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    The Farmer Diaries

    Texas farmer shares seedless secret to growing summer veggies through winter

    Marshall Hinsley
    Marshall Hinsley
    Sep 13, 2015 | 9:00 am

    For years, I've grown greens right through the winter, long after cucumbers, squash, and okra have been killed by the first frost of the season. I've enjoyed the kale, collards, mustard greens, broccoli, and turnips that fill my dinner plate until the spring, even as I crave the meatier flavors of summer.

    I've tried to vary my wintertime harvest. Two years ago, I grew squash and cucumbers in a small greenhouse my father built back in the '80s. But I learned that, although I could grow a pretty plant, it bore no fruit. These crops require bees to pollinate them, and there were none to be found during the cold, rainy part of the year.

    I did net a few cucumbers, the result of my hand-pollination of female flowers by poking their male counterparts into their petals. But the process was time-consuming and relied on the right humidity, temperature, time of day, and age of the flower to fall into place. Mimicking nature's processes proved to be no easy task and hardly worth the effort.

    The benefits of seedless hybrids
    But then last fall, I stumbled onto the secret that professional growers use to grow summertime crops year-round: seedless hybrids, bred to need no insects for pollination. These are the source for the cucumbers and zucchini we see in grocery stores during the winter.

    These seedless hybrids are gynoecious, which means that they produce only female flowers. Female flowers have what look like tiny fruits already formed underneath them. In fact, that's kind of what they are — but to grow into something worth eating in standard varieties, these little fruits must contain fertilized seeds or they'll dry up and fall off. Not so with the hybrids.

    These hybrids have another trait that's been bred into them by trial and error: They're parthenocarpic, which means that their ovules don't need to be pollinated in order for the plant to grow a cucumber or squash large enough to pick. They grow on their own, and because they've not been pollinated, they are almost always seedless.

    I was resistant to buying hybrid seed. They're not genetically engineered; hybrids have been around for centuries and are produced through traditional breeding methods. I avoid them only because they don't produce seed that can be relied on to grow a new generation of crops, which is really no big deal. So, I dropped my hang-ups and made an allowance for these hybrids because the promise of picking summer vegetables in the dead of winter was too enticing to pass up.

    The trial with squash and cucumber
    For my first attempt at so-called controlled environment agriculture, I bought a pack each of Partenon squash and Corinto cucumbers from Johnny's Select Seed. The seeds are pricier than standard varieties. A mini pack costs about $5 or $6 for just 10 seeds, which is understandable because hybrids are labor intensive and can take decades of breeding to perfect.

    A mishap involving crickets left me with only three squash sprouts, a day or two after they popped up last January. In two-gallon plastic flower pots with coconut coir and perlite as the growing medium, they grew quickly into full-sized squash plants with broad, beautiful, green leaves and healthy stalks.

    By February, they bloomed with succulent flowers that blossomed longer than the standard varieties I've grown. They didn't drop off when the fruit began to put on mass, so I was able to pluck them off whole for an added treat of fried squash blossoms.

    About a week and a half after forming, the zucchini squash were ready to pick. In the kitchen, they sliced up nicely but were firmer than their standard cousins. Sauteed with onions, they were indistinguishable from the zucchini I pick in midsummer. There on my plate in the middle of winter was a side of squash, which I considered a success.

    More impressive were the seedless cucumbers I planted in one-gallon plastic pots using the same growing medium. Three weeks into their growth, I found it necessary to support their fast-growing vines up several strings of jute twine that I hooked onto the rafters of the greenhouse eight feet above ground. The vines grew up the twine and across the rafters and back down toward the ground so fast that I felt I could see their progress from hour to hour.

    Along each foot of their growth, a flower that needed no bees or butterflies for pollination bloomed and dropped off, leaving a shiny, dark green cucumber in its place. After about two weeks of growth, the cucumbers were ready to slice up and put in a salad.

    The squash was an acceptable substitute for the superior standard summertime varieties, but the cucumbers were better than the varieties I grow outdoors. They were long and slender with thin, smooth skin. Their flavor was mild without a hint of bitterness.

    Seedless success
    By the beginning of March, when one last snowfall blanketed the ground outside the greenhouse, my five indoor plants were growing three to five cucumbers each. Fruit hung down all the way up the vines and down from the rafters overhead.

    By spring, aphids overtook my squash plants, but I fended them off the cucumbers with a daily application of plant wash. The cucumbers continued to produce until June, when I directed my labor back to outdoor growing. They could have lived on and yielded plenty more, but I didn't have the time to tend these monster vines.

    As I prepare my greenhouse for this winter, I've begun to plan on other seedless hybrids I'll try out. They'll grow with the greens I produce hydroponically. I only need to keep the temperature above 50 for everything to stay safe.

    If I had no access to a greenhouse, I'd still grow a couple of pots of each in the sunlight of a south-facing patio door, maybe with a little supplemental light from an LED grow light. I can also see these doing well on an apartment balcony, as long as they're brought in any night when frost is likely. The cukes would have to be pruned, of course. A sunroom might even be a better place than a greenhouse as the warmer temperatures are preferable.

    Both the squash and the cucumbers were heavy feeders; I watered them with a stout solution of hydroponic nutrients. This gave them the moisture and the food they needed in one easy task.

    When it was cold and cloudy, they needed this treatment only twice a day. By May, when the sun was shining and the days were long, I watered and fed them about five times each day. I'll automate this work with pumps and timers this year.

    Seedless hybrids have opened my mind up to a whole new approach to keeping my pickings coming in year-round. For now, I plan to use these to add variety to my wintertime fare. As I hope to one day move up from being just a hobby farmer to a full-time commercial grower, I'm sure I'll rely on these hybrids for a steady harvest to take to the market.

    One of the advantages to growing hybrid squash indoors during the winter is a plentiful supply of delicious squash blossoms.

    Photo of plate full of sqaush blossoms
    Photo by Marshall Hinsley
    One of the advantages to growing hybrid squash indoors during the winter is a plentiful supply of delicious squash blossoms.
    unspecified
    news/home-design

    MAI oh MAI

    Treasured Houston antiques collective adds 5 Round Top-worthy vendors

    Emily Cotton
    May 8, 2026 | 11:40 am
    Memorial Antiques and Interiors Laurier Blanc
    Photo by Andy Phan
    Laurier Blanc imports oil paintings and more from Belgium.

    Many Houstonians love a good stroll — or promenade, if you will — especially if that stroll includes a morning or afternoon meandering through collections of art, vintage, and antiques. As rising rents drive some of the city’s most beloved independent dealers exclusively into e-commerce, veteran collectives are holding the line on offering an in-person shopping experience.

    For 20 years, Memorial Antiques & Interiors, affectionately known as MAI, has remained a fixture of the interior design community. Don’t be intimidated by its location in the Houston Design Center. The more than 15,000-square-foot collection is completely open to the public, and it’s not uncommon to see fellow shoppers dressed for a Pilates class rather than a luxury boutique.

    Known for styled, magazine-worthy vignettes, MAI blends antiques with contemporary living and offers a fresh perspective on how to incorporate timeless pieces into today’s interiors. What’s not so well known, however, is that MAI is the off-season home to some of Round Top’s most illustrious dealers, with more joining the ranks every day.

    The spring refresh debuts five new faces to the lineup of over 45 dealers, offering curated pieces from across the US and Europe: “This season marks a defining shift at MAI,” MAI marketing director Meghan Horne tells CultureMap. “The vendor mix is exceptional, bringing together iconic dealers and a true trove of one-of-a-kind finds, all within a setting that offers unmatched access. Inventory is constantly evolving with new pieces arriving daily, and its proximity to Houston’s design community makes it an invaluable resource. If you love Round Top, this is that same energy, year-round.”

    Familiar faces from Round Top include Big Red Barn favorite Gracie’s Custom Interiors; Market Hill vendors Provence Antiques and Susan Horne Antiques (who recently doubled her space at MAI); and The Compound regular Laurier Blanc. Long time MAI vendor Tres Bien Antiques is a Blue Hills staple, while The Cargill Collective, The James Collected, and Zuniga & Co. all show under the tents at Marburger Farm. Zuniga & Co. shows at The Compound as well. The owner of Fickle Barn in Round Top also has a space a MAI.

    “MAI focuses on beautiful objects that are one of a kind, and we specialize not only for the trade, but for the public, and it’s a need and a necessity in Houston,” Horne says. “Specializing not only in antiques, but in fabulous oil paintings, lighting fixtures, bookcases, and all the small home decor accessories that you need, to say, impress your mother-in-law.”

    Joining longtime MAI favorites like Assemble Art & Advisory by photographer Kerry Kirk, BAYAT Rugs, and six-bay, 1,400-square-foot shop MK Rathmell Antiques and Interiors, these are the newest vendors to MAI:

    William Gardner Antiques
    W. Gardner brings his celebrated eye and decades of experience to Memorial Antiques & Interiors, marking his first expansion into a second location. Known as one of Houston’s most respected antique dealers, his collection reflects years of thoughtful curation, with pieces that feel both storied and relevant.

    Joseph Collins Antiques and Modern Design
    Palm Beach–based Joe Collins is on a mission to unearth undiscovered artists and artifacts, offering an extraordinary journey through time, culture, and the depths of human creativity. Now extending his footprint to Houston from Round Top’s Market Hill, he brings a fresh, globally-informed point of view to the city’s design landscape. We spotted an exceedingly rare, hand-signed Arthur Court humidor in the shape of a fox that will certainly not stay available for long.

    Memorial Antiques and Interiors Joseph Collins MAI newcomer Joseph Collins shops east coast estate sales for items like this rare, hand-signed humidor by Arthur Court.Photo by Emily Cotton

    Bug In The Box
    Bug in the Box offers handcrafted, museum-quality insect displays featuring rare specimens sourced from around the world and preserved with precision and artistry. Rooted in a background of entomology and design, each piece is ethically-sourced and thoughtfully-composed, resulting in striking, one-of-a-kind works that blur the line between natural history and decorative art. Through a special agreement with the Houston Museum of Natural Science, Bug in the Box preserves butterflies from the Cockrell Butterfly Center to be sold in the HMNS gift shop — in exchange for access to specimens to preserve for personal projects, giving them new life as curated works of art.

    Purveyor Tristan Erickson‘s sensitive and enthusiastic approach to specimen preservation allows his works to feel less like taxidermy and more like objets d’art. Butterflies centered around antique gilt pieces and placed beneath crystal clear cloches or in shadow boxes, perfectly-perched exotic birds, and brass candlesticks displaying ostrich and emu eggs are sure to catch the attention of the most discerning collectors.

    The James Collected
    The James Collected by Tara English offers a thoughtfully-curated mix of antiques, collectibles, and storied pieces chosen for their craftsmanship, character, and timeless appeal. With an eye for objects that bring warmth and depth to modern interiors, English sources pieces that feel both personal and enduring, grounding everyday spaces with a sense of history and charm.

    Photo by Christiana
    Photographer Christiana Reckling captures moments with a sense of honesty and vibrancy that feels both effortless and enduring, blending bold color, natural emotion, and a subtle sense of nostalgia to offer a fresh perspective on familiar scenes. Each photograph is produced as a signed, numbered edition on museum-grade archival paper, created with intention and an emphasis on quality over quantity, resulting in a collection designed to spark curiosity, inspire a sense of place, and bring a refined layer of color and life into everyday interiors.

    Coming Soon

    Lisa Gillette
    Lisa Gillette is a seasoned antiques dealer known for her refined selection of European furnishings and décor, sourced with a discerning eye for quality, provenance, and enduring design. Exhibiting at Market Hill in Round Top, she brings together pieces that balance history with livability, appealing to designers and collectors seeking character-driven interiors. Her approach favors authenticity, craftsmanship, and subtle sophistication, with each find selected for its ability to elevate a space while telling a story.

    ----

    Memorial Antiques & Interiors; 7026 Old Katy Road #166; Monday - Friday, 10 am-5 pm, Saturday, 11 am-4 pm.



    Memorial Antiques and Interiors Laurier Blanc

    Photo by Andy Phan

    Laurier Blanc imports oil paintings and more from Belgium.

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