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    Green Thumb

    5 easy-to-grow succulents that make great houseplants

    Marianne Lipanovich , Houzz
    Feb 20, 2018 | 4:57 pm
    Houzz, Favorite Succulents to Grow Indoors, February 2018
    Hens-and-chicks do well in the temperatures and lower humidity levels of most homes.
    Photo courtesy of Modern Tokyo, Houzz

    Succulents are making a splash as indoor container plants. An increasing number of what were once considered dry-climate outdoor succulents can now be found taking center stage inside the home, thanks to their love of dry, warm climates and tolerance for a little neglect.

    If you’d like to start your own indoor succulent garden — and have an area that receives hours of bright, direct sunlight — here are five choices that are likely to thrive.

    1. Medicinal Aloe (Aloe vera)
    Also known as Barbados aloe, medicinal aloe can do double duty as both an easy-care houseplant and a go-to source for soothing bites, inflammation, and burns, especially sunburns.

    It has stiff, upright leaves that grow in a clump-like, rosette form. Look for hybrids that will stay small for indoor display.

    Care: Plant in well-draining soil and place in a spot that gets bright, indirect light. A south-facing window is ideal, but they’ll also do well in a east- or west-facing location. They do best in indoor temperatures of 55 to 80 degrees Fahrenheit.

    Water every three weeks or so, or when the soil is dry from one to two inches deep, and let drain thoroughly; the plant should never sit in water. Water less in the winter. Feed with a balanced fertilizer at half-strength every month to six weeks in spring and summer to encourage growth.

    Caution: While aloe is great as an external lotion, it shouldn’t be ingested by humans or pets — the symptoms can be unpleasant to toxic.

    2. Donkey Tail (Sedum morganianum)
    Donkey tail, also called burro’s tail, was made for hanging containers. The stems are lined with tightly packed, fat, gray-green leaves that can reach four feet in length, giving the plant its common name. Use it as a single plant or let it drape over the edges of a mixed container. S. burrito, sometimes sold as S. Burro, is slightly fatter, while the giant donkey tail, which may be sold as S. orpetti, has slightly shorter stems with thicker leaves.

    Because donkey tail stores water in its leaves, choose a sturdy container and hang it securely so its weight won’t be a problem.

    Care: Choose a well-draining, neutral-to-slightly acidic soil, and place the container in a spot where it will get at least four to six hours of bright light, such as a sunny south- or west-facing window. It does best in temperatures between 65 to 75 degrees Fahrenheit in summer and temperatures down to 55 degrees in winter. You can also provide a little less light during the winter months.

    Let the soil dry out between waterings, then water thoroughly and let the soil drain completely. Cut back slightly on watering in winter. Feed monthly with a half-strength balanced fertilizer in spring and summer.

    Tip: The stems of donkey tail break off easily, so keep your plant where it will be safe from being accidentally brushed against.

    3. Hens-and-Chicks (Sempervivum spp.)
    It’s not surprising that hens-and-chicks, or houseleeks, have made the transition from cold-hardy outdoor succulents to indoor succulent garden star. They do well in the temperatures and lower humidity levels of most homes, and you can easily mix them in a container garden with other succulents or show them off on their own.

    Thanks to the growing number of hybrids, in addition to the familiar species, you can now find hens-and-chicks in a wide range of colors, from red and maroon to chartreuse, blue, and purple.

    Care: Give these mountain-area natives fast-draining soil and at least six hours of bright, direct sunlight. Their color may fade with less light. They do best in temperatures from 65 to 75 degrees Fahrenheit during the day but can handle very cold temperatures at night.

    Water sparingly, allow the container to drain completely, and let the soil dry out between waterings (water again if the plant shows signs of shriveling). Feed with a balanced water-soluble fertilizer at one-quarter strength four times during spring and summer.

    The mother plant will die off in four to six years, but you can easily repot the “chicks” once they appear to start new plants.

    Tip: Echeveria elegans and echeveria hybrids are also sold as hens-and-chicks. They’re very similar in looks and can be given the same care.

    4. Jade Plant (Crassula ovata)
    You might bring a jade plant into your home as a small houseplant, but give it the right conditions and you’ll end up with a striking, 4-foot-tall, treelike houseplant with glossy, plump green leaves and a thick, sturdy trunk and stems. These qualities, along with its easy-to-care-for nature, are the reason jade plants remain a popular houseplant choice.

    Care: Choose a wide and sturdy pot, as their tree-like canopy makes them top-heavy. Use a well-draining potting mix and place in a spot that gets at least four hours of sunlight; a south-facing window is ideal. Jade plants with variegated leaves will need less light. Keep out of drafts and away from cold windows in winter. They grow best in temperatures from 65 to 75 degrees Fahrenheit, with temperatures as low as 50 to 55 degrees Fahrenheit in winter.

    Water thoroughly about once or twice a month, when the top soil is dry to the touch, making sure the water drains well and the plant isn’t sitting in water. Cut back somewhat in winter. Wrinkled leaves indicate under-watering.

    Feed every other month with a balanced water-soluble fertilizer at half-strength, adding it when the soil is wet to encourage growth, though you can get by with less. Wipe leaves with water and a soft cloth to keep them dust-free.

    Tip: Look for slightly smaller growers, such as C. ovata "Minima" or C. ovata "Crosby’s Dwarf."

    5. Zebra Plant (Haworthiopsis fasciata, Haworthia fasciata)
    The zebra plant may not be big, usually only reaching about 6 inches tall, but what it lacks in size it makes up for in style. Its rigid, triangular, 3-inch-long leaves, which grow upright out of the plant’s center, are smooth and green on the inside and marked by raised white edges on the outer side, giving this succulent its common name. The zebra plant’s small size and tolerance for the lower humidity levels found indoors have led to its popularity as a houseplant. Show it off by itself or mix it in with other succulents.

    Care: Plant in well-draining soil and place in a spot that gets bright sunlight for most of the day, such as a south- or east-facing location. A little more sunlight will add a pleasing orangish-red tint to the leaves. If the plant gets too much sun, the leaves will turn white or yellow. It handles normal indoor temperatures from 65 to 80 degrees Fahrenheit.

    Water when the soil dries out from spring to fall, taking care that the leaves don’t get wet. In winter, cut back and water when the leaves start to appear wilted. Feed with a diluted balanced liquid fertilizer once a month from spring to fall.

    Tip: H. attenuata, also sold as zebra plant, has white bumps on the inner leaf surface as well as the outer bands of white. It also will grow a little taller. Grow it indoors as you would zebra plant.

    The zebra plant may not be big, usually only reaching about 6 inches tall, but what it lacks in size it makes up for in style.

    Houzz, Favorite Succulents to Grow Indoors, February 2018
    Photo courtesy of Nadja Endler | Photography, Houzz
    The zebra plant may not be big, usually only reaching about 6 inches tall, but what it lacks in size it makes up for in style.
    houzz
    news/home-design

    honoring the past

    Houston museum's new project preserves historic Freedmen's Town bricks

    Emily Cotton
    Jun 19, 2026 | 12:00 pm
    Freedmen's Town Rebirth in Action pavilion rendering
    Rendering courtesy of Studio Zewde
    Rebirth in Action is set to open in 2027.

    As Houstonians come together to celebrate Juneteenth, it’s jarring to think that this day of celebration has only been a federally-recognized holiday since 2021. After all, it was in 1865 that U.S Major General Gordon Granger arrived in Galveston on June 19 to enforce the Emancipation Proclamation of 1863. After this event many formerly enslaved Black Americans made their way to Houston, establishing what is now Houston’s very first Heritage District, known as Freedmen’s Town.

    Now, the robust Houston Freedmen’s Town Conservancy, in partnership with the Contemporary Arts Museum Houston, and Mount Horeb Church, are working with the City of Houston on a long overdue project, Rebirth in Action, to honor this historic site. Designed by artist Theaster Gates in partnership with landscape architect Sara Zewde, the monumental pavilion will temporarily house more than 20,000 historic bricks previously removed and preserved from Houston’s Freedmen’s Town. Houston Mayor John Whitmire attended the groundbreaking, which took place last month.

    While many people recognize Galveston as the site of the first Juneteenth celebrations, both of those took place on January 1, to honor the Emancipation Proclamation. However, recent research by Mary Gibbs Jones Professor of Humanities at Rice University W. Caleb McDaniel, has uncovered that the first official Juneteenth celebration was led by two ministers, Sandy Parker and Elias Dibble, right in Freedmen’s Town in 1866. McDaniel’s fascinating article will appear in the next issue of the Journal of Texas History.

    Freedmen’s Town, established in 1865 by over 1,000 newly-free Black Houstonians following Juneteenth, has significantly dwindled in recent years due to systematic reductions in resources, despite its initial 500+ historic structures, including churches, schools, and cultural institutions. Rebirth in Action aims to preserve and promote the neighborhood as a monument of Black community, agency, and heritage.

    “The work of the Contemporary Arts Museum Houston is to utilize our museum as a platform for resources sharing; a platform for unearthing new conversations around gems in our city that are also right down the street,” explains Ryan Dennis, co-director and chief curator for the Contemporary Arts Museum Houston. “Artists have different practices and artists like Theaster [Gates] can really help understand preservation conditions and needs of community, revitalization, and bringing resources together to better serve a neighborhood and realize optimal benefits, particularly antiquities like the bricks in Freedman’s Town that have been taken out of the neighborhood, displaced in other areas of Houston, and not in the home where they were originally created, paid for, and laid down in (by formerly enslaved individuals), which is Freedmen’s Town.”

    The first phase of Rebirth in Action involved artistic activations (including Gates’ exhibition The Gift and The Renege in 2024), artist residencies, community and stakeholder meetings, and the identification, cataloging, and preservation of over 20,000 historic bricks. The pavilion will encourage public viewing of these historic bricks and serve as a hub for engagement with the history, cultural significance, and future of Freedmen’s Town. Additionally, Hines Architecture + Design will rehabilitate three row houses into an adjoining community center.

    “I think the whole project is one that’s quite interesting, useful, and productive. I think it’s important for us to think about how we can use our resources to accomplish the things that build collective wellness — right? Wellness in the space of really preserving our communities that have been disinvested in, elevating the real gems of our city,” says Dennis. “We can do that through collaborations and partnerships; we are much stronger when we can do that with others, versus by ourselves, and I think this project really speaks to that ethos.”

    Phase Two has been made possible by Mount Horeb Church’s continued stewardship of both land and existing historic structures in Freedmen’s Town. The project will include an arts pavilion and community green space designed by Sara Zewde, with an installation by renowned artist Theaster Gates, plus three historic structures redesigned and restored by Daimian Hines Architecture + Design for adaptive reuse as a food pantry and community garden, after-school programming, and senior services for Mount Horeb Church, who will guide programming and operations.

    The art installation will display the original Freedmen’s Town bricks that once lined the streets, giving visitors a chance to experience their significance firsthand. Working with the City of Houston and the North Houston Highway Improvement Program that will reconnect Freedmen’s Town to downtown, Phase Three will see these bricks returned to the streets in a pedestrian promenade capacity. Subsequently, the pavilion will showcase rotating artist activations.

    “The Brick Pavilion for Freedmen’s Town is a project that is deeply resonant for me,” shares Gates. “In part, because there are several opportunities to cultivate community and institutional trust, to create an additional neighborhood heart, and to invest in more beauty for this hugely important district of Houston.”

    Landscape architect Sara Zewde's pavilion, gardens, and landscape design will help centralize all facets of Rebirth in Action, creating a community hub: “Studio Zewde's collaboration with Theaster Gates began with a shared belief that the future of Freedmen's Town must be rooted in the wisdom of the community that built it,” she writes in an email. “The pavilion and landscape draw inspiration from the neighborhood's tradition of shared backyards that connected the community across property lines. The project builds on this inheritance by forming a shared landscape at the center of the sacred bricks and their pavilion, the restored row houses, the Freedmen's Town Conservancy Visitor Center, and Mount Horeb Baptist Church.”

    Architect Daimian Hines credits Reverend Dr. Smith of Mount Horeb Church for the continued stewardship of the land and notes that Dr. Smith oftentimes remarks that the holding of the land has been a form of resistance, the act of holding the land keeping outsiders from contributing to the erasure of Freedmen’s Town and its history.

    “The fact that these three houses, and more in the community, that these post-emancipation structures still exist, it wasn’t for a lack of community pressure. It was a combination of efforts by folks like Dr. Smith, who were resisting [gentrification] through ownership,” explains Hines.

    “Some of the ownership of some of these properties are so complex, it was difficult for potential buyers [developers] to actually get ownership of some of these structures—I consider that sheer luck.”

    Hines worked closely with the Houston Archeological and Historic Commission to propose rehabilitating, modifying, and even relocating the row houses a mere 15 feet. The gabled, cottage-style row houses date back to the late 19th century. These post-emancipation row houses were built by formerly-enslaved, new residents of Houston.

    “We wanted to think through: ‘what was the original story, how did the front of the houses and the back of these structures — what role did they play in day-to-day life?’ We were able to make some strategic moves to bring that to the forefront again,” Hines says. “The Rebirth in Action project and the houses are part of a broader preservation goal within the community to not just preserve, but to reuse either for housing, or — in this case — adaptive reuse as a community space.”

    Hines notes that one of the row houses is of double-door configuration. This typology signifies that it was most likely a boarding house in its prime, a time when Black Americans weren’t welcome in downtown hotels. The two front doors let travelers know that they were welcome to rent a safe place to stay. Together, the three row houses will offer approximately 3,200-3,600 square feet of space, plus a large back porch that will face the pavilion.

    As resources were often few and far between in post-emancipation Freedmen’s Town, the cladding on row houses was patchwork in appearance, as purchasing gaps meant that continuing on with the same materials was unlikely. Regardless, these homes were remarkably well constructed, with solid wood, wooden dowels, and shiplap interior walls. These construction methods, along with allowances for airflow, contributed significantly to their preservation.

    “The one thing about these structures is, that as robust as they are, they have taken a beating,” says Hines. “The actual wood, the detailing, a lot of that has been lost, but these structures tell a story. This is a project I knew I wanted to be personally involved in, and my firm. [The structures] will be able to continue telling a story and play an active role in that community, and that’s why I’m excited.”

    Freedmen's Town Rebirth in Action pavilion rendering

    Rendering courtesy of Studio Zewde

    Rebirth in Action is set to open in 2027.

    museumscontemporary art museum houstonfreedmen's townvisual-art
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