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    we love MCM

    4 must-follow Houston Instagrammers selling midcentury modern furniture

    Emily Cotton
    Aug 2, 2024 | 4:00 pm

    The Midcentury Modern — or MCM — aesthetic has secured its place as a solid and reliable design choice for seasoned collectors and beginner enthusiasts alike. Not a style to fall victim to flash-in-the-pan trends, these thoughtfully designed pieces have maintained their monetary value.

    Created in response to a call for serenity in a post-WWII world, the organic materials, earth-toned color palettes, and no-frills characteristics of MCM furniture fit right into the collective “back-to-nature” mindset of the time.

    The era of MCM design is generally accepted as the years between 1945-1969. Common materials for this era include metal, glass, vinyl, and wood — specifically teak, rosewood, and oak. Clean lines, soft curves, and fluid shapes were popular, with metal or wooden framed pieces upholstered in bold earth-toned vinyls and fabrics.

    For collectors, the most popular American MCM designers include: Charles and Ray Eames, George Nelson, Warren Platner, Isamu Noguchi, and Florence Knoll. Companies such as Herman Miller and Design Within Reach still produce many of these designers’ pieces today, but the original works remain the most valuable.

    Luckily, Houstonians who desire authentic pieces from the period don’t have to look far. While Houston has no shortage of vintage pop-ups, fairs, and markets to search for MCM classics, there are local standout vendors to shop year round — just by scrolling Instagram!

    CultureMap caught up with four of Houston’s top local, independent vintage dealers for a short Q&A session and for tips for anyone interested in Midcentury Modern design.

    Lich Goods
    Photographer turned vintage dealer Tamara Lichtenstein operates a bustling Instagram-driven business for her 16.9k followers.

    CultureMap: How did you get into vintage?
    Tamara Lichtenstein: It was kind of an accident. In my late twenties, I was juggling a photography career and a full time Pre-K job while back in college part time. When the pandemic hit, nobody was hiring photographers. I was let go indefinitely from my teaching job, and I found myself at a crossroads.

    To make ends meet, I decided to part with some of my furniture, a collection of thrifted pieces I'd gathered over the years. While I knew they were aesthetically pleasing, I had no idea of their value. What began as a means to survive quickly transformed into an obsession and a full blown business in 2021.

    CM: How long have you been in business?
    TL: A little over three years. Lich Goods launched March 13, 2021.

    CM: What do clients seek out the most from you?
    TL: I believe they’re seeking someone with an eye for design and a deep appreciation for the artistry of these vintage pieces. These are rare, one-of-a-kind finds. Far more than possessions, they are valuable investments, each with its own history.

    CM: What is a good beginner piece for those wanting to get into MCM decor? Any additional tips for new collectors?
    TL: I’d say a sideboard because they’re a stylish storage solution. I see clients using them as buffets, media centers, and even bedroom dressers. A sideboard combines form and function and will instantly elevate a room’s style.



    View this post on Instagram
    A post shared by Tamara Lichtenstein (@lichgoods)


    Moonpool Modern
    Husband-and-wife team Gabrielle and Eric Pryor have definitely carved out a space for themselves in the luxury vintage marketplace. Known for their penchant for reupholstering sturdy vintage frames in ultra-lux velvets, those in-the-know can spot a Moonpool piece from miles away.

    CultureMap: How did you get into vintage?
    Gabrielle Pryor: We'd be lying if we said this started as a shared passion. I have always been captivated by old things — from daydreaming in flea markets and my grandparents' basement as a kid to feeling the heaviness of owning something that's been passed down generations today. Beyond the obvious fact that vintage goes hand-in-hand with quality and sustainability, there's also an emotional aspect to it — like the smell of an old book — as well as a feeling of pride and guardianship.

    CM: How long have you been in business?
    GP: I would say 2019 was when I realized there was a business model behind this hobby. I was on the hunt for a vintage office chair at the time, and tracked down a 1970s Charles Pollock for Knoll chair at a local used furniture store. When I went to buy it, the owner asked if I wanted his whole stock (he had six or so just gathering dust). I thought that was such a crazy question — I needed a single chair for my single desk, what was I supposed to do with six? So I went home, did research, and realized that these chairs were worth so much more than this person was asking for them — he just didn't have the time or energy to market them. I went back the next day and bought the lot, cleaned them up, and eventually sold them all across Chairish and Facebook Marketplace.

    Instagram (and Facebook Marketplace) helped us carve out our place in the local market and start to really expand. In 2022, weary and ready for change, Eric took a leap of faith, quit his job, and became fully dedicated to Moonpool. Later that year, we launched our website.

    CM: What do clients seek out the most from you?
    GP: Our inventory is quite small compared to other dealers. We keep a very carefully-curated selection of pieces that reflect our aesthetic — we don't want to be generalists. We stick to designs we love and that will resonate with modern buyers. We also take condition very seriously. We don't want to sell banged-up products.

    Our upholstery projects definitely stand out as some of the most sought-after, because the result is completely unique and custom. We take pieces with great bones and reimagine them in something fresh and luxurious so that they can go on to live another 50 years.

    CM: What is a good beginner piece for those wanting to get into MCM decor? Any additional tips for new collectors?
    GP: People love MCM because it adds warmth, character, and layers to decor. The same could be said of lighting — so can it possibly get better than MCM lighting? A statement MCM lamp can be a focal point in your decor and totally change your space.

    We're obsessed with handblown Murano glass lamps right now, but those definitely come with a high price tag. If you're just dipping your toes in, try for a cool chrome lamp à la Robert Sonneman, or something with an interesting shade, or really anything with that "extra" factor. Lamps are meant to be fun!

    As far as tips go, really just anything to help protect yourself from scammers and unethical sellers. Always do your price research before walking into a negotiation, and if buying online ask for lots of photos and make sure the seller is reputable. Remember if a deal is too good to be true, it's most likely not.


    View this post on Instagram
    A post shared by Moonpool Modern (@moonpool.modern)


    Post Modern HTX
    Eugene Deleon’s appointment-only vintage furniture and audio warehouse is a treasure trove of classic examples of American vintage. Stacks upon stacks of sideboards, nightstands, and buffets sit quietly beneath rows of dining chair sets that hang among the chandeliers on the ceiling, with sofas and occasional chairs peppering the remaining floor space — this space is a serious visual feast.

    CultureMap: How did you get into vintage?
    Eugene Deleon: I would travel frequently for work about 25 years ago and would pop into shops and estate sales in different cities. I started admiring unique pieces and immediately started collecting. It was addicting.

    CM: How long have you been in business?
    ED: I’ve been selling and trading about 20 years.

    CM: What do clients seek out the most from you?
    ED: It varies greatly. Midcentury modern design is always desirable but vintage audio is hot as well.

    CM: What is a good beginner piece for those wanting to get into MCM decor? Any additional tips for new collectors?
    ED: Usually a dresser or end table are good starters. They’re probably the most commonly found pieces out in the wild. But a credenza is usually the one that makes its mark in your home. Keep hunting — but not on my turf!



    View this post on Instagram
    A post shared by @post_modernhtx


    EGK Home
    Newcomer Samantha Porter-Engelken has burst onto the scene in recent months, gaining recognition for her exceptional eye and restoration skills — definitely one to watch.

    CultureMap: How did you get into vintage?
    Samantha Porter-Engelken: Necessity drove me to second hand and thrift stores, but I have always loved treasure hunting. From clothing to furniture, I live for the thrill of a find and have always had an eye for quality. It is beneficial to be able to quickly scan a shelf for what is worth a second look.

    CM: How long have you been in business?
    SPE: Only a few months in business on Instagram, but I’ve been buying and selling to friends and by word of mouth for a decade.

    CM: What do clients seek out the most from you?
    SPE: A mix of classic designs and material in an approachable price range, plus stand out investment pieces that are unexpected and bring personal style into a space.

    CM: What is a good beginner piece for those wanting to get into MCM decor? Any additional tips for new collectors?
    SPE: Build your collection by starting with something practical and functional as opposed to focusing on designer names. Lane, Baker, indications of being "made in Denmark" all carry lower price tags without sacrificing quality. It allows time to build quality pieces into a room that serve a function and retain value. As your personal style deepens and grows, you can add in more interesting, funky designer pieces.

    Whether shopping through one of these trusted dealers or “in the wild,” happy hunting!

    Eugene Deleon PostModern HTX

    Photo by Emily Cotton

    Stay off Eugene Deleon's turf.

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    Good Brick Tour 2025

    Historic home tour celebrates preservation and sustainability in Houston

    Emily Cotton
    Nov 4, 2025 | 3:15 pm
    Good Brick Awards 2025 Style in Steel
    Courtesy of Preservation Houston
    The Style in Steel townhouses were built in 1968.

    Preservation Houston’s 2025 Good Brick Tour kicks off this weekend (Saturday, November 8, and Sunday, November 9), giving Houstonians the opportunity to explore stories, craftsmanship, and design details from a selection of the city’s Good Brick Award recipients, which reward excellence in historic preservation. Now in its 12th year, the tour has grown into a celebration of Houston’s rich architectural heritage, distinctive neighborhoods, and the work that goes into restoring and maintaining some of the city’s most treasured places.

    “Preservation Houston’s Good Brick Tour celebrates not only the homes and landmarks themselves, but the stories of the people who care for them,” said Jennifer Kapral, executive director of Preservation Houston. “Each stop on the tour reminds us that preserving our city’s history is an act of community, one that connects Houston’s past, present, and future.”

    This year, event chairs Pei-Lin Chong (whose home is featured on the tour) and Mariam Hejazi, along with over 150 volunteers, invite the public into four homes that offer a glimpse of the distinctive styles that contribute to the architectural vernacular of the Bayou City. It’s also worth noting that, while the tour offers access to four homes, one location — Style in Steel — is a collection of three independent townhomes that have not been open together since their original debut in 1969.

    Just in time for the tour, CultureMap has gathered insights from each location’s homeowner(s) so that participants can keep an eye out for the little things that make each one of these homes so special. Find each insight just below the history of each home.

    2025 Good Brick Tour Locations

    Valenti-Dissen House 1507 Alamo Street (First Ward), 1921
    Built by Sicilian immigrant and grocer Jacob Valenti, this Craftsman bungalow reflects the First Ward’s early diversity. Over the decades it welcomed a mix of tenants, from a printer and an accountant to members of Houston’s Greek community, capturing the spirit of a working-class area where many cultures met. In 1934, the property was purchased by Della Settegast Dissen, whose well-known Houston family had deep ties to the city’s development. When FW Heritage acquired the home in 2021, they found a structure in need of major repair but rich in original details. A careful restoration, guided by Grayform Architecture, respected the home's proportions while updating it for modern living. The project received a 2024 Good Brick Award.

    “The house was originally a two-bedroom, one-bath home and served as a rental for close to 100 years before I bought it in 2021,” says homeowner and event co-chair Pei-Lin Chong. “I’m actually the first homeowner to ever live here, which makes it even more special. One of my favorite features is the built-in china cabinet between the kitchen and dining room; it’s such a thoughtful original detail. During the restoration, we discovered old wallpaper under the sheetrock. I asked my demo team to carefully remove them and I have framed two samples as keepsakes. It's a small piece of the home’s long history.”

    William Henry Lighthouse House 2018 Kane Street (Old Sixth Ward), 1906
    A two-story Classical Revival residence built for brick maker William H. Lighthouse is among the Old Sixth Ward Historic District’s most prominent landmarks. Architect Olle Lorehn designed the home with honey-colored brick, stone trim, and a soaring double-height portico — a fitting showcase for the material that made Lighthouse’s fortune.

    When changing health circumstances made stairs increasingly difficult, the homeowner turned to architect Marisa Janusz of Janusz Design for a way to remain in the home he loves. The resulting one-story addition provides accessible living space on the ground floor. Set back and lower in height, it connects to the main house via a copper-and-glass bridge that meets the historic structure with a light touch. The project was honored with a 2025 Good Brick Award for demonstrating how thoughtful design can adapt historic architecture to modern life with grace and care.

    “The brick interior walls are what make this home truly stand out — strong and full of character,” explains homeowner Jason Johnson. “Paired with the historic exterior walls, which are three bricks thick, and thoughtful modern updates, it’s a space I hope visitors appreciate for both its design and its story.”

    Anderson Todd House 9 Shadowlawn (Museum District), 1961
    Designed by architect and Rice University professor Anderson Todd for his family, this steel-framed pavilion balances privacy and openness through a series of courtyards and light-filled spaces. The steel-framed, brick-and-glass pavilion is organized around a black-walnut-paneled core. Polished terrazzo floors, a rhythm of exposed columns, and an unbroken ceiling plane finished in white-painted plaster reflect Todd’s disciplined craftsmanship and his view of architecture as the measured interplay of light, form, and material.

    Modern in form yet understated in presence, the Todd House complements its neighbors in the Shadow Lawn Historic District through scale and workmanship. The house is listed in the National Register of Historic Places and is a City of Houston Protected Landmark. Because the home has never undergone any renovations, it has never been nominated for a Good Brick Award. Instead, Anderson Todd House is considered an excellent example of how thoughtful stewardship can keep a landmark home livable today.

    “Our house was a wonderful house for children. There was so little furniture that we could bicycle indoors,” says Emily Todd. “It continues to be a wonderful house as an adult, equally comfortable for a quiet dinner or a lively cocktail party. I’m very lucky to have spent virtually all my life in this house. Living here has been a privilege.”

    Style in Steel Townhomes 4156, 4158 and 4160 Meyerwood Drive (Southwest Loop), 1968
    Designed by Wilson, Morris, Crain & Anderson, the firm behind the Astrodome, the three Style in Steel townhomes stand among Houston’s most elegant expressions of late modern design. The houses debuted at the 1969 National Association of Home Builders’ exposition, showcasing the versatility of steel in residential design. Architects Talbott Wilson and Hal Weatherford paired precision with warmth, combining steel with terrazzo, travertine, brick, and cedar in open, light-filled homes arranged around courtyards landscaped by Fred Buxton.

    The current owners of the central townhouse undertook a meticulous restoration with architect Rodolfo R. Fabre, reversing years of alterations to reveal the clarity of the original design and earning a 2024 Good Brick Award. Together, the three houses — all City of Houston Protected Landmarks — represent Houston modernism at its finest, sustained by thoughtful stewardship and care. This year’s Good Brick Tour marks the first time the Style in Steel homes have been open to the public together since 1969.

    “My favorite space in the house is the front courtyard, which the entire house is designed around. It’s magical the way light filters in and casts patterns on the walls throughout the day,” homeowners Philip and Mandy LeBlanc explain.

    “We enjoy the courtyard daily for lunch, work, or simply soaking in the sunlight. It connects every part of the home. The design transitions beautifully from public to private spaces, with intentional glass and steel elements that make the home both functional and elegant. Inside, our mid-century furniture collection, gathered from local estate sales, complements the home’s modern aesthetic and ties everything together. From a design standpoint, there’s truly nothing else like it in Houston; it’s a space that connects history, light, and everyday life so seamlessly.”

    Tickets

    Advance tickets, valid for admission to all four homes both days, are $25 online through Thursday, November 6. Tickets will be $30 at the door during the tour weekend. Single-site admission will also be available for $10 per location. Hours for both days of the tour are 12-5 pm. Proceeds from the tour support Preservation Houston’s advocacy and educational programs.

    Good Brick Awards 2025 Style in Steel

    Courtesy of Preservation Houston

    The Style in Steel townhouses were built in 1968.

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