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    The Farmer Diaries

    Texas farmer shares seedless secret to growing summer veggies through winter

    Marshall Hinsley
    Marshall Hinsley
    Sep 13, 2015 | 9:00 am

    For years, I've grown greens right through the winter, long after cucumbers, squash, and okra have been killed by the first frost of the season. I've enjoyed the kale, collards, mustard greens, broccoli, and turnips that fill my dinner plate until the spring, even as I crave the meatier flavors of summer.

    I've tried to vary my wintertime harvest. Two years ago, I grew squash and cucumbers in a small greenhouse my father built back in the '80s. But I learned that, although I could grow a pretty plant, it bore no fruit. These crops require bees to pollinate them, and there were none to be found during the cold, rainy part of the year.

    I did net a few cucumbers, the result of my hand-pollination of female flowers by poking their male counterparts into their petals. But the process was time-consuming and relied on the right humidity, temperature, time of day, and age of the flower to fall into place. Mimicking nature's processes proved to be no easy task and hardly worth the effort.

    The benefits of seedless hybrids
    But then last fall, I stumbled onto the secret that professional growers use to grow summertime crops year-round: seedless hybrids, bred to need no insects for pollination. These are the source for the cucumbers and zucchini we see in grocery stores during the winter.

    These seedless hybrids are gynoecious, which means that they produce only female flowers. Female flowers have what look like tiny fruits already formed underneath them. In fact, that's kind of what they are — but to grow into something worth eating in standard varieties, these little fruits must contain fertilized seeds or they'll dry up and fall off. Not so with the hybrids.

    These hybrids have another trait that's been bred into them by trial and error: They're parthenocarpic, which means that their ovules don't need to be pollinated in order for the plant to grow a cucumber or squash large enough to pick. They grow on their own, and because they've not been pollinated, they are almost always seedless.

    I was resistant to buying hybrid seed. They're not genetically engineered; hybrids have been around for centuries and are produced through traditional breeding methods. I avoid them only because they don't produce seed that can be relied on to grow a new generation of crops, which is really no big deal. So, I dropped my hang-ups and made an allowance for these hybrids because the promise of picking summer vegetables in the dead of winter was too enticing to pass up.

    The trial with squash and cucumber
    For my first attempt at so-called controlled environment agriculture, I bought a pack each of Partenon squash and Corinto cucumbers from Johnny's Select Seed. The seeds are pricier than standard varieties. A mini pack costs about $5 or $6 for just 10 seeds, which is understandable because hybrids are labor intensive and can take decades of breeding to perfect.

    A mishap involving crickets left me with only three squash sprouts, a day or two after they popped up last January. In two-gallon plastic flower pots with coconut coir and perlite as the growing medium, they grew quickly into full-sized squash plants with broad, beautiful, green leaves and healthy stalks.

    By February, they bloomed with succulent flowers that blossomed longer than the standard varieties I've grown. They didn't drop off when the fruit began to put on mass, so I was able to pluck them off whole for an added treat of fried squash blossoms.

    About a week and a half after forming, the zucchini squash were ready to pick. In the kitchen, they sliced up nicely but were firmer than their standard cousins. Sauteed with onions, they were indistinguishable from the zucchini I pick in midsummer. There on my plate in the middle of winter was a side of squash, which I considered a success.

    More impressive were the seedless cucumbers I planted in one-gallon plastic pots using the same growing medium. Three weeks into their growth, I found it necessary to support their fast-growing vines up several strings of jute twine that I hooked onto the rafters of the greenhouse eight feet above ground. The vines grew up the twine and across the rafters and back down toward the ground so fast that I felt I could see their progress from hour to hour.

    Along each foot of their growth, a flower that needed no bees or butterflies for pollination bloomed and dropped off, leaving a shiny, dark green cucumber in its place. After about two weeks of growth, the cucumbers were ready to slice up and put in a salad.

    The squash was an acceptable substitute for the superior standard summertime varieties, but the cucumbers were better than the varieties I grow outdoors. They were long and slender with thin, smooth skin. Their flavor was mild without a hint of bitterness.

    Seedless success
    By the beginning of March, when one last snowfall blanketed the ground outside the greenhouse, my five indoor plants were growing three to five cucumbers each. Fruit hung down all the way up the vines and down from the rafters overhead.

    By spring, aphids overtook my squash plants, but I fended them off the cucumbers with a daily application of plant wash. The cucumbers continued to produce until June, when I directed my labor back to outdoor growing. They could have lived on and yielded plenty more, but I didn't have the time to tend these monster vines.

    As I prepare my greenhouse for this winter, I've begun to plan on other seedless hybrids I'll try out. They'll grow with the greens I produce hydroponically. I only need to keep the temperature above 50 for everything to stay safe.

    If I had no access to a greenhouse, I'd still grow a couple of pots of each in the sunlight of a south-facing patio door, maybe with a little supplemental light from an LED grow light. I can also see these doing well on an apartment balcony, as long as they're brought in any night when frost is likely. The cukes would have to be pruned, of course. A sunroom might even be a better place than a greenhouse as the warmer temperatures are preferable.

    Both the squash and the cucumbers were heavy feeders; I watered them with a stout solution of hydroponic nutrients. This gave them the moisture and the food they needed in one easy task.

    When it was cold and cloudy, they needed this treatment only twice a day. By May, when the sun was shining and the days were long, I watered and fed them about five times each day. I'll automate this work with pumps and timers this year.

    Seedless hybrids have opened my mind up to a whole new approach to keeping my pickings coming in year-round. For now, I plan to use these to add variety to my wintertime fare. As I hope to one day move up from being just a hobby farmer to a full-time commercial grower, I'm sure I'll rely on these hybrids for a steady harvest to take to the market.

    One of the advantages to growing hybrid squash indoors during the winter is a plentiful supply of delicious squash blossoms.

    Photo of plate full of sqaush blossoms
    Photo by Marshall Hinsley
    One of the advantages to growing hybrid squash indoors during the winter is a plentiful supply of delicious squash blossoms.
    unspecified
    news/home-design

    right on track

    First look at members-only work club’s vintage-filled new East End outpost

    Emily Cotton
    Aug 19, 2026 | 12:52 pm
    Switchyards work club East End
    Courtesy of Switchyards
    Signature boothbank seating takes center stage just off of the cafe.

    Houston’s trendy East End neighborhood continues to heat up as the newest Switchyards work club sets its opening date for Monday, August 31. Following the wildly successful Montrose location that — like all Switchyards clubs of 2025 – sold out its memberships on opening morning, the new East End club (3401 Harrisburg Blvd, Suite H.) is sure to perform just as well.

    Self-described as “kinda like an Italian soccer internet cafe combined with a really cool vintage shop,” each of the 39 individual clubs is designed with a strong focus on the history of the neighborhood and local culture. The East End club is located in the historic Imperial Laundry building from the 1940s — joining popular dining destination Street to Kitchen, among others.

    It’s a fair assertion that the popularity of the network of Switchyards work clubs boils down to, well, vibes. Not that 24/7 access, fast Wi-Fi, and free locally-sourced coffees and teas aren’t a heck of a draw, but Switchyards has quickly developed a brand identity that is as enviable as it is recognizable.

    Swoon-worthy vintage furniture, locally-shopped vintage decor and accessories, creativity-sparking art and design books ready to stretch their spines, and cozy rugs underfoot are all carefully chosen to offer ideal working spaces and conditions for any and every one of the 250 club members — that’s the membership cut off, by the way. After those initial spots fill on drop day, it’s waitlist city.

    CultureMap recently toured the nearly-completed site to meet the design team and to chat with Switchyard’s head of design Jared Erickson about the newest club, the process of designing each individual club, and more.

    “In our spaces we try to mix the best of a hotel lobby, a dive bar, and your local neighborhood coffee shop, creating these different zones so no matter what type of work you’re looking to do, you have the right seat for that work,” explains Erickson. “What are the best neighborhoods in America and where can we fit in there? We want to be always tucked away. We aren’t looking at the downtown, coolest spots where all the big brands go, but for what feels like part of the neighborhood. Behind us we have streets and streets of houses and anyone who wants to walk here doesn’t have to drive across town. That’s why we want to go into awesome cities and plant ourself in the best neighborhoods.”

    Not only is the East End location extremely walkable, it’s directly across from a Houston Metrorail line and just down the street from a busy railway interchange.

    “It’s funny because Switchyards is really a train term and somehow we do find ourselves pretty close to transit and to trains,” he says. “We have a couple of places in Chicago that are right on the Blue Line.”

    The Switchyards brand is so far opposite from other similar concepts that it’s a bit of a disservice to group them into the “shared workspace” category. While it is absolutely a space for work, it reads and lives more like a lifestyle brand. It’s a safe space for no-nonsense creative types and people who were into Bret Easton Ellis long before he was reduced to a Ryan Murphy shill. And good luck ever overhearing a member say something ridiculous like “let’s circle back.” Switchyards people are the cool kids — in this author’s opinion.

    “You have your nine-to-five tech worker that’s going to come work out of here a couple of hours a day — maybe it’s on their way from dropping their kids off at school — and they can come in and knock out a full day’s work in four hours,” says Erickson. “Then you have your gig workers that are doing something else during the day and either have a side project or something they want to work on at night. We take anyone, but it’s also a space that’s not for everyone — you know?”

    Switchyards may be the company’s name, but they make it a point to stay very much on track. Multiple, work-focused quiet zones coexist with more relaxed, flexible spaces for mixing and mingling. Private “phone booth” spaces make allowances for calls, while “heads down” spaces are completely no-nonsense. The only sound allowed in these spaces is the comfortable hum of white noise machines. Breakout rooms are available to book free of charge as well.

    “The team works really closely together to think about everything that’s going to go into the space and how to tell the story and feel cozy,”explains Erickson. “We mix old and new. We will have an older style credenza and club chairs and then mix and match where we need to to get that little high-low feel.”

    The team used the Imperial Laundry facility’s history as its jumping off point. Erickson was even able to score an original trucker-style ball-cap from eBay. It sits in the lobby trophy case with other local trinkets and finds related to the neighborhood and to the laundry business.

    “We leaned into the space and into the neighborhood and that kind of tells us where we are going with the decor. We have our base — what we call our 80 percent items — that we just know we are going to use: booth runs and table tops. Then we mix in some found objects or anything we come across. Each space is unique, but very ‘Switchyards’ at the same time.”

    The lobby display case is a bit of a Switchyards staple, with each club receiving its own antique or vintage display or trophy case. Erickson sources these, usually in bulk, from old schools. Which is charming, considering the strong mid-century academia aesthetic that pulses through all of their clubs.

    “We always try to include this kind of display or trophy case to keep all of our treasures,” says Erickson.“I think of that as ‘What would the guy that owned this space before we got here — what would he be collecting? What was their thing that they liked, held onto, and put into a display or trophy case to save for later?’ We find that as a point of inspiration for our members, too. As they’re walking through or maybe waiting on someone at the door, they can have something to look at.”

    Members will find everything from nostalgic vintage letterman’s jackets and pennants to old ashtrays and wooden thread bobbins behind the glass cabinet doors. Take a break from work to stroll through the cafe area and into the lobby to get lost in all the fun bits and bobs in the trophy case — as a treat.

    Speaking of the variety of pennants throughout the space, Erickson admits that not all of the beautiful felted wool pieces are authentic vintage. Switchyards enjoys a partnership with Oxford Pennant, who help create custom pieces that lean into the older aesthetic and fill any gaps they may have in their vintage inventory. The team chooses the best vintage designs from each decade, working them into the space in a way that feels cohesive.

    “We use an 80/20 rule. It’s sort of like we try to have 80 percent of it — tables, chairs, the things that matter but don’t really matter—or that we know are tried-and-true, and then we fill with 20 percent of these highly-curated items,” explains Erickson. “So we do try to locally source, especially in markets that we’re already in. What can we buy locally and keep in the neighborhood, keep in the city, and keep in its market?”

    Switchyards is headquartered in Atlanta, where Erickson and his team create the majority of the design plans for the clubs before packing their core pieces and hitting the road. Their approximately 20,000-square-foot warehouse is also where the team keeps its bulk vintage scores from around the country — even from right in Houston’s kitschy neighbor Round Top.

    “Since we are building out so many spaces, we like to buy entire collections. Like the big barrels and the hundreds of green bins from a warehouse that was going out,” says Erickson. “Then we ask how we can bring these things into a space and use them — the filing cabinets are kind of our signature move. Instead of building a wall, we will do a row of filing cabinets to divide up the space and make it a bit more cozy. I bought about 200 vintage Eames chairs [at the Round Top spring show] — the stackable shell chairs with fabric — and got a killer deal on them and that made it all worth it.”

    As for the rest of that 20 percent of the design, the design team shopped local thrift and resale shops in the area to find everything they needed to make the space feel like it can tell more of a story.

    “We went to a local creative reuse store and bought up a bunch of little pails and build-up items,” explains Erickson. “One of my favorite things I got there is this weird welded piece (it currently lives atop a cafe cabinet). It was probably someone’s practice-weld piece, but we just love it. We love unique items that feel handmade and that you’re not going to find anywhere else. I love it when you find that special store and come across a vintage Thurston lamp for $20 when you know it’s a $400-600 item — it feels good.”

    The cafe area has an interesting selection of wall decor. That starts with a custom made light box containing a cork bulletin board for club news and upcoming events like “iced coffee Fridays” among historical papers and pennants. Erickson’s original pen and paper design sketches live beneath a nonchalant tac in the drywall — all centered around the site plan for Erickson’s babies, the tanker desks that became a gift that kept on giving.

    “I knew we were going to use tanker desks”, he says. “Those are probably my favorite pieces here. I bought about 200 of these from a warehouse office that was going out of business. It was pretty wild, because we got a great deal on them and the drawers still had items in them. We’ve used some of those pieces throughout the space as well. Yeah, that’s probably one of my favorite parts.”

    The entire design for the space is highlighted by the heavy assist from the original industrial windows from the building’s construction in the 1940s. In spaces that are somewhat beyond the reach of the abundant natural lighting, lamplight fills the gaps. All artificial lighting has been designed to be soft and relaxing — nothing too stark or bright.

    Switchyards, including the lighting, is anything but sterile. Erickson says the aesthetic successes of each work club comes from embracing what’s there, like the steel windows.

    “I’m always inspired by just using what I have. There are so many options out there, especially online, and ‘trends’ that come and go. I think just finding that style that speaks to you and just having a sense of taste and what can go together — that you may not see on Pinterest — works. And using what you have is and can be a super power if you just lean into it.”

    Membership info

    Memberships, priced at $129 per month, will go on sale at 10 am on Thursday, August 27. Sneak peaks and pop-ins run from August 24-26 (RSVP here). Once the first 250 memberships have sold, Switchyards will maintain a waitlist. There is an early access email list as well as a text notification list for receiving the membership registration link on August 27. Switchyards has hinted that links may go out via text alerts first, so do with that what you will.

    Switchyards work club East End

    Courtesy of Switchyards

    Original 1940s windows set the tone for the design.

    openingsswitchyardseast endhome-designinterior design
    news/home-design

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