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    Divine design

    Renovation of Heights home adds a touch of boho chic for new family

    Jess McBride, Houzz
    Jun 13, 2017 | 10:10 am
    Houston, Houzz Bohemian-Chic Style Home for a New Family, June 2017, gallery wall
    Across from the dining table and its wall of windows was prime real estate for a gallery wall.
    Photo by Julie Soefer

    With a new baby on the way, the Woodall family wanted a fresh makeover for their Houston home — and they knew exactly whom to call for the job. Family friend and interior designer Audrey Moore had a new baby of her own and understood the couple’s style.

    The Woodalls already loved the floor plan and character of their turn-of-the-last-century house, with its original architectural details, so no major renovation was required. The mission was to capture a bit of what Moore calls the “nomadic, bohemian vibe” that the homeowners craved.

    Houzz at a Glance
    Who lives here: Aimee Woodall, founder and owner of The Black Sheep Agency; her husband, an executive with an oil and gas company; and their newborn baby.
    Location: The Heights neighborhood of Houston.
    Size: About 2,700 square feet (251 square meters).
    Designers: Audrey Moore of Audrey Moore Design and Jana Erwin of Nest Design Group.

    Repaint Your Kitchen Cabinets for a New Look

    When Moore arrived on the scene, the walls were golden yellow and the home had an Arts and Crafts vibe. She started the project by splashing fresh white paint on the walls and repainting the moss-green kitchen cabinets in a glossy white.

    Homeowner Aimee Woodall and Moore had been searching Justina Blakeney’s popular design blog Jungalow when they saw an Indian toran valance just like the one that now hangs above the sink. They knew that the kitchen, now predominantly white, could handle the burst of color and pattern.

    The team learned that these valances are commonly used to decorate camels, so they wrangled up other camel-inspired swag to sprinkle through the rest of the home. In keeping with the multicultural influences, they purchased the kitchen runner from a Middle Eastern rug dealer.

    A vintage range with warming drawers is original to the house.

    The living room sofa was a custom order from Cisco Brothers, and the linen daybed was a custom purchase as well. Many other items in the home were purchased locally at antiques shops or home boutiques, including Georgia Brown Home, Stardust Antiques, and the Round Top Antiques Fair.

    In the center of the living room is a large metal drum used in a previous life for dying fabric in India. Moore spotted it at Georgia Brown Home and was intrigued by its story. Even the spout on the drum’s right side, where the dye drained out, was intact.

    Bring Blue and Turquoise Into Your Home

    A blue accent scheme emerged after Woodall found an indigo-dyed African tapestry and bought it with the idea that she would find a place for it in the new design. The textile ended up covering an ottoman, not pictured, and inspiring the rest of the blue additions throughout the home.

    In fact, Moore says, the team “just became obsessed with these indigos” and started collecting them, though rather unconsciously — it was always, “Oops, I bought another indigo fabric!” So they took blue and used it as their grounding hue, layering on other colors, like rich browns and the jolts of red found in some of the Turkish and Moroccan rugs.

    The floor cushion was picked up locally, and the denim wing chair was found as-is at Kuhl-Linscomb.

    Work Neutral Colors in Your Bedroom for an Earthy Feel

    In the master bedroom, swing-arm sconces illuminate the couple’s hand-embossed bed from Anthropologie. The palette is soothing whites and neutrals in earthy textures like linen and woven wood. The bench at the foot of the bed came from a local antiques store.

    No significant changes were made to the bathroom. The tiling in this space was what sold the Woodalls on the house to begin with. With the spectacular tile and the vanities already in place, attention turned to the wall space above the tub. After trying a few different art pieces, a vintage mirror from Woodall’s existing collection did the trick. A cozy vintage chenille blanket used as a shower curtain (or bathtub drape) is an unexpected touch that serves its purpose and reinforces the bohemian aesthetic.

    Something else you’ll notice here and throughout the home are cactuses galore. “Any nook and cranny that needed something, we put a cactus. We couldn’t buy enough! The house just absorbed [them],” Moore says.

    Woodall found the antique farmhouse dining table at the Round Top Antiques Fair. The vintage table is paired with new Roadhouse leather chairs by CB2, which were purchased as budget-conscious alternatives to other leather chairs the team had selected.

    With the table and chairs in place, the room still didn’t feel quite finished, so the designers added Mexican blankets to the chair backs for additional texture and warmth. Finally, to tie in the blue accents found throughout the house, a blue hutch from Round Top completes the scene.

    Across from the dining table and its wall of windows was prime real estate for a gallery wall. Since it’s the side of a staircase, it lacked symmetry and paved the way for a myriad interesting layouts. The wall is covered in art and accessories from the homeowner’s collection of vintage family photos, pieces gathered at the Round Top Antique Fair, and works commissioned from local artists. For example, the wood carving of two eyeballs is by Matt Messinger.

    Fresh white paint was splashed on the walls and moss-green kitchen cabinets were repainted glossy white.

    Houston, Houzz Bohemian-Chic Style Home for a New Family, June 2017, kitchen
    Photo by Julie Soefer
    Fresh white paint was splashed on the walls and moss-green kitchen cabinets were repainted glossy white.
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    news/home-design

    putting on the ritz

    Award-winning designer dishes on Houston's new Ritz-Carlton high-rise

    Emily Cotton
    Apr 10, 2026 | 2:33 pm
    Ritz-Carlton Residences exterior rendering
    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston
    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

    Houstonians have been long overdue for the return of a Ritz-Carlton Hotel to the city skyline — the original rebranded as The St. Regis in 1997 (reopening next year as The Houston Grand Hotel - River Oaks). Thankfully, The Ritz-Carlton Hotel and Residences is coming to 2120 Post Oak Boulevard in 2029.

    Developed by Deiso Moss and constructed by Harvey Cleary, the 45-story limestone-clad, Pickard Chilton-designed tower was loosely-based by the Art Deco-era Gulf Building downtown and is planned to feature The Ritz-Carlton Hotel, a full-service property with 156 guest rooms and suites, alongside 112 bespoke branded residences available for whole ownership.

    The Ritz-Carlton Residences will occupy floors 19 through 45, offering 13 floor plans ranging from 2,361 to 9,000-square feet of luxury living space, with prices starting at $3 million. Residents who appreciate anonymity will be pleased to know that a double-gated carport and 10-foot privacy-wall will surround the exterior approach, and each residence will have a dedicated foyer off of the elevators.

    The residences will offer all of the amenities one has come to expect from buildings of this caliber: organic materials such as the best marbles and hardwoods, top-notch appliances, private loggias pre-plumbed for outdoor kitchens and pet-stations, pools, wellness suites and spas, ballrooms, discreetly-designed outdoor barbecue areas, a golf simulator — all the creature comforts its well-heeled buyers will appreciate.

    While “Ima Hogg, Glenn McCarthy, and Dominique de Menil walk into a bar” may sound like the beginnings of a fanciful joke, acclaimed architect and interior designer Lauren Rottet cites the trio as the inspiration for the Bayou City-inspired interiors of the luxury high-rise. Rottet and her team at Rottet Studio approached the property as an expression of Houston’s layered identity. Inspired by the city’s historic post oak canopy and the green parklands along Buffalo Bayou, Rottet integrated warm woods, limestone, marble, and bronze accents to create a setting that balances contemporary luxury with a distinctly regional character.

    CultureMap spoke with Rottet during the unveiling of the development’s $5 million purpose-built private sales gallery to learn more about her inspired-design for what is already being referred to as “The Crown Jewel of Texas.”

    Conceived as a true extension of the future tower, the gallery integrates curated architectural elements and material selections consistent with those specified for the project, providing a tangible preview of the residences’ design language and finish level. Dedicated installations within the gallery highlight the private amenity collection, anchored by a discreet residential arrival experience, indoor and outdoor pools, and a comprehensive wellness program, alongside full access to the hotel’s dining, cultural, and spa offerings.

    Upon entering the gallery, prospective homeowners are met by intricately-detailed oak herringbone floors that will reside in the foyer of each residence. Agatha Black, Bardiglio, and Statuary-White marbles feature throughout the space, as well as rift-cut oak wall paneling and hand-painted linen wall coverings.

    Notably, the wall coverings are creations by Maksim Koloskov, an architect at Rottet Studio. Those familiar with the ceiling in Ralph’s Bar at The Crescent Hotel in Dallas will recognize his work. Rottet explains that having Koloskov in her employ as both an architect and artist benefits everyone: “It’s actually less expensive for the owner, it’s great for him because he makes good money, and [the artwork] is exactly what I want — it’s fabulous,” she says.

    While an abundance of wooden paneling can read as outdated or even stuffy, Rottet’s decision to implement rift-cuts allows for a contemporary flair that will remain decidedly timeless. Flat-cutting is what gives traditional paneling that knotty, heart-plagued characteristic which tends to turn people off from it — a quality that is conspicuously absent from the oak paneling being cut for the Ritz-Carlton.

    “It’s interesting,” muses Rottet. “People love wood, but they don’t want a lot of character and nature in the wood. This is very much contemporary. Although this looks, in a sense, old world or traditional, it’s a little quieter. It’s still wood, it’s still beautiful, but it’s not as busy or older looking.”

    Some buyers may wonder, with such an abundance of oak used in the building — herringbone installations, six-foot planks, and floor-to-ceiling paneling — what’s the environmental impact?

    “Oak is a very sustainable wood,” explains Rottet. “The mahoganies and some of the other woods are a little less forest-friendly. This oak is forested well, and this is all a sustainable oak — it’s all from the right farms.”

    Rottet has designed the bulk of the furnishings for the space, as she will for the hotel and residential shared spaces like the library — some bespoke, some from her private line, and lighting from her collection with Visual Comfort. The sofas and rugs in the library and opposite concierge space were designed with movement in mind — think sleek curvature and varying degrees of height. Rottet explains that these common spaces are all about “being alone, together.”

    “These rooms are about wrapping you, cradling you, and making you feel comfortable; not just a straight, hard edge,” says Rottet. “It’s loosely of the bayou, of the land, of the water. Houston is very languid and fluid. Houston has a more New Orleans climate than a Texas climate, so I like to think of the flowing spaces and the water. A lot of the design I do — and particularly here — has to do with visual movement. I don’t like for an interior space to feel static. That’s why this is so free and open, and beautiful. I’m always doing things to make it feel visually active.”

    The residences are available in three different style and material packages, and Rottet is happy to help provide a turnkey design if a buyer chooses to have her finish out their space entirely. After designing 55 hotels, who better? With stunning Art Deco architecture, luxuriously-timeless interiors, plus elegant green spaces, Rottet says it best of all: “There will be newer buildings in Houston, but there will never be a better one.”

    Sales are being conducted by private appointment through Redeavor Group. To learn more about the project, please visit rcresidenceshouston.com.

    Ritz-Carlton Residences exterior rendering

    Rendering courtesy of The Boundary/Ritz-Carlton Residences Houston

    The Ritz-Carlton Hotel and Residences will debut in the fall of 2029.

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