Spring break was in full effect this week on the NRG campus as amiable chamber of commerce weather blew through Houston. The grounds are experiencing a bit of an adrenaline hangover after this week’s run of Los Tigres Del Norte, Whiskey Myers, Bun B’s All-American Takeover, and Nickelback pulling in nearly 286,000 into NRG Stadium alone. Which makes the 70,095 people who showed up for tonight’s performance by Zac Brown Band seem relatively paltry.
We’ve talked a lot about attendance records lately in the modern rodeo era this week and the RodeoHouston website’s attendance logs are endlessly fascinating. Like, what happened in 2001 with only 1,382,183 people? Y’all had Destiny's Child, Diana Ross, Brooks & Dunn, and Duran Duran. According to a report at the time, low attendance was blamed on construction and traffic, presumably the construction of Reliant Stadium off Kirby and the METRORail taking shape off Fannin caused mild havoc.
It sounds awfully precious to say that the Zac Brown Band is the most jam band adjacent act that RodeoHouston will see, barring an appearance by the Dave Matthews Band which wouldn’t be too far-fetched if they stuck to compact versions of the hits. Full-scale Zac Brown Band shows are a much different beast, full of extended instrumental jams and even more adventurous covers in the mix. That’s not to say that ZBB shows at RodeoHouston are lacking, but the band on the open road with two and half hours or a venue curfew ahead of them as opposed to 45 minutes on the dirt are so very different.
Thursday night’s ZBB set started with a jaunty bluegrass-injected “Knee Deep” after the briefest of delays. Hey, there’s nine people in the band these days, including the recent induction of multi-instrumentalist Caroline Jones. She’s added another dimension to ZBB’s burlier output. “As She’s Walking Away” and its interlocking harmonies benefited the most from Jones’ touch.
The first cover of the night was the Rolling Stones’ “Paint It Black” in southern-rock goth drag. The ZBB’s island-hopping “Toes” at one time had the band nearly-anointed as the next coming of Jimmy Buffett and the Coral Reefer Band, that is until Kenny Chesney made a sandy heel turn and hit the beach.
“We wanna do one for the cowboys,” said Brown, clad in his best honky tonk bouncer garb, plucking his way into Garth Brooks’ “Much Too Young (To Feel This Damn Old)”. The ZBB has always excelled at being the affable jukebox band at RodeoHouston. It wasn’t too long ago that they covered Metallica’s “Enter Sandman”, Allman Brothers’ “Whipping Post”, and Van Halen’s “Panama” in this same spot.
Brown welcomed country-blues guitar slinger Marcus King onstage to slather some stadium-sized slide guitar on top of “Colder Weather” which — naturally — transitioned into the Eagles’ “Take it The Limit”.
King himself has an highly-anticipated Rick Rubin-produced album dropping on April 5. The first singles show King leaning into Americana and lush R&B with a specific fervor. He would be a welcome addition to my dream RodeoHouston 2025 bill, which already features a three-hour Billy Strings Saturday afternoon matinee.
We’re heading into the RodeoHouston homestretch with the Jonas Brothers on Friday night, Brad Paisley on Saturday afternoon, and Eric Church sending us home on Sunday after brunch.
Setlist
Knee Deep
Keep Me in Mind
As She’s Walking Away
No Hurry
Paint It Black
Toes
Much Too Young To Feel This Damn Old
Free / Into The Mystic
Lovin You Is Easy
Homegrown
Same Boat
Colder Weather >> Take it To The Limit (with Marcus King)
America, The Beautiful >> Chicken Fried
Courtesy of the Houston Livestock Show & Rodeo
