opportunity to gather, work, or simply take a stroll, the building features three separate terraces incorporating distinct surrounding biomes of Texas.

    Terrace Schemes

    “Woodland,” located on level 12, features trees and lush ferns that provide a cool microclimate. Individual gathering spaces are connected by a shaded corridor and are surrounded by greenery for privacy.

    “Floral Pollinator,” located on level 20, is a colorful garden blooming spring to fall with diverse local flora. Clusters of gardens frame a space for meandering and places to stop and relax.

    “Arid Garden,” located on level 28, features drought-tolerant species that withstand high winds and direct sunlight. Situated on the rooftop/Summit level, this garden offers a unique and flexible gathering space, and…bees?!

    Alvéole is the largest-scale urban beekeeping company operating across the US, Canada, and Europe. Active in over 2,200 commercial buildings, Alvéole is the leading nature and biodiversity database for commercial real estate. While focused on engagement and environmental education, their presence is shown to increase tenant satisfaction and engagement while monitoring real estate’s impact on nature and biodiversity — it’s a win for everyone, especially when it’s time to harvest the honey.

    Also located on the 28th floor is Norton Rose Fulbright Tower’s event space, aptly named “Summit.” Available for booking by tenants (but not the general public), this rooftop glass box is bookended with green spaces for those who choose to take the party outdoors. As with the rest of the building below, Summit offers panoramic views of Discovery Green and beyond, thanks to 10’ high, wall-to-wall, low-e glass windows. Interiors guru Michael Hsu Office of Architecture thoughtfully incorporated a soft, warm color palette that makes the most of the golden-hour sun that streams inside at the start of evening events.

    Michael Hsu is also responsible for the state-of-the-art, spa-like fitness center and accompanying lounge, jointly named “Renew,” on level 2. Renew offers treehouse-like panoramic views of Discovery Green Park, a full offering of gym equipment, complimentary group fitness classes, plus locker rooms that would make even the bougiest of spas do a double take.

    Agile Interiors procured furniture selections for Summit and Renew made by the Michael Hsu team, while the diverse art selections throughout the building were made by Trish Matute of Ellio Fine Art. From lobby to locker rooms, find works by Davey Eldridge, LaMonté French, Tara Conley, Susan English, John Pavlicek, Nicola Parente, Patrick Fagerberg, and Leslie Park.

    The Guts

    While Biophilic aesthetics add to the overall wellbeing of tenants and visitors alike, what really makes a design “healthy” is what lies beneath. Norton Rose Fulbright Tower was built with a 45-percent embedded Carbon reduction and pumps in 30 percent more fresh air than a typical Class A building (and 30 percent more than required by code, according to the developer). The state-of-the-art HVAC system uses 32 percent less energy than comparable buildings, and bipolar ionization and air filtration systems reduce airborne pathogens.

    Demand-control ventilation systems provide energy savings by regulating outside air intake based on building occupancy needs. The coolest trick? Norton Rose Fulbright Tower is capable of a 100 percent air exchange within one hour. This by-request building feature means that all of the air in the building can be sucked out and replaced within an hour of initiation — a must in a post-pandemic world.

    The abundance of natural light that pours into the building’s panoramic 10-foot, low-e windows is made possible by an innovative side-core footplate. This allows for nearly unobstructed views from every occupancy-level floor. Select building systems and terrace gardens utilize a 48,000 gallon rainwater collection tank for tasks like watering plants and servicing things associated with Dada pioneer Marcel Duchamp.

    Discovery Green Park-goers who may be admiring Norton Rose Fulbright Tower are encouraged to walk over for a coffee, pastry, or cocktail at first-floor tenant Tenfold Coffee. Designed by Houston-based Gin Design Group, the coffee shop faces the park and is open from 7 am-7 pm.

    Next up for the building is the highly-anticipated opening of Zaranda. The newest concept from Tracy Vaught and Hugo Ortega’s H-Town Restaurant Group will feature “Las Californias Cuisine.” It will be the sixth concept for the duo — the first with their daughter Sophia as a co-owner — and their second downtown Houston restaurant, joining nearby Oaxacan restaurant Xochi.

    Norton Rose Fulbright Tower

    Courtesy of Skanska

    Skanska's Norton Rose Fulbright Tower makes its Houston debut.

    high-risesbusinessdesignsustainability
    news/home-design

    Soul Searching

    New York design veteran goes hunting for vintage finds at Round Top

    Emily Cotton
    Mar 18, 2026 | 12:15 pm
    Alfredo Paredes
    Courtesy of Alfredo Paredes
    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    The Round Top Spring Antiques & Design Show is officially in full-swing. In recent years, the diversity of vendors has grown from mom-and-pop shops selling classic Texas items to international purveyors of imported European wares with provenance spanning multiple centuries. Whether a shopper partakes of the festival as a mere spectator, or is genuinely seeking an “I’ll know it when I see it” opportunity, the question always remains: what’s worth buying?

    One person who can answer that question is Alfredo Paredes. Known locally as the interior designer for Houston restaurant Latuli, Paredes served as creative director for Ralph Lauren for three decades, designing all stores, restaurants, and Ralph Lauren Home collections.

    Recently, Paredes traveled to Round Top in search of antique and vintage finds for his private clients as well as his forthcoming store in Hudson, New York. CultureMap tagged along for an afternoon of learning a thing or two about shopping vintage like Ralph Lauren’s right hand man.

    While the jovial Paredes readily acknowledges that he loves items from every corner of the globe, the design guru was particularly drawn to Brutalist wooden consoles, wicker, and organic woven pieces. This is only the second trip to Round Top for Paredes, and certainly not the last.

    “What I’ve started to notice in the last 10 years is — I used to go to Europe a lot, London and the Paris flea market — now a lot of it is here. People are coming now because it’s a more varied experience. It’s not all western, or all cowboy, or all whatever. It’s all eclectic and you never know what you’re going to find, and that’s why it’s more interesting now I think. It’s just interesting that it’s all here — you just have to know where to look.”

    At Market Hill, Paredes found things he couldn’t pass up for his store and for his clients. Bulky wooden pieces, low-slung leather chairs, and paintings showcasing deep umbers and blues seemed to be a draw. Saltillo tile-topped tables received high praise, as did bisque-fired ceramic works and artistic wooden carvings.

    “My eye goes to things that appeal to me. Not necessarily to a client, but just things I’m liking right now,” explains Paredes. “It’s hard to articulate what I’m loving, but I’m drawn to this sort of masculine, French, midcentury country house, but not Parisian [aesthetic]. You know — rugged stuff. I’ve always liked that, but I’m really attracted to it now. It just appeals to me. I like soulful things. I like woods that have patina, woods that have a story. I don’t like things too polished.”

    There is something endearing about witnessing Paredes in action, in his element. When he sees something he likes — say a chair, or a sofa — he makes a beeline for it and plops the seat of his Ralph Lauren vintage label blue-jeans right on it. Next, the hands get going, patting and rubbing the materials. Is it soft, is it sturdy, what are the tactile qualities, is it comfortable; an invisible sea of datapoints striking and firing in a single shot. How to know if it passed his tests? He wants the price.

    The afternoon is spent weaving through the well-organized mess of vendors getting ready for the spring show before it officially opens the next day. Boxes are being broken down and carried off, and telltale terrycloth squares peek out of back pockets — it’s nearly showtime. Paredes is recognized and greeted by vintage vendors he’s known since his days at Ralph Lauren. The genuine warmth of their greetings confirms a suspicion that’s been lingering since lunchtime — he’s the real deal.

    Favorites from the day come from Architectural Anarchy, Alma Gallery, and Amelia Tarbet Studios. Earlier in the day, Kansas City-based vendor Prize was also a great source for the style Paredes is currently curating.

    “I like this sort of — let’s call it ‘Old Hollywood Mogul.’ Something you’d see in Robert Redford’s house or an old movie star’s house; something of a period. I like that. I lean into old movies,” he explains

    Paredes shops with an air of confidence reserved for those who have long since forgotten to second guess themselves, but he remains all too aware that shopping vintage can intimidate the types of people who find solace in the arms of a robust and generous return policy.

    “Getting people to be comfortable with the sort of pace of shopping for vintage, and sort of collecting and owning [is tricky],” says Paredes. “Being okay that this is the one you selected — you know what I mean? If you miss it, you regret it. You need to know it’s a good investment, because you can always sell it. You can always move on. These pieces have been in people’s homes for a long time.”

    With his private clients, Paredes stays hard at work helping people understand the stewardship that goes along with collecting vintage pieces. It’s not about designer names with the things he’s drawn to, it’s about durability and craftsmanship — “artistry,” as he calls it. People shy away from the unfamiliar at times, then once they have had the time to consider rare vintage pieces long enough to fall in love with the idea, the piece is usually gone. And that’s something Paredes finds regrettable.

    “Vintage is a tricky thing for clients because you have to decide. Otherwise, it vanishes and it’s like hunt-and-peck. Then you’re not finished. A lot of people shy away from it because they can’t commit. That’s why you have an empty dining room, because you didn’t commit. We saw 30 tables and you didn’t commit. Missing out on things is a combination. People think they’re getting ripped off, or that it’s not the best one, or it’s ‘Can I see more options [of the same vintage piece]?’ The answer is no, no, and no. This is what it is — it’s collecting!”

    The new store in Hudson will be 60 percent vintage finds and 40 percent items from his private label. His pieces are bench-crafted in North Carolina and are inspired by his vintage finds. He loves that his line is made in the United States and inspired by pieces from across the globe. He doesn’t copy, he just lifts ideas.

    “I see this Parisian Art Deco chair that’s been upholstered in Mohair, and I’ll decide that we need a piece in Mohair. And that’s all I’ll take away from it,” he says.

    Textiles and other tactile materials are a big draw for Paredes, which is how he came to have a line with Kravet Fabrics. The line is mostly made of vintage-inspired patterns in classic, Americana colorways. This makes them easy to pair with vintage frames and materials plucked from anything from vintage fairs like the Round Top show to something inherited from a beloved family member.

    In his book, Alfredo Paredes at Home, he invites readers to explore the interiors of four homes he’s had throughout the years, showcasing his idea that inspired rooms can be built around the love of something as simple — yet unique — as a tassel.

    During his visit to Round Top, Paredes took the time to sign books and visit with vintage enthusiasts at gallerist Shelli Alter’s Round Top pop-up “dinnerpARTy.” Alter finds great success in mixing simplistic contemporary artworks by international artists like Riera Arago with ornate antique frames from the 18th century. The mix and juxtaposition is something very in line with the Paredes aesthetic.

    What’s most important to Paredes is the idea that people should just be having fun, loving the thrill of the hunt, and not putting too much pressure on themselves. As he says: “It’s someone’s own home — they need to enjoy it!”

    Explore the thrill of vintage at these top spots in Round Top

    Market Hill: March 9–29
    The Horseshoe: March 12–28
    Bader Ranch: March 13–28
    Zapp Hall: March 13–28
    Excess Field: March 1
    Blue Hills: March 14–28
    McLaren’s: March 14–28
    The Arbors: March 14–28
    The Compound: March 14–28
    The Halles: March 14–28
    Big Red Barn: March 22–28
    550 Market: March 14–28
    Marburger Farm: March 24–28
    Cisco Village: March 20–April 6

    Alfredo Paredes

    Courtesy of Alfredo Paredes

    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    interior designerround topshoppingvintage
    news/home-design

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