welcome to the dollhouse

8 Houston designers craft intricate dollhouses for charity fundraiser

Welcome to the dollhouse(s)! That’s right, the third annual La Petite Maison Gala and charity dollhouse auction is back. The always fantastic designer dollhouses are officially out for display in their temporary exhibition locations around town for those who love to participate in their ever whimsical “scavenger hunt” of sorts in the lead up to the big event on Wednesday, December 4 at Hotel ZaZa Museum District.

$\u200bWills Design Associates dollhouse$

Photo by Jordan Geibel Creative

Wills Design Associates crafted this mini Cabo retreat.

This year eight designers were chosen to participate in this charitable cause, and, in an interesting, albeit unintended twist, the stakes have seriously increased. While the dollhouses themselves are desirable enough on their own, they now include custom, miniature paintings from some of the country’s top artists, including mega-famous multimedia artist Donald Robertson — talk about a collectible! But, more on that later.

The La Petite Maison Gala has chosen Family Houston as beneficiary this year. Founded in 1904, Family Houston is a philanthropic organization that provides crucial support to some of Houston’s most vulnerable communities through financial support, education, career coaching, food security assistance, and more.

“We are so pleased to be connected to La Petite Maison Gala this year,” Ken Sheirr, president & CEO of Family Houston, adds. “Our focus is helping Houston families who need it most and I know this will bring immeasurable awareness to our cause. Fundraising events like this help power the programs Family Houston provides throughout the year. It brings real tangible change to this community, both financially and through the exposure to attendees and thus, throughout our great city.”

The pre-decorated dollhouses were designed by Reagan & André Architecture Studio and built by Alair Homes before heading to their respective interior designers. Many interior design trade partners participated in this project by creating scaled down versions of their products such as wallpapers scaled to 1:12 of their original patterns, tiny tiles, and more.

Read on for a guide to all of the dollhouse locations, a statement from the designers about their inspirations, and other items of note presented in logistical order if planning a full tour. (There are no spoilers for the scavenger hunt — not sorry, it’s fun to try and spot each item in the individual houses!). Designers and dollhouse locations are also available here.

Designer: Jean Liu Design
Location: South to North (3711 Autry Park Drive, Suite 100)
Theme: The Grand Budapest Hotel
Description: The program of the rooms is based loosely on the movie and set design, including a double height ceilinged lobby, a tiled natatorium, and a historic bakery (Mendl’s). The style of these spaces is carried out in the similar 1930s décor as the film’s setting, which proved a fun and delightful departure for our studio, as we mainly work in a modernist and minimalist vein.
Items of note: Schumacher wallpaper, Ann Sacks tile, and miniature marble fireplaces by Materials Marketing. Additional thanks to Benjamin Moore and Tom Freeman.

Designer: Avery Cox Design
Location: Foltz Fine Art (2143 Westheimer Road)
Theme: Villa Mare the “Grecodeco” Dollhouse
Description: This opulent, jewel toned villa evokes the splendor of ancient Greece, designed for a couple residing on an idyllic island in the Aegean Sea. The home offers a delight around every corner from a serene indoor soaking room to a grand ballroom and a two-story gallery of curiosities.
Items of note: Kendra Scott - Jewelry as lighting: “Beau” earrings in His Bedroom, “Marina” earrings in the Spa, “Shea” Necklace in the Music Room. Additional thanks to Benjamin Moore, Hector’s Modern Plaster, Growler Domestics, Porter Teleo, and George Cameron Nash.

Designer: Wills Design Associates
Location: Valobra Master Jewelers (2150 Westheimer Road)
Theme: A holiday in Cabo
Description: Wills Design Associates’ mini Cabo retreat celebrates color and culture, where modern Mexican architecture meets global design influences. The striking pink stucco exterior immediately sets a whimsical tone.
Items of note: The intricate rooftop terrace and flamingo banister. Contributions by Helenita Home, Jordan Geibel Creative, Modern Muse by Lizzie, John Robshaw, Schumacher, Holland and Sherry, Wallshoppe, and Benjamin Moore.

Designer: Courtney Barton
Location: Courtney Barton (2940 Ferndale Street)
Theme: Teeny Tiny Tassel Castle
Description: A tangible expression of everything we stand for—craftsmanship, community, and shared stories, and we hope it brings you as much delight as it has brought to us.
Item of note: Exquisitely executed miniature upholstered furniture by Coley Home. Additional vendors and collaborators: Beata Heuman, Andrew Martin, The Lawns Co, and artists Rebecca Rebouché, Asley Givhan, MIchelle King, and Lauren Clyburn.

Designer: Amy Kummer Interiors
Location: Moreau Paris (4444 Westheimer Road, Suite 145)
Theme: There’s no place like home for the holidays.
Description: The AKI team hopes this dollhouse fills everyone who views it with the warmth of family and the joy of the holiday season.
Items of note: The ladies closet and rooftop pickleball court. Notable vendors and collaborators: Fleur Home, Lee Jofa, Schumacher, Scalamandre, Benjamin Moore, Phillip Jeffries, Thibaut, The Modern Dollhouse, Creative Style Furniture, Pierre Frey, Itsy Bitsy Mini, Galbraith and Paul, Vanessa Walton with Jacquelyn Reese Linens, and artist Mariel Sawicki.

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Designer: Kristen Leigh Studio
Location: Back Row Home (8570 Katy Freeway, Suite 111)
Theme: The Hamptons
Description: Kristen Leigh’s Hamptons-inspired dollhouse is an ode to the beauty of everyday life. Incorporating many of her own line’s fabrics and wallpapers, Kristen aimed for the house to mimic a traditional, yet lived-in, home.
Items of note: The ART! Wow. Miniature original works by Erin Donahue Tice, Lynn Sanders, Hilary Howarth, Blakeney McGee, Lily & Rose Studio, and a set of six custom original works by Donald Robertson. Additional thanks to The Decorated Wolffe and Mike Norfleet.
Side note: Robertson tells CultureMap he was impressed by the design of the living room where these “six awesome little paintings” now call home, especially since he never spoke to the design team.

“It was a cold call [email], it’s not like it was a meeting,” Robertson says. “It was a trust fall and I’m amazed by who did it!”

Speaking of the Hamptons-inspired dollhouse, Robertson conceded that “it takes a lot for me to be surprised and speechless, but I am in awe.” How did this design come together without any type of briefing? “I got the little pack of six canvases and a sharpie, and just went for it!” A reminder to everyone to always shoot your shot.

Designer: Elizabeth Garrett Interiors
Location: Frock Shop (9135 Katy Freeway, Suite 104)
Theme: The Campbell
Description: We are so proud to have been chosen to be a part of this special event and we can’t wait to share our completed home with the Houston design community.
Items of note: The ART again, and the rooftop landscaping. Miniature paintings by Avant-Art Gallery, representing Laura Waldusky, Dimmit Contemporary Art, representing Sara Genn and Randal Ford, Laura Rathe Fine Art, representing Carly Allen Martin and Lynn Sanders. Notable vendors and collaborators: Albert Hartley, Andrea Condara, Holland & Sherry, Houston Drapery Center, Paul Meyer, Supply Showroom, Susan Harter Muralpapers, The Urban Electric Co, Tyler King, and DAV Plaster.

Designer: Jennifer Barron Interiors
Location: Mont Art House (1230 Houston Avenue)
Theme: Southern, Georgian Home
Description: Our dollhouse was largely inspired by southern, Georgian, homes. Many of the homes in Georgia are layered with antiques, florals, borders and wallpaper, so that was my goal with this dollhouse.
Items of note: The miniature Delft tiled fireplace and Susan Harter Mural. Collaborators and vendors of note: Samuel & Sons, Benjamin Moore, Phillip Jeffries, Fabricut, Robert Kime, Pindler, Schumacher, Holland & Sherry, Stark Carpet, Colefax & Fowler, Pierre Frey, Sanderson.

The dollhouses will be on display until Tuesday, December 3 and will be auctioned off by auctioneer Johnny Bravo at The La Petite Maison Gala the following day. Interior designer Alexandra Killion founded the gala in 2022 and has raised over $300,000 since its inception.

This year the theme is Apres Ski, and is sure to be a hit. Killion’s co-chair for 2024 is designer Lauren Wills Grover. They are assisted by event coordinators Madelon McGrenera and Shellyn Shoenthal. Purchase tickets here.

la petite maison fundraisers home-design

give me shelter

Meet the Houston architects teaching refugees to build permanent homes

Photo by Moses Sawasawa

Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

Two Rice architecture alums, and former Gensler Houston interns, Sam Brisendine and Scott Key are utilizing their top-tier education and expertise to make serious waves on a global level — and Gensler wants everyone to know about it. June is Global Giveback Month at the international design and architecture firm, and Every Shelter, the charitable organization founded by Brisendine and Key, is getting the spotlight with a new exhibit in the lobby of Gensler’s office in downtown Houston titled “Why We Flee.”

Photographed by 26-year-old war photojournalist Moses Sawasawa, “Why We Flee” shines a light on one of the world’s largest drivers of human displacement today: an endless conflict in the Democratic Republic of Congo, or DRC. Also on display are the common goods that Every Shelter helps to repurpose into supplies and tools that refugees can then use to design and build their own permanent homes themselves.

Every Shelter focuses on designing, building, and supplying permanent shelter solutions for homeless and displaced war and natural disaster refugees. Based in Houston, TX, and Kampala, Uganda, Every Shelter works directly with newly-arriving refugees from the DRC in Nakivale Refugee Settlement in the southwest of the country.

Every Shelter is unique in that they are “community led, expert supported,” and teach communities how to design and build for their own communities. Megan Mark, director of advancement at Every Shelter, tells CultureMap about a design studio that they are currently piloting at their Ugandan office.

“We have a humanitarian aid architect there and a program manager. They work with the social innovation leads, who are typically refugees who we’ve employed to help us navigate refugees’ needs in the context of the environment that they are in,” she says. “A refugee who is in Turkey doesn’t have the same needs as a refugee in Uganda. Right now we have three architects who are still in school.”

Humanitarian aid architects spend nine weeks leading an architecture and design curriculum for refugees between the ages of 18-30 years old. At the end of the nine weeks, the students will have designed a solution, or “intervention” as Every Shelter calls it, for a need that they have in the community.

“We are really excited to see what they come up with,” says Lauren Hanson, community manager at Every Shelter. “We teach refugees how to make things, then certify them to be the teachers. Then they can go make their own, they can sell their own, they can even start their own business teaching others how to make these things. We want to give the power to them to take whatever intervention we come up with and utilize it. They can take any idea and scale it, and that’s what we want to happen.”

The most coveted shelter solution by far has been the brick molds that Every Shelter supplies to the communities. While brick molds are nothing new, availability has been scarce. With high demand and low supply, local rental fees for these tools skyrocketed. The UN and the Ugandan government supply refugees with land, a UN tarp, a few poles, and a small amount of money to get settled. Refugees tend to spend 10-26 years in these settlements, far longer than the 3-6 month lifespan of a UN-supplied tarp.

By supplying brick molds and an invaluable education in building and design — especially lessons on making bricks from local organic matter — Every Shelter can get families from living under a tarp to living in a brick home in about a year. The brick molds cost under $10 to make, and the savings from potential rental fees ($130) is the equivalent of three months of food per household, which is a huge savings for families who are trying to get their children into schools.

Communities band together to share molds and can work together to allocate bricks in an efficient manner. One house requires approximately 1,500 bricks, and with lessons from Every Shelter, families can design and build homes that best fit their individual needs. Skylights are designed and built using recycled water bottles, and decommissioned billboards are treated and up-cycled into roofing and floor tiles, which have a lifespan of about eight years. Lessons in home repair are also instrumental for those who may need them down the line.

The focus that Every Shelter places on design, architecture, and construction in underserved communities is something that resonates deeply with Gensler. Stephanie Burritt, managing director and principal at Gensler Houston, certainly feels a connection to the organization’s ethos.

“When they came to us and told us what they are doing, it was just hand-in-glove in terms of how it fit with our global giveback and our focus on homelessness, and it just made a lot of sense,” Burritt tells CultureMap. “We have happy hours here with contractors, employees, vendors, and everyone who walks through here all the time asks us what this is that we are showcasing and how they can help.”

Gensler’s summer intern class arrived the same week as the “Why We Flee” installation, and Burritt thinks it has been a good thing for them to see. “I think, for them, it was super exciting to see somebody who had been an intern — 12 years ago, or whatever it was — and go ‘Oh, wow! This is the kind of impact I can have at some point in my career that’s beyond what you see in our day-to-day work at Gensler.’ And I think that’s really special.”

Every Shelter co-founder Scott Key enlisted college friend and curator Ben Rasmussen to oversee the installation of the exhibition. As for the subject matter, Rasmussen wants the show to be experienced in a fluid way. “Wherever you enter is how you experience it,” he says. “It can be moved through in whatever way people choose, and that sort of personal way of moving through the work kind of echoes the sort of chaotic way that people experience it on the ground. So we wanted for that to exist in a way that people can see it, without trying to force an education on a really long-running and complex conflict.”

One benefit of the exhibition is the amount of exposure that Every Shelter is receiving from Gensler’s local contractors and vendors, with labor and materials contributions for the organization’s new Heights-area office already pouring in. “Why We Flee” hopes to find a new home after its time at Gensler comes to a close at the end of the summer, so check in with Every Shelter if a trip to Gensler this summer isn’t in the cards.

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See “Why We Flee" Monday-Friday from 9 am-5 pm at Gensler’s Houston office in 2 Houston Center (909 Fannin Street, Suite 200).

Photo by Moses Sawasawa

Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

home-design architecture every shelter gensler