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    catching up with hilton carter

    Hilton Carter dishes on his ties to Houston, his recent book, and his new TV show

    Emily Cotton
    May 1, 2024 | 10:30 am

    Don’t call Hilton Carter a “Plantfluencer.” No stranger to indoor plant enthusiasts, the multi-hyphenate author recently dropped his latest of three collections for Target, is a regular television contributor, and has a soon-to-be-released show on the Magnolia Network. I think his over half-a-million Instagram followers will agree that he’s outgrown “Plantfluencer.” Let’s call him what he is now — a Renaissance Man.

    On Friday, April 26, Bree Clarke, owner of The Plant Project, hosted a breezy, courtyard-chic event in honor of the plant stylist extraordinaire. Baltimore-based, Carter is currently on tour to promote the latest of his five books — The Propagation Handbook: A Guide to Propagating Houseplants — and it is delightful. Over 70 attendees enjoyed sips and bites from Fiora’s Bottle Shop while DJ Sage provided a backdrop of soothing music throughout the evening.

    To describe Hilton Carter as “magnanimous” is an understatement. For over an hour, Carter strolled around the courtyard to better engage with the audience while sharing amusing and relatable insights into his trials and tribulations of being a successful “plant-parent.” Warmly recognizing multiple fans from his previous book tour, it’s no small wonder that his following is so strong.

    The event took place at the Montrose location of Clarke’s store, The Plant Project, A Place Where Community and Plants Grow. It’s a beautifully curated plant shop that brings self-care, inclusion, and a love of plants together in a welcoming environment. Clarke opened her first Plant Project in Dallas during the fall of 2020. A Houston location soon followed in July 2021.

    Clarke offers expert advice on plant selection and care, local pick-up and delivery, nationwide shipping, and a variety of hands-on and how-to workshops on everything from repotting and flower arranging to diversity and self-care. She also regularly hosts Plant Pop-Ups in the community and at area farmers markets.

    That work earned Clarke Congressional recognition for The Plant Project as the First Black Woman Owned Plant Shop in Texas. Her inclusive lifestyle brand, The Iman Project, focuses on nourishing relationships and building a diverse community through style and design.

    I sat with “plant besties” Clarke and Carter post-event to chat about what’s most important to them: “community, giving, and sharing.”

    CultureMap: How did this partnership between the two of you come to be?
    Both: Joanna [Gaines]!
    Bree Clarke: It was at “Silobration” a few years ago. [Magnolia’s annual event in Waco, TX.]
    Hilton Carter: She [Joanna] said ‘Hey, there is this girl selling plants in the street!’ I love plant people and decided to roll-up on whoever this person was going to be. I gave her a hug and that was it! For me, in those situations, it’s a kinship between plant lovers, in that sort of sense. Also, an understanding of individuals who look like me. In the space, trying to share that sort of love and support as well. If I was in that situation — there, selling plants — I’d want to see someone there who looks like me.
    BC: In Dallas, I opened up the plant shop because you did not see a Black or Brown person at all. I wrote a blog on April 7, 2020, to focus on Black and Brown plant shops. I found “Plant Chica” in Los Angeles and a few others, no one in Texas — nobody in “our” neighborhood.

    I like my sons’ being able to see something I wasn’t able to see as a little girl. When Hilton goes up there on The Today Show, it just shows it’s available and attainable for everyone — truly plant joy for everyone. You [Hilton] set the road for me, and now I’m allowed to set the road for other people like me — and that’s what it is.

    CM: Do you feel you had an extra boundary as well because you’re a woman?
    BC: I look at color more than I look at sex. It’s so important to see someone who looks like [me]. In 2020 everybody came out as a “plant influencer” or “plantfluencer” and all that jazz. A lot of it was trending and hopping on to a trend, “oh, this is cool, or whatnot.” What I’ve seen with Hilton, it’s something that’s innate. I grew up with plants, he grew up with plants — mine is design and plant love.

    CM: You do a lot of workshops and plant education. Do you think of these as “safe space” workshops?
    BC: I want to educate people more than that. I want people to get in tune with themselves: self-care, plant-care, all being one. Figuring out yourself, going through your seasons — plants are the same: we need to eat, we need water, light, love, to be talked to and whatnot. I teach that part of it — that’s what The Plant Project is. I go to Hilton for the plant education part of it. Taking care of plants is taking care of you.
    HC: Plant-care is self-care.

    CM: To touch on the new book, I love that it’s organized like a textbook. Was that intentional?
    HC: It’s definitely a handbook; it’s formatted to be utilized. Some of my books are more “coffee table books” and are design heavy, leaning more towards pretty pictures and to help you in the process of caring for plants.

    For the most part, I think this book, the ultimate goal is for it to be treated more like a book book. I want these books to become dirt and water stained because people are using them. It’s like a cookbook, you’re always going to come back to it. Something people are going to pull out often, which is the reason I wrote it like I did.
    CM: I can see this living in the kitchen with the cookbooks for sure. That’s where most people tend to do their propagating.
    HC: Yes! Keep it where your sharp shears are!

    CM: You mentioned that you have a pilot coming up. Can we talk about that?
    HC: You can! I don’t know when it’s coming out, but I can say to be on the lookout for it. It’s a good one. It’ll be on the Magnolia Network, Discovery+ and MAX.

    The show is called “The Plant Stylist, with Hilton Carter.” NO! They changed it, it’s called “Planterior with Hilton Carter.”

    BC: He hates being called a “Plantfluencer.”
    CM: I’ve never heard that term, but I don’t like it either.
    HC: It’s just…ugh.
    BC: So many people call him that.
    HC: Write “Hilton doesn’t like to be called a ‘plantfluencer,’ he actually hates it with a passion.”
    CM: I can put that in the article.
    HC: Thank you!
    CM: “Not one to be mistaken for a ‘plantfluencer,’ Hilton Carter…”
    HC: Great!
    BC: I think people are recognizing you more now on the styling side.
    HC: I would hope! But, yeah, I don’t know when it’s coming out, but soon.

    CM: This is your fifth book, any plans for a sixth?
    HC: I have a sixth book coming out.
    PUBLICIST: Bree has a book coming out.
    CM: Do you?!
    BC: Yes. It’s called “The Plant Project.”
    HC: What’s the release date?
    BC: I don’t have a release date. I can’t really say anything except for the name and that it’ll be out in about 8-9 weeks.
    CM: Can you give us a theme for the book?
    BC: It’s about community, plants, and self-growth. The Iman Project and The Plant Project have always been about self-growth, workshops and creating a space for everyone — no matter your background, race, religion or style. I wanted to share plant growth with self-growth and have different things hand-in-hand while doing those. It’ll have workshops, DIY, not only plants, but flowers as well.
    CM: Cut flowers?
    BC: Yes, but flower bouquets and things.

    CM: Speaking of bouquets: Hilton, in your new handbook, you have a section on propagating entire bouquets. It never occurred to me that plants can be propagated together — that’s really cool.
    HC: Awesome! I think you should try it! The goal of the book is to spark some inspiration around not just propagation, but in ways you possibly haven’t done before.

    Hilton Carter The Plant Project

    Photo by Michelle Robertson

    The Propagation Handbook is Carter's newest work.

    Run, don’t walk to get your copy of Hilton Carter’s The Propagation Handbook: A Guide to Propagating Houseplants.

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    show-stopping sights

    10 must-see booths and the Technicolor tapestry at Houston's Untitled Art

    Emily Cotton
    Oct 2, 2026 | 12:45 pm
    Untitled Art Houston 2026
    Photo by Emily Jaschke
    Silver Party, the VIP lounge designed by Gin Braverman.

    The second installment of the Untitled Art Fair opened to quite the fanfare on Thursday, October 1. VIP guests and members of the press looked on as Houston Mayor John Whitmire sliced through the ceremonial ribbon, allowing eager contemporary art enthusiasts to be the first to see what the show has in store over the weekend.

    For anyone unfamiliar, Untitled Art serves as a curatorial platform for discovering contemporary art, spotlighting both emerging and established voices. Exhibitors are selected based on the strength of their programs and artistic vision, under the leadership of founder Jeffrey Lawson, executive director Clara Andrade, and Houston director Michael Slenske. This year, 98 galleries from over 20 countries and territories are participating.

    This year, Untitled Art offers hourly guided tours organized by advisory partner The Agency Art House. These intimate tours offer an insider’s perspective on key highlights, providing context, market insights, and acquisition strategies. Tours will be held hourly and can be booked in Booth A3.

    In addition, a podcast lounge where the audience can be seated to watch the Untitled Art Fair podcast sessions live has been carved out in an intimate corner of the show. Presented in partnership with Soho House Cities Without Houses, the Podcast Lounge will feature 28 panelists across seven discussions. This year’s program includes artists, collectors, curators, writers, institutional leaders, gallerists, and voices from the hospitality industry.

    Untitled tapped Houston-based hospitality designer Gin Braverman of the acclaimed Gin Design Group (Kirkwood, ChòpnBlọk, etc.) to design what have become “Public Lounge” and “Silver Party,” the Andy Warhol-inspired VIP lounge. In Public Lounge, Braverman conceived a gathering place anchored by a large-scale overhead installation — a visual marker within the fair’s landscape of tall partition walls.

    Braverman enlisted Rachel Hayes — textile artist and collaborator to brands such as Armani and Missoni, as well as musical acts Bon Iver and Olivia Rodrigo — to develop the artistic direction for the piece, resulting in True North, a new site-specific textile installation created specifically for Untitled Art Houston. The lounge is designed around the work, with its color and textile language extending into the space below, even the tablecloths have received the colorful Hayes treatment.

    “We knew pretty quickly that the lounge needed something with real scale. You’re surrounded by these tall white walls, and I wanted something overhead that would pull your eye up and give you a sense of where you were,” explains Braverman. “I’ve always loved Rachel’s work and the way it lives somewhere between art, architecture, craft, and fashion, so she immediately came to mind. We gave her the form and let her run with it. Then True North became our north star for everything happening underneath it—the color, the textiles, the way people move through the space. I love that you can sit under this enormous piece of art and actually live with it for a minute.”

    Hayes was immediately intrigued when approached for the commission. While the Tulsa, Oklahoma-based artist is no stranger to public art installations, the opportunity to weave her way into the hospitality realm seemed like a fresh and inspiring new avenue.

    “I’ve never done anything quite like this before. It’s fun to try something new and to have someone to try it with because it makes it a little less scary,” says Hayes. “These are my people — this art audience and art crowd — so I was really excited to get asked to do this. As someone who works on a lot of public art projects, the audience isn’t necessarily art-goers. I like that my work can ride the line between design, art, fashion, public art, and architecture.”

    Standing 16-feet-tall and spanning 10 feet in diameter, True North is a cylindrical textile installation composed of machine-sewn synthetic organza, nylon, lamé, and thread, including elements repurposed from Hayes’ previous works — every seam sewn by Hayes. The work draws on references ranging from grain silos and chandeliers to Mondrian’s grids and the pieced logic of quilts. On-site, Houston-based artist Matt Freis assisted Hayes with installation armature and lighting.

    Raised high above the show floor, True North can be anything the viewer desires it to be. Much like Joseph and the Amazing Technicolor Dreamcoat, a patchwork of translucent planes of color, intersecting seams, and shifting layers create a monumental volume that moves between art, design, architecture, and placemaking.

    “Something like this is a very contained form. The space is big enough that we could think big, but not have it be a total explosion or takeover of my art,” explains Hayes. “The fair is not about me. This is just one little moment in some breathing space and it’s cool to be a part of Gin’s world that she’s building. I’m really excited to see what people think. In textiles, different people bring different things to the table. It might remind them of quilts, or glass vessels, or sculptures — it’s fun to try something like that in fabric.”

    CultureMap Show Stoppers:

    Regardless of whether one attends as an admirer or a collector, Untitled Art offers so much to see. To best serve show-goers, CultureMap compiled a list of 10 do-not-miss galleries, artists, and a helpful guide to price points within the galleries themselves. From Houston and other Texas locals holding it down, to the international “big fish,” here are the top 10 standouts from the show…“in no particular order.”

    Gallery: LEE & BAE | New York/Busan, KR
    Artist: Sangmin Lee
    Price: $25,000
    Location: B30
    CultureMap’s Take: Inspired by Korean pottery, this artist carves vessel shapes into plate glass, then shadow box framing them to allow light to reflect the shapes into pottery formations in the background. Stunning.

    Gallery: HOFA | London
    Artist: Iljwa Kim
    Price: Starting, $32,500; Shown, $162,000
    Location: B31
    CultureMap’s Take: Working with hand-dyed Hanji paper, this artist creates surreal landscapes with stunning tactile qualities.

    Gallery: Dominique Porter Gallery | Los Angeles
    Artist: Sophie Vallance Cantor
    Price: Starting, $4,000; Shown, $12,600
    Location: C24
    CultureMap’s Take: This British portraiture artist and her fantastically-imagined self-portraits, shown with her cats, is sure to put a smile on every face.

    Gallery: Blouin Division | Montréal/Toronto, CA
    Artist: Renée Condo
    Price: $61,500
    Location: D26
    CultureMap’s Take: With a striking diameter of 108-inches, this wooden bead work by an indigenous artist puts bright colors and a contemporary twist on the natural world front-and-center.

    Gallery: Sundaram Tagore Gallery | New York/Singapore/London
    Artist: Anila Quayyum Agha* & more
    Price: Starting at $20,000
    Location: D16
    CultureMap’s Take: This gallery came to play. With multiple show-stopping works from various artists and mediums, steel sculptures, larger-than-life textiles works, and a lacquered steel light box display, this gallery is sure to pop up all over social media.

    Gallery: YOD Gallery + Zaza Galerie | Osaka/Kyoto/Tokyo, JP
    Artist: Kanaria Sur l’herbe
    Price: $8,000
    Location: D12
    CultureMap’s Take: Intrigued by the idea of complete utopia, this artist works in acrylic and colored pencil to create ethereal dreamscapes where bunnies, birds, and other creatures exist in nature as one.

    Gallery: TERN Gallery | Nassau, BS
    Artist: Richard Nattoo
    Price: Alter pieces, 3,500-4,250; “Bat,” $7,500
    Location: C6
    CultureMap’s Take: This Jamaican storyteller (and trained architect) leans into tradition and deep connections to nature in his episodic storytelling through a series of Jonkonoo festival-based pieces, bringing a full sensory experience through fragrant hand-framed alter pieces sourced from local Jamaican timber. Do not miss this.

    Gallery: Nara Roesler | Sāo Paulo/Rio De Janeiro, BR/New York
    Artist(s): Maria Dávila & Eduardo Portillo
    Price: $39,000
    Location: A2
    CultureMap’s Take: This large scale work in silk and Moriche fibers weaves a serene blanket of soothing autumnal hues guaranteed to bring all the cozy feels.

    Gallery: McClain Gallery | Houston, TX
    Artist: Pablo Picasso
    Price: Price upon request
    Location: A1
    CultureMap’s Take: Perhaps an obvious choice, there is always something magical about a slightly unhinged 1950s era Picasso in crayon, graphite, and ink on paper.

    Gallery: Silver Party VIP Lounge
    Artist: Maripol
    Price: Not for sale
    CultureMap’s Take: While not available to view by all Untitled ticket holders, the six Maripol works on display in Silver Party are quite incredible. Shot on an SX70 and printed on Canson satin paper, this collection of mostly selfies shot between 1977 and 1981 really are something to see.

    Check out Untitled Art Fair from Friday, October 2—Sunday, October 4 in Hall A3 at George R. Brown Convention Center.

    Untitled Art Houston 2026

    Photo by Emily Jaschke

    Silver Party, the VIP lounge designed by Gin Braverman.

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