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    give me shelter

    Meet the Houston architects teaching refugees to build permanent homes

    Emily Cotton
    Jun 27, 2025 | 10:46 am

    Two Rice architecture alums, and former Gensler Houston interns, Sam Brisendine and Scott Key are utilizing their top-tier education and expertise to make serious waves on a global level — and Gensler wants everyone to know about it. June is Global Giveback Month at the international design and architecture firm, and Every Shelter, the charitable organization founded by Brisendine and Key, is getting the spotlight with a new exhibit in the lobby of Gensler’s office in downtown Houston titled “Why We Flee.”

    Photographed by 26-year-old war photojournalist Moses Sawasawa, “Why We Flee” shines a light on one of the world’s largest drivers of human displacement today: an endless conflict in the Democratic Republic of Congo, or DRC. Also on display are the common goods that Every Shelter helps to repurpose into supplies and tools that refugees can then use to design and build their own permanent homes themselves.

    Every Shelter focuses on designing, building, and supplying permanent shelter solutions for homeless and displaced war and natural disaster refugees. Based in Houston, TX, and Kampala, Uganda, Every Shelter works directly with newly-arriving refugees from the DRC in Nakivale Refugee Settlement in the southwest of the country.

    Every Shelter is unique in that they are “community led, expert supported,” and teach communities how to design and build for their own communities. Megan Mark, director of advancement at Every Shelter, tells CultureMap about a design studio that they are currently piloting at their Ugandan office.

    “We have a humanitarian aid architect there and a program manager. They work with the social innovation leads, who are typically refugees who we’ve employed to help us navigate refugees’ needs in the context of the environment that they are in,” she says. “A refugee who is in Turkey doesn’t have the same needs as a refugee in Uganda. Right now we have three architects who are still in school.”

    Humanitarian aid architects spend nine weeks leading an architecture and design curriculum for refugees between the ages of 18-30 years old. At the end of the nine weeks, the students will have designed a solution, or “intervention” as Every Shelter calls it, for a need that they have in the community.

    “We are really excited to see what they come up with,” says Lauren Hanson, community manager at Every Shelter. “We teach refugees how to make things, then certify them to be the teachers. Then they can go make their own, they can sell their own, they can even start their own business teaching others how to make these things. We want to give the power to them to take whatever intervention we come up with and utilize it. They can take any idea and scale it, and that’s what we want to happen.”

    The most coveted shelter solution by far has been the brick molds that Every Shelter supplies to the communities. While brick molds are nothing new, availability has been scarce. With high demand and low supply, local rental fees for these tools skyrocketed. The UN and the Ugandan government supply refugees with land, a UN tarp, a few poles, and a small amount of money to get settled. Refugees tend to spend 10-26 years in these settlements, far longer than the 3-6 month lifespan of a UN-supplied tarp.

    By supplying brick molds and an invaluable education in building and design — especially lessons on making bricks from local organic matter — Every Shelter can get families from living under a tarp to living in a brick home in about a year. The brick molds cost under $10 to make, and the savings from potential rental fees ($130) is the equivalent of three months of food per household, which is a huge savings for families who are trying to get their children into schools.

    Communities band together to share molds and can work together to allocate bricks in an efficient manner. One house requires approximately 1,500 bricks, and with lessons from Every Shelter, families can design and build homes that best fit their individual needs. Skylights are designed and built using recycled water bottles, and decommissioned billboards are treated and up-cycled into roofing and floor tiles, which have a lifespan of about eight years. Lessons in home repair are also instrumental for those who may need them down the line.

    The focus that Every Shelter places on design, architecture, and construction in underserved communities is something that resonates deeply with Gensler. Stephanie Burritt, managing director and principal at Gensler Houston, certainly feels a connection to the organization’s ethos.

    “When they came to us and told us what they are doing, it was just hand-in-glove in terms of how it fit with our global giveback and our focus on homelessness, and it just made a lot of sense,” Burritt tells CultureMap. “We have happy hours here with contractors, employees, vendors, and everyone who walks through here all the time asks us what this is that we are showcasing and how they can help.”

    Gensler’s summer intern class arrived the same week as the “Why We Flee” installation, and Burritt thinks it has been a good thing for them to see. “I think, for them, it was super exciting to see somebody who had been an intern — 12 years ago, or whatever it was — and go ‘Oh, wow! This is the kind of impact I can have at some point in my career that’s beyond what you see in our day-to-day work at Gensler.’ And I think that’s really special.”

    Every Shelter co-founder Scott Key enlisted college friend and curator Ben Rasmussen to oversee the installation of the exhibition. As for the subject matter, Rasmussen wants the show to be experienced in a fluid way. “Wherever you enter is how you experience it,” he says. “It can be moved through in whatever way people choose, and that sort of personal way of moving through the work kind of echoes the sort of chaotic way that people experience it on the ground. So we wanted for that to exist in a way that people can see it, without trying to force an education on a really long-running and complex conflict.”

    One benefit of the exhibition is the amount of exposure that Every Shelter is receiving from Gensler’s local contractors and vendors, with labor and materials contributions for the organization’s new Heights-area office already pouring in. “Why We Flee” hopes to find a new home after its time at Gensler comes to a close at the end of the summer, so check in with Every Shelter if a trip to Gensler this summer isn’t in the cards.

    -----

    See “Why We Flee" Monday-Friday from 9 am-5 pm at Gensler’s Houston office in 2 Houston Center (909 Fannin Street, Suite 200).


    Every Shelter refugee Africa

    Photo by Moses Sawasawa

    Every Shelter educates communities on how to build homes using brick molds and local, organic materials.

    home-designarchitectureevery sheltergensler
    news/home-design

    Hall-elujah, y’all

    Round Top antiques destination opens new hall, eyes year-round future

    Emily Cotton
    Oct 23, 2026 | 10:30 am
    Marburger Farm Gage Hall
    Courtesy of Marburger Farm
    Gage Hall is constructed of salvaged materials from around the farm, juxtaposed with modern metal and glass elements.

    It’s the best time of the year for antiques-loving fashionistas. As the 2026 Round Top Fall Antiques Show enters its second week, Texas Highway 237, aka “the hill country catwalk,” kicks into high gear. Keeping with tradition, the final Tuesday of the show is opening day for nearly 30-year-veteran Marburger Farm. Drawing top designers and architects from across the country, Marburger showcases the best-of-the-best in antiques and vintage.

    During the spring show last March, Marburger debuted phase one of an extensive restoration project that included updating and relocating 10 historic buildings, centralizing them around a newly-developed green space, and bricked walkways emulating a traditional town square. This fall, a new exhibition hall will be revealed, ending phase two of the ambitious 18-month-long project.

    The new structure marks the latest evolution of the 43-acre property, signaling Marburger’s ambition to be something more than a twice-yearly antique show. Located on Main Street, between Tent 2 and "The Park," the hall will bring an additional 7,500 square feet of temperature-controlled shopping space that will serve as the premier destination for a curated group of 12 dealers, offering antiques and vintage pieces sourced from around the world.

    Notable vendors in the exhibition hall include Mallorca-based Jay Bearden of Patternmill, a “destination dealer” whose premium furniture is a continuous draw for seasoned designers, and Bradley Hester of B. Hester Antiques, known for distinctive antiques, art, and textiles from Europe, Africa, and the Middle East.

    “It has taken about 18 months to complete both phases of the redevelopment, so it’s incredibly rewarding to finally share it all as one cohesive site: the 10 restored historic buildings, the town square-inspired layout, the new food and entertainment spaces, and now the new exhibition hall,” Marburger CEO John Sughrue tells CultureMap. “Our goal has always been to deliver the best antique show experience, and seeing it come together this fall, with our dealers, longtime guests, and new visitors, feels like a real milestone.”

    While the new exhibition hall may have a somewhat modern feel, reclaimed wood and salvaged materials from around the farm were used to juxtapose the contemporary sky glass features. Traditional board-and-batten and heritage elements like the Texas metal roof coexist with modern details. Together, these features tell the story of the farm’s past, present, and future. It’s too soon to tell how Marburger purists will take to the changes, but Sughrue is optimistic.

    “We were very intentional about redeveloping Marburger Farm. Marburger fans love the farm’s history, and so do we,” Sughrue explains. “Marburger Farm has always been a dynamic venue for discovery. The restoration of our historic buildings is a reflection of our deep appreciation and respect for our heritage, albeit we are not a museum and the contemporary elements of the new building speak to our intention to continue dynamic programming in the future. Steeped in our heritage while focused on the future is core to our ethos at Marburger.”


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    A post shared by Marburger Farm Antique Show (@marburgerfarm)


    Founded on a dairy farm in 1997 by somewhat-accidental-antiques-dealer Ed Gage, Marburger Farm changed hands 5 years ago and now lives comfortably under the stewardship of Dallas-based Brook Partners. The new exhibition hall — aptly named “Gage Hall” — and the plethora of newly-restored 18th and 19th century buildings turn over a new leaf for the farm. Accessibility and new all-weather facilities open the door to Marburger growing into a thriving year-round destination. One thing’s for sure, Gage doesn’t seem to mind. Shoppers will find him selling his antique wares in Tent 1 this fall.

    “Marburger Farm has always been anchored by our spring and fall shows, and our winter show will debut this January,” says Sughrue. “Those shows will always be our marquee moments. However, now we have a new exhibition hall, all 10 historic buildings are restored, and we have the incredible food pavilion overlooking the pond. We’re now available year-round as a venue for private rentals and we may program the property with additional events that appeal to Round Top lovers. Our company also operates the Dallas Art Fair, the Aspen Art Fair, and the Fashion Industry Gallery. We have the cultural resources to do more. Marburger Farm is just getting started!”

    The new entertainment pavilion overlooking the pond serves as a place to enjoy a full breakfast, lunch, and dinner as well as a full bar. Coffee and beverage pop-ups around the farm include W6 Coffee Co., Amanecer Co., Clementine Coffee, and Big Hat Mocktails. There are also full bars around the property.

    Live music is also a big draw during the show. Rebecca Patek & Sophia Johnson (Austin country duo) will perform Tuesday, October 27, from 9-11 am, during the opening morning tailgate. Later in the afternoon, Monica Valli (blues/Americana guitarist) will perform from 3-5 pm (dinner served until 6 pm). The Reed Brothers (San Antonio band) will perform Friday, October 30, 4-6 pm (dinner served until 6 pm). On closing day (Saturday, Oct. 31), Ian Kocourek (singer-songwriter) will perform from 11 am-1 pm.

    As closing day happens to fall on Halloween this season, Marburger will offer guests a trick-or-treat trail with dozens of dealers handing out candy. Live music and photo ops will also occur throughout the day. Be sure to scout soon-to-be-coveted T-shirts inspired by Gage Hall, ringer tees, embroidered totes, artistic totes, hats, and more from Marburger Farm.

    The Marburger Farm Antique Show (2248 South Highway 237, Round Top) is open from 2 pm on Tuesday, October 27 through 5 pm on Saturday, October 31. Tickets ($15) include unlimited entry throughout the show. Early bird tickets ($40) include early shopping access in the promenade and Gage Hall (9 am entry on October 27), plus complimentary coffee and mimosas.

    Marburger Farm Gage Hall

    Courtesy of Marburger Farm

    Gage Hall is constructed of salvaged materials from around the farm, juxtaposed with modern metal and glass elements.

    marburger farmround topround top fall show 2026shoppingantiquesopenings
    news/home-design

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